Mecklenburgisches Staatstheater Schwerin
Encyclopedia
The Mecklenburgisches Staatstheater Schwerin is the principal theatre of Schwerin
in Germany. Its main theatre (or Grosses Haus) seats 650 people and is used for the performance of plays, opera, musical theatre and ballet. Designed by Georg Daniel, it was built between 1883 and 1886 after the previous theatre had been destroyed by fire in 1882. The theatre was inaugurated on 3 October 1886 with a performance of Gluck's Iphigénie en Aulide
with Marie Wittich
in the title role. The complex also includes the Staatliche Museum Schwerin
and a 240 seat concert hall, now used for performances of chamber works. All theatres were closed for the Autumn season of 1944, with the staff drafted wherever possible. By German WW2 standards wartime casualties and destruction by bombing in Schwerin were small, in spite of nightly RAF raids and the droning of massive bomber pulks as silver specks on the sky during the day on their way to Berlin. Americans were the first to enter the town in the spring of 1945, handing it over to the British until the Russians arrived. These ordered the immediate reopening of the theatre, taking great interest in light operas and operettas as an art they very much appreciated, but until then out of their reach in most parts of Stalin's Soviet Union. Not familiar with Central European culture, one saw their well-fed ladies wearing night gowns during the invariably full houses as a substitute for an evening dress. In the immediate years to follow, there was a gradual exodus of key staff to the West, where few found equivalent employment. The ensuing vacancies provided new chances for many musicians, who were prepared to stay in East Germany to gain important positions there in their later career.
Schwerin
Schwerin is the capital and second-largest city of the northern German state of Mecklenburg-Vorpommern. The population, as of end of 2009, was 95,041.-History:...
in Germany. Its main theatre (or Grosses Haus) seats 650 people and is used for the performance of plays, opera, musical theatre and ballet. Designed by Georg Daniel, it was built between 1883 and 1886 after the previous theatre had been destroyed by fire in 1882. The theatre was inaugurated on 3 October 1886 with a performance of Gluck's Iphigénie en Aulide
Iphigénie en Aulide
Iphigénie en Aulide is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by Leblanc du Roullet and was based on Jean Racine's tragedy Iphigénie...
with Marie Wittich
Marie Wittich
Marie Wittich was a German operatic soprano. She was a Kammersängerin of the Dresden Royal Opera where she sang for 25 years and was known for the power, vibrancy and dramatic quality of her voice.. She created the leading female roles in the world premieres of several operas, most famously, the...
in the title role. The complex also includes the Staatliche Museum Schwerin
Staatliche Museum Schwerin
The Staatliches Museum Schwerin is an art gallery and museum in Schwerin in Germany. It was established by Frederick Francis II, Grand Duke of Mecklenburg-Schwerin in 1882 its historicist Haupthaus as the Staatsgalerie next to the Staatstheater...
and a 240 seat concert hall, now used for performances of chamber works. All theatres were closed for the Autumn season of 1944, with the staff drafted wherever possible. By German WW2 standards wartime casualties and destruction by bombing in Schwerin were small, in spite of nightly RAF raids and the droning of massive bomber pulks as silver specks on the sky during the day on their way to Berlin. Americans were the first to enter the town in the spring of 1945, handing it over to the British until the Russians arrived. These ordered the immediate reopening of the theatre, taking great interest in light operas and operettas as an art they very much appreciated, but until then out of their reach in most parts of Stalin's Soviet Union. Not familiar with Central European culture, one saw their well-fed ladies wearing night gowns during the invariably full houses as a substitute for an evening dress. In the immediate years to follow, there was a gradual exodus of key staff to the West, where few found equivalent employment. The ensuing vacancies provided new chances for many musicians, who were prepared to stay in East Germany to gain important positions there in their later career.
External links
- Official web site (in German)
- History of the Mecklenburgisches Staatstheater (in German)