Mahlathini
Encyclopedia
Simon 'Mahlathini' Nkabinde (1938 - July 27, 1999) was a South Africa
n mbaqanga
singer. Known as the "Lion of Soweto
" Nkabinde is the acknowledged exponent of the deep-voiced, basso profundo "groaning" style that came to symbolize mbaqanga
music in the 1960s. Nkabinde was also a very active live performer in South Africa, recording and performing with the Mahotella Queens
and the backing Makgona Tsohle Band
from 1964 to 1971, and then again from 1983 to 1999. The Mahlathini and the Mahotella Queens
act was propelled into international stardom in the wake of Paul Simon
's Graceland
(1986) album.
township, in South Africa, in 1938. As a young boy, Nkabinde began leading isicathamiya
and mbube
choirs at traditional Zulu wedding ceremonies. By the time he was a teenager, Nkabinde's voice was much admired. However, during the early 1950s, his voice became strained and was reduced to a growl. Initially, Nkabinde's rural parents thought he had been "witched", and took him to a sangoma
. When the healer provided the simple explanation that Nkabinde was only "growing up", Nkabinde's parents put their minds at rest. Nkabinde himself joined the kwela
group Alexandra Black Mambazo (from which the Ladysmith
choir would later take its name), among the members his older brother Zeph and Aaron 'Big Voice Jack' Lerole, the originator of the singing style later known as "groaning". In the later 1950s, Nkabinde joined the "black music" division of EMI
, led by prolific talent scout and producer Rupert Bopape, and began recording with female artists such as the Dark City Sisters
and the Flying Jazz Queens. His growling voice perfectly suited the groaning vocal style, and he soon became the leading exponent of the style. His vocal rendition was to inspire a whole generation of groaners (none of whom outlasted Nkabinde).
. He founded the Mavuthela Music Company, Gallo's new black music division, and took with him a number of musicians from his old stable including Nkabinde. The Mavuthela house band, later named the Makgona Tsohle Band
, comprised lead guitarist Marks Mankwane, electric bassist Joseph Makwela, rhythm guitarist Vivian Ngubane, drummer Lucky Monama, and aspiring producer-saxophonist West Nkosi
. The Band added a more traditional and electric tinge to the mbaqanga music that had been locally famous for some years. Bopape formed a set group of about ten female singers, among them Hilda Tloubatla
, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu
and Mildred Mangxola
, who were to provide all the "girl group" recordings at Mavuthela, recording over and over again under many different names. Nkabinde was placed as Mavuthela's regular groaner. The most well-known name ended being "Mahotella Queens", and it was under this name that the Mavuthela vocal team, fronted by Nkabinde's searing groaning vocals, became highly popular and productive.
The 1960s and 1970s were the salad days for Nkabinde and his associated acts. He scored hits on Mavuthela's Motella and Gumba Gumba with very popular numbers like "Sithunyiwe" ("We Have Been Sent", later recorded as "Thokozile" in 1986), "Umoya" ("The Wind"), "Imbodlomane" ("Groaner"), and "Bantwanyana" ("Children", later recorded as "Nina Majuba" in 1986). Nkabinde's success was represented by his national nickname, "Indoda Mahlathini" ("Mahlathini the main man"), and he made thousands upon thousands of concert appearances alongside the Mahotella Queens and the Makgona Tsohle Band.
In 1971, Nkabinde fell out with Bopape and left Gallo-Mavuthela, joining Satbel Record Company under producer Cambridge Matiwane. He recorded with a new female troupe titled "The Mahlathini Queens" and a new backing band titled "The Mahlathini Guitar Band" (also known as "Indlondlo Bashise"). He scored equal success at Satbel, mostly due to his already-famous moniker and impressive stage presence, and remained very popular throughout the 1970s. However, towards the latter part of the 1970s, soul and disco styles were beginning to take over from mbaqanga as the most popular form of music. Nkabinde continued to churn out mbaqanga material but saw his popularity decline. Mbaqanga-soul became the preferred format, but Nkabinde refused to commercialise and scored little success.
, which had disbanded in the late '70s due to the new producer responsibilities of its members (see Makgona Tsohle Band article, reunion section for more info). Nkabinde and the original five Mahotella Queens - Hilda Tloubatla, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu and Mildred Mangxola - were reunited with the Makgona Tsohle Band. Their comeback album, Amaqhawe Omgqashiyo
, sold very well, but the Queens line-up disintegrated after only a few more reunion releases. In their absence, Nkabinde managed, under various pseudonyms including "Mahlathini Nabo", to record a multitude of successful releases with the male vocal trio Amaswazi Emvelo. Many of his tracks also appeared on the groundbreaking British compilation The Indestructible Beat of Soweto
.
