Old Angel Midnight
Encyclopedia
Old Angel Midnight is a long narrative poem by American
novelist and poet
Jack Kerouac
. It was culled from five notebooks spanning from 1956 to 1959, while Kerouac was fully absorbed by his studies of Buddhism
and Buddhist philosophy
. Kerouac initially experimented with Old Angel Midnight (then called "Lucien Midnight") in 1953 in his diary titled "1953. Notes again." In entries dated from November 20 to December 3, 1953, he made notes on "Lucien Midnight" which was to be originally conceptualized in what he called "book movie" form, when he closed his eyes and projected onto paper a cinematic sense of what he heard. A bookmovie, he explained in Some of the Dharma, is a "prose concentration camera-eye visions of a definite movie of the mind with fade-ins, pans, close-ups, and fade-outs." Kerouac's notes on Lucien Midnight were written while staying in the Lower East Side where he initially heard sounds coming through a tenement window from the wash court below. He then heard voices coming from kitchens of the other occupants in nearby apartment buildings and a man named Paddy arriving home drunk, and even a junky stirring in his bed. Kerouac conceptualized an idea of developing a work based on James Joyce’s experimental novel Finnegans Wake (not Ulysses as indicated by Ann Charters in her introduction to Old Angel Midnight for Grey Fox Press) where the “sounds of the universe” became the chief “plot” with all of its associated “neologisms, mental associations, puns and wordmixes” that stewed a plethora of languages and “nonlanguages.” Kerouac determinedly “scribbled out in a strictly intuitional discipline at breakneck speed” the fledgling prose that would finally comprise the finished book for City Lights's Pocket Poet series eight years later. Kerouac's one dogma was to compose Lucien Midnight strictly in pencil by candlelight. Lucien Midnight differs from his sketching method of writing because it is based upon an aural experience, and not visual. The bookmovie approach was abandoned in 1953 in favor of a different approach he had stylistically achieved by 1956.
In other notes from the time, Kerouac described Lucien Midnight as a "monolog of the world."
On March 1, 1957, while staying with William S. Burroughs
in Tangiers, Kerouac worked on Lucien Midnight. Kerouac said of the poem:
Kerouac began the first notebook on April 1, 1956. By now his spontaneous prose method had become second nature to him. Kerouac was staying with Gary Snyder in his Mill Valley cabin. Writing John Clellon Holmes on May 21, 1956, Kerouac explained his intentions: “I don’t know what to write anymore, I’ve been doodling with an endless automatic writing piece which raves on and on with no direction and no story and surely that wont do tho I’ll finish it anyway while doing other things.”
To Kerouac, Old Angel Midnight was the only “form in which I am allowed to say anything I want because not only I’ve got to approximate the speed and content of mindflow naked word-babble,” but that it could give him to “swim” with absolute freedom, “dedicatedly crazed in the sea of that language.” Within the scope of that work, Kerouac envisioned the voices he heard discussing the “long weekend from Friday afternoon as it moves into Sunday night.” When he prepared drafts for eventual publication, Lucien Carr objected to the use of his first name, telling Kerouac that it was “pejorative.” It should have been, Kerouac explained to Ginsberg in a letter on August 28, 1958, “majorative,” referring to Lucien Midnight's intended all-encompassing universal sweep of humanity and its surrounding cosmos.
In December 1958, Kerouac stayed up through the night skimming through the pages of the Holy Bible and an English dictionary looking for a replacement title. When he heard Charles Van Doren, on a morning talk show (the son of Mark Van Doren and notoriously involved in a television quiz show scandal that decade) refer to a phrase from Mark Twain’s journal, Kerouac had his answer. Twain writes, "I never felt so happy in my life, sir — never since I was born, sir. Loved that hoary, venerable old angel as if he was my father, sir.” Lucien Midnight then became Old Angel Midnight.
Kerouac dedicated the poem to Lucien Carr
, a friend of Kerouac who was a key member of the early Beat Generation
, and whose manner of speech was the initial inspiration for Old Angel Midnight.
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
novelist and poet
Poet
A poet is a person who writes poetry. A poet's work can be literal, meaning that his work is derived from a specific event, or metaphorical, meaning that his work can take on many meanings and forms. Poets have existed since antiquity, in nearly all languages, and have produced works that vary...
Jack Kerouac
Jack Kerouac
Jean-Louis "Jack" Lebris de Kerouac was an American novelist and poet. He is considered a literary iconoclast and, alongside William S. Burroughs and Allen Ginsberg, a pioneer of the Beat Generation. Kerouac is recognized for his spontaneous method of writing, covering topics such as Catholic...
