Salus Populi Romani
Encyclopedia
Salus Populi Romani -Protectress translates literally as "salvation or health" -is a title given in the 19th century to the Byzantine
icon
of the Madonna and Child, reputed to date to the Early Christian
era, in the Borghese
or Pauline Chapel of the Santa Maria Maggiore Basilica in Rome.
It has historically been the most important Marian
icon in Rome, and although devotion to it declined somewhat relative to other images, such as Our Mother of Perpetual Help
, over the centuries, it regained some status by being crowned by Pope Pius XII
in 1954. Recent papal devotion includes Pope Benedict XVI
who venerated the Salus Populi Romani on different occasions, referred to Mary, the mother of God with that title, as he asked her to "pray for us".
The phrase Salus Populi Romani goes back to the legal system and pagan rituals of the ancient Roman Republic
, where Livy
tells us that the augur
would ask the gods for permission for the praetor
s to pray for it.
, and in 1240 it was called Regina Caeli ("Queen of Heaven") in a document. Later it was moved to the nave, and from the 13th c. it was preserved in a marble tabernacle
. Since 1613, it has been located in the altar tabernacle of the Cappella Paolina (built specifically for it), known to English-speaking pilgrims as the Lady Chapel. The church, Saint Maria Maggiore, is considered the third of the Roman patriarchal basilica
s. The church and its Marian shrine are under the special patronage of the pope
s.
From at least the 15th century, it was honored as a miraculous image, and it was later used by the Jesuits in particular to foster devotion to the Mother of God through the Sodality of Our Lady
movement.
The Roman Breviary states, "After the Council of Ephesus (431) in which the Mother of Jesus was acclaimed as Mother of God, Pope Sixtus III erected at Rome on the Esquiline Hill, a basilica dedicated to the honor of the Holy Mother of God. It was afterward called Saint Mary Major and it is the oldest church in the West dedicated to the honor of the Blessed Virgin Mary." The Roman Pontifical
gives an additional account, "The Liberian basilica, today called Saint Mary Major, was founded by Pope Liberius (352-366) and was restored and enlarged by Sixtus III. ... Pope Liberius selected a venerated picture that hung in the pontifical oratory. It had allegedly been brought to Rome by St. Helena."
, when Our Lady moved to the home of St. John
, she took with her a few personal belongings--among which was a table built by the Redeemer in the workshop of St. Joseph. When pious virgins of Jerusalem prevailed upon St. Luke to paint a portrait of the Mother of God, it was the top of this table that was used to memorialize her image. While applying his brush and paints, St. Luke listened carefully as the Mother of Jesus spoke of the life of her son, facts which the Evangelist
later recorded in his Gospel. Legend also tells us that the painting remained in and around Jerusalem until it was discovered by St. Helena in the fourth century. Together with other sacred relics, the painting was transported to Constantinople where her son, Emperor Constantine the Great, erected a church for its enthronement."
panel. Mary wears a gold-trimmed dark blue mantle over a purple/red tunic. The letters in Greek at the top identify Mary as "Mother of God", as is usual in Byzantine art (Christ may originally have had an inscription under later re-painting). Christ is holding a book in his left hand, presumably a Gospel Book
. His right hand is raised in a blessing
gesture, and it is Mary not he who looks directly out at the viewer.
The folded together position of Mary's hands distinguishes this image as a version of the earlier type from before the development of the iconography
of the Hodegetria
image in the 10th century, where she points to Christ with her right hand. "Rather than offering the Child, she keeps his body closer to hers and seeks physical and tactile contact with him" However the few other examples of this type do not have the Virgin's hands folded together - the right hand holds Christ's knee.
Although neither wear crowns, the holding by Mary in her right hand of a mappa (or mappula, a sort of embroidered ceremonial handkerchief), originally a consul
ar symbol, later an imperial one, means this image is probably one of the type showing Mary as Regina coeli
or "Queen of Heaven".
" in its original form.
The icon in its current state seems to be a work of the thirteenth century (as witnessed by the features of the faces), but other layers visible under the top one suggest it is a repainting of a much earlier piece; especially revealing is the modeling of Child's right hand in the first layer, which can be compared to other early Christian icons that display 'Pompeian' illusionistic qualities The areas of linear stylization, such as Christ's garment which is rendered in golden hatching producing a flat effect, seem to go back to the 8th century, and can be compared with a very early icon of Elijah from Sinai
. A second restoration process started around 1100 and came to an end in the 13th c. Virgin's blue mantle which is wrapped over her purple dress was severely altered in the outline; the red halos
are also not part of the original image.
