Pasquale Rizzoli
Encyclopedia
Pasquale Rizzoli was an Italian
sculptor. He was born to a family of wealthy merchants and was married to Adelinda Serra Zanetti in May, 1896. Rizzoli was a student of Salvino Salvini at the Accademia di Belle Arti of Bologna. In addition to his most famous bronze sculpture that, made in 1903, which is found in the Parco della Montagnola in Bologna, many of his works are in the cemetery Certosa of Bologna.
, with an interest in the effects of light, and the emerging art nouveau
. This combination is evident in his sculpture for the Possenti-Vecchi family in which he uses the realist style for the faces but has many ornamental details on the same tomb.
As time progressed he began increasingly to favour the art nouveau style over his realism past. His mature style can be see in the monumental tomb for the Ferrari family (1928).
In the later stages of his life, Rizzoli faced a difficult dichotomy: the desire to make sculptures faced with his disdain of the public taste for art, which he found lacking. Rizzoli did not seek to renovate his style and stopped having exhibits of his works.
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
sculptor. He was born to a family of wealthy merchants and was married to Adelinda Serra Zanetti in May, 1896. Rizzoli was a student of Salvino Salvini at the Accademia di Belle Arti of Bologna. In addition to his most famous bronze sculpture that, made in 1903, which is found in the Parco della Montagnola in Bologna, many of his works are in the cemetery Certosa of Bologna.
Style
Rizzoli’s artistic style is characterized by a mix of realismRealism (arts)
Realism in the visual arts and literature refers to the general attempt to depict subjects "in accordance with secular, empirical rules", as they are considered to exist in third person objective reality, without embellishment or interpretation...
, with an interest in the effects of light, and the emerging art nouveau
Art Nouveau
Art Nouveau is an international philosophy and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910. The name "Art Nouveau" is French for "new art"...
. This combination is evident in his sculpture for the Possenti-Vecchi family in which he uses the realist style for the faces but has many ornamental details on the same tomb.
As time progressed he began increasingly to favour the art nouveau style over his realism past. His mature style can be see in the monumental tomb for the Ferrari family (1928).
In the later stages of his life, Rizzoli faced a difficult dichotomy: the desire to make sculptures faced with his disdain of the public taste for art, which he found lacking. Rizzoli did not seek to renovate his style and stopped having exhibits of his works.
Legacy
Despite little production at the end of his career he had an important and fundamental impact on the artistic panorama of Bolognese art at the start of the 20th century. His impact continued to the middle of the century due to his ability to analyse, personalise, and synthesise the artistic trends that were present in Europe at the time.External links
- Certosa of Bologna biography of Rizzoli http://certosa.cineca.it/chiostro/persone.php?ID=481194
- Bio with pictures from Sala Borsa http://www.bibliotecasalaborsa.it/cronologia/bologna/1903/25