Maenad
Encyclopedia
In Greek mythology
, maenads (Ancient Greek
: μαινάδες, mainádes) were the female followers of Dionysus
(Bacchus in the Roman pantheon), the most significant members of the Thiasus
, the god's retinue. Their name literally translates as "raving ones". Often the maenads were portrayed as inspired by him into a state of ecstatic frenzy, through a combination of dancing and drunken intoxication. In this state, they would lose all self-control, begin shouting excitedly, engage in uncontrolled sexual behavior, and ritual
istically hunt down and tear to pieces animals — and, in myth at least, sometimes men and children — devouring the raw flesh. During these rites, the maenads would dress in fawn skins and carry a thyrsus
, a long stick wrapped in ivy or vine leaves and tipped by a cluster of leaves; they would weave ivy-wreaths around their heads, and often handle or wear snakes. German philologist Walter Friedrich Otto
writes that
The maddened Hellenic women of real life were mythologized
as the mad women who were nurses of Dionysus in Nysa
: Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements dropped to the ground from the hands of one and all,as the murderous Lycurgus struck them down with his ox-goad." They went into the mountains at night and practised strange rites.
In Macedon
, according to Plutarch
's Life of Alexander, they were called Mimallones and Klodones, epithets derived from the feminine art of spinning wool; nevertheless, these warlike parthenoi ("virgins") from the hills, associated with a shamanic Dionysios pseudanor, routed an invading enemy. In southern Greece they were described as Bacchae, Bassarides, Thyia
des, Potniades and given other epithets.
The maenads were also known as Bassarids (or Bacchae or Bacchantes) in Roman mythology
, after the penchant of the equivalent Roman god, Bacchus, to wear a fox
-skin, a bassaris.
In Euripides
' play The Bacchae
, Theban maenads murdered King Pentheus
after he banned the worship of Dionysus. Dionysus, Pentheus' cousin, himself lured Pentheus to the woods, where the maenads tore him apart. His corpse was mutilated by his own mother, Agave
, who tore off his head, believing it to be that of a lion.
A group of maenads also killed Orpheus
.
In Greek vase painting, the frolicking of maenads and Dionysus is often a theme depicted on Greek krater
s, used to mix water and wine. These scenes show the maenads in their frenzy running in the forests, often tearing to pieces any animal they happen to come across.
s who nurse and care for the young Dionysus, and continue in his worship as he comes of age. The god Hermes is said to have carried the young Dionysus to the nymphs of Nysa.
In another myth, when his mother, Semele, is killed, the care of young Dionysus falls into the hands of her sisters, Ino, Agave, and Autonoe, who later are depicted as participating in the rites and taking a leadership role among the other maenads.
spying on them, dressed as a maenad, they tear him limb from limb.
This also occurs with the three daughters of Minyas, who reject Dionysus and remain true to their household duties, becoming startled by invisible drums, flutes, cymbals, and seeing ivy hanging down from their looms. As punishment for their resistance, they become madwomen, choosing the child of one of their number by lot and tearing it to pieces, as the women on the mountain did to young animals. A similar story with a tragic end is told of the daughters of Proetus.
The foundation myth is believed to have been reenacted every other year during the Agronia. Here the women of Thebes were organized into three dance groups and rushed off to Mount Cithaeron with ritual cries of "to the mountain!" As "mad women," they pursued and killed, perhaps by dismemberment (sparagmos), the 'king', possibly represented by a goat. The maenads may have eaten the meat of the goat raw (omophagia) or sacrificed it to Dionysus. Eventually the women would be freed from the madness and return to Thebes and their usual lives, but for the time of the festival they would have had an intense ecstatic experience. The Agrionia was celebrated in several Greek cities, but especially in Boeotia. Each Boeotian city had its own distinct foundation myth for it, but the pattern was much the same: the arrival of Dionysus, resistance to him, flight of the women to a mountain, the killing of Dionysus’ persecutor, and eventual reconciliation with the god.