. It was culled from five notebooks spanning from 1956 to 1959, while Kerouac was fully absorbed by his studies of Buddhism
Buddhism
Buddhism is a religion and philosophy encompassing a variety of traditions, beliefs and practices, largely based on teachings attributed to Siddhartha Gautama, commonly known as the Buddha . The Buddha lived and taught in the northeastern Indian subcontinent some time between the 6th and 4th...
and Buddhist philosophy
Buddhist philosophy
Buddhist philosophy deals extensively with problems in metaphysics, phenomenology, ethics, and epistemology.Some scholars assert that early Buddhist philosophy did not engage in ontological or metaphysical speculation, but was based instead on empirical evidence gained by the sense organs...
. Kerouac initially experimented with Old Angel Midnight (then called "Lucien Midnight") in 1953 in his diary titled "1953. Notes again." In entries dated from November 20 to December 3, 1953, he made notes on "Lucien Midnight" which was to be originally conceptualized in what he called "book movie" form, when he closed his eyes and projected onto paper a cinematic sense of what he heard. A bookmovie, he explained in Some of the Dharma, is a "prose concentration camera-eye visions of a definite movie of the mind with fade-ins, pans, close-ups, and fade-outs." Kerouac's notes on Lucien Midnight were written while staying in the Lower East Side where he initially heard sounds coming through a tenement window from the wash court below. He then heard voices coming from kitchens of the other occupants in nearby apartment buildings and a man named Paddy arriving home drunk, and even a junky stirring in his bed. Kerouac conceptualized an idea of developing a work based on James Joyce’s experimental novel Finnegans Wake (not Ulysses as indicated by Ann Charters in her introduction to Old Angel Midnight for Grey Fox Press) where the “sounds of the universe” became the chief “plot” with all of its associated “neologisms, mental associations, puns and wordmixes” that stewed a plethora of languages and “nonlanguages.” Kerouac determinedly “scribbled out in a strictly intuitional discipline at breakneck speed” the fledgling prose that would finally comprise the finished book for City Lights's Pocket Poet series eight years later. Kerouac's one dogma was to compose Lucien Midnight strictly in pencil by candlelight. Lucien Midnight differs from his sketching method of writing because it is based upon an aural experience, and not visual. The bookmovie approach was abandoned in 1953 in favor of a different approach he had stylistically achieved by 1956.
In other notes from the time, Kerouac described Lucien Midnight as a "monolog of the world."
On March 1, 1957, while staying with William S. Burroughs
William S. Burroughs
William Seward Burroughs II was an American novelist, poet, essayist and spoken word performer. A primary figure of the Beat Generation and a major postmodernist author, he is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the 20th...
in Tangiers, Kerouac worked on Lucien Midnight. Kerouac said of the poem:
Kerouac began the first notebook on April 1, 1956. By now his spontaneous prose method had become second nature to him. Kerouac was staying with Gary Snyder in his Mill Valley cabin. Writing John Clellon Holmes on May 21, 1956, Kerouac explained his intentions: “I don’t know what to write anymore, I’ve been doodling with an endless automatic writing piece which raves on and on with no direction and no story and surely that wont do tho I’ll finish it anyway while doing other things.”
To Kerouac, Old Angel Midnight was the only “form in which I am allowed to say anything I want because not only I’ve got to approximate the speed and content of mindflow naked word-babble,” but that it could give him to “swim” with absolute freedom, “dedicatedly crazed in the sea of that language.” Within the scope of that work, Kerouac envisioned the voices he heard discussing the “long weekend from Friday afternoon as it moves into Sunday night.” When he prepared drafts for eventual publication, Lucien Carr objected to the use of his first name, telling Kerouac that it was “pejorative.” It should have been, Kerouac explained to Ginsberg in a letter on August 28, 1958, “majorative,” referring to Lucien Midnight's intended all-encompassing universal sweep of humanity and its surrounding cosmos.
In December 1958, Kerouac stayed up through the night skimming through the pages of the Holy Bible and an English dictionary looking for a replacement title. When he heard Charles Van Doren, on a morning talk show (the son of Mark Van Doren and notoriously involved in a television quiz show scandal that decade) refer to a phrase from Mark Twain’s journal, Kerouac had his answer. Twain writes, "I never felt so happy in my life, sir — never since I was born, sir. Loved that hoary, venerable old angel as if he was my father, sir.” Lucien Midnight then became Old Angel Midnight.
Kerouac dedicated the poem to Lucien Carr
Lucien Carr
Lucien Carr was a key member of the original New York City circle of the Beat Generation in the 1940s; later he worked for many years as an editor for United Press International.-Early life:...
, a friend of Kerouac who was a key member of the early Beat Generation
Beat generation
The Beat Generation refers to a group of American post-WWII writers who came to prominence in the 1950s, as well as the cultural phenomena that they both documented and inspired...
, and whose manner of speech was the initial inspiration for Old Angel Midnight.