Ralph Bacerra
Encyclopedia
Ralph Bacerra was a ceramic artist and career educator. He lived and worked in Los Angeles, California
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From 1959 to 1961, Bacerra was a student at Chouinard Art Institute
in Los Angeles, where he studied under the celebrated ceramist and educator and Vivika Heino. Bacerra joined the U.S. Army in 1961, returning in 1963 to find the position of chairperson of the ceramics department at Chouinard left open by Vivika Heino. Bacerra occupied this position there from 1963 to 1971, at which point Chouinard was renamed the California Institute of the Arts
and moved to Valencia, California
. After this move in 1971, the ceramics department was dropped from the school’s curriculum, and Bacerra went to work full-time in his studio. Bacerra is credited with important technological innovation in advanced ceramics, most notably resulting in his development of oven-top ranged surfaces for the Induction Stove Corporation that featured the use of electromagnetic induction
. Bacerra returned to teaching in 1983, this time accepting an offer from the Otis Art Institute to be chairperson of the ceramics department. This department was founded at Otis by influential artist Peter Voulkos
. Bacerra was chair of this program until 1997. His teaching approach focused more on the development of technical proficiency and experience with materials than on conceptual concerns. He had only one kidney.
The artwork of Ralph Bacerra is recognizable by its vivid use of color and contrast, which are the result of a delicate and multi-staged process of overglazing. He is also known for geometrically complicated and technically difficult forms. His decorative aesthetic draws from Asian sources, most notably Japanese Imari and Kutani pieces, Persian miniatures, and Chinese Tang ceramics. The surface imagery of Bacerra’s sculptures is design-conscious and draws comparisons to M.C. Escher’s grid techniques and use of positive and negative space, as well as to the geometric sensibility and creation of movement and space associated with Vassily Kandinsky. Bacerra has insisted upon an absence of metaphor:
“I’ve never really thought of my work in post-modern terms. But I suppose in many ways it fits the definition. My pieces are based on traditional ideas and engage in certain cultural appropriations—in form, in design, in glaze choices. However, my work is not post-modern in the sense that I am not making any statements—social, political, conceptual, even intellectual. There’s no meaning or metaphor. I’m committed more to the idea of pure beauty. The finished piece should be like an ornament, exquisitely beautiful.”
He died of lung cancer Tuesday, June 10, 2008, at his home in Eagle Rock, near Los Angeles.
Los Angeles, California
Los Angeles , with a population at the 2010 United States Census of 3,792,621, is the most populous city in California, USA and the second most populous in the United States, after New York City. It has an area of , and is located in Southern California...
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From 1959 to 1961, Bacerra was a student at Chouinard Art Institute
Chouinard Art Institute
The Chouinard Art Institute was a professional art school founded in 1921 in Los Angeles, California, by Nelbert Murphy Chouinard .-Founder:...
in Los Angeles, where he studied under the celebrated ceramist and educator and Vivika Heino. Bacerra joined the U.S. Army in 1961, returning in 1963 to find the position of chairperson of the ceramics department at Chouinard left open by Vivika Heino. Bacerra occupied this position there from 1963 to 1971, at which point Chouinard was renamed the California Institute of the Arts
California Institute of the Arts
The California Institute of the Arts, commonly referred to as CalArts, is located in Valencia, in Los Angeles County, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the United States created specifically for students of both the visual and the...
and moved to Valencia, California
Valencia, California
Valencia is an affluent planned community located in the City of Santa Clarita, California and Los Angeles County, California, U.S. in the northwestern corner of the Santa Clarita Valley, adjacent to Interstate 5. In 1987, it was one of the four unincorporated communities that merged to create the...