The image type itself suggests it is not a medieval invention, but rather an Early Christian concept dating from antiquity: a majestic, half-length portrait showing a frank outward gaze of the rulerlike Virgin, with her upright, stately pose, and folded hands gently clasping the Child, unique among all icons. Lively turning of the maturely developed and attired Child also attests to the painting's antiquity. The vivid contrapposto
of the two bodies, which suggests direct observation, can be compared with 5th c. Mount Sinai icon of the Virgin and Child in Kiev, and contrasted with Pantheon Marian icon from 609. which already shows Mother slightly subordinated to the Child by the imploring gesture and the turn of the head, and where the interaction of the bodies exists only in a flat plane. These comparisons suggest a date of 7th c. for the icon.
The early fame of the icon can be gauged from the production of replicas (a fresco in Santa Maria Antiqua
seems to have reproduced it already in the 8th c.), and the role it played in the ritual on the feast of the Virgin's Assumption
, where the achiropiite
(the panel painting of Christ from the Lateran Basilica) was moved in a procession to Santa Maria Maggiore to 'meet' with it. Monneret de Villard has shown that engravings of this icon brought by Jesuits to Ethiopia
influenced the art of that country from the seventeenth century onwards, repeating "every detail of her own and the Child's posture, the position of the hands being especially characteristic." More far flung apparent copies include a Moghul miniature
, presumably based on a copy given to Akbar by the Jesuits, and copies in China, of which a 16th century example is in the Field Museum in Chicago.
The icon has been considered as miraculous and has been prayed to and carried around Rome many times. In 593 Pope Saint Gregory had the icon carried through Rome and prayed for an end to the Black Plague. In 1571 Pope Pius V prayed to the icon for victory at the Battle of Lepanto
. In 1837 Pope Gregory XVI prayed to it for the end of the cholera epidemic.
Roman-born Pope Pius XII
(Eugenio Pacelli) celebrated his first Holy Mass in front of it on April 1, 1899. In 1953, the icon was carried through Rome to initiate the first Marian year in Church history. In 1954, the icon was crowned by Pope Pius XII as he introduced a new Marian feast Queenship of Mary. Pope Paul VI
, Pope John Paul II
and Pope Benedict XVI
all honoured the Salus Populi Romani with personal visits and liturgical celebrations.
.
Salus Populi Romani was the centerpiece of the Colloquium Marianum in Ingolstadt, in 1604. According to the Schoenstatt, on April 6th 1604, Father Jakob Rem, SJ, desired to know which of the invocations from the litany of Loreto would please the Virgin Mary the most. He reported that after meditation and looking at the image of Salus Populi Romani, the title Mother Thrice Admirable was revealed to him.
The title Mother Trice Admirable has since become part of the Schoenstatt Movement
and is also associated with another well known Madonna, namely the 1898 Refugium Peccatorum Madonna
by the Italian artist Luigi Crosio
which was purchased by the Schoenstatt Sisters in Switzerland in 1964 and has since been called the Mother Thrice Admirable Madonna.
Byzantine art
Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....
icon
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and in certain Eastern Catholic churches...
of the Madonna and Child, reputed to date to the Early Christian
Early Christianity
Early Christianity is generally considered as Christianity before 325. The New Testament's Book of Acts and Epistle to the Galatians records that the first Christian community was centered in Jerusalem and its leaders included James, Peter and John....
era, in the Borghese
Borghese
Borghese is the surname of a family of Italian noble and papal background, originating as the Borghese or Borghesi in Siena, where they came to prominence in the 13th century holding offices under the commune. The head of the family, Marcantonio, moved to Rome in the 16th century and there,...
or Pauline Chapel of the Santa Maria Maggiore Basilica in Rome.
It has historically been the most important Marian
Roman Catholic Marian art
The Blessed Virgin Mary has been one of the major subjects of Christian Art, Catholic Art and Western Art for many centuries. Literally hundreds of thousands of pieces of...
icon in Rome, and although devotion to it declined somewhat relative to other images, such as Our Mother of Perpetual Help
Our Mother of Perpetual Help
Our Lady of Perpetual Help or "Sancta Mater de Perpetuo Succursu" Holy Mother of Perpetual Help is a title given to the Blessed Virgin Mary by Pope Pius IX, associated with a Byzantine icon of the same name dating from the 15th century...
