Sanssouci
Encyclopedia
Sanssouci is the name of the former summer palace of Frederick the Great, King of Prussia
, in Potsdam
, near Berlin
. It is often counted among the German rivals of Versailles
. While Sanssouci is in the more intimate Rococo
style and is far smaller than its French Baroque counterpart, it too is notable for the numerous temple
s and follies
in the park
. The palace was designed by Georg Wenzeslaus von Knobelsdorff
between 1745 and 1747 to fulfill King Frederick's need for a private residence where he could relax away from the pomp and ceremony of the Berlin
court. The palace's name emphasises this; it is a French phrase (sans souci), which translates as "without concerns", meaning "without worries" or "carefree", symbolising that the palace was a place for relaxation rather than a seat of power. The palace is little more than a large single-storey villa
—more like the Château de Marly
than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced
hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo
", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project.
During the 19th century
, the palace became a residence of Frederick William IV
. He employed the architect Ludwig Persius
to restore and enlarge the palace, while Ferdinand von Arnim
was charged with improving the grounds and thus the view from the palace. The town of Potsdam, with its palaces, was a favourite place of residence for the German imperial family until the fall of the Hohenzollern dynasty
in 1918.
After World War II
, the palace became a tourist attraction in East Germany. It was fully maintained with due respect to its historical importance, and was open to the public. Following German reunification
in 1990, the final wish of Frederick came to pass: his body was finally returned to his beloved palace and buried in a new tomb
overlooking the gardens he had created. Sanssouci and its extensive gardens became a World Heritage Site
in 1990 under the protection of UNESCO
; in 1995, the Foundation for Prussian Palaces and Gardens in Berlin
-Brandenburg
was established to care for Sanssouci and the other former imperial palaces in and around Berlin. These palaces are now visited by more than two million people a year from all over the world.
reflected the pre-Romantic
ideal of harmony between man and nature, in a landscape ordered by human touch. Winemaking, however, was to take second place to the design of the palace and pleasure gardens. The hill on which Frederick created his terrace vineyard was to become the focal point of his demesne
, crowned by the new, but small, palace—"mein Weinberghäuschen" ("my little vineyard house"), as Frederick called it. With its extensive views of the countryside in the midst of nature, Frederick wanted to reside there sans souci ("without a care") and to follow his personal and artistic interests. Hence, the palace was intended for the use of Frederick and his private guests—his sketch (illustration) indicated the balanced suites "pour les etrangers" and "pour le roy"— only during the summer months, from the end of April to the beginning of October.
Twenty years following his creation of Sanssouci, Frederick built the New Palace
(Neues Palais) in the western part of the park. This far larger palace was in direct contrast to the relaxed ethos behind Sanssouci, and displayed Frederick's power and strength to the world, in the Baroque style. The design of the New Palace was intended to demonstrate that Prussia's capabilities were undiminished despite its near defeat in the Seven Years' War
. Frederick made no secret of his intention, even referring to the new construction as his "fanfaronnade" ("showing off").
This concept of a grand palace designed to impress has led to the comparison of the palaces of Potsdam to Versailles, with Sanssouci being thrust into the role of one of the Trianons
. This analogy, though easy to understand, ignores the original merits of the concept behind Sanssouci, the palace for which the whole park and setting were created. Unlike the Trianons, Sanssouci was not an afterthought to escape the larger palace, for the simple reason that the larger palace did not exist at the time of Sanssouci's conception. It is true, however, that Sanssouci was intended to be a private place of retreat rather than display of power and strength and architectural merit. Unlike the Trianons, Sanssouci was designed to be a whole unto itself.
Sanssouci is small, with the principal block (or corps de logis
) being a narrow single-storey enfilade
of just ten rooms, including a service passage and staff rooms behind them. Frederick's amateur sketch of 1745 (illustrated above) demonstrates that his architect, Knobelsdorff, was more a draughtsman
at Sanssouci than complete architect. Frederick appears to have accepted no suggestions for alteration to his plans, refusing Knobelsdorff's idea that the palace should have a semi-basement
storey, which would not only have provided service areas closer at hand, but would have put the principal rooms on a raised piano nobile
. This would have given the palace not only a more commanding presence, but also would have prevented the problems of dampness to which it has always been prone. However, Frederick wanted an intimate palace for living: for example, rather than scaling a large number of steps, he wanted to enter the palace immediately from the garden. He insisted on a building on the ground level, of which the pedestal was the hill: in short, this was to be a private pleasure house. His recurring theme and requirement was for a house with close connections between its style and free nature. The principal rooms, lit by tall slender windows, face south over the vineyard gardens; the north façade
is the entrance front, where a semicircular cour d'honneur
was created by two segmented Corinthian colonnades
.