, and eating its flesh raw, an act called omophagia
. This latter rite was a sacrament akin to communion in which the participants assumed the strength and character of the god by symbolically eating the raw flesh and drinking the blood of his symbolic incarnation. Having symbolically eaten his body and drunk his blood, the celebrants became possessed by Dionysus.
According to Opian, Dionysus delighted, as a child, in tearing kids into pieces and bringing them back to life again. He is characterized as "the raging one", and "the mad one", and the nature of the maenads, from which they get their name, is, therefore, his nature.
Once during a war in the middle of the third century BC, the entranced Thyiades (maenads) lost their way and arrived in Amphissa, a city near Delphi. There they sank down exhausted in the market place and were overpowered by a deep sleep. The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested.
On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party. The clothing of the men who took part in the rescue froze solid. It is unlikely that the Thyiades, even if they wore deerskins over their shoulders, were ever dressed more warmly than the men.
In addition to Euripedes' The Bacchae, depictions of maenads are often found on both red and black figure Greek pottery, statues and jewellery. Also, fragments of reliefs of female worshippers of Dionysus have been discovered at Corinth. Mark W. Edwards in his paper "Representation of Maenads on Archaic Red-Figure Vases" traces the evolution of maenad's depictions on Red-Figure vases. Edwards distinguishes between "nymphs" which appear earlier on Greek pottery and "maenads" which are identified by their characteristic fawnskin or "nebris" and often carrying snakes in their hands. However, the actions of the figures on the pottery Edwards does not consider a distinguishing characteristic for differentiation between Maendas and nymphs. Rather, the differences or similarities in actions are more striking between black-figure and red-figure pottery as opposed to maenads and nymphs.
's poem, Ode to the West Wind
.
The Bassarids
(composed 1964-65, premiere 1966), to a libretto by W. H. Auden
and Chester Kallman
, is the most famous opera composed by Hans Werner Henze
.
Maenads, along with Bacchus
and Silenus
, appear in C.S. Lewis' Prince Caspian
. They are portrayed as wild, rambunctious young children who dance and perform somersaults.
Maenads are the primary symbol of the city of Tetovo
depicted prominently of the city's coat of arms
. The inclusion of maenad imagery dates to 1932, when a small 6th-century BC statuette of a maenad was found within the city. The "Tetovo Maenad" was also featured on the reverse side of the Macedonian
5000 denars
banknote issued in 1996.
In Fables and Reflections, the seventh volume of Neil Gaiman
's comic series The Sandman, the maenads feature in the story Orpheus, in which they gruesomely murder the titular character
after he refuses to cavort with them (echoing the events of the actual Greek myth of Orpheus).
Charlaine Harris
' The Southern Vampire Mysteries
series of novels and its television adaption, the HBO series True Blood
(2nd season, aired in summer 2009), feature maenads in the characters of Callisto and her television representation, Maryann, respectively. In the show, Maryann wishes to sacrifice a supernatural being (Sam Merlotte) in hopes of summoning her god, Dionysus
.
In the Buffy the Vampire Slayer
novel Go Ask Malice: A Slayer's Diary, maenads are depicted as corrupted human beings in service of the ancient and powerful Greek vampire Kakistos, whose name means in Greek "the worst", the natural superlative of kakos meaning "bad".
Greek mythology
Greek mythology is the body of myths and legends belonging to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They were a part of religion in ancient Greece...
, maenads (Ancient Greek
Ancient Greek
Ancient Greek is the stage of the Greek language in the periods spanning the times c. 9th–6th centuries BC, , c. 5th–4th centuries BC , and the c. 3rd century BC – 6th century AD of ancient Greece and the ancient world; being predated in the 2nd millennium BC by Mycenaean Greek...
: μαινάδες, mainádes) were the female followers of Dionysus
Dionysus
Dionysus was the god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. His name in Linear B tablets shows he was worshipped from c. 1500—1100 BC by Mycenean Greeks: other traces of Dionysian-type cult have been found in ancient Minoan Crete...
(Bacchus in the Roman pantheon), the most significant members of the Thiasus
Thiasus
In Greek mythology and religion, the thiasus , was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession...
