Maria Caniglia
Encyclopedia
Maria Caniglia was one of the leading Italian
dramatic soprano
s of the 1930s and 1940s.
with Agostino Roche. She made her professional debut in Turin
as Chrysothemis in Elektra
in 1930. The same year she sang Magda in Ottorino Respighi
's La campana sommersa in Genoa
and Elsa in Lohengrin
in Rome and made her debut at La Scala
in Milan
as Maria in Ildebrando Pizzetti
's Lo straniero. She sang regularly at La Scala until 1951 in the leading dramatic soprano roles in opera, such as Un ballo in maschera
, La forza del destino
, Aida
, Andrea Chénier
, Tosca
, Adriana Lecouvreur
etc. She was particularly successful in roles from the latter Verismo
school.
On the international scene, Caniglia appeared in venues such as the Paris Opéra
, Covent Garden
, and the Teatro Colón. She made her debut at the Metropolitan Opera of New York on November 21, 1938, as Desdemona in Otello
.
Caniglia participated in the exhumation of a few long forgotten operas such as Donizetti's Poliuto
and Verdi's Oberto
. She also participated in the creation of many contemporary works: Manuela in Italo Montemezzi
's La notte di Zoraima, Milan, 1931, Rosanna in Franco Alfano
's Cyrano di Bergerac, Rome, 1936, and the title role of Respighi
's Lucrezia, Rome, 1937.
Caniglia regularly worked with the greatest conductors and singers, and left recordings of some of her great roles, notably Un ballo in maschera, and Aida (conducted by Tullio Serafin
), Andrea Chénier and Tosca (conducted by Oliviero De Fabritiis
), all opposite tenor Beniamino Gigli
; La forza del destino (cond. Gino Marinuzzi
), Don Carlo, Fedora and Zandonai's Francesca da Rimini, this last conducted by Antonio Guarnieri
.
Caniglia was married in 1939 to Italian composer Pino Donati (1907–1975), who was also music director of the Verona Arena
, the Teatro Comunale di Bologna
, and the Chicago Lyric Opera.
Italian people
The Italian people are an ethnic group that share a common Italian culture, ancestry and speak the Italian language as a mother tongue. Within Italy, Italians are defined by citizenship, regardless of ancestry or country of residence , and are distinguished from people...
dramatic soprano
Dramatic soprano
A dramatic soprano is an operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than...
s of the 1930s and 1940s.
Life and career
Caniglia studied at the Music Conservatories of NaplesMusic Conservatories of Naples
The Music Conservatory of Naples is a music institution in Naples, southern Italy. It is currently located in the complex of San Pietro a Majella.-San Pietro a Majella:...
with Agostino Roche. She made her professional debut in Turin
Turin
Turin is a city and major business and cultural centre in northern Italy, capital of the Piedmont region, located mainly on the left bank of the Po River and surrounded by the Alpine arch. The population of the city proper is 909,193 while the population of the urban area is estimated by Eurostat...
as Chrysothemis in Elektra
Elektra (opera)
Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal...
in 1930. The same year she sang Magda in Ottorino Respighi
Ottorino Respighi
Ottorino Respighi was an Italian composer, musicologist and conductor. He is best known for his orchestral "Roman trilogy": Fountains of Rome ; Pines of Rome ; and Roman Festivals...
's La campana sommersa in Genoa
Genoa
Genoa |Ligurian]] Zena ; Latin and, archaically, English Genua) is a city and an important seaport in northern Italy, the capital of the Province of Genoa and of the region of Liguria....
and Elsa in Lohengrin
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
in Rome and made her debut at La Scala
La Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...
in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
as Maria in Ildebrando Pizzetti
Ildebrando Pizzetti
Ildebrando Pizzetti was an Italian composer of classical music.- Biography :Pizzetti was born in Parma in 1880. He was part of the "Generation of 1880" along with Ottorino Respighi and Gian Francesco Malipiero. They were among the first Italian composers in some time whose primary contributions...
's Lo straniero. She sang regularly at La Scala until 1951 in the leading dramatic soprano roles in opera, such as Un ballo in maschera
Un ballo in maschera
Un ballo in maschera , is an opera in three acts by Giuseppe Verdi with text by Antonio Somma. The libretto is loosely based on an 1833 play, Gustave III, by French playwright Eugène Scribe who wrote about the historical assassination of King Gustav III of Sweden...
, La forza del destino
La forza del destino
La forza del destino is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, Don Álvaro o la fuerza del sino , by Ángel de Saavedra, Duke of Rivas, with a scene adapted from Friedrich Schiller's Wallensteins Lager. It was first performed...
, Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
, Andrea Chénier
Andrea Chénier
Andrea Chénier is a verismo opera in four acts by the composer Umberto Giordano, set to an Italian libretto by Luigi Illica. It is based loosely on the life of the French poet, André Chénier , who was executed during the French Revolution....
, Tosca
Tosca
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900...
, Adriana Lecouvreur
Adriana Lecouvreur
Adriana Lecouvreur is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the play by Eugène Scribe and Ernest Legouvé...
etc. She was particularly successful in roles from the latter Verismo
Verismo
Verismo was an Italian literary movement which peaked between approximately 1875 and the early 1900s....
school.
On the international scene, Caniglia appeared in venues such as the Paris Opéra
Palais Garnier
The Palais Garnier, , is an elegant 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier...
, Covent Garden
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
, and the Teatro Colón. She made her debut at the Metropolitan Opera of New York on November 21, 1938, as Desdemona in Otello
Otello
Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....
.
Caniglia participated in the exhumation of a few long forgotten operas such as Donizetti's Poliuto
Poliuto
Poliuto is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after Pierre Corneille's play Polyeucte . It was composed in 1838 and first performed on 30 November 1848 at the Teatro San Carlo, Naples...
and Verdi's Oberto
Oberto
-People:* Oberto I , tenth-century Count palatine of Italy and founder of the Obertenghi dynasty* Oberto II , son of Oberto I and Count of Milan* Oberto II of Biandrate, Count of Biandrate and a participant in the Fourth Crusade...
. She also participated in the creation of many contemporary works: Manuela in Italo Montemezzi
Italo Montemezzi
Italo Montemezzi was an Italian composer. He is best known for his opera L'amore dei tre re , once part of the standard repertoire....
's La notte di Zoraima, Milan, 1931, Rosanna in Franco Alfano
Franco Alfano
Franco Alfano was an Italian composer and pianist. Best known today for his opera Risurrezione and above all for having completed Puccini's opera Turandot in 1926. He had considerable success with several of his own works during his lifetime.- Biography :He was born in Posillipo, Naples...
's Cyrano di Bergerac, Rome, 1936, and the title role of Respighi
Ottorino Respighi
Ottorino Respighi was an Italian composer, musicologist and conductor. He is best known for his orchestral "Roman trilogy": Fountains of Rome ; Pines of Rome ; and Roman Festivals...
's Lucrezia, Rome, 1937.
Caniglia regularly worked with the greatest conductors and singers, and left recordings of some of her great roles, notably Un ballo in maschera, and Aida (conducted by Tullio Serafin
Tullio Serafin
-Biography:Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th century bel canto operas by Bellini, Rossini and Donizetti to become staples of 20th century repertoire...
), Andrea Chénier and Tosca (conducted by Oliviero De Fabritiis
Oliviero De Fabritiis
Oliviero De Fabritiis was an Italian conductor and composer.Born in Rome, where he studied with Refice and Setaccialo. He made his debut at the Teatro Nazionale in Rome in 1920, and later moved to the Teatro Adriano. He was artistic secretary at the Teatro dell'Opera di Roma from 1932 until 1943...
), all opposite tenor Beniamino Gigli
Beniamino Gigli
Beniamino Gigli was an Italian opera singer. The most famous tenor of his generation, he was renowned internationally for the great beauty of his voice and the soundness of his vocal technique. Music critics sometimes took him to task, however, for what was perceived to be the over-emotionalism...
; La forza del destino (cond. Gino Marinuzzi
Gino Marinuzzi
Gino Marinuzzi was an Italian conductor and composer, particularly associated with Wagner and the Italian repertory....
), Don Carlo, Fedora and Zandonai's Francesca da Rimini, this last conducted by Antonio Guarnieri
Antonio Guarnieri
Antonio Guarnieri was an Italian conductor and cellist.After playing cello in the Martucci string quartet he turned to conducting in 1904, being engaged by the Vienna Court Opera in 1912.He succeeded Toscanini at La Scala in 1929 and stayed there until shortly before his death...
.
Caniglia was married in 1939 to Italian composer Pino Donati (1907–1975), who was also music director of the Verona Arena
Verona Arena
The Verona Arena is a Roman amphitheatre in Piazza Bra in Verona, Italy, which is internationally famous for the large-scale opera performances given there. It is one of the best preserved ancient structures of its kind....
, the Teatro Comunale di Bologna
Teatro Comunale di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy, and is one of the most important opera venues in Italy. Typically, it presents eight operas with six performances during its November to April season....
, and the Chicago Lyric Opera.