In the park, east of the palace, is the Sanssouci Picture Gallery
, built from 1755 to 1764 under the supervision of the architect Johann Gottfried Büring
. It stands on the site of a former greenhouse
, where Frederick raised tropical fruit. The Picture Gallery is the oldest extant museum built for a ruler in Germany. Like the palace itself, it is a long, low building, dominated by a central domed bow of three bays.
Following the death of Frederick a new era began, a visible sign of which was the change in architectural styles. Neo-Classicism, popular elsewhere in Europe but ignored by Frederick, now found its way to Potsdam and Berlin during the reign of the new king Frederick William II
. He ordered the construction of a new palace in the new more fashionable style, and stayed at Sanssouci only occasionally.
The reception and bedrooms were renovated and completely altered immediately after Frederick's death. Frederick William von Erdmannsdorff
received the commission for the refurbishment. While Frederick had been constructing the New Palace
in the Baroque style between 1763 and 1769, Erdmannsdorff, an advocate of the new neo-classical style, had created Schloss Wörlitz in Wörlitz Park, the first neo-classical palace in Germany. As a result of his influence, Sanssouci became the first of the palaces in Potsdam and Berlin to be remodelled with a neo-classical interior. In 1797, Frederick William II was succeeded by Frederick William III; he visited Sanssouci even less frequently than did his father, preferring to spend the summer months in Paretz Palace
or on the Pfaueninsel
in Berlin.
emerged in France
in the early 18th century as a continuation of the Baroque style, but in contrast with the heavier themes and darker colours of the Baroque, the Rococo was characterized by an opulence, grace, playfulness, and lightness. Rococo motifs
focused on the carefree aristocratic life and on light-hearted romance, rather than on heroic battles and religious figures. They also revolve around natural and exterior settings; this again suited Frederick’s ideal of nature and design being in complete harmony. The palace was completed much as Frederick had envisaged in his preliminary sketches (see illustration above).
The palace has a single-storey principal block with two flanking side wings. The building occupies almost the entire upper terrace. The potential monotony of the façade is broken by a central bow, its dome rising above the hipped roof, with the name of the palace—remarkably written with a comma and a full stop—on it in gilded bronze letters. The secondary side wings on the garden front are screened by two symmetrical rows of trees each terminating in free-standing trellis
ed gazebo
s, richly decorated with gilded ornaments.
The garden front of the palace is decorated by carved figures of Atlas
and Caryatid
s; grouped in pairs between the windows, these appear to support the balustrade above. Executed in sandstone
, these figures of both sexes represent Bacchants, the companions of the wine god
Bacchus
, and originate from the workshop of the sculptor Friedrich Christian Glume
. The same workshop created the vases on the balustrade, and the groups of cherubs
above the windows of the dome.
By contrast, the north entrance façade is more restrained. Segmented colonnades of 88 Corinthian columns—two deep—curve outwards from the palace building to enclose the semicircular cour d'honneur. As on the south side, a balustrade
with sandstone vases decorates the roof of the main corps de logis.
Flanking the corps de logis are two secondary wings, providing the large service accommodation and domestic offices necessary to serve an 18th-century monarch, even when in retreat from the world. In Frederick's time, these single-storey wings were covered with foliage to screen their mundane purpose. The eastern wing housed the secretaries', gardeners' and servants' rooms, while the west wing held the palace kitchen, stables and a remise (coach house).
Frederick regularly occupied the palace each summer throughout his lifetime, but after his death in 1786 it remained mostly unoccupied and neglected until the mid-19th century. In 1840, 100 years after Frederick's accession to the throne, his grand nephew Frederick William IV and his wife moved into the guest rooms. The royal couple retained the existing furniture and replaced missing pieces with furniture from Frederick's time. The room in which Frederick had died was intended to be restored to its original state, but this plan was never executed because of a lack of authentic documents and plans. However, the armchair in which Frederick had died was returned to the palace in 1843.
Frederick William IV, a draftsman interested in both architecture and landscape gardening, transformed the palace from the retreat of his reclusive great uncle into a fully functioning and fashionable country house. The small service wings were enlarged between 1840 and 1842. This was necessary because, while Frederick philosophised and played music at Sanssouci, he liked to live modestly without splendour. As he aged, his modesty developed into miserliness. He would not permit repairs to the outer façade
and allowed them in the rooms only with great reluctance. This was ascribed to his wish that Sanssouci should only last his lifetime.
