Medici Chapel
Encyclopedia
The Medici Chapels is a structure in the Basilica of San Lorenzo, Florence, Italy. It comprises two structures added to Brunelleschi
's original design, each intended to celebrate the power of the Medici
as Grand Dukes of Tuscany. One is the Sagrestia Nuova, the "New Sacristy", designed by Michelangelo
. The other is the Cappella dei Principi, the 16th and 17th-century "Chapel of the Princes", which is entirely covered with a revetment of colored marbles inlaid with pietra dura
.
and his cousin Pope Leo X
as a mausoleum
or mortuary chapel for members of the Medici family. It balances Brunelleschi
's Sagrestia Vecchia, the "Old Sacristy" nestled between the left transept
of San Lorenzo, with which it consciously competes, and shares its format of a cubical space surmounted by a dome, of gray pietra serena and whitewashed walls. It was the first essay in architecture (1521–24) of Michelangelo
, who also designed its monuments dedicated to certain members of the Medici family, with sculptural figures of the four times of day that were destined to influence sculptural figures reclining on architrave
s for many generations to come. The Sagrestia Nuova was entered by a discreet entrance in a corner of San Lorenzo's right transept, now closed.
Though it was vaulted over by 1524, the ambitious projects of its sculpture and the intervention of events, such as the temporary exile of the Medici (1527), the death of Giulio, now Pope Clement VII
and the permanent departure of Michelangelo for Rome in 1534, meant that Michelangelo never finished it. Though most of the statues had been carved by the time of Michelangelo's departure, they had not been put in place, being left in disarray across the chapel, and later installed by Niccolò Tribolo
in 1545. When Michelangelo moved to Rome, the sacristy was unfinished, although the architecture and sculpture were almost ready. By order of Cosimo I, Giorgio Vasari
and Bartolomeo Ammannati finished the work by 1555.
The Medici tombs were intended to be four, but that of Lorenzo the Magnificent
and his brother Giuliano
(modestly buried beneath the altar at the entrance wall) were never undertaken. The result is that the two magnificent existing tombs are those of comparatively insignificant Medici: Lorenzo di Piero, duke of Urbino and Giuliano di Lorenzo, duke of Nemours
. Their architectural components are similar; their sculptures offer contrast. On an unfinished wall, Michelangelo's Madonna and Child flanked by the Medici patron saints Cosmas and Damian, executed by Giovanni Angelo Montorsoli
and Raffaello da Montelupo
respectively, to Michelangelo's models, are set over their plain rectangular tomb.
The concealed corridor with wall drawings of Michelangelo under the New Sacristy discovered in 1976.
planned by Bernardo Buontalenti
before plans for the chapel above were made.
The opulent Cappella dei Principi, an idea formulated by Cosimo I, was put into effect by Ferdinand I de' Medici; it was designed by Matteo Nigetti
, following some sketches tendered to an informal competition of 1602 by Don Giovanni de' Medici, the natural son of Cosimo I, Grand Duke of Tuscany, which were altered in the execution by the aged Buontalenti; thus, a true expression of court art, it was the result of collaboration among designers and patrons.
For the execution of its astonishing revetment of marbles inlaid with colored marbles and semi-precious stone, the Grand Ducal hardstone workshop, the Opificio delle Pietre Dure
was established. The art of commessi, as it was called in Florence, assembled jig-sawn fragments of specimen stones to form the designs of the revetment that entirely cover the walls. The result was disapproved of by 18th and 19th century visitors, but has come to be appreciated for an example of the taste of its time. Six grand sarcophagi
are empty; the Medici remains are interred in the crypt below. In sixteen compartments of the dado are coats-of-arms of Tuscan cities under Medici control. In the niches that were intended to hold portrait sculptures of Medici, two (Ferdinando I and Cosimo II) were executed by Pietro Tacca
(1626–42).
Filippo Brunelleschi
Filippo Brunelleschi was one of the foremost architects and engineers of the Italian Renaissance. He is perhaps most famous for inventing linear perspective and designing the dome of the Florence Cathedral, but his accomplishments also included bronze artwork, architecture , mathematics,...