, the god's retinue. Their name literally translates as "raving ones". Often the maenads were portrayed as inspired by him into a state of ecstatic frenzy, through a combination of dancing and drunken intoxication. In this state, they would lose all self-control, begin shouting excitedly, engage in uncontrolled sexual behavior, and ritual
Ritual
A ritual is a set of actions, performed mainly for their symbolic value. It may be prescribed by a religion or by the traditions of a community. The term usually excludes actions which are arbitrarily chosen by the performers....
istically hunt down and tear to pieces animals — and, in myth at least, sometimes men and children — devouring the raw flesh. During these rites, the maenads would dress in fawn skins and carry a thyrsus
Thyrsus
In Greek mythology, a thyrsus or thyrsos was a staff of giant fennel covered with ivy vines and leaves, sometimes wound with taeniae and always topped with a pine cone. These staffs were carried by Dionysus and his followers. Euripides wrote that honey dripped from the thyrsos staves that the...
, a long stick wrapped in ivy or vine leaves and tipped by a cluster of leaves; they would weave ivy-wreaths around their heads, and often handle or wear snakes. German philologist Walter Friedrich Otto
Walter Friedrich Otto
Walter Friedrich Gustav Hermann Otto was a German classical philologist particularly known for his work on the meaning and legacy of Greek religion and mythology, especially as represented in his seminal 1929 work The Gods of Greece.-Life:Walter F...
writes that
The maddened Hellenic women of real life were mythologized
Mythology
The term mythology can refer either to the study of myths, or to a body or collection of myths. As examples, comparative mythology is the study of connections between myths from different cultures, whereas Greek mythology is the body of myths from ancient Greece...
as the mad women who were nurses of Dionysus in Nysa
Nysa (mythology)
In Greek mythology, the mountainous district of Nysa, variously associated with Ethiopia, Libya, Tribalia, India or Arabia by Greek mythographers, was the traditional place where the rain nymphs, the Hyades, raised the infant god Dionysus, the "Zeus of Nysa"...
: Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements dropped to the ground from the hands of one and all,as the murderous Lycurgus struck them down with his ox-goad." They went into the mountains at night and practised strange rites.
In Macedon
Macedon
Macedonia or Macedon was an ancient kingdom, centered in the northeastern part of the Greek peninsula, bordered by Epirus to the west, Paeonia to the north, the region of Thrace to the east and Thessaly to the south....
, according to Plutarch
Plutarch
Plutarch then named, on his becoming a Roman citizen, Lucius Mestrius Plutarchus , c. 46 – 120 AD, was a Greek historian, biographer, essayist, and Middle Platonist known primarily for his Parallel Lives and Moralia...
's Life of Alexander, they were called Mimallones and Klodones, epithets derived from the feminine art of spinning wool; nevertheless, these warlike parthenoi ("virgins") from the hills, associated with a shamanic Dionysios pseudanor, routed an invading enemy. In southern Greece they were described as Bacchae, Bassarides, Thyia
Thyia
According to a quotation from Hesiod's lost work Eoiae or Catalogue of Women, preserved in the De Thematibus of Constantine Porphyrogenitus, Thyia was the daughter of Deucalion and Pyrrha and mother of Magnes and Makednos by Zeus.In the Delphic tradition, Thyia was also the naiad of a spring on...
des, Potniades and given other epithets.
The maenads were also known as Bassarids (or Bacchae or Bacchantes) in Roman mythology
Roman mythology
Roman mythology is the body of traditional stories pertaining to ancient Rome's legendary origins and religious system, as represented in the literature and visual arts of the Romans...
, after the penchant of the equivalent Roman god, Bacchus, to wear a fox
Fox
Fox is a common name for many species of omnivorous mammals belonging to the Canidae family. Foxes are small to medium-sized canids , characterized by possessing a long narrow snout, and a bushy tail .Members of about 37 species are referred to as foxes, of which only 12 species actually belong to...
-skin, a bassaris.
In Euripides
Euripides
Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him but according to the Suda it was ninety-two at most...