, over the centuries, it regained some status by being crowned by Pope Pius XII
Pope Pius XII
The Venerable Pope Pius XII , born Eugenio Maria Giuseppe Giovanni Pacelli , reigned as Pope, head of the Catholic Church and sovereign of Vatican City State, from 2 March 1939 until his death in 1958....
in 1954. Recent papal devotion includes Pope Benedict XVI
Pope Benedict XVI
Benedict XVI is the 265th and current Pope, by virtue of his office of Bishop of Rome, the Sovereign of the Vatican City State and the leader of the Catholic Church as well as the other 22 sui iuris Eastern Catholic Churches in full communion with the Holy See...
who venerated the Salus Populi Romani on different occasions, referred to Mary, the mother of God with that title, as he asked her to "pray for us".
The phrase Salus Populi Romani goes back to the legal system and pagan rituals of the ancient Roman Republic
Roman Republic
The Roman Republic was the period of the ancient Roman civilization where the government operated as a republic. It began with the overthrow of the Roman monarchy, traditionally dated around 508 BC, and its replacement by a government headed by two consuls, elected annually by the citizens and...
, where Livy
Livy
Titus Livius — known as Livy in English — was a Roman historian who wrote a monumental history of Rome and the Roman people. Ab Urbe Condita Libri, "Chapters from the Foundation of the City," covering the period from the earliest legends of Rome well before the traditional foundation in 753 BC...
tells us that the augur
Augur
The augur was a priest and official in the classical world, especially ancient Rome and Etruria. His main role was to interpret the will of the gods by studying the flight of birds: whether they are flying in groups/alone, what noises they make as they fly, direction of flight and what kind of...
would ask the gods for permission for the praetor
Praetor
Praetor was a title granted by the government of Ancient Rome to men acting in one of two official capacities: the commander of an army, usually in the field, or the named commander before mustering the army; and an elected magistratus assigned varied duties...
s to pray for it.
History
For centuries it was placed above the door to the basilica's baptisteryBaptistery
In Christian architecture the baptistry or baptistery is the separate centrally-planned structure surrounding the baptismal font. The baptistry may be incorporated within the body of a church or cathedral and be provided with an altar as a chapel...
, and in 1240 it was called Regina Caeli ("Queen of Heaven") in a document. Later it was moved to the nave, and from the 13th c. it was preserved in a marble tabernacle
Church tabernacle
A tabernacle is the fixed, locked box in which, in some Christian churches, the Eucharist is "reserved" . A less obvious container, set into the wall, is called an aumbry....
. Since 1613, it has been located in the altar tabernacle of the Cappella Paolina (built specifically for it), known to English-speaking pilgrims as the Lady Chapel. The church, Saint Maria Maggiore, is considered the third of the Roman patriarchal basilica
Basilica
The Latin word basilica , was originally used to describe a Roman public building, usually located in the forum of a Roman town. Public basilicas began to appear in Hellenistic cities in the 2nd century BC.The term was also applied to buildings used for religious purposes...
s. The church and its Marian shrine are under the special patronage of the pope
Pope
The Pope is the Bishop of Rome, a position that makes him the leader of the worldwide Catholic Church . In the Catholic Church, the Pope is regarded as the successor of Saint Peter, the Apostle...
s.
From at least the 15th century, it was honored as a miraculous image, and it was later used by the Jesuits in particular to foster devotion to the Mother of God through the Sodality of Our Lady
Sodality of Our Lady
The Sodality of Our Lady The Sodality of Our Lady The Sodality of Our Lady (also known as the Sodality of the Blessed Virgin Mary (in Latin, Congregationes seu sodalitates B. Mariæ Virginis) is a Roman Catholic Marian Society founded in 1563 by young Belgian Jesuit, Jean Leunis (or Jan), at the...
movement.
The Roman Breviary states, "After the Council of Ephesus (431) in which the Mother of Jesus was acclaimed as Mother of God, Pope Sixtus III erected at Rome on the Esquiline Hill, a basilica dedicated to the honor of the Holy Mother of God. It was afterward called Saint Mary Major and it is the oldest church in the West dedicated to the honor of the Blessed Virgin Mary." The Roman Pontifical
Roman Pontifical
The Roman Pontifical or Pontifical, also referred to in Latin as the Pontificale or Pontificale Romanum, is the Roman Catholic liturgical book that contains the rites performed by bishops....
gives an additional account, "The Liberian basilica, today called Saint Mary Major, was founded by Pope Liberius (352-366) and was restored and enlarged by Sixtus III. ... Pope Liberius selected a venerated picture that hung in the pontifical oratory. It had allegedly been brought to Rome by St. Helena."