's original design, each intended to celebrate the power of the Medici
Medici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
as Grand Dukes of Tuscany. One is the Sagrestia Nuova, the "New Sacristy", designed by Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
. The other is the Cappella dei Principi, the 16th and 17th-century "Chapel of the Princes", which is entirely covered with a revetment of colored marbles inlaid with pietra dura
Pietra dura
Pietra dura or pietre dure , called parchin kari in South Asia, is a term for the technique of using cut and fitted, highly-polished colored stones to create images. It is considered a decorative art...
.
The Sagrestia Nuova
The Sagrestia Nuova was intended by Cardinal Giulio de' MediciPope Clement VII
Clement VII , born Giulio di Giuliano de' Medici, was a cardinal from 1513 to 1523 and was Pope from 1523 to 1534.-Early life:...
and his cousin Pope Leo X
Pope Leo X
Pope Leo X , born Giovanni di Lorenzo de' Medici, was the Pope from 1513 to his death in 1521. He was the last non-priest to be elected Pope. He is known for granting indulgences for those who donated to reconstruct St. Peter's Basilica and his challenging of Martin Luther's 95 Theses...
as a mausoleum
Mausoleum
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or persons. A monument without the interment is a cenotaph. A mausoleum may be considered a type of tomb or the tomb may be considered to be within the...
or mortuary chapel for members of the Medici family. It balances Brunelleschi
Filippo Brunelleschi
Filippo Brunelleschi was one of the foremost architects and engineers of the Italian Renaissance. He is perhaps most famous for inventing linear perspective and designing the dome of the Florence Cathedral, but his accomplishments also included bronze artwork, architecture , mathematics,...
's Sagrestia Vecchia, the "Old Sacristy" nestled between the left transept
Transept
For the periodical go to The Transept.A transept is a transverse section, of any building, which lies across the main body of the building. In Christian churches, a transept is an area set crosswise to the nave in a cruciform building in Romanesque and Gothic Christian church architecture...
of San Lorenzo, with which it consciously competes, and shares its format of a cubical space surmounted by a dome, of gray pietra serena and whitewashed walls. It was the first essay in architecture (1521–24) of Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
, who also designed its monuments dedicated to certain members of the Medici family, with sculptural figures of the four times of day that were destined to influence sculptural figures reclining on architrave
Architrave
An architrave is the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.-Classical architecture:...
s for many generations to come. The Sagrestia Nuova was entered by a discreet entrance in a corner of San Lorenzo's right transept, now closed.
Though it was vaulted over by 1524, the ambitious projects of its sculpture and the intervention of events, such as the temporary exile of the Medici (1527), the death of Giulio, now Pope Clement VII
Pope Clement VII
Clement VII , born Giulio di Giuliano de' Medici, was a cardinal from 1513 to 1523 and was Pope from 1523 to 1534.-Early life:...
and the permanent departure of Michelangelo for Rome in 1534, meant that Michelangelo never finished it. Though most of the statues had been carved by the time of Michelangelo's departure, they had not been put in place, being left in disarray across the chapel, and later installed by Niccolò Tribolo
Niccolò Tribolo
Niccolò di Raffaello di Niccolò dei Pericoli, called "Il Tribolo" was an Italian Mannerist artist in the service of Cosimo I de' Medici in his natal city of Florence.-Life:...
in 1545. When Michelangelo moved to Rome, the sacristy was unfinished, although the architecture and sculpture were almost ready. By order of Cosimo I, Giorgio Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
and Bartolomeo Ammannati finished the work by 1555.
The Medici tombs were intended to be four, but that of Lorenzo the Magnificent
Lorenzo de' Medici
Lorenzo de' Medici was an Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance. Known as Lorenzo the Magnificent by contemporary Florentines, he was a diplomat, politician and patron of scholars, artists and poets...
and his brother Giuliano
Giuliano de' Medici
Giuliano de' Medici may refer to:*Giuliano di Piero de' Medici...
(modestly buried beneath the altar at the entrance wall) were never undertaken. The result is that the two magnificent existing tombs are those of comparatively insignificant Medici: Lorenzo di Piero, duke of Urbino and Giuliano di Lorenzo, duke of Nemours
Giuliano di Lorenzo de' Medici
Giuliano di Lorenzo de' Medici was an Italian nobleman, one of three sons of Lorenzo the Magnificent.-Biography:He was born in Florence, Italy. His brothers were Piero and Giovanni de' Medici....
