Orans
Encyclopedia
Orans (or Orante) is a figure with extended arms or bodily attitude
of prayer
, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
It is common in Christian art
as early as the wall paintings in the Catacombs of Rome
and is still used in both private and communal prayer by both clergy
and laity
. The Platytéra, a standard hagiographic
depiction on the Virgin Mary as "Wider than the Heavens", is an orans-type depiction usually placed on the half-dome above the altar of Byzantine-style churches
, and facing down the nave
.
Numerous Biblical figures, for instance, depicted in the catacombs — Noah
, Abraham
, Isaac
, Shadrach, Meshach and Abednego, and Daniel
in the lions den — are pictured asking the Lord to deliver the soul of the person on whose tombs they are depicted as He once delivered the particular personage represented. But besides these Biblical Orans figures there exist in the catacombs many ideal figures (153 in all) in the ancient attitude of prayer, which, according to Wilpert, are to be regarded as symbols of the deceased's soul in heaven, praying for its friends on earth.
This symbolic meaning accounts for the fact that the great majority of the figures are female, even when depicted on the tombs of men. One of the most convincing proofs that the Orans was regarded as a symbol of the soul
is an ancient lead medal in the Vatican Museum showing the martyr, St. Lawrence, under torture, while his soul, in the form of a female Orans, is just leaving the body. An arcosolium in the Ostrianum cemetery represents an Orans with a petition for her intercession: Victoriæ Virgini . . . Pete . . . The Acts of St. Cecilia speaks of souls leaving the body in the form of virgins: "Vidit egredientes animas eorum de corporibus, quasi virgines de thalamo", and so also the Acts of Sts. Peter and Marcellinus.
Very probably the medieval representations of a diminutive body, figure of the soul, issuing from the mouths of the dying were reminiscences of the Orans as a symbol of the soul. The earlier Orantes were depicted in the simplest garb, and without any striking individual traits, but in the fourth century the figures become richly adorned, and of marked individuality, an indication of the approach of historic art. One of the most remarkable figures of the Orans cycle, dating from the early fourth century, is interpreted by Wilpert as the Blessed Virgin interceding for the friends of the deceased. Directly in front of Mary is a boy, not in the Orans attitude and supposed to be the Divine Child, while to the right and left are monograms of Christ
.
Attitude (art)
Attitude as a term of fine art refers to the posture or gesture given to a figure by a painter or sculptor. It applies to the body and not to a mental state, but the arrangement of the body is presumed to serve a communicative or expressive purpose...
of prayer
Prayer
Prayer is a form of religious practice that seeks to activate a volitional rapport to a deity through deliberate practice. Prayer may be either individual or communal and take place in public or in private. It may involve the use of words or song. When language is used, prayer may take the form of...
, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
It is common in Christian art
Christian art
Christian art is sacred art produced in an attempt to illustrate, supplement and portray in tangible form the principles of Christianity, though other definitions are possible. Most Christian groups use or have used art to some extent, although some have had strong objections to some forms of...
as early as the wall paintings in the Catacombs of Rome
Catacombs of Rome
The Catacombs of Rome are ancient catacombs, underground burial places under or near Rome, Italy, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, they began in the 2nd century, much...
and is still used in both private and communal prayer by both clergy
Clergy
Clergy is the generic term used to describe the formal religious leadership within a given religion. A clergyman, churchman or cleric is a member of the clergy, especially one who is a priest, preacher, pastor, or other religious professional....
and laity
Laity
In religious organizations, the laity comprises all people who are not in the clergy. A person who is a member of a religious order who is not ordained legitimate clergy is considered as a member of the laity, even though they are members of a religious order .In the past in Christian cultures, the...
. The Platytéra, a standard hagiographic
Hagiography
Hagiography is the study of saints.From the Greek and , it refers literally to writings on the subject of such holy people, and specifically to the biographies of saints and ecclesiastical leaders. The term hagiology, the study of hagiography, is also current in English, though less common...
depiction on the Virgin Mary as "Wider than the Heavens", is an orans-type depiction usually placed on the half-dome above the altar of Byzantine-style churches
Eastern Orthodox church architecture
An Orthodox church as a church building of Eastern Orthodoxy has a distinct, recognizable style among church architectures.-History:While sharing many traditions, East and West in Christianity began to diverge from each other from an early date...
, and facing down the nave
Nave
In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the central approach to the high altar, the main body of the church. "Nave" was probably suggested by the keel shape of its vaulting...
.
History
The custom of praying in antiquity with outstretched, raised arms was common to both Jews and Gentiles, and indeed the iconographic type of the Orans was itself strongly influenced by classic representations. But the meaning of the Orans of Christian art is quite different from that of its prototypes.Numerous Biblical figures, for instance, depicted in the catacombs — Noah
Noah
Noah was, according to the Hebrew Bible, the tenth and last of the antediluvian Patriarchs. The biblical story of Noah is contained in chapters 6–9 of the book of Genesis, where he saves his family and representatives of all animals from the flood by constructing an ark...
, Abraham
Abraham
Abraham , whose birth name was Abram, is the eponym of the Abrahamic religions, among which are Judaism, Christianity and Islam...
, Isaac
Isaac
Isaac as described in the Hebrew Bible, was the only son Abraham had with his wife Sarah, and was the father of Jacob and Esau. Isaac was one of the three patriarchs of the Israelites...
, Shadrach, Meshach and Abednego, and Daniel
Daniel
Daniel is the protagonist in the Book of Daniel of the Hebrew Bible. In the narrative, when Daniel was a young man, he was taken into Babylonian captivity where he was educated in Chaldean thought. However, he never converted to Neo-Babylonian ways...
in the lions den — are pictured asking the Lord to deliver the soul of the person on whose tombs they are depicted as He once delivered the particular personage represented. But besides these Biblical Orans figures there exist in the catacombs many ideal figures (153 in all) in the ancient attitude of prayer, which, according to Wilpert, are to be regarded as symbols of the deceased's soul in heaven, praying for its friends on earth.
This symbolic meaning accounts for the fact that the great majority of the figures are female, even when depicted on the tombs of men. One of the most convincing proofs that the Orans was regarded as a symbol of the soul
Soul
A soul in certain spiritual, philosophical, and psychological traditions is the incorporeal essence of a person or living thing or object. Many philosophical and spiritual systems teach that humans have souls, and others teach that all living things and even inanimate objects have souls. The...
is an ancient lead medal in the Vatican Museum showing the martyr, St. Lawrence, under torture, while his soul, in the form of a female Orans, is just leaving the body. An arcosolium in the Ostrianum cemetery represents an Orans with a petition for her intercession: Victoriæ Virgini . . . Pete . . . The Acts of St. Cecilia speaks of souls leaving the body in the form of virgins: "Vidit egredientes animas eorum de corporibus, quasi virgines de thalamo", and so also the Acts of Sts. Peter and Marcellinus.
Very probably the medieval representations of a diminutive body, figure of the soul, issuing from the mouths of the dying were reminiscences of the Orans as a symbol of the soul. The earlier Orantes were depicted in the simplest garb, and without any striking individual traits, but in the fourth century the figures become richly adorned, and of marked individuality, an indication of the approach of historic art. One of the most remarkable figures of the Orans cycle, dating from the early fourth century, is interpreted by Wilpert as the Blessed Virgin interceding for the friends of the deceased. Directly in front of Mary is a boy, not in the Orans attitude and supposed to be the Divine Child, while to the right and left are monograms of Christ
Christ
Christ is the English term for the Greek meaning "the anointed one". It is a translation of the Hebrew , usually transliterated into English as Messiah or Mashiach...
.