Mixolydian mode
Encyclopedia
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species
or scale
; one of the medieval church modes
; a modern musical mode
or diatonic scale
, related to the medieval mode.
. The ancient Greek Mixolydian mode was invented by Sappho
, the 7th century B.C. poet and musician. However, what the ancient Greeks thought of as Mixolydian was very different from the modern interpretation of the mode.
In Greek theory, the Mixolydian mode (or tonos) employs a scale (or 'octave species
') corresponding to the Greek Hypolydian mode
inverted: in its diatonic genus, this is a scale descending from paramese to hypate hypaton: in the diatonic genus, a whole tone
(paramese to mese) followed by two conjunct inverted Lydian
tetrachords (each being two whole tones followed by a semitone
descending). This is the equivalent of playing all the 'white notes' of a piano from B to B, or B | A G F E | (E) D C B, which is also known as modern Locrian mode. (In the chromatic and enharmonic genera, each tetrachord consists of a minor third plus two semitones, and a major third plus two quarter-tones, respectively).
to designate his seven tonoi, or transposition keys
. Four centuries later, Boethius interpreted Ptolemy in Latin, still with the meaning of transposition keys, not scales. When chant theory was first being formulated in the 9th century, these seven names plus an eighth, Hypermixolydian (later changed to Hypomixolydian), were again re-appropriated in the anonymous treatise Alia Musica. A commentary on that treatise, called the Nova expositio, first gave it a new sense as one of a set of eight diatonic species of the octave
, or scales. The name Mixolydian came to be applied to one of the eight modes of medieval church music: the seventh mode. This mode does not run from B to B on white notes, as the Greek mode, but was defined in two ways: as the diatonic octave species from G up one octave to the G above, or as a mode whose final was G and whose ambitus
runs from the F below the final to the G above, with possible extensions "by licence" up to A above and even down to E below, and in which the note D (the tenor of the corresponding seventh psalm tone) had an important melodic function. This medieval theoretical construction led to the modern use of the term for the natural scale from G to G.
The seventh mode of western church music is an authentic mode
based on and encompassing the natural scale from G to G, with the perfect fifth
(the D in a G to G scale) as the dominant, reciting note or tenor.
The plagal
eighth mode was termed Hypomixolydian (or "lower Mixolydian") and, like the Mixolydian, was defined in two ways: as the diatonic octave species from D to the D an octave higher, divided at the mode final, G (thus D–E–F–G + G–A–B–C–D); or as a mode with a final of G and an ambitus from C below the final to E above it, in which the note C (the tenor of the corresponding eighth psalm tone) had an important melodic function.
and semitones
as the major scale
, except the seventh degree is a semitone
lower. The Mixolydian mode is sometimes called the dominant scale, because it is the mode built on the fifth degree (the dominant
) of the major scale.
The order of tones and semitones in a Mixolydian scale is TTSTTST (T = tone
; S = semitone
), while the major scale is TTSTTTS. The key signature
varies accordingly (it will be the same as that of the major key a fifth below).
Some examples:
musicians for the Mixolydian scale, with which it is identical. In Klezmer, it is usually transposed to C, where the main chords used are C, F, and G7 (sometimes Gm).
Octave species
In early Greek music theory, an octave species is a sequence of incomposite intervals making up a complete octave...
or scale
Musical scale
In music, a scale is a sequence of musical notes in ascending and descending order. Most commonly, especially in the context of the common practice period, the notes of a scale will belong to a single key, thus providing material for or being used to conveniently represent part or all of a musical...
; one of the medieval church modes
Musical mode
In the theory of Western music since the ninth century, mode generally refers to a type of scale. This usage, still the most common in recent years, reflects a tradition dating to the middle ages, itself inspired by the theory of ancient Greek music.The word encompasses several additional...
; a modern musical mode
Musical mode
In the theory of Western music since the ninth century, mode generally refers to a type of scale. This usage, still the most common in recent years, reflects a tradition dating to the middle ages, itself inspired by the theory of ancient Greek music.The word encompasses several additional...
or diatonic scale
Diatonic scale
In music theory, a diatonic scale is a seven note, octave-repeating musical scale comprising five whole steps and two half steps for each octave, in which the two half steps are separated from each other by either two or three whole steps...
, related to the medieval mode.
Greek Mixolydian
The idea of a Mixolydian mode comes from the music theory of ancient GreeceAncient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
. The ancient Greek Mixolydian mode was invented by Sappho
Sappho
Sappho was an Ancient Greek poet, born on the island of Lesbos. Later Greeks included her in the list of nine lyric poets. Her birth was sometime between 630 and 612 BC, and it is said that she died around 570 BC, but little is known for certain about her life...
, the 7th century B.C. poet and musician. However, what the ancient Greeks thought of as Mixolydian was very different from the modern interpretation of the mode.
In Greek theory, the Mixolydian mode (or tonos) employs a scale (or 'octave species
Octave species
In early Greek music theory, an octave species is a sequence of incomposite intervals making up a complete octave...