' play The Bacchae
The Bacchae
The Bacchae is an ancient Greek tragedy by the Athenian playwright Euripides, during his final years in Macedon, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included Iphigeneia at Aulis, and which...
, Theban maenads murdered King Pentheus
Pentheus
In Greek mythology, Pentheus was a king of Thebes, son of the strongest of the Spartes, Echion, and of Agave, daughter of Cadmus, the founder of Thebes, and the goddess Harmonia....
after he banned the worship of Dionysus. Dionysus, Pentheus' cousin, himself lured Pentheus to the woods, where the maenads tore him apart. His corpse was mutilated by his own mother, Agave
Agave (mythology)
In Greek mythology, Agave was the daughter of Cadmus, the king and founder of the city of Thebes, Greece, and of the goddess Harmonia. Her sisters were Autonoë, Ino and Semele, and her brother was Polydorus. She married Echion, one of the five Spartoi, and was the mother of Pentheus, a king of...
, who tore off his head, believing it to be that of a lion.
A group of maenads also killed Orpheus
Orpheus
Orpheus was a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music; his attempt to retrieve his wife from the underworld; and his death at the hands of those who...
.
In Greek vase painting, the frolicking of maenads and Dionysus is often a theme depicted on Greek krater
Krater
A krater was a large vase used to mix wine and water in Ancient Greece.-Form and function:...
s, used to mix water and wine. These scenes show the maenads in their frenzy running in the forests, often tearing to pieces any animal they happen to come across.
Categories
Nurses and nymphs
The name maenad has come to be associated with a wide variety of women, supernatural, mythological, and historical, associated with the god Dionysus and his worship. In the realm of the supernatural is the category of nymphNymph
A nymph in Greek mythology is a female minor nature deity typically associated with a particular location or landform. Different from gods, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing;...
s who nurse and care for the young Dionysus, and continue in his worship as he comes of age. The god Hermes is said to have carried the young Dionysus to the nymphs of Nysa.
In another myth, when his mother, Semele, is killed, the care of young Dionysus falls into the hands of her sisters, Ino, Agave, and Autonoe, who later are depicted as participating in the rites and taking a leadership role among the other maenads.
Resisters to the new religion
The term 'maenad' is also used to refer to a category of women in the mythology who resist the worship of Dionysus, and are therefore driven mad by him, being forced against their will to participate in often horrific rites. The doubting women of Thebes, the prototypical maenads, or 'mad women', left their homes to live in the wilds of the nearby mountain Cithaeron. When they discover PentheusPentheus
In Greek mythology, Pentheus was a king of Thebes, son of the strongest of the Spartes, Echion, and of Agave, daughter of Cadmus, the founder of Thebes, and the goddess Harmonia....
spying on them, dressed as a maenad, they tear him limb from limb.
This also occurs with the three daughters of Minyas, who reject Dionysus and remain true to their household duties, becoming startled by invisible drums, flutes, cymbals, and seeing ivy hanging down from their looms. As punishment for their resistance, they become madwomen, choosing the child of one of their number by lot and tearing it to pieces, as the women on the mountain did to young animals. A similar story with a tragic end is told of the daughters of Proetus.
Voluntary revelers
Not all women were inclined to resist the call of Dionysus, however. Maenads, possessed by the spirit of Dionysus, traveled with him from Thrace to mainland Greece in his quest for the recognition of his divinity. Dionysus was said to have danced down from Parnassos accompanied by Delphic virgins, and it is known that even as young girls the women in Boeotia practiced not only the closed rites but also the bearing of the thyrsos and the dances.The foundation myth is believed to have been reenacted every other year during the Agronia. Here the women of Thebes were organized into three dance groups and rushed off to Mount Cithaeron with ritual cries of "to the mountain!" As "mad women," they pursued and killed, perhaps by dismemberment (sparagmos), the 'king', possibly represented by a goat. The maenads may have eaten the meat of the goat raw (omophagia) or sacrificed it to Dionysus. Eventually the women would be freed from the madness and return to Thebes and their usual lives, but for the time of the festival they would have had an intense ecstatic experience. The Agrionia was celebrated in several Greek cities, but especially in Boeotia. Each Boeotian city had its own distinct foundation myth for it, but the pattern was much the same: the arrival of Dionysus, resistance to him, flight of the women to a mountain, the killing of Dionysus’ persecutor, and eventual reconciliation with the god.