By the early 1980s Jonny Clegg and Sipho Mchunu's band Juluka had taken mbaqanga to a new audience with performances in the Good Hope Centre in Cape Town.
In 1986 Paul Simon's massively influential album and tour Graceland
, in which he collaborated with several well-known black South African musicians including Ladysmith Black Mambazo
, took place and proved to be the launching pad for a worldwide demand for what was later known as "world music". West Nkosi, by now Gallo-Mavuthela's top producer and the most musically-astute of the Makgona Tsohle Band, regrouped Nkabinde with three of the Mahotella Queens (Hilda Tloubatla, Nobesuthu Mbadu and Mildred Mangxola) to fulfil the demand for African music overseas. The band recorded their comeback release Thokozile
(1987), which was very well received internationally. They began touring for long stretches across the world, particularly in the United States
, Europe
, Asia
and Australia
, appearing in their own concerts and in events such as WOMAD. In France, the group became known for their song Kazet / Gazzette.
Mahlathini and the Mahotella Queens celebrated their 30th anniversary in 1994 with the album Stoki Stoki, issued internationally on Shanachie Records
in 1996.
The three Mahotella Queens decided to return to the stage to help keep the music that Nkabinde had popularized alive. Forming a new backing band, the Queens paid tribute to Nkabinde and the Makgona Tsohle Band on their critically acclaimed album Sebai Bai (2001). The Queens have since released successful releases such as Bazobuya (2004), Reign & Shine
(2005) and Siyadumisa (Songs of Praise)
(2007), and continued to make concert appearances across the globe, particularly in Europe, to massive success.
South Africa
The Republic of South Africa is a country in southern Africa. Located at the southern tip of Africa, it is divided into nine provinces, with of coastline on the Atlantic and Indian oceans...
n mbaqanga
Mbaqanga
Mbaqanga is a style of South African music with rural Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s.-History:...
singer. Known as the "Lion of Soweto
Soweto
Soweto is a lower-class-populated urban area of the city of Johannesburg in Gauteng, South Africa, bordering the city's mining belt in the south. Its name is an English syllabic abbreviation for South Western Townships...
" Nkabinde is the acknowledged exponent of the deep-voiced, basso profundo "groaning" style that came to symbolize mbaqanga
Mbaqanga
Mbaqanga is a style of South African music with rural Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s.-History:...
music in the 1960s. Nkabinde was also a very active live performer in South Africa, recording and performing with the Mahotella Queens
Mahotella Queens
The Mahotella Queens are a South African singing group formed in 1964 comprising Hilda Tloubatla, Nobesuthu Mbadu and Mildred Mangxola...
and the backing Makgona Tsohle Band
Makgona Tsohle Band
The Makgona Tsohle Band was a South African instrumental band that is noted for creating the mbaqanga music style. The group was formed in 1964 at Mavuthela , and became the Mavuthela house band. It garnered success by backing fellow Mavuthela-Gallo stars, Mahlathini and the Mahotella Queens...
from 1964 to 1971, and then again from 1983 to 1999. The Mahlathini and the Mahotella Queens
Mahlathini and the Mahotella Queens
Mahlathini and the Mahotella Queens was a South African mbaqanga supergroup composed of:...
act was propelled into international stardom in the wake of Paul Simon
Paul Simon
Paul Frederic Simon is an American singer-songwriter and guitarist.Simon is best known for his success, beginning in 1965, as part of the duo Simon & Garfunkel, with musical partner Art Garfunkel. Simon wrote most of the pair's songs, including three that reached number one on the US singles...
's Graceland
Graceland (album)
Graceland was Paul Simon's highest charting album in the U.S. in over a decade, reaching #3 in the national Billboard charts, receiving a certification of 5× Platinum by the RIAA and eventually selling over 14 million copies, making it Simon's most commercially successful album...
(1986) album.