') corresponding to the Greek Hypolydian mode
Hypolydian mode
The Hypolydian mode, literally meaning "below Lydian", is the common name for the sixth of the eight medieval church modes . The name is taken from Ptolemy of Alexandria's term for one of his seven tonoi, or transposition keys...
inverted: in its diatonic genus, this is a scale descending from paramese to hypate hypaton: in the diatonic genus, a whole tone
Major second
In Western music theory, a major second is a musical interval spanning two semitones, and encompassing two adjacent staff positions . For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff postions...
(paramese to mese) followed by two conjunct inverted Lydian
Lydian mode
The Lydian musical scale is a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. This sequence of pitches roughly describes the fifth of the eight Gregorian modes, known as Mode V or the authentic mode on F, theoretically using B but in...
tetrachords (each being two whole tones followed by a semitone
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically....
descending). This is the equivalent of playing all the 'white notes' of a piano from B to B, or B | A G F E | (E) D C B, which is also known as modern Locrian mode. (In the chromatic and enharmonic genera, each tetrachord consists of a minor third plus two semitones, and a major third plus two quarter-tones, respectively).
Medieval Mixolydian and Hypomixolydian
Originally used to designate one of the traditional harmoniai of Greek theory, the name was appropriated (along with six others) by the 2nd-century theorist PtolemyPtolemy
Claudius Ptolemy , was a Roman citizen of Egypt who wrote in Greek. He was a mathematician, astronomer, geographer, astrologer, and poet of a single epigram in the Greek Anthology. He lived in Egypt under Roman rule, and is believed to have been born in the town of Ptolemais Hermiou in the...
to designate his seven tonoi, or transposition keys
Transposition (music)
In music transposition refers to the process, or operation, of moving a collection of notes up or down in pitch by a constant interval.For example, one might transpose an entire piece of music into another key...
. Four centuries later, Boethius interpreted Ptolemy in Latin, still with the meaning of transposition keys, not scales. When chant theory was first being formulated in the 9th century, these seven names plus an eighth, Hypermixolydian (later changed to Hypomixolydian), were again re-appropriated in the anonymous treatise Alia Musica. A commentary on that treatise, called the Nova expositio, first gave it a new sense as one of a set of eight diatonic species of the octave
Octave species
In early Greek music theory, an octave species is a sequence of incomposite intervals making up a complete octave...
, or scales. The name Mixolydian came to be applied to one of the eight modes of medieval church music: the seventh mode. This mode does not run from B to B on white notes, as the Greek mode, but was defined in two ways: as the diatonic octave species from G up one octave to the G above, or as a mode whose final was G and whose ambitus
Ambitus (music)
Ambitus is a Latin term literally meaning "the going round", and in Medieval Latin means the "course" of a melodic line, most usually referring to the range of scale degrees attributed to a given mode, particularly in Gregorian chant. It may also refer to the range of a voice, instrument, or piece...
runs from the F below the final to the G above, with possible extensions "by licence" up to A above and even down to E below, and in which the note D (the tenor of the corresponding seventh psalm tone) had an important melodic function. This medieval theoretical construction led to the modern use of the term for the natural scale from G to G.
The seventh mode of western church music is an authentic mode
Authentic mode
An authentic mode is one of four Gregorian modes whose final is the lowest note of the scale...
based on and encompassing the natural scale from G to G, with the perfect fifth
Perfect fifth
In classical music from Western culture, a fifth is a musical interval encompassing five staff positions , and the perfect fifth is a fifth spanning seven semitones, or in meantone, four diatonic semitones and three chromatic semitones...
(the D in a G to G scale) as the dominant, reciting note or tenor.
The plagal
Plagal mode
A Plagal mode may mean different church chanting modes, depending on the context.-In Western Practice:A plagal mode is a musical mode, which is one of four Gregorian modes whose range includes the octave from the fourth below the tonic, or final, to the fifth above...
eighth mode was termed Hypomixolydian (or "lower Mixolydian") and, like the Mixolydian, was defined in two ways: as the diatonic octave species from D to the D an octave higher, divided at the mode final, G (thus D–E–F–G + G–A–B–C–D); or as a mode with a final of G and an ambitus from C below the final to E above it, in which the note C (the tenor of the corresponding eighth psalm tone) had an important melodic function.
Modern Mixolydian
This modern scale has the same series of tonesMajor second
In Western music theory, a major second is a musical interval spanning two semitones, and encompassing two adjacent staff positions . For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff postions...
and semitones
Minor second
In modern Western tonal music theory a minor second is the interval between two notes on adjacent staff positions, or having adjacent note letters, whose alterations cause them to be one semitone or half-step apart, such as B and C or C and D....
as the major scale
Major scale
In music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
, except the seventh degree is a semitone
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically....
lower. The Mixolydian mode is sometimes called the dominant scale, because it is the mode built on the fifth degree (the dominant
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic,and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale...
) of the major scale.
