Out Our Way
Encyclopedia
J. R. Williams (cartoonist)
James Robert Williams was a cartoonist who signed his work J. R. Williams. He was best known for his long-run daily syndicated panel, Out Our Way. As noted by Coulton Waugh in his 1947 book, The Comics, anecdotal evidence indicated that more Williams' cartoons were clipped and saved than were...
which was syndicated for decades after it first appeared in a half-dozen small-market newspapers on March 20, 1922.
Characters and story
Distributed by Newspaper Enterprise AssociationUnited Media
United Media is a large editorial column and comic strip newspaper syndication service based in the United States, owned by The E.W. Scripps Company. It syndicates 150 comics and editorial columns worldwide. Its core business is the United Feature Syndicate and the Newspaper Enterprise Association...
, the cartoon series was noted for its depiction of American rural life and the various activities and regular routines of families in small towns. The panel introduced a cast of continuing characters, including the cowboy Curly and ranch bookkeeper Wes. The content was based on Williams' own life experiences, as noted by Michael H. Price in the Fort Worth Business Press:
- Cartooning can become a higher art, if motivated by urges greater than rattling off an easy gag or beating the next deadline. Thus do any perceived barriers between Charlie RussellCharles Marion RussellCharles Marion Russell , also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an artist of the Old American West. Russell created more than 2,000 paintings of cowboys, Indians, and landscapes set in the Western United States, in addition to bronze sculptures...
and J.R. Williams prove irrelevant. Williams’ mass-consumption newspaper cartoons come from a font of artistry and inspiration as deep and personal as anything that drove Russell. Jim Williams’ Out Our Way is the great masterpiece of cowboy cartooning, surviving in obscurity for an eventual rediscovery. The feature draws upon the writer-artist’s personal background as a muleskinner (and industrial machinist, and prizefighter, and family man) in ways that make the individual episodes — each self-contained panel suggesting a larger story — as resonant today as when new... “It was just this little knack I’d developed for drawing things,” Williams told The Saturday Evening PostThe Saturday Evening PostThe Saturday Evening Post is a bimonthly American magazine. It was published weekly under this title from 1897 until 1969, and quarterly and then bimonthly from 1971.-History:...
in 1953. “Nobody outside the bunkhouse or the machine shop had ever seemed to want my style of small-town humor, but I was too stubborn to give up.” By the 1950s, Out Our Way had attracted a readership in the millions. Williams’ range of experiences, coupled with a gentle sarcasm and a keen observational sense, made his work unique. He tapped into the commonplace happenings of everyday life — childhood in a small town, the earthy humor that lightens the rigors of ranch life and the factory floor — and became an entertaining chronicler of a day before the 20th Century had come of age.
Rotating themes
- Frequently-used settings reflected Williams's experiences before he became a cartoonist, and included factory floors, mechanic shops, and cattle ranches — in fact, cowboys and other ranch denizens appeared so frequently, it could almost have edged Little Joe out as comics' first successful Western, if other settings hadn't been prominent as well. Family life and the adventures of small town boys were also common themes. Williams often used multiple large word balloons when the situation called for it, but if the picture stood on its own, didn't mind getting the words out of the way and using only a single short caption. He often re-used the same captions, such as Born Thirty Years Too Soon, Heroes Are Made, Not Born, Bull of the Woods and Why Mothers Get Gray. The Worry Wart was frequently used as a caption for panels starring a boy of about eight. Wart was one of several recurring characters, but the daily didn't have a regular star.
The success of the daily panel prompted a Sunday feature, but it was not a grouping of panels, as in the Sunday Grin and Bear It
Grin and Bear It
Grin and Bear It is a daily panel created by George Lichtenstein under the penname George Lichty. Initially distributed by United Feature Syndicate, it was syndicated by Field Enterprises beginning in 1940. Field Enterprises was sold in 1986 to King Features Syndicate which continues to distribute...
. Instead, the characters of Why Mothers Get Gray were expanded into a Sunday strip, Out Our Way with the Willits (aka The Willets). Williams' assistants on the Sunday strip were Neg Cochran and George Scarbo (whose own strip The Comic Zoo sometimes ran next to The Willets as a Sunday sidebar feature).
At their peak, Williams' creations appeared in more than 700 newspapers. In 1957, Williams died at age 70. Out Our Way was continued by Cochran, Paul Gringle, Ed Sullivan and others until 1977.