Early career and life
Nkabinde was born in AlexandraAlexandra, Gauteng
Alexandra or Alex for short, nicknamed Gomora is a township located in Gauteng province, South Africa. It is part of Johannesburg, close to the wealthy suburb of Sandton and is bounded by Wynberg on the west, Marlboro and Kelvin on the north, Kew, Lombardy West and Lombardy East on the south...
township, in South Africa, in 1938. As a young boy, Nkabinde began leading isicathamiya
Isicathamiya
Isicathamiya is a singing style that originated from the South African Zulus. In European understanding, a cappella is also used to describe this form of singing.-Background:...
and mbube
Mbube
Mbube may refer to:* "Mbube" , a Zulu song composed by Solomon Linda* Mbube , a South African singing style named after the song* Mbube , a traditional Zulu game played by children....
choirs at traditional Zulu wedding ceremonies. By the time he was a teenager, Nkabinde's voice was much admired. However, during the early 1950s, his voice became strained and was reduced to a growl. Initially, Nkabinde's rural parents thought he had been "witched", and took him to a sangoma
Sangoma
A sangoma is a practitioner of herbal medicine, divination and counselling in traditional Nguni societies of Southern Africa .The philosophy is based on a belief in ancestral spirits...
. When the healer provided the simple explanation that Nkabinde was only "growing up", Nkabinde's parents put their minds at rest. Nkabinde himself joined the kwela
Kwela
Kwela is a happy, often pennywhistle-based, street music from southern Africa with jazzy underpinnings and a distinctive, skiffle-like beat. It evolved from the marabi sound and brought South African music to international prominence in the 1950s....
group Alexandra Black Mambazo (from which the Ladysmith
Ladysmith Black Mambazo
Ladysmith Black Mambazo is a male choral group from South Africa that sings in the vocal styles of isicathamiya and mbube. They rose to worldwide prominence as a result of singing with Paul Simon on his album, Graceland and have won multiple awards, including three Grammy Awards...
choir would later take its name), among the members his older brother Zeph and Aaron 'Big Voice Jack' Lerole, the originator of the singing style later known as "groaning". In the later 1950s, Nkabinde joined the "black music" division of EMI
EMI
The EMI Group, also known as EMI Music or simply EMI, is a multinational music company headquartered in London, United Kingdom. It is the fourth-largest business group and family of record labels in the recording industry and one of the "big four" record companies. EMI Group also has a major...
, led by prolific talent scout and producer Rupert Bopape, and began recording with female artists such as the Dark City Sisters
Dark City Sisters
The Dark City Sisters were a South African female vocal group, who formed in 1958 and recorded several hit records in the 1960s, helping usher in a new style of South African music later brought to global prominence by the Mahotella Queens....
and the Flying Jazz Queens. His growling voice perfectly suited the groaning vocal style, and he soon became the leading exponent of the style. His vocal rendition was to inspire a whole generation of groaners (none of whom outlasted Nkabinde).
Professional career
In 1964, Rupert Bopape was lured away from EMI to Gallo Record CompanyGallo Record Company
Gallo Record Company is the largest record label in Africa. It is based in Johannesburg, South Africa, and is owned by Avusa Limited . The current Gallo Record Company is a hybrid of two rival South African record labels between the '40s and '80s: the original Gallo Africa and G.R.C...
. He founded the Mavuthela Music Company, Gallo's new black music division, and took with him a number of musicians from his old stable including Nkabinde. The Mavuthela house band, later named the Makgona Tsohle Band
Makgona Tsohle Band
The Makgona Tsohle Band was a South African instrumental band that is noted for creating the mbaqanga music style. The group was formed in 1964 at Mavuthela , and became the Mavuthela house band. It garnered success by backing fellow Mavuthela-Gallo stars, Mahlathini and the Mahotella Queens...
, comprised lead guitarist Marks Mankwane, electric bassist Joseph Makwela, rhythm guitarist Vivian Ngubane, drummer Lucky Monama, and aspiring producer-saxophonist West Nkosi
West Nkosi
West Nkosi was a South African music producer, saxophonist and songwriter.Nkosi was born in Nelspruit, South Africa. He was an original member of the Makgona Tsohle Band which backed Mahlathini and the Mahotella Queens...
. The Band added a more traditional and electric tinge to the mbaqanga music that had been locally famous for some years. Bopape formed a set group of about ten female singers, among them Hilda Tloubatla
Hilda Tloubatla
Hilda Semola Tloubatla is a South African mbaqanga singer, and the lead singer of the acclaimed group the Mahotella Queens. Tloubatla was born in Payneville, Springs in South Africa before moving to kwaThema township in 1951 as a result of the apartheid government's 'Group Areas Act' in the...
, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu
Nobesuthu Mbadu
Nobesuthu Gertrude Mbadu Shawe is a South African mbaqanga singer, and a singer in the acclaimed group the Mahotella Queens...
and Mildred Mangxola
Mildred Mangxola
Nontsomi Mildred Mangxola is a South African mbaqanga singer, and a singer in the acclaimed group the Mahotella Queens. Mangxola was born in Benoni, Johannesburg, in South Africa, and loved singing from a young age...