. Their architectural components are similar; their sculptures offer contrast. On an unfinished wall, Michelangelo's Madonna and Child flanked by the Medici patron saints Cosmas and Damian, executed by Giovanni Angelo Montorsoli
Giovanni Angelo Montorsoli
Giovanni Antonio Montorsoli , also known as Fra Montorsoli, as Michele Agnolo and as Angelo di Michele d' Angelo da Poggibonsi, was an Italian sculptor.-Biography:...
and Raffaello da Montelupo
Raffaello da Montelupo
Raffaello da Montelupo , born Raffaele Sinibaldi, was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo...
respectively, to Michelangelo's models, are set over their plain rectangular tomb.
The concealed corridor with wall drawings of Michelangelo under the New Sacristy discovered in 1976.
Cappella dei Principi
The octagonal Cappella dei Principi surmounted by a tall dome, 59 m. high, that is the distinguishing feature of San Lorenzo when seen from a distance, stands centrally sited with respect to the nave, to which it provides the equivalent of an apsidal chapel. Its entrance is from the exterior, in Piazza Madonna degli Aldobrandini, and through the low vaulted cryptCrypt
In architecture, a crypt is a stone chamber or vault beneath the floor of a burial vault possibly containing sarcophagi, coffins or relics....
planned by Bernardo Buontalenti
Bernardo Buontalenti
Bernardo Buontalenti, byname of Bernardo Delle Girandole was an Italian stage designer, architect, theatrical designer, military engineer and artist.-Biography:Buontalenti was born in Florence....
before plans for the chapel above were made.
The opulent Cappella dei Principi, an idea formulated by Cosimo I, was put into effect by Ferdinand I de' Medici; it was designed by Matteo Nigetti
Matteo Nigetti
Matteo Nigetti was an Italian architect and sculptor. He is considered the most important Baroque architect in Florence....
, following some sketches tendered to an informal competition of 1602 by Don Giovanni de' Medici, the natural son of Cosimo I, Grand Duke of Tuscany, which were altered in the execution by the aged Buontalenti; thus, a true expression of court art, it was the result of collaboration among designers and patrons.
For the execution of its astonishing revetment of marbles inlaid with colored marbles and semi-precious stone, the Grand Ducal hardstone workshop, the Opificio delle Pietre Dure
Opificio delle pietre dure
The Opificio delle Pietre Dure e Laboratori di Restauro, literally meaning Workshop of Semi-precious Stones and Laboratories of Restoration, is a public institute of the Italian Ministry for Cultural Heritage based in Florence...
was established. The art of commessi, as it was called in Florence, assembled jig-sawn fragments of specimen stones to form the designs of the revetment that entirely cover the walls. The result was disapproved of by 18th and 19th century visitors, but has come to be appreciated for an example of the taste of its time. Six grand sarcophagi
Sarcophagus
A sarcophagus is a funeral receptacle for a corpse, most commonly carved or cut from stone. The word "sarcophagus" comes from the Greek σαρξ sarx meaning "flesh", and φαγειν phagein meaning "to eat", hence sarkophagus means "flesh-eating"; from the phrase lithos sarkophagos...
are empty; the Medici remains are interred in the crypt below. In sixteen compartments of the dado are coats-of-arms of Tuscan cities under Medici control. In the niches that were intended to hold portrait sculptures of Medici, two (Ferdinando I and Cosimo II) were executed by Pietro Tacca
Pietro Tacca
Pietro Tacca was an Italian sculptor, who was the chief pupil and follower of Giambologna. Tacca began in a Mannerist style and worked in the Baroque style during his maturity.-Biography:...
(1626–42).
See also
- MichelangeloMichelangeloMichelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
- FlorenceFlorenceFlorence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
- MediciMediciThe House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
- Lorenzo the Magnificent
- Michelangelo and the MediciMichelangelo and the Medici- Beginnings with the Medici :Michelangelo's father sent him to study grammar with the Humanist Francesco da Urbino in Florence as a young boy. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches and seek the company of painters. At thirteen,...