The order of tones and semitones in a Mixolydian scale is TTSTTST (T = tone
Major second
In Western music theory, a major second is a musical interval spanning two semitones, and encompassing two adjacent staff positions . For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff postions...
; S = semitone
Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically....
), while the major scale is TTSTTTS. The key signature
Key signature
In musical notation, a key signature is a series of sharp or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the equivalent natural notes unless otherwise altered with an accidental...
varies accordingly (it will be the same as that of the major key a fifth below).
Some examples:
- The G Mixolydian mode (Related to the key of C majorMajor scaleIn music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
- on a pianoPianoThe piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
it is all the white keys from one G to the next. GABCDEFG) - The C Mixolydian mode (Related to the key of F majorMajor scaleIn music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
. CDEFGABC) - The D Mixolydian mode (Related to the key of G majorMajor scaleIn music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
. DEFGABCD) - The E Mixolydian mode (Related to the key of A majorMajor scaleIn music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
. EFGABCDE)
Moloch scale
Moloch scale is the name used by KlezmerKlezmer
Klezmer is a musical tradition of the Ashkenazic Jews of Eastern Europe. Played by professional musicians called klezmorim, the genre originally consisted largely of dance tunes and instrumental display pieces for weddings and other celebrations...
musicians for the Mixolydian scale, with which it is identical. In Klezmer, it is usually transposed to C, where the main chords used are C, F, and G7 (sometimes Gm).
Notable songs in Mixolydian mode
- "Old Joe ClarkOld Joe ClarkOld Joe Clark is a folk song, a mountain ballad that was "sung during World War I and later by soldiers from eastern Kentucky." An early version was printed in 1918, as sung in Virginia at that time. Joe Clark was born in 1839, a mountaineer who was murdered in 1885. There are about 90 stanzas in...
" - "Let It Loose" by The Rolling StonesThe Rolling StonesThe Rolling Stones are an English rock band, formed in London in April 1962 by Brian Jones , Ian Stewart , Mick Jagger , and Keith Richards . Bassist Bill Wyman and drummer Charlie Watts completed the early line-up...
- "Sweet Home Alabama" by Lynyrd SkynyrdLynyrd SkynyrdLynyrd Skynyrd is an American rock band prominent in spreading Southern Rock during the 1970s.Originally formed as the "Noble Five" in Jacksonville, Florida, in 1964, the band rose to worldwide recognition on the basis of its driving live performances and signature tune, Freebird...
- "Sweet Child o' MineSweet Child O' Mine"Sweet Child o' Mine" is the third single by American rock band Guns N' Roses, and the third from their 1987 debut studio album, Appetite for Destruction. Released on August 17, 1988, the song topped the Billboard Hot 100 chart, becoming the band's first and only number-one single in the U.S...
" by Guns N' RosesGuns N' RosesGuns N' Roses is an American hard rock band, formed in Hollywood, Los Angeles, California, in 1985. The band has released six studio albums, three EPs, and one live album... - "Marquee MoonMarquee Moon (song)"Marquee Moon" is the title track from American rock band Television's first album, Marquee Moon. It was written by Tom Verlaine.- Overview :...
" by TelevisionTelevision (band)Television was an American rock band, formed in New York City in 1973. They are best known for the album Marquee Moon and widely regarded as one of the founders of "punk" and New Wave music. Television was part of the early 1970s New York underground rock scene, along with bands like the Patti... - "Norwegian WoodNorwegian Wood (This Bird Has Flown)"Norwegian Wood " is a song by The Beatles, first released on the 1965 album Rubber Soul....
" by The BeatlesThe BeatlesThe Beatles were an English rock band, active throughout the 1960s and one of the most commercially successful and critically acclaimed acts in the history of popular music. Formed in Liverpool, by 1962 the group consisted of John Lennon , Paul McCartney , George Harrison and Ringo Starr... - The Allman Brothers BandThe Allman Brothers BandThe Allman Brothers Band is an American rock/blues band once based in Macon, Georgia. The band was formed in Jacksonville, Florida, in 1969 by brothers Duane Allman and Gregg Allman , who were supported by Dickey Betts , Berry Oakley , Butch Trucks , and Jai Johanny "Jaimoe"...
's "Ramblin' Man" (with blues flavoring) - ParamoreParamoreParamore is an American rock band from Franklin, Tennessee, formed in 2004. The band consists of lead vocalist Hayley Williams, bassist Jeremy Davis, and guitarist Taylor York...
's "The Only ExceptionThe Only Exception"The Only Exception" is a song by the American rock band Paramore. It was released by Fueled by Ramen in February 2010 as the third single from the band's 2009 studio album Brand New Eyes. The song was written by Paramore band members Hayley Williams and Josh Farro; Paramore is also credited as...
" - Theme From Star Trek
- She Moved Through the FairShe Moved Through the Fair"She Moved Through the Fair" is a traditional Irish folk song, existing in a number of versions and which has been recorded many times.-Origins:...
- A traditional IrishIrelandIreland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...
folk song.