, who were to provide all the "girl group" recordings at Mavuthela, recording over and over again under many different names. Nkabinde was placed as Mavuthela's regular groaner. The most well-known name ended being "Mahotella Queens", and it was under this name that the Mavuthela vocal team, fronted by Nkabinde's searing groaning vocals, became highly popular and productive.
The 1960s and 1970s were the salad days for Nkabinde and his associated acts. He scored hits on Mavuthela's Motella and Gumba Gumba with very popular numbers like "Sithunyiwe" ("We Have Been Sent", later recorded as "Thokozile" in 1986), "Umoya" ("The Wind"), "Imbodlomane" ("Groaner"), and "Bantwanyana" ("Children", later recorded as "Nina Majuba" in 1986). Nkabinde's success was represented by his national nickname, "Indoda Mahlathini" ("Mahlathini the main man"), and he made thousands upon thousands of concert appearances alongside the Mahotella Queens and the Makgona Tsohle Band.
In 1971, Nkabinde fell out with Bopape and left Gallo-Mavuthela, joining Satbel Record Company under producer Cambridge Matiwane. He recorded with a new female troupe titled "The Mahlathini Queens" and a new backing band titled "The Mahlathini Guitar Band" (also known as "Indlondlo Bashise"). He scored equal success at Satbel, mostly due to his already-famous moniker and impressive stage presence, and remained very popular throughout the 1970s. However, towards the latter part of the 1970s, soul and disco styles were beginning to take over from mbaqanga as the most popular form of music. Nkabinde continued to churn out mbaqanga material but saw his popularity decline. Mbaqanga-soul became the preferred format, but Nkabinde refused to commercialise and scored little success.
Comeback and international success
By 1983, mbaqanga was being slowly revived after having almost fallen out of favour. This was due to the addition of a more modern drum beat and the highly publicised reunion of the Makgona Tsohle BandMakgona Tsohle Band
The Makgona Tsohle Band was a South African instrumental band that is noted for creating the mbaqanga music style. The group was formed in 1964 at Mavuthela , and became the Mavuthela house band. It garnered success by backing fellow Mavuthela-Gallo stars, Mahlathini and the Mahotella Queens...
, which had disbanded in the late '70s due to the new producer responsibilities of its members (see Makgona Tsohle Band article, reunion section for more info). Nkabinde and the original five Mahotella Queens - Hilda Tloubatla, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu and Mildred Mangxola - were reunited with the Makgona Tsohle Band. Their comeback album, Amaqhawe Omgqashiyo
Amaqhawe Omgqashiyo
Amaqhawe Omgqashiyo was the first release by Mahlathini and the Mahotella Queens after their comeback in 1983. The group was reunited by Marks Mankwane...
, sold very well, but the Queens line-up disintegrated after only a few more reunion releases. In their absence, Nkabinde managed, under various pseudonyms including "Mahlathini Nabo", to record a multitude of successful releases with the male vocal trio Amaswazi Emvelo. Many of his tracks also appeared on the groundbreaking British compilation The Indestructible Beat of Soweto
The Indestructible Beat of Soweto
The Indestructible Beat of Soweto, later repackaged as The Indestructible Beat of Soweto Volume One, is a compilation album released in 1985 on the Earthworks label, featuring musicians from South Africa, including Ladysmith Black Mambazo and Mahlathini.-Overview:The album was conceived by white...
.
By the early 1980s Jonny Clegg and Sipho Mchunu's band Juluka had taken mbaqanga to a new audience with performances in the Good Hope Centre in Cape Town.
In 1986 Paul Simon's massively influential album and tour Graceland
Graceland
Graceland is a large white-columned mansion and estate that was home to Elvis Presley in Memphis, Tennessee. It is located at 3764 Elvis Presley Boulevard in the vast Whitehaven community about 9 miles from Downtown and less than four miles north of the Mississippi border. It currently serves as...
, in which he collaborated with several well-known black South African musicians including Ladysmith Black Mambazo
Ladysmith Black Mambazo
Ladysmith Black Mambazo is a male choral group from South Africa that sings in the vocal styles of isicathamiya and mbube. They rose to worldwide prominence as a result of singing with Paul Simon on his album, Graceland and have won multiple awards, including three Grammy Awards...
