Per Reidarson
Encyclopedia
Per Reidarson was a Norwegian composer and music critic.
In the early twentieth century he was an acknowledged composer. For his body of work he was granted kunstnerlønn, a guaranteed minimum income
for artists, by the Norwegian state in 1938. He had also worked as a music critic in the newspapers Tidens Tegn
and Arbeiderbladet.
However, he eventually joined the political party Nasjonal Samling and began writing for their official publication Fritt Folk
. In 1941-1942, while Norway was occupied by Germany, he held the lecture Norsk og unorsk i musikken ('Norwegian and Un-Norwegian in Music'), anger directed at the perceived "Jewish and Marxist" Modernist music.
In 1945, when the occupation of Norway ended, Reidarson was marginalized and immediately lost his artist's income.
In the early twentieth century he was an acknowledged composer. For his body of work he was granted kunstnerlønn, a guaranteed minimum income
Guaranteed minimum income
Guaranteed minimum income is a system of social welfare provision that guarantees that all citizens or families have an income sufficient to live on, provided they meet certain conditions. Eligibility is typically determined by citizenship, a means test and either availability for the labour...
for artists, by the Norwegian state in 1938. He had also worked as a music critic in the newspapers Tidens Tegn
Tidens Tegn
Tidens Tegn is a former Norwegian newspaper, issued in Oslo from 1910 to 1941.-Editors:The founder and first editor-in-chief of Tidens Tegn was Ola Thommessen, who edited the newspaper until 1917. Thommessen had recently left the editor chair of Verdens Gang in protest, bringing much of Verdens...
and Arbeiderbladet.
However, he eventually joined the political party Nasjonal Samling and began writing for their official publication Fritt Folk
Fritt Folk
Fritt Folk was a Norwegian newspaper, published in Oslo. It was the official organ of the Fascist party Nasjonal Samling, and came to prominence during the Second World War.-History:...
. In 1941-1942, while Norway was occupied by Germany, he held the lecture Norsk og unorsk i musikken ('Norwegian and Un-Norwegian in Music'), anger directed at the perceived "Jewish and Marxist" Modernist music.
In 1945, when the occupation of Norway ended, Reidarson was marginalized and immediately lost his artist's income.