Pieter van Aelst
Encyclopedia
Pieter van Aelst or Pieter Coecke van Aelst (August 14, 1502 - December 6, 1550) was a Flemish painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
. He studied under Bernaert van Orley
Bernard van Orley
Bernard van Orley , also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a Flemish Northern Renaissance painter and draughtsman, and also a leading designer of tapestries and stained glass...
and later lived in Italy before entering the Antwerp Guild of painters in 1527. In 1533, he travelled to Constantinople
Constantinople
Constantinople was the capital of the Roman, Eastern Roman, Byzantine, Latin, and Ottoman Empires. Throughout most of the Middle Ages, Constantinople was Europe's largest and wealthiest city.-Names:...
for one year in a failed attempt to establish business connections for his tapestry works. Van Aelst established a studio in Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...
in 1544, where he created paintings and tapestries
Tapestry
Tapestry is a form of textile art, traditionally woven on a vertical loom, however it can also be woven on a floor loom as well. It is composed of two sets of interlaced threads, those running parallel to the length and those parallel to the width ; the warp threads are set up under tension on a...
. His students include Gillis van Coninxloo
Gillis van Coninxloo
Gillis van Coninxloo was a Dutch painter of forest landscapes, the most famous member of a large family of artists. He travelled through France, and lived in Germany for several years to avoid religious persecution....
, Willem Key
Willem Key
Willem Key was a Flemish renaissance painter.-Biography:According to van Mander he learned painting together with Frans Floris from Lambert Lombardus in Liège. He became a member of the Guild of St. Luke in Antwerp in 1540. He was a rich man who lived in a large house in the center of town near...
, Hans Vredeman de Vries
Hans Vredeman de Vries
Hans Vredeman de Vries was a Dutch Renaissance architect, painter, and engineer. Vredeman de Vries is known for his publication in 1583 on garden design and his books with many examples on ornaments and perspective ....
, Michiel Coxcie, and possibly Pieter Brueghel the Elder
Pieter Brueghel the Elder
Pieter Bruegel the Elder was a Flemish renaissance painter and printmaker known for his landscapes and peasant scenes . He is sometimes referred to as the "Peasant Bruegel" to distinguish him from other members of the Brueghel dynasty, but he is also the one generally meant when the context does...
, who did eventually marry van Aelst's daughter, Mayken. His second wife, Mayken Verhulst
Mayken Verhulst
Mayken Verhulst was a sixteenth-century miniature, tempera and watercolor painter, identified by Lodovico Guicciardini in 1567 as one of the most important female artists in the Low Countries.-Life:Mayken Verhulst was born in Mechelen in 1518...
, was an artist as well, and, according to Carel van Mander
Carel van Mander
Karel van Mander was a Flemish-born Dutch painter and poet, who is mainly remembered as a biographer of Netherlandish artists in his Schilder-boeck. As an artist he played an important role in Northern Mannerism in the Netherlands....
, the first teacher of her grandchildren, Pieter Brueghel the Younger
Pieter Brueghel the Younger
Pieter Brueghel the Younger /ˈpitəɾ ˈbɾøːxəl/ was a Flemish painter, known for numerous copies after his father Pieter Brueghel the Elder's paintings and nicknamed "Hell Brueghel" for his fantastic treatments of fire and grotesque imagery.-Life:Pieter Brueghel the Younger was the oldest son of the...
and Jan Brueghel the Elder
Jan Brueghel the Elder
Jan Brueghel the Elder was a Flemish painter, son of Pieter Bruegel the Elder and father of Jan Brueghel the Younger. Nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, of which the latter two were derived from his floral still lifes which were his favored subjects, while the...
. He was also the uncle of Joachim Bueckelaer. Van Aelst's studio is also well known for its engraved
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...
works.
In particular, van Aelst is noted for his 1539 translation of Sebastiano Serlio
Sebastiano Serlio
Sebastiano Serlio was an Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau...
's architectural treatise, Architettura, which is credited with having played a crucial role in spreading Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
ideas to the Low Countries
Low Countries
The Low Countries are the historical lands around the low-lying delta of the Rhine, Scheldt, and Meuse rivers, including the modern countries of Belgium, the Netherlands, Luxembourg and parts of northern France and western Germany....
and hastening the transition from the late Gothic
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
style prevalent in the area at the time. He was in charge of the spectacular decorations for the 1549 Royal entry
Royal Entry
The Royal Entry, also known by various other names, including Triumphal Entry and Joyous Entry, embraced the ceremonial and festivities accompanying a formal entry by a ruler or his representative into a city in the Middle Ages and Early Modern Period in Europe...
into Antwerp of Philip II of Spain
Philip II of Spain
Philip II was King of Spain, Portugal, Naples, Sicily, and, while married to Mary I, King of England and Ireland. He was lord of the Seventeen Provinces from 1556 until 1581, holding various titles for the individual territories such as duke or count....
, "the most famous entry of the century", according to Roy Strong
Roy Strong
Sir Roy Colin Strong FRSL is an English art historian, museum curator, writer, broadcaster and landscape designer. He has been director of both the National Portrait Gallery and the Victoria and Albert Museum in London...
.
Works
These are some of the works by Pieter van Aelst :- “Christ and His Disciples on Their Way to Emmaus”, Oil on panel, 68 x 87 cm, Private collectionhttp://www.wga.hu/art/c/coecke/wayemmau.jpg
- “Descent from the Cross”, c. 1535, Oil on panel, 119 x 170 cm, Amstelkring Museum, Amsterdamhttp://www.wga.hu/art/c/coecke/descent.jpg
- “Holy Trinity”, Oil on panel, 98 x 84 cm, Museo del Prado, Madridhttp://www.wga.hu/art/c/coecke/trinity.jpg
- "Kruisiging", Wandtapijt, Pinacoteca Comunale, ForlìForlìForlì is a comune and city in Emilia-Romagna, Italy, and is the capital of the province of Forlì-Cesena. The city is situated along the Via Emilia, to the right of the Montone river, and is an important agricultural centre...
http://www.opificiodellepietredure.it/index.php?it/21/news/53/la-crocifissione-della-pinacoteca-civica-di-forl-una-fiaba-sacra-mostra-presso-il-museo-dellopificio - “Triptych”, 1530s, Oil on panel, 105 x 68 cm (central), 105 x 28 cm (each wing), Private collectionhttp://www.wga.hu/art/c/coecke/triptych.jpg
- “Triptych: Adoration of the Magi”, Oil on panel, 89 x 57 cm (central), 89 x 25 cm (each wing), Private collectionhttp://www.wga.hu/art/c/coecke/adoratio.jpg
- “Triptych: Descent from the Cross”, 1540-1550, Oil on panel, 262 x 172 cm (central), 274 x 84 cm (each wing), National Museum of Ancient Art, Lisbon http://picasaweb.google.com/117696532398892856732/Kunst#5532077532690275010