Richard Swift was an American composer

Composer

A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...

 and music theorist.

Richard Swift studied with Leland Smith, Grosvenor Cooper, and Leonard Meyer at the University of Chicago

University of Chicago

The University of Chicago is a private research university in Chicago, Illinois, USA. It was founded by the American Baptist Education Society with a donation from oil magnate and philanthropist John D. Rockefeller and incorporated in 1890...

, where he received an MA in 1956. His career was spent teaching at the University of California, Davis

University of California, Davis

The University of California, Davis is a public teaching and research university established in 1905 and located in Davis, California, USA. Spanning over , the campus is the largest within the University of California system and third largest by enrollment...

, from 1956 until his retirement in 1991. He was the recipient of many awards, amongst others from the National Endowment for the Arts

National Endowment for the Arts

The National Endowment for the Arts is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created by an act of the U.S. Congress in 1965 as an independent agency of the federal government. Its current...

 (1977), and the American Academy and Institute of Arts and Letters (1978).

In addition to his activity as a composer, he also published many articles on twentieth-century music and music theory.

His wife, Dorothy Zackrisson Swift (1928–1990), was an accomplished musician and poet who wrote the libretto for Swift’s opera, The Trial of Tender O’Shea (1964). Richard Swift also set two of her poems in the song cycle Roses Only, conceived as a memorial for her (Morris 1997, 15). Her collected poetry was published posthumously (D. Z. Swift 1992).

Compositions (selective list)

• String Trio no. 1, op. 6 (1954–55)
• String Quartet no. 1 (1955)
• Stravaganza I, for instrumental ensemble (1956)
• Serenade Concertante, for piano and wind quintet (1956)
• Trio, for clarinet, cello, and piano, op. 14 (1957)
• String Quartet no. 2 (1958)
• The Pleasures of Merely Circulating for band (1959)
• Stravaganza III, for clarinet, violin, and piano, op. 22 (1960)
• Piano Concerto no. 1, op. 26 (1961)
• Domaines I, for baritone, flute, clarinet, trombone, vibraphone, and cello (texts: Robert Lowell), op. 29 (1963)
• Domains III, for four groups of instruments, op. 31 (1963)
• String Quartet no. 3 (1964)
• The Trial of Tender O’Shea, opera in 1 scene (1964)
• Music for a While I, for violin, viola, and harpsichord (1965)
• Planctus, for chorus (soprano, alto, bass), flute, bassoon, viola, and cello (1966)
• Violin Concerto (1968)
• Stravaganza VII, for solo viola (1968)
• Music for a While II, for clarinet, viola, and harpsichord (1969)
• Symphony (1970)
• Thanatopsis, for mezzo-soprano, small four-part chorus and seventeen instruments (text: Titus Lucretius Carus) (1971)
• String Quartet no. 4 (1973)
• Prime, for alto saxophone and chamber ensemble (flute, oboe, trombone, viola, cello, contrabass and harp) (1973)
• Music for a While III, for two instruments (1975)
• Mein blaues Klavier, for piano (1978)
• String Trio no. 2 (1979–80)
• Piano Concerto no. 2 (1980)
• String Quartet no. 5 (1982)
• Things of August, for piano (1986)
• A Field of Light for eight instruments (1990)
• Roses Only, for soprano and small orchestra (1991)
• String Quartet no. 6 (1992)
• Stravaganza XI, for instrumental ensemble (1995)

Writings (selective list)

• 1964. "The Demonstrations of J.K. Randall". Perspectives of New Music 2, no. 2 (Spring): 77–86.
• 1976. "Some Aspects of Aggregate Composition". Perspectives of New Music 14, no. 2 / 15, no. 1 ("Sounds and Words. A Critical Celebration of Milton Babbitt at 60") (Spring-Summer/Fall-Winter): 236–48.
• 1977. "1/XII/99: Tonal Relations in Schoenberg's Verklärte Nacht". Nineteenth-Century Music 1, no. 1 (July): 3–14.
• 1978–79. "Mahler’s Ninth and Cooke’s Tenth", Nineteenth-Century Music 2:165–72.
• 1982–83. "A Tonal Analog: The Tone-Centered Music of George Perle", Perspectives of New Music 21, nos. 1–2: 257–84.
• 1995. "Schoenberg’s Second Chamber Symphony, op. 38". International Journal of Musicology 4:169–81.

Sources

• Fennelly, Brian. "Swift, Richard", Grove Music Online, ed. L. Macy (Accessed 14 August 2007). (subscription access)
• Morris, Robert D. 1997. "Not Only Rows in Richard Swift’s Roses Only". Perspectives of New Music 35, no. 1 (Winter): 13–47.
• Swift, Dorothy Zackrisson. 1992. Poems: 1950–1990. Sacramento: Deason and Stirn.