Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist

When Hazel Carby

Hazel Carby

Hazel V. Carby is professor of African American Studies and of American Studies at Yale University. Before joining Yale University faculty, she taught English at Wesleyan University for seven years...

 received her Ph.D. in 1984 from Birmingham University, her thesis, which centered on slave narratives by women, later became the foundation for her book, Reconstructing Womanhood

Reconstructing Womanhood

Reconstructing Womanhood: The Emergence of the Afro-American Woman NovelistWhen Hazel Carby received her Ph.D. in 1984 from Birmingham University, her thesis, which centered on slave narratives by women, later became the foundation for her book, Reconstructing Womanhood: The Emergence of the...

: The Emergence of the Afro-American Woman Novelist (ISBN 0-19-506071-7), published in 1987. Reconstructing Womanhood is a groundbreaking book that redefined the history of African American literature by analyzing writings from black women in the nineteenth and early twentieth centuries, as well as examining the social, political, and historical landscapes these works were produced. Carby structures the book with four major aims in mind:

• To examine how black women writers and orators dealt with the exclusionary practices of domestic and literary ideals of womanhood in nineteenth century white society; and how black female intellectuals transformed and reconstructed these ideologies to produce their own definitions of true womanhood.

• To expose the lack of significant political alliances between black and white women during the nineteenth century. Further, in terms of contemporary feminism and literary criticism, Carby argues that white women were more inclined to show allegiance to race instead of gender by allying themselves not with black women, but with the dominant white male patriarchy.

• To identify the societal contributions of black women in the late nineteenth and early twentieth centuries during a period of intense intellectual activity and productivity deemed the “black women’s renaissance.”

• To serve as a literary history chronicling the emergence of black female novelists and the historical contexts in which they wrote.