Priestesses of Dionysus
In this category of 'maenad' is found the later references to priestesses of the Dionystic cult. In the third century BC, when an Asia Minor city wanted to create a maenadic cult of Dionysus, the Delphic Oracle bid them to send to Thebes for both instruction and three professional maenads, stating, "Go to the holy plain of Thebe so that you may get maenads who are from the family of Ino, daughter of Cadmus. They will give to you both the rites and good practices, and they will establish dance groups (thiasoi) of Bacchus [ie: Dionysus] in your city."Other groups
The names of other associations of women who can be characterized as maenads are the Laphystiai, the Dionysiades, the Leucippides, the Bassarai, the Dysmainai, the Klodones, and the Mimallones. The memory of the Thyiades and of their cymbals, which people thought they heard, was still alive in the vicinity of Mt. Parnassos at the beginning of [the 20th] century. For the peasants the Thyiades had become Neraides, ghost women, of whom folk stood in awe believing that they possessed a power which Dionysus himself possessed.Bacchanalia
Cultic rites associated with worship of the Greek god of wine, Dionysus (or Bacchus in Roman mythology), were allegedly characterized by maniacal dancing to the sound of loud music and crashing cymbals, in which the revellers, called Bacchantes, whirled, screamed, became drunk and incited one another to greater and greater ecstasy. The goal was to achieve a state of enthusiasm in which the celebrants’ souls were temporarily freed from their earthly bodies and were able to commune with Bacchus/Dionysus and gain a glimpse of and a preparation for what they would someday experience in eternity. The rite climaxed in a performance of frenzied feats of strength and madness, such as uprooting trees, tearing a bull (the symbol of Dionysus) apart with their bare hands, an act called sparagmosSparagmos
Sparagmos refers to an ancient Dionysian ritual in which a living animal, or sometimes even a human being, would be sacrificed by being dismembered, by the tearing apart of limbs from the body. Sparagmos was frequently followed by omophagia...
, and eating its flesh raw, an act called omophagia
Omophagia
Omophagia, or omophagy is the eating of raw flesh. The term is of importance in the context of the cult worship of Dionysus....
. This latter rite was a sacrament akin to communion in which the participants assumed the strength and character of the god by symbolically eating the raw flesh and drinking the blood of his symbolic incarnation. Having symbolically eaten his body and drunk his blood, the celebrants became possessed by Dionysus.
Myths
Dionysus came to his birthplace, Thebes, where neither Pentheus, his cousin who was now king, nor Pentheus’ mother Agave, Dionysus’ aunt (Semele’s sister) acknowledged his divinity. Dionysus punished Agave by driving her insane, and in that condition, she killed her son and tore him to pieces. From Thebes, Dionysus went to Argos where all the women except the daughters of King Proetus joined in his worship. Dionysus punished them by driving them mad, and they killed the infants who were nursing at their breasts. He did the same to the daughters of Minyas, King of Orchomenos in Boetia, and then turned them into bats.According to Opian, Dionysus delighted, as a child, in tearing kids into pieces and bringing them back to life again. He is characterized as "the raging one", and "the mad one", and the nature of the maenads, from which they get their name, is, therefore, his nature.
Once during a war in the middle of the third century BC, the entranced Thyiades (maenads) lost their way and arrived in Amphissa, a city near Delphi. There they sank down exhausted in the market place and were overpowered by a deep sleep. The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested.
On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party. The clothing of the men who took part in the rescue froze solid. It is unlikely that the Thyiades, even if they wore deerskins over their shoulders, were ever dressed more warmly than the men.