Legend of Saint Luke
Salus Populi Romani is one of the so-called "Luke images" of which there are many throughout the world. These were believed to have been painted from the life by Saint Luke himself. According to the legend: "after the CrucifixionCrucifixion
Crucifixion is an ancient method of painful execution in which the condemned person is tied or nailed to a large wooden cross and left to hang until dead...
, when Our Lady moved to the home of St. John
John the Apostle
John the Apostle, John the Apostle, John the Apostle, (Aramaic Yoħanna, (c. 6 - c. 100) was one of the Twelve Apostles of Jesus. He was the son of Zebedee and Salome, and brother of James, another of the Twelve Apostles...
, she took with her a few personal belongings--among which was a table built by the Redeemer in the workshop of St. Joseph. When pious virgins of Jerusalem prevailed upon St. Luke to paint a portrait of the Mother of God, it was the top of this table that was used to memorialize her image. While applying his brush and paints, St. Luke listened carefully as the Mother of Jesus spoke of the life of her son, facts which the Evangelist
Four Evangelists
In Christian tradition the Four Evangelists are Matthew, Mark, Luke, and John, the authors attributed with the creation of the four Gospel accounts in the New Testament that bear the following titles:*Gospel according to Matthew*Gospel according to Mark...
later recorded in his Gospel. Legend also tells us that the painting remained in and around Jerusalem until it was discovered by St. Helena in the fourth century. Together with other sacred relics, the painting was transported to Constantinople where her son, Emperor Constantine the Great, erected a church for its enthronement."
Description
The image is five feet high by three and a quarter feet wide (117 x 79 cm) - very large for an icon, especially one with an early date. It is painted on a thick cedarCedar wood
Cedar wood comes from several different trees that grow in different parts of the world, and may have different uses.* California incense-cedar, from Calocedrus decurrens, is the primary type of wood used for making pencils...
panel. Mary wears a gold-trimmed dark blue mantle over a purple/red tunic. The letters in Greek at the top identify Mary as "Mother of God", as is usual in Byzantine art (Christ may originally have had an inscription under later re-painting). Christ is holding a book in his left hand, presumably a Gospel Book
Gospel Book
The Gospel Book, Evangelion, or Book of the Gospels is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament...
. His right hand is raised in a blessing
Blessing (Roman Catholic Church)
Blessing in Roman Catholicism, in the narrow liturgical sense, is a rite consisting of a ceremony and prayers performed in the name and with the authority of the Church by a duly qualified minister by which persons or things are sanctified as dedicated to Divine service or by which certain marks of...
gesture, and it is Mary not he who looks directly out at the viewer.
The folded together position of Mary's hands distinguishes this image as a version of the earlier type from before the development of the iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
of the Hodegetria
Hodegetria
A Hodegetria — or Virgin Hodegetria — is an iconographic depiction of the Theotokos holding the Child Jesus at her side while pointing to Him as the source of salvation for mankind...
image in the 10th century, where she points to Christ with her right hand. "Rather than offering the Child, she keeps his body closer to hers and seeks physical and tactile contact with him" However the few other examples of this type do not have the Virgin's hands folded together - the right hand holds Christ's knee.
Although neither wear crowns, the holding by Mary in her right hand of a mappa (or mappula, a sort of embroidered ceremonial handkerchief), originally a consul
Consul
Consul was the highest elected office of the Roman Republic and an appointive office under the Empire. The title was also used in other city states and also revived in modern states, notably in the First French Republic...
ar symbol, later an imperial one, means this image is probably one of the type showing Mary as Regina coeli
Regina Coeli
The Regina Caeli or Regina Coeli , an ancient Latin Marian Hymn of the Christian Church, is one of the four seasonal Marian antiphons of the Blessed Virgin Mary, prescribed to be sung or recited in the Liturgy of the Hours at the conclusion of the last of the hours to be prayed in common that day,...
or "Queen of Heaven".
Dating by art historians
The image "has been confidently dated to almost every possible period between the fifth century and the thirteenth". The recent full-length study by M. Wolf (see further reading) "says, cautiously, that it is probably Late AntiqueLate Antiquity
Late Antiquity is a periodization used by historians to describe the time of transition from Classical Antiquity to the Middle Ages, in both mainland Europe and the Mediterranean world. Precise boundaries for the period are a matter of debate, but noted historian of the period Peter Brown proposed...