The additions included a mezzanine
floor to both wings. The kitchen was moved into the east wing. Frederick the Great's small wine cellar
was enlarged to provide ample store rooms for the enlarged household, while the new upper floor provided staff bedrooms.
The west wing became known as "The Ladies' Wing", providing accommodation for ladies-in-waiting
and guests. This was a common arrangement in mid-19th-century households, which often had a corresponding "Bachelor's Wing" for unmarried male guests and members of the household. The rooms were decorated with intricate boiseries, panelling and tapestries
. This new accommodation for ladies was vital: entertaining at Sanssouci was minimal during the reign of Frederick the Great, and it is known that women were never entertained there, so there were no facilities for them. Frederick had married Elisabeth Christine of Brunswick-Bevern
in 1733, but separated from his wife after his accession to the throne in 1740. The Queen resided alone at Schönhausen Palace
in Berlin after the separation, and Frederick preferred Sanssouci to be "sans femmes" (without women).
Frederick sketched his requirements for decoration and layout, and these sketches were interpreted by artists such as Johann August Nahl
, the Hoppenhaupt brothers, the Spindler brothers and Johann Melchior Kambly
, who all not only created works of art, but decorated the rooms in the Rococo style. While Frederick cared little about etiquette
and fashion, he also wanted to be surrounded by beautiful objects and works of art. He arranged his private apartments according to his personal taste and needs, often ignoring the current trends and fashions. These "self-compositions" in Rococo art led to the term "Frederician Rococo
".
The principal entrance area, consisting of two halls, the "Entrance Hall" and the "Marble Hall", is at the centre, thus providing common rooms for the assembly of guests and the court, while the principal rooms flanking the Marble Hall become progressively more intimate and private, in the tradition of the Baroque concept of state room
s. Thus, the Marble Hall was the principal reception room beneath the central dome. Five guest rooms adjoined the Marble Hall to the west, while the King's apartments lay to the east - an audience room, music room, study, bedroom, library, and a long gallery on the north side.
The palace is generally entered through the Entrance Hall, where the restrained form of the classical external colonnade was continued into the interior. The walls of the rectangular room were subdivided by ten pairs of Corinthian columns made of white stucco
marble with gilded capitals
. Three overdoor
reliefs with themes from the myth of Bacchus
reflected the vineyard theme created outside. Georg Franz Ebenhech
was responsible for gilded stucco works. The strict classical elegance was relieved by a painted ceiling executed by the Swedish
painter Johann Harper, depicting the goddess Flora
with her acolytes, throwing flowers down from the sky.
The white-and-gold oval Marmorsaal ("Marble Hall"), as the principal reception room, was the setting for celebrations in the palace, its dome crowned by a cupola
. White Carrara
marble was used for the paired columns, above which stucco putti dangle their feet from the cornice. The dome is white with gilded ornament, and the floor is of Italian marble intarsia
inlaid in compartments radiating from a central trelliswork oval. Three arch-headed windows face the garden; opposite them, in two niches flanking the doorway, figures of Venus
Urania
, the goddess of free nature and life, and Apollo
, the god of the arts, by the French sculptor François Gaspard Adam
, established the iconography of Sanssouci as a place where art was joined with nature.
The adjoining room served as both an audience room and the Dining Room. It is decorated with paintings by French 18th-century artists, including Jean-Baptiste Pater
, Jean François de Troy
, Pierre-Jacques Cazes
, Louis Silvestre, and Antoine Watteau
. However, here, as in the majority of the rooms, the carved putti, flowers and books on the overdoor reliefs were the work of Glume, and the ceiling paintings emphasise the rococo spirit of the palace. This exuberant form of ornamentation of rococo, Rocaille, was used in abundance on the walls and ceiling in the music room. Much of the work was by the sculptor and decorator Johann Michael Hoppenhaupt (the elder). A 1746 fortepiano
by Gottfried Silbermann
which once belonged to Frederick the Great remains as a nostalgic reminder of the room's original purpose.
The King's study and bedroom, remodelled after Frederick's death by Frederick William von Erdmannsdorff
in 1786, it is now in direct contrast to the rococo rooms. Here, the clean and plain lines of classicism now rule. However, Frederick's desk and the armchair in which he died in were returned to the room in the middle of the 19th century. Portraits and once missing pieces of furniture from the Frederick's time have also since been replaced.
The circular library deviated from the spatial structure of French palace architecture. The room is almost hidden, accessed through a narrow passageway from the bedroom, underlining its private character. Cedarwood
was used to panel the walls and for the alcove
d bookcase
s. The harmonious shades of brown augmented with rich gold-coloured Rocaille ornaments were intended to create a peaceful mood.