Art
Maenads have been depicted in art as erratic and frenzied women enveloped in a drunken rapture, the most obvious example being that of Euripides’ play The Bacchae. His play, however, is not a study of the cult of Dionysus or the effects of this religious hysteria of these women. The maenads have often been misinterpreted in art in this way. To understand the play of Euripides though one must only know about the religious ecstasy called Dionysiac, the most common moment maenads are displayed in art. In Euripides' play and other art forms and works the Dionysiac only needs to be understood as the frenzied dances of the god which are direct manifestations of euphoric possession and that these worshippers, sometimes by eating the flesh of a man or animal who has temporarily incarnated the god, come to partake of his divinity.In addition to Euripedes' The Bacchae, depictions of maenads are often found on both red and black figure Greek pottery, statues and jewellery. Also, fragments of reliefs of female worshippers of Dionysus have been discovered at Corinth. Mark W. Edwards in his paper "Representation of Maenads on Archaic Red-Figure Vases" traces the evolution of maenad's depictions on Red-Figure vases. Edwards distinguishes between "nymphs" which appear earlier on Greek pottery and "maenads" which are identified by their characteristic fawnskin or "nebris" and often carrying snakes in their hands. However, the actions of the figures on the pottery Edwards does not consider a distinguishing characteristic for differentiation between Maendas and nymphs. Rather, the differences or similarities in actions are more striking between black-figure and red-figure pottery as opposed to maenads and nymphs.
Later culture
A maenad appears in Percy Bysshe ShelleyPercy Bysshe Shelley
Percy Bysshe Shelley was one of the major English Romantic poets and is critically regarded as among the finest lyric poets in the English language. Shelley was famous for his association with John Keats and Lord Byron...
's poem, Ode to the West Wind
Ode to the West Wind
Ode to the West Wind is an ode written by Percy Bysshe Shelley in 1819 near Florence, Italy. It was published in 1820 by Charles and James Ollier in London as part of the Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems collection...
.
The Bassarids
The Bassarids
The Bassarids is an opera in one act and an intermezzo, with music Hans Werner Henze to an English libretto by W. H...
(composed 1964-65, premiere 1966), to a libretto by W. H. Auden
W. H. Auden
Wystan Hugh Auden , who published as W. H. Auden, was an Anglo-American poet,The first definition of "Anglo-American" in the OED is: "Of, belonging to, or involving both England and America." See also the definition "English in origin or birth, American by settlement or citizenship" in See also...
and Chester Kallman
Chester Kallman
Chester Simon Kallman was an American poet, librettist, and translator, best known for his collaborations with W. H. Auden and Igor Stravinsky.-Life:...
, is the most famous opera composed by Hans Werner Henze
Hans Werner Henze
Hans Werner Henze is a German composer of prodigious output best known for "his consistent cultivation of music for the theatre throughout his life"...
.
Maenads, along with Bacchus
Dionysus
Dionysus was the god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. His name in Linear B tablets shows he was worshipped from c. 1500—1100 BC by Mycenean Greeks: other traces of Dionysian-type cult have been found in ancient Minoan Crete...
and Silenus
Silenus
In Greek mythology, Silenus was a companion and tutor to the wine god Dionysus.-Evolution of the character:The original Silenus resembled a folklore man of the forest with the ears of a horse and sometimes also the tail and legs of a horse...
, appear in C.S. Lewis' Prince Caspian
Prince Caspian
Prince Caspian: The Return to Narnia is a novel for children by C. S. Lewis, written in late 1949 and first published in 1951. It is the second-published book in the Chronicles of Narnia series, although in the overall chronological sequence it comes fourth.-Plot summary:While standing on a...
. They are portrayed as wild, rambunctious young children who dance and perform somersaults.
Maenads are the primary symbol of the city of Tetovo
Tetovo
Tetovo is a city in the northwestern part of Macedonia, built on the foothills of Šar Mountain and divided by the Pena River.The city covers an area of at above sea level, with a population of 86,580 citizens in the municipality. Tetovo is home to the State University of Tetovo and South East...
depicted prominently of the city's coat of arms
Coat of arms
A coat of arms is a unique heraldic design on a shield or escutcheon or on a surcoat or tabard used to cover and protect armour and to identify the wearer. Thus the term is often stated as "coat-armour", because it was anciently displayed on the front of a coat of cloth...