. After this move in 1971, the ceramics department was dropped from the school’s curriculum, and Bacerra went to work full-time in his studio. Bacerra is credited with important technological innovation in advanced ceramics, most notably resulting in his development of oven-top ranged surfaces for the Induction Stove Corporation that featured the use of electromagnetic induction
Electromagnetic induction
Electromagnetic induction is the production of an electric current across a conductor moving through a magnetic field. It underlies the operation of generators, transformers, induction motors, electric motors, synchronous motors, and solenoids....
. Bacerra returned to teaching in 1983, this time accepting an offer from the Otis Art Institute to be chairperson of the ceramics department. This department was founded at Otis by influential artist Peter Voulkos
Peter Voulkos
Peter Voulkos popular name of Panagiotis Voulkos, was an American artist of Greek descent. He is known for his Abstract Expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art....
. Bacerra was chair of this program until 1997. His teaching approach focused more on the development of technical proficiency and experience with materials than on conceptual concerns. He had only one kidney.
The artwork of Ralph Bacerra is recognizable by its vivid use of color and contrast, which are the result of a delicate and multi-staged process of overglazing. He is also known for geometrically complicated and technically difficult forms. His decorative aesthetic draws from Asian sources, most notably Japanese Imari and Kutani pieces, Persian miniatures, and Chinese Tang ceramics. The surface imagery of Bacerra’s sculptures is design-conscious and draws comparisons to M.C. Escher’s grid techniques and use of positive and negative space, as well as to the geometric sensibility and creation of movement and space associated with Vassily Kandinsky. Bacerra has insisted upon an absence of metaphor:
“I’ve never really thought of my work in post-modern terms. But I suppose in many ways it fits the definition. My pieces are based on traditional ideas and engage in certain cultural appropriations—in form, in design, in glaze choices. However, my work is not post-modern in the sense that I am not making any statements—social, political, conceptual, even intellectual. There’s no meaning or metaphor. I’m committed more to the idea of pure beauty. The finished piece should be like an ornament, exquisitely beautiful.”
He died of lung cancer Tuesday, June 10, 2008, at his home in Eagle Rock, near Los Angeles.
Collections
- Arizona State University Art Museum, Tempe
- Bates Gallery, Edinboro State College, Edinboro, Pennsylvania
- Cooper Hewitt Museum, New York
- Everson Museum of Art, Syracuse, New York
- John Michael Kohler Arts Center, Sheboygan, Wisconsin
- Krannet Art Museum, Champaign, Illinois
- Long Beach Museum of Art, Long Beach, California
- Los Angeles County Museum of Art, Los Angeles
- M.H. de Young Memorial Museum, San Francisco
- Mint Museum of Craft + Design, Charlotte, North Carolina
- The Museum of Contemporary Ceramic Art, Shigaraki Ceramic Cultural Park, Shigaraki, Japan
- Museum of Contemporary Crafts, New York
- Smithsonian American Art Museum, Washington, D.C.
- National Museum of Modern Art, Kyoto, Japan
- Newark Museum of Art, Newark, New Jersey
- The Oakland Museum, Oakland, California
- Racine Art Museum, Racine, Wisconsin
- Syracuse University, Syracuse, New York
- Victoria and Albert Museum, London
- The White House, Washington, D.C.
- Wichita Art Museum, Wichita, Kansas
Further reading
- Herman, Lloyd E. Art that Works: Decorative Arts of the Eighties Craft In America. Seattle: University of Washington Press, 1990.
- Lauria, Jo. Color and Fire: Defining Moments in Studio Ceramics, 1950 – 2000. Los Angeles County Museum of Art: Rizzoli International Publications, Inc. 2000.
- Levin, Elaine. The History of American Ceramics from Pipkins and Bean Pots to Contemporary Forms. New York City: Harry N. Abrams, 1988.
External links
- Frank Lloyd Gallery: website of gallery representing Ralph Bacerra, with images of work, résumé, etc.
- Ralph Bacerra papers, 1959-2003 from the Smithsonian Archives of American ArtArchives of American ArtThe Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 16 million items of original material are housed in the Archives' research centers in Washington, D.C...