" in its original form.
The icon in its current state seems to be a work of the thirteenth century (as witnessed by the features of the faces), but other layers visible under the top one suggest it is a repainting of a much earlier piece; especially revealing is the modeling of Child's right hand in the first layer, which can be compared to other early Christian icons that display 'Pompeian' illusionistic qualities The areas of linear stylization, such as Christ's garment which is rendered in golden hatching producing a flat effect, seem to go back to the 8th century, and can be compared with a very early icon of Elijah from Sinai
Saint Catherine's Monastery, Mount Sinai
Saint Catherine's Monastery lies on the Sinai Peninsula, at the mouth of a gorge at the foot of Mount Sinai in the city of Saint Catherine in Egypt's South Sinai Governorate. The monastery is Orthodox and is a UNESCO World Heritage Site...
. A second restoration process started around 1100 and came to an end in the 13th c. Virgin's blue mantle which is wrapped over her purple dress was severely altered in the outline; the red halos
Halo (religious iconography)
A halo is a ring of light that surrounds a person in art. They have been used in the iconography of many religions to indicate holy or sacred figures, and have at various periods also been used in images of rulers or heroes...
are also not part of the original image.
The image type itself suggests it is not a medieval invention, but rather an Early Christian concept dating from antiquity: a majestic, half-length portrait showing a frank outward gaze of the rulerlike Virgin, with her upright, stately pose, and folded hands gently clasping the Child, unique among all icons. Lively turning of the maturely developed and attired Child also attests to the painting's antiquity. The vivid contrapposto
Contrapposto
Contrapposto is an Italian term that means counterpose. It is used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs. This gives the figure a more dynamic, or alternatively relaxed...
of the two bodies, which suggests direct observation, can be compared with 5th c. Mount Sinai icon of the Virgin and Child in Kiev, and contrasted with Pantheon Marian icon from 609. which already shows Mother slightly subordinated to the Child by the imploring gesture and the turn of the head, and where the interaction of the bodies exists only in a flat plane. These comparisons suggest a date of 7th c. for the icon.
The early fame of the icon can be gauged from the production of replicas (a fresco in Santa Maria Antiqua
Santa Maria Antiqua
The Ancient church of St Mary is a Roman Catholic Marian church in Rome, built in the 5th century in the Forum Romanum, and for long time the monumental access to the Palatine imperial palaces....
seems to have reproduced it already in the 8th c.), and the role it played in the ritual on the feast of the Virgin's Assumption
Assumption of Mary
According to the belief of Christians of the Roman Catholic Church, Eastern Orthodoxy, Oriental Orthodoxy, and parts of the Anglican Communion and Continuing Anglicanism, the Assumption of Mary was the bodily taking up of the Virgin Mary into Heaven at the end of her life...
, where the achiropiite
Acheiropoieta
Acheiropoieta — also called Icons Made Without Hands — are a particular kind of icon which are alleged to have come into existence miraculously, not created by a human painter. Invariably these are images of Jesus or the Virgin Mary...
(the panel painting of Christ from the Lateran Basilica) was moved in a procession to Santa Maria Maggiore to 'meet' with it. Monneret de Villard has shown that engravings of this icon brought by Jesuits to Ethiopia
Ethiopia
Ethiopia , officially known as the Federal Democratic Republic of Ethiopia, is a country located in the Horn of Africa. It is the second-most populous nation in Africa, with over 82 million inhabitants, and the tenth-largest by area, occupying 1,100,000 km2...
influenced the art of that country from the seventeenth century onwards, repeating "every detail of her own and the Child's posture, the position of the hands being especially characteristic." More far flung apparent copies include a Moghul miniature
Mughal painting
Mughal painting is a particular style of South Asian painting, generally confined to miniatures either as book illustrations or as single works to be kept in albums, which emerged from Persian miniature painting, with Indian Hindu, Jain, and Buddhist influences, and developed largely in the court...
, presumably based on a copy given to Akbar by the Jesuits, and copies in China, of which a 16th century example is in the Field Museum in Chicago.
