Mercury Vindicated from the Alchemists
Encyclopedia
Mercury Vindicated from the Alchemists at Court is a Jacobean era masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...

, written by Ben Jonson
Ben Jonson
Benjamin Jonson was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems...

 and designed by Inigo Jones
Inigo Jones
Inigo Jones is the first significant British architect of the modern period, and the first to bring Italianate Renaissance architecture to England...

. It was performed at Whitehall Palace on Twelfth Night
Twelfth Night (holiday)
Twelfth Night is a festival in some branches of Christianity marking the coming of the Epiphany and concluding the Twelve Days of Christmas.It is defined by the Shorter Oxford English Dictionary as "the evening of the fifth of January, preceding Twelfth Day, the eve of the Epiphany, formerly the...

, January 6, 1615
1615 in literature
The year 1615 in literature involved some significant events.-Events:*January 6 - Mercury Vindicated from the Alchemists, a masque written by Ben Jonson and designed by Inigo Jones, is performed at Whitehall Palace....

. King James I
James I of England
James VI and I was King of Scots as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the English and Scottish crowns on 24 March 1603...

 liked it so much that he ordered a repeat performance the following Sunday, January 8.

The masque was initially published in the first folio collection of Jonson's works
Ben Jonson folios
The folio collections of Ben Jonson's works published in the seventeenth century were crucial developments in the publication of English literature and English Renaissance drama. The first folio collection, issued in 1616, treated stage plays as serious works of literature instead of popular...

 in 1616, and was included in the collected works from that point on.

The show

The masque portrays the god Mercury
Mercury (mythology)
Mercury was a messenger who wore winged sandals, and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx , mercari , and merces...

 driving out a crew of alchemists that have abused his nature. The anti-masque, set in an alchemical laboratory, featured twelve alchemist figures, and twelve "imperfect creatures" wearing helmets shaped like alembic
Alembic
An alembic is an alchemical still consisting of two vessels connected by a tube...

s. After their dances, they were dispersed by the intervention of the god, and the scene changed to a "glorious bower," in which Mercury, along with Prometheus
Prometheus
In Greek mythology, Prometheus is a Titan, the son of Iapetus and Themis, and brother to Atlas, Epimetheus and Menoetius. He was a champion of mankind, known for his wily intelligence, who stole fire from Zeus and gave it to mortals...

 and a personification of Nature, ushered in the dance of the masquing courtiers, who were twelve "Sons of Nature."

For source material for this work, "Jonson drew on Sendivogius's satirical Dialogus Mercurii, Alchymistae et Naturae.... Jonson treats alchemists as charlatans in his text, as he does in his play The Alchemist
The Alchemist (play)
The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge claimed that it had one of the three most perfect plots in literature...

. The words "at Court" in the full title of the work have provoked scholars to debate the actual meaning and significance of Jonson's text, since real alchemists were not particularly well-represented at James's court. The work is clearly more symbolic than literal, though critics disagree on the specifics of its meaning.

Politics

The masque was significant in the internal politics of the Stuart
House of Stuart
The House of Stuart is a European royal house. Founded by Robert II of Scotland, the Stewarts first became monarchs of the Kingdom of Scotland during the late 14th century, and subsequently held the position of the Kings of Great Britain and Ireland...

 Court, in that it marked a major step in the ascension of George Villiers as the new favorite of King James. For several years, Robert Carr, 1st Earl of Somerset
Robert Carr, 1st Earl of Somerset
Robert Carr, 1st Earl of Somerset, , was a politician, and favourite of King James I of England.-Background:Robert Kerr was born in Wrington, Somerset, England the younger son of Sir Thomas Kerr of Ferniehurst, Scotland by his second wife, Janet, sister of Walter Scott of Buccleuch...

 had held that wholly unofficial but very powerful position, as well as rising to major official posts such as Lord Chamberlain
Lord Chamberlain
The Lord Chamberlain or Lord Chamberlain of the Household is one of the chief officers of the Royal Household in the United Kingdom and is to be distinguished from the Lord Great Chamberlain, one of the Great Officers of State....

; but Somerset's role in the 1613 murder of Sir Thomas Overbury
Thomas Overbury
Sir Thomas Overbury was an English poet and essayist, and the victim of one of the most sensational crimes in English history...

 was becoming a major scandal. A Court faction opposed to Somerset — which included Lucy Russell, Countess of Bedford
Lucy Russell, Countess of Bedford
Lucy Russell, Countess of Bedford was a major aristocratic patron of the arts and literature in the Elizabethan and Jacobean eras...

, the patroness of John Donne
John Donne
John Donne 31 March 1631), English poet, satirist, lawyer, and priest, is now considered the preeminent representative of the metaphysical poets. His works are notable for their strong and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs,...

 and other poets, including Ben Jonson—was actively promoting Villiers as a replacement for Robert Carr. To the date of the masque, their promotion of Villiers has not been enormously successful; Mercury Vindicated was staged, at least in the estimation of some contemporaries, with the "principal motive" of "the gracing of young Villiers and to bring him on the stage." The plan was eventually successul, and Villiers, as the new Duke of Buckingham
George Villiers, 1st Duke of Buckingham
George Villiers, 1st Duke of Buckingham KG was the favourite, claimed by some to be the lover, of King James I of England. Despite a very patchy political and military record, he remained at the height of royal favour for the first two years of the reign of Charles I, until he was assassinated...

, replaced Somerset as the royal favorite, not merely through the remainder of James's reign but into the reign of his son and successor Charles I
Charles I of England
Charles I was King of England, King of Scotland, and King of Ireland from 27 March 1625 until his execution in 1649. Charles engaged in a struggle for power with the Parliament of England, attempting to obtain royal revenue whilst Parliament sought to curb his Royal prerogative which Charles...

.

Dating

Scholars have disputed the order in which two of the Jonson-Jones masques were performed at Court. Traditionally, Mercury Vindicated was assigned to the 1614–15 Christmas holiday season, and The Golden Age Restored
The Golden Age Restored
The Golden Age Restored was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones; it was performed on January 1 and January 6, 1616, almost certainly at Whitehall Palace.-The show:...

to the following 1615–16 season. C. H. Herford and Percy Simpson, in their edition of Jonson's works, argued that the two masques had been chronologically transposed in the 1616 Jonson folio, and that TGAR actually preceded Mercury Vindicated. Their argument received some general acceptance for a time, but was refuted by later researchers.

The masques in the 1616 folio appear to be arranged in a consistent chronological order; Mercury Vindicated is second to last in the volume, and TGAR is the final work included. Recent scholarship tends to rely on the implications of the original text, and treats the two masques as presented in that order.
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