, existentialist
tragicomedy
by Tom Stoppard
, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's
Hamlet
, the courtiers Rosencrantz and Guildenstern
. The action of Stoppard's play takes place mainly "in the wings" of Shakespeare's, with brief appearances of major characters from Hamlet who enact fragments of the original's scenes.
Eternity is a terrible thought. I mean, where's it going to end?
To sum up: your father, whom you love, dies, you are his heir, you come back to find that hardly was the corpse cold before his young brother popped onto his throne and into his sheets, thereby offending both legal and natural practice. Now why exactly are you behaving in this extraordinary manner?
We cross our bridges when we come to them, and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.
No, no, no... you've got it all wrong... you can't act death. The fact of it is nothing to do with seeing it happen — it's not gasps and blood and falling about — that isn't what makes it death. It's just a man failing to reappear, that's all — now you see him, now you don't, that's the only thing that's real: here one minute and gone the next and never coming back — an exit, unobtrusive and unannounced, a disappearance gathering weight as it goes on, until, finally, it is heavy with death.
We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else.