Papal patronage
The Salus Populi Romani has been a favorite of several Popes and acted as a Roman Catholic Mariological symbol, especially in Rome itself.The icon has been considered as miraculous and has been prayed to and carried around Rome many times. In 593 Pope Saint Gregory had the icon carried through Rome and prayed for an end to the Black Plague. In 1571 Pope Pius V prayed to the icon for victory at the Battle of Lepanto
Battle of Lepanto
The Battle of Lepanto normally refers to the 1571 Holy League victory over the Ottoman fleet. There were also three earlier battles fought in the vicinity of Lepanto:*Battle of Naupactus in 429 BC, an Athenian victory during the Peleoponnesian War...
. In 1837 Pope Gregory XVI prayed to it for the end of the cholera epidemic.
Roman-born Pope Pius XII
Pope Pius XII
The Venerable Pope Pius XII , born Eugenio Maria Giuseppe Giovanni Pacelli , reigned as Pope, head of the Catholic Church and sovereign of Vatican City State, from 2 March 1939 until his death in 1958....
(Eugenio Pacelli) celebrated his first Holy Mass in front of it on April 1, 1899. In 1953, the icon was carried through Rome to initiate the first Marian year in Church history. In 1954, the icon was crowned by Pope Pius XII as he introduced a new Marian feast Queenship of Mary. Pope Paul VI
Pope Paul VI
Paul VI , born Giovanni Battista Enrico Antonio Maria Montini , reigned as Pope of the Catholic Church from 21 June 1963 until his death on 6 August 1978. Succeeding Pope John XXIII, who had convened the Second Vatican Council, he decided to continue it...
, Pope John Paul II
Pope John Paul II
Blessed Pope John Paul II , born Karol Józef Wojtyła , reigned as Pope of the Catholic Church and Sovereign of Vatican City from 16 October 1978 until his death on 2 April 2005, at of age. His was the second-longest documented pontificate, which lasted ; only Pope Pius IX ...
and Pope Benedict XVI
Pope Benedict XVI
Benedict XVI is the 265th and current Pope, by virtue of his office of Bishop of Rome, the Sovereign of the Vatican City State and the leader of the Catholic Church as well as the other 22 sui iuris Eastern Catholic Churches in full communion with the Holy See...
all honoured the Salus Populi Romani with personal visits and liturgical celebrations.
Mother Thrice Admirable
Salus Populi Romani is also said to be the source of the title Mater ter Admirabilis (Mother Thrice Admirable) used for the Blessed Virgin Mary within the Schoenstatt Marian MovementSchoenstatt Movement
The Apostolic Movement of Schoenstatt is a Roman Catholic Marian Movement founded in Germany in 1914 by Father Joseph Kentenich. Fr. Kentenich saw the movement as being a means of spiritual renewal in the Catholic Church...
.
Salus Populi Romani was the centerpiece of the Colloquium Marianum in Ingolstadt, in 1604. According to the Schoenstatt, on April 6th 1604, Father Jakob Rem, SJ, desired to know which of the invocations from the litany of Loreto would please the Virgin Mary the most. He reported that after meditation and looking at the image of Salus Populi Romani, the title Mother Thrice Admirable was revealed to him.
The title Mother Trice Admirable has since become part of the Schoenstatt Movement
Schoenstatt Movement
The Apostolic Movement of Schoenstatt is a Roman Catholic Marian Movement founded in Germany in 1914 by Father Joseph Kentenich. Fr. Kentenich saw the movement as being a means of spiritual renewal in the Catholic Church...
and is also associated with another well known Madonna, namely the 1898 Refugium Peccatorum Madonna
Refugium Peccatorum Madonna
Refugium Peccatorum Madonna or the Refuge of Sinners Madonna is a painting by the Italian artist Luigi Crosio. It was painted in 1898.Crosio originally painted the Madonna for the Kuenzil Brothers in Switzerland. In 1964 the Swiss province of the Schoenstatt Sisters purchased the original painting...
by the Italian artist Luigi Crosio
Luigi Crosio
Luigi Crosio was an Italian painter who lived and worked in Turin, Italy. He died in Turin and is recorded as having been born in Alba, but the town of Aqua a few miles north of Alba claims Crosio was born there....
which was purchased by the Schoenstatt Sisters in Switzerland in 1964 and has since been called the Mother Thrice Admirable Madonna.
Further reading
- The icon of Santa Maria Maggiore, Rome: an image and its afterlife, K Noreen, R People - Renaissance Studies, 2005.
- Salus populi Romani, Die Geschichte römischer Kultbilder im Mittelalter 1990, G Wolf,- VCH, Acta Humaniora