. The inclusion of maenad imagery dates to 1932, when a small 6th-century BC statuette of a maenad was found within the city. The "Tetovo Maenad" was also featured on the reverse side of the Macedonian
Republic of Macedonia
Macedonia , officially the Republic of Macedonia , is a country located in the central Balkan peninsula in Southeast Europe. It is one of the successor states of the former Yugoslavia, from which it declared independence in 1991...
5000 denars
Macedonian denar
The denar is the currency of the Republic of Macedonia. It is subdivided into 100 deni . The name denar comes from the name of the ancient Roman monetary unit, the denarius...
banknote issued in 1996.
In Fables and Reflections, the seventh volume of Neil Gaiman
Neil Gaiman
Neil Richard Gaiman born 10 November 1960)is an English author of short fiction, novels, comic books, graphic novels, audio theatre and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book...
's comic series The Sandman, the maenads feature in the story Orpheus, in which they gruesomely murder the titular character
Orpheus
Orpheus was a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music; his attempt to retrieve his wife from the underworld; and his death at the hands of those who...
after he refuses to cavort with them (echoing the events of the actual Greek myth of Orpheus).
Charlaine Harris
Charlaine Harris
Charlaine Harris is a New York Times bestselling author who has been writing mysteries for over twenty years. She was born and raised in the Mississippi River Delta area of the United States. She now lives in southern Arkansas with her husband and three children...
' The Southern Vampire Mysteries
The Southern Vampire Mysteries
The Southern Vampire Mysteries, also known as The Sookie Stackhouse Novels, is a series of books written by bestselling author Charlaine Harris that were first published in 2001 and now serve as the source material for the HBO television series True Blood...
series of novels and its television adaption, the HBO series True Blood
True Blood
True Blood is an American television series created and produced by Alan Ball. It is based on The Southern Vampire Mysteries series of novels by Charlaine Harris, detailing the co-existence of vampires and humans in Bon Temps, a fictional, small town in the state of Louisiana...
(2nd season, aired in summer 2009), feature maenads in the characters of Callisto and her television representation, Maryann, respectively. In the show, Maryann wishes to sacrifice a supernatural being (Sam Merlotte) in hopes of summoning her god, Dionysus
Dionysus
Dionysus was the god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. His name in Linear B tablets shows he was worshipped from c. 1500—1100 BC by Mycenean Greeks: other traces of Dionysian-type cult have been found in ancient Minoan Crete...
.
In the Buffy the Vampire Slayer
Buffy novels
Buffy novels have been published since 1998. Originally, under the Pocket Books imprint of Simon & Schuster they are now published by Simon Spotlight Entertainment which launched in 2004...
novel Go Ask Malice: A Slayer's Diary, maenads are depicted as corrupted human beings in service of the ancient and powerful Greek vampire Kakistos, whose name means in Greek "the worst", the natural superlative of kakos meaning "bad".
Further reading
- Abel, Ernest L., Intoxication in Mythology: A Worldwide Dictionary of Gods, Rites, Intoxicants, and Place, McFarland & Co., Inc., Publishers; Jefferson, NC and London 2006.
- Edwards, Mark W. "Representation of Maenads on Archaic Red-Figure Vases." The Journal of Hellenistic Studies 80 (1960): 78-87
- Manheim, Ralph (translator), Dionysos: Archetypal Image of Indestructible Life, Bollingen Series LXV 2; Princeton University Press 1976.
- Manzarek, Ray. Light My Fire: My Life with the Doors. New York: Berkly Boulevard Books, 1999
- Mikalson, Jon D., Ancient Greek Religion, Blackwell Publishing Ltd; Malden, MA 2005.
- Morford, Mark P.O.; and Lenardon, Robert J., Classical Mythology, 7th ed., Oxford University Press, Oxford, 2003.
- Otto, Walter F., Dionysus: Myth and Cult; Indiana University Press; Bloomington and Indianapolis 1965.
- Richardson, Rufus B. "A Group of Dionsiac Sculptures from Corinth. " American Journal of Archaeology 8, no.3 (July- September 1904): 288-296