Pietà
Encyclopedia
The Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus
, most often found in sculpture
. As such, it is a particular form of the Lamentation of Christ
, a scene from the Passion of Christ found in cycles of the Life of Christ
. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian.
(here stands the mother). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist.
The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder
. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross
, as well as one of the Seven Sorrows of the Virgin.
Although the Pietà most often shows the Virgin Mary holding Jesus, there are other compositions, including those where God the Father
participates in holding Jesus (see gallery below). In Spain the Virgin often holds up one or both hands, sometimes with Christ's body slumped to the floor.
by Michelangelo
is located in St. Peter's Basilica
in the Vatican City
. The body of Christ is different from most earlier pietà statues, which were usually smaller and in wood. The Virgin is also unusually youthful, and in repose, rather than the older, sorrowing Mary of most pietàs. She is shown as youthful for two reasons; God is the source of all beauty and she is one of the closest to God, also the exterior is thought as the revelation of the interior (the virgin is morally beautiful).
The Pietà with the Virgin Mary is also unique among Michelangelo's sculptures, because it was the only one he ever signed, upon hearing that visitors thought it had been sculpted by a competitor. Michelangelo's signature is carved into the sash the Virgin wears on her breast.
Michelangelo's last work was another Pietà, this one featuring not the Virgin Mary holding Christ, but rather Joseph of Arimathea
, probably carved as a self-portrait.
A generation later, the Spanish painter Luis de Morales
painted a number of highly emotional Pietàs, with examples in the Louvre
and Museo del Prado
.
Jesus
Jesus of Nazareth , commonly referred to as Jesus Christ or simply as Jesus or Christ, is the central figure of Christianity...
, most often found in sculpture
Sculpture
Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer materials can also be used, such as clay, textiles, plastics, polymers and softer metals...
. As such, it is a particular form of the Lamentation of Christ
Lamentation of Christ
350px|thumb|Lamentation by [[Giotto di Bondone]] in the [[Scrovegni Chapel]]The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends and family mourned over his body...
, a scene from the Passion of Christ found in cycles of the Life of Christ
Life of Christ
The Life of Christ as a narrative cycle in Christian art comprises a number of different subjects, which were often grouped in series or cycles of works in a variety of media, narrating the life of Jesus on earth, as distinguished from the many other subjects in art showing the eternal life of...
. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian.
Context and development
Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat MaterStabat Mater (art)
Stabat Mater is a topic in Christian Marian art in which the Virgin Mary is depicted under the cross during the Crucifixion of Christ...
(here stands the mother). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist.
The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder
Andachtsbilder
Andachtsbilder is a German term often used in English in art history for Christian devotional images designed as aids for prayer or contemplation...
. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross
Stations of the Cross
Stations of the Cross refers to the depiction of the final hours of Jesus, and the devotion commemorating the Passion. The tradition as chapel devotion began with St...
, as well as one of the Seven Sorrows of the Virgin.
Although the Pietà most often shows the Virgin Mary holding Jesus, there are other compositions, including those where God the Father
God the Father
God the Father is a gendered title given to God in many monotheistic religions, particularly patriarchal, Abrahamic ones. In Judaism, God is called Father because he is the creator, life-giver, law-giver, and protector...
participates in holding Jesus (see gallery below). In Spain the Virgin often holds up one or both hands, sometimes with Christ's body slumped to the floor.
Michelangelo
A famous examplePietà (Michelangelo)
The Pietà is a masterpiece of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's Basilica in Vatican City. It is the first of a number of works of the same theme by the artist. The statue was commissioned for the French cardinal Jean de Billheres, who was a representative in...
by Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
is located in St. Peter's Basilica
St. Peter's Basilica
The Papal Basilica of Saint Peter , officially known in Italian as ' and commonly known as Saint Peter's Basilica, is a Late Renaissance church located within the Vatican City. Saint Peter's Basilica has the largest interior of any Christian church in the world...
in the Vatican City
Vatican City
Vatican City , or Vatican City State, in Italian officially Stato della Città del Vaticano , which translates literally as State of the City of the Vatican, is a landlocked sovereign city-state whose territory consists of a walled enclave within the city of Rome, Italy. It has an area of...
. The body of Christ is different from most earlier pietà statues, which were usually smaller and in wood. The Virgin is also unusually youthful, and in repose, rather than the older, sorrowing Mary of most pietàs. She is shown as youthful for two reasons; God is the source of all beauty and she is one of the closest to God, also the exterior is thought as the revelation of the interior (the virgin is morally beautiful).
The Pietà with the Virgin Mary is also unique among Michelangelo's sculptures, because it was the only one he ever signed, upon hearing that visitors thought it had been sculpted by a competitor. Michelangelo's signature is carved into the sash the Virgin wears on her breast.
Michelangelo's last work was another Pietà, this one featuring not the Virgin Mary holding Christ, but rather Joseph of Arimathea
Joseph of Arimathea
Joseph of Arimathea was, according to the Gospels, the man who donated his own prepared tomb for the burial of Jesus after Jesus' Crucifixion. He is mentioned in all four Gospels.-Gospel references:...
, probably carved as a self-portrait.
A generation later, the Spanish painter Luis de Morales
Luis de Morales
Luis de Morales was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion....
painted a number of highly emotional Pietàs, with examples in the Louvre
Louvre
The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...
and Museo del Prado
Museo del Prado
The Museo del Prado is the main Spanish national art museum, located in central Madrid. It features one of the world's finest collections of European art, from the 12th century to the early 19th century, based on the former Spanish Royal Collection, and unquestionably the best single collection of...
.
See also
- Roman Catholic Marian artRoman Catholic Marian artThe Blessed Virgin Mary has been one of the major subjects of Christian Art, Catholic Art and Western Art for many centuries. Literally hundreds of thousands of pieces of...
- Descent from the CrossDescent from the CrossThe Descent from the Cross , or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion . In Byzantine art the topic became popular in the 9th century, and in the West from the...
- Stations of the CrossStations of the CrossStations of the Cross refers to the depiction of the final hours of Jesus, and the devotion commemorating the Passion. The tradition as chapel devotion began with St...