Sand mandala
Encyclopedia
The Sand Mandala is a Tibetan Buddhist
tradition involving the creation and destruction of mandalas made from colored sand
. A sand mandala
is ritualistically destroyed
once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
Mandala for instance, contains 722 deities portrayed within the complex structure and geometry of the mandala itself. Other smaller mandalas, like the one attributed to Vajrabhairava contain sufficiently fewer deities and require less geometry, but still take several days to complete. Like all mandalas, these are meant as two-dimensional representations of what is supposed to be a three-dimensional environment. There is one particular case where a three-dimensional mandala can be experienced: Borobodur in Java, Indonesia.
Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground
.
The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ochre, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink. Other coloring agents include corn meal, flower pollen, or powdered roots and bark.
Tibetan Buddhism
Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet and certain regions of the Himalayas, including northern Nepal, Bhutan, and India . It is the state religion of Bhutan...
tradition involving the creation and destruction of mandalas made from colored sand
Sand
Sand is a naturally occurring granular material composed of finely divided rock and mineral particles.The composition of sand is highly variable, depending on the local rock sources and conditions, but the most common constituent of sand in inland continental settings and non-tropical coastal...
. A sand mandala
Mandala
Maṇḍala is a Sanskrit word that means "circle". In the Buddhist and Hindu religious traditions their sacred art often takes a mandala form. The basic form of most Hindu and Buddhist mandalas is a square with four gates containing a circle with a center point...
is ritualistically destroyed
Art destruction
Art destruction involves the damaging or destruction of works of art. This can happen through a natural process, an accident, or deliberate human involvement.-Natural destruction:...
once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
Materials and construction
Historically, the mandala was not created with natural, dyed sand, but granules of crushed coloured stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. The sand granules are then applied using small tubes, funnels, and scrapers, until the desired pattern over-top is achieved. Sand mandalas traditionally take several weeks to build, due to the large amount of work involved in laying down the sand in such intricate detail. It is common that a team of monks will work together on the project, creating one section of the diagram at a time, working from the center outwards.Themes
The KalachakraKalachakra
Kalachakra is a Sanskrit term used in Tantric Buddhism that literally means "time-wheel" or "time-cycles".The spelling Kalacakra is also correct....
Mandala for instance, contains 722 deities portrayed within the complex structure and geometry of the mandala itself. Other smaller mandalas, like the one attributed to Vajrabhairava contain sufficiently fewer deities and require less geometry, but still take several days to complete. Like all mandalas, these are meant as two-dimensional representations of what is supposed to be a three-dimensional environment. There is one particular case where a three-dimensional mandala can be experienced: Borobodur in Java, Indonesia.
Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground
Charnel ground
Charnel ground is a very important location for sadhana and ritual activity for Indo-Tibetan traditions of Dharma particularly those traditions iterated by the Tantric view such as Kashmiri Shaivism, Kaula tradition, Esoteric Buddhism, Vajrayana, Mantrayana, Dzogchen, and the sadhana of Chöd, Phowa...
.
The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ochre, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink. Other coloring agents include corn meal, flower pollen, or powdered roots and bark.