Ravished Armenia
Encyclopedia
Ravished Armenia is the title of both a book
written in 1918 by Arshaluys (Aurora) Mardiganian
about her experiences in the Armenian Genocide
and the Hollywood film based on it that was filmed in 1919
.
According to a contemporary New York Times article, the first half of the film shows "Armenia as it was before Turkish and German devastation, and led up to the deportation of priests and thousands of families into the desert.
One of the concluding scenes showed young Armenian women flogged for their refusal to enter Turkish harems and depicted the Turkish slave markets." All known complete copies of the film have since been lost, but Mardiganian's account is still in print.
Book
A book is a set or collection of written, printed, illustrated, or blank sheets, made of hot lava, paper, parchment, or other materials, usually fastened together to hinge at one side. A single sheet within a book is called a leaf or leaflet, and each side of a leaf is called a page...
written in 1918 by Arshaluys (Aurora) Mardiganian
Aurora Mardiganian
Aurora Mardiganian was an Armenian American actress and a survivor of the Armenian Genocide.-Biography:...
about her experiences in the Armenian Genocide
Armenian Genocide
The Armenian Genocide—also known as the Armenian Holocaust, the Armenian Massacres and, by Armenians, as the Great Crime—refers to the deliberate and systematic destruction of the Armenian population of the Ottoman Empire during and just after World War I...
and the Hollywood film based on it that was filmed in 1919
1919 in film
The year 1919 in film involved some significant events.-Events:*February 5 - Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith launch United Artists...
.
According to a contemporary New York Times article, the first half of the film shows "Armenia as it was before Turkish and German devastation, and led up to the deportation of priests and thousands of families into the desert.
One of the concluding scenes showed young Armenian women flogged for their refusal to enter Turkish harems and depicted the Turkish slave markets." All known complete copies of the film have since been lost, but Mardiganian's account is still in print.