, took place and proved to be the launching pad for a worldwide demand for what was later known as "world music". West Nkosi, by now Gallo-Mavuthela's top producer and the most musically-astute of the Makgona Tsohle Band, regrouped Nkabinde with three of the Mahotella Queens (Hilda Tloubatla, Nobesuthu Mbadu and Mildred Mangxola) to fulfil the demand for African music overseas. The band recorded their comeback release Thokozile
Thokozile
Thokozile is a 1986 hit by the South African mbaqanga group Mahlathini and the Mahotella Queens. The album was a reunion of Mahlathini with the backing Makgona Tsohle Band and three of the original Queens, Hilda Tloubatla, Nobesuthu Mbadu and Mildred Mangxola...
(1987), which was very well received internationally. They began touring for long stretches across the world, particularly in the United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
, Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
, Asia
Asia
Asia is the world's largest and most populous continent, located primarily in the eastern and northern hemispheres. It covers 8.7% of the Earth's total surface area and with approximately 3.879 billion people, it hosts 60% of the world's current human population...
and Australia
Australia
Australia , officially the Commonwealth of Australia, is a country in the Southern Hemisphere comprising the mainland of the Australian continent, the island of Tasmania, and numerous smaller islands in the Indian and Pacific Oceans. It is the world's sixth-largest country by total area...
, appearing in their own concerts and in events such as WOMAD. In France, the group became known for their song Kazet / Gazzette.
Mahlathini and the Mahotella Queens celebrated their 30th anniversary in 1994 with the album Stoki Stoki, issued internationally on Shanachie Records
Shanachie Records
Shanachie Records was founded in 1976 by Richard Nevins and Dan Collins. According to Harvey Pekar , it is one of the largest independent record labels in the world, and is currently distributed by E1 Music. Starting as a label that specialized in fiddle music, they began releasing work by Celtic...
in 1996.
Later years and death
The group performed their last live concert in 1997 due to Nkabinde's failing health, which had grown rapidly worse since the early '90s. The team was struck a blow when West Nkosi, their saxophonist and producer until 1991, was killed in a car accident in late 1998. On the very day of Nkosi's funeral, their long-serving guitarist Marks Mankwane died as a result of complications with sugar diabetes. At the start of 1999, the ailing Nkabinde and Mahotella Queens recorded what was to be their last album together, Umuntu, dedicated to Nkosi and Mankwane. Nkabinde's health deteriorated further during the course of the album's production (he appears on only five or six of the twelve songs of the album) and the future of the Mahlathini and the Mahotella Queens act was put in doubt. Nkabinde died, at the age of 61, on July 27, 1999 from complications of diabetes.The three Mahotella Queens decided to return to the stage to help keep the music that Nkabinde had popularized alive. Forming a new backing band, the Queens paid tribute to Nkabinde and the Makgona Tsohle Band on their critically acclaimed album Sebai Bai (2001). The Queens have since released successful releases such as Bazobuya (2004), Reign & Shine
Reign & Shine
Reign & Shine is a 2005 album by the South African mbaqanga group the Mahotella Queens. The album was a break from their usual mgqashiyo music, focusing on three-part vocal harmonies and percussion , with electric guitar and bass only appearing on some tracks...
(2005) and Siyadumisa (Songs of Praise)
Siyadumisa (Songs of Praise)
Siyadumisa is a 2007 album by the South African mbaqanga group the Mahotella Queens. The album is the first gospel-orientated album by the Queens, and features the voice of lead singer Hilda Tloubatla's son, Alfred "Ali" Temo...
(2007), and continued to make concert appearances across the globe, particularly in Europe, to massive success.
See also
- Culture of South AfricaCulture of South AfricaSouth Africa is known for its ethnic and cultural diversity. Therefore, there is no single culture of South Africa.The South African black majority still has a substantial number of rural inhabitants who lead largely impoverished lives...
- Mahotella QueensMahotella QueensThe Mahotella Queens are a South African singing group formed in 1964 comprising Hilda Tloubatla, Nobesuthu Mbadu and Mildred Mangxola...
- Makgona Tsohle BandMakgona Tsohle BandThe Makgona Tsohle Band was a South African instrumental band that is noted for creating the mbaqanga music style. The group was formed in 1964 at Mavuthela , and became the Mavuthela house band. It garnered success by backing fellow Mavuthela-Gallo stars, Mahlathini and the Mahotella Queens...
- Ladysmith Black MambazoLadysmith Black MambazoLadysmith Black Mambazo is a male choral group from South Africa that sings in the vocal styles of isicathamiya and mbube. They rose to worldwide prominence as a result of singing with Paul Simon on his album, Graceland and have won multiple awards, including three Grammy Awards...
Sources
- Mbaqanga - Mahlathini and the Mahotella Queens
- Amuzine - African Music Magazine - 31 October 2000