The bookcases contained approximately 2,100 volumes of Greek and Roman writings and historiographies
and also a collection of French literature
of the 17th and 18th centuries with a heavy emphasis on the works of Voltaire
. The books were bound in brown or red goat leather and richly gilded.
The north facing gallery overlooked the forecourt. Here, again, Frederick deviated from French room design, which would have placed service rooms in this location. Recessed into the inner wall of this long room were niche
s containing marble sculptures of Greco-Roman deities. Five windows alternating with pier glass
es on the outer wall reflect the paintings by Nicolas Lancret
, Jean-Baptiste Pater
and Antoine Watteau
hung between the niches opposite.
To the west were the guest rooms in which were lodged those friends of the King considered intimate enough to be invited to this most private of his palaces. Two of Frederick's visitors were sufficiently distinguished and frequent that the rooms they occupied were named after them. The Rothenburg room is named after the Count of Rothenburg, who inhabited his circular room until his death in 1751. This room balances the palace architecturally with the library. The Voltaire Room was frequently occupied by the philosopher during his stay in Potsdam between 1750 and 1753. The Voltaire Room was remarkable for its decoration, which gave it the alternative name of the "Flower Room". On a yellow lacquer
ed wall panel were superimposed, colourful, richly adorned wood carvings. Apes, parrots, cranes, storks, fruits, flowers, garlands gave the room a cheerful and natural character. Johann Christian Hoppenhaupt (the younger) designed the room between 1752 and 1753 from sketches made by Frederick.
vista of the garden of Sanssouci is the result of Frederick the Great's decision to create a terrace
d vineyard on the south slope of the hills of Bornstedt
. The area had previously been wooded but the trees were felled during the reign of the "soldier-king" Frederick William I
to allow the city of Potsdam to expand.
On 10 August 1744, Frederick ordered the bare hillside to be transformed into terraced vineyards. Three wide terraces were created, with convex centres to maximise the sun light (see plan). On the partitions of the supporting walls, the brickwork is pierced by 168 glazed niche
s. Trellised vines from Portugal
, Italy
, France
, and also from nearby Neuruppin
, were planted against the brickwork, while fig
s grew in the niches. The individual parts of the terrace were further divided by strips of lawn, on which were planted yew trees
. Low box hedging
surrounded trellised fruit, making a circular ornamental parterre
. In the middle of this "wheel", 120 steps (now 132) led downward further dividing the terraces into six.
Below the hill, a Baroque
ornamental garden, modelled on the parterre at Versailles
, was constructed in 1745. The Great Fountain was built at the centre of this garden in 1748. Frederick never saw the fountain playing because the engineers employed in the construction had little understanding of the hydraulics
involved. From 1750, marble
statues
were placed around the basin of the fountain. This again was a feature copied from Versailles: figures of Venus
, Mercury
, Apollo
, Diana
, Juno
, Jupiter, Mars
and Minerva
, as well as allegorical portrayals of the four elements
Fire, Water, Air and Earth. Venus
and Mercury
, the works of the sculptor Jean Baptiste Pigalle, and two groups of hunters, allegories of the elements (wind and water) by Lambert Sigisbert Adam, were presented by Versailles's owner, the French King Louis XV. The remaining figures came from the workshop of François Gaspard Adam
, a renowned sculptor in Berlin. By 1764, the French Rondel, as it came to be known, was completed.
Nearby was a kitchen garden
, which Frederick William I had laid out sometime prior to 1715. The soldier-king jokingly gave this simple garden the name "My Marly", in reference to the very similar garden at the summer residence of the Louis XIV in Marly-le-Roi
.
In his plans for the grounds, Frederick attached great importance on the combination of both an ornamental and a practical garden, thus demonstrating his belief that art
and nature
should be united.
Following the terracing of the vineyard and the completion of the palace, Frederick turned his attention to the landscaping of the greater vicinity of the palace and thus began the creation of Sanssouci Park
. In his organisation of the park, Frederick continued what he had begun in Neuruppin
and Rheinsberg
. A straight main avenue was laid out, ultimately 2.5 km long, beginning in the east at the 1748 obelisk
and extended over the years to the New Palace, which marks its western end.
Continuing the horticultural theme of the terraced gardens, 3,000 fruit trees were planted in the park, and greenhouses and nurseries
laid out, producing oranges
, melon
s, peach
es and banana
s. Statuary and obelisk
s were also erected, with representations of the goddesses Flora and Pomona
. Frederick had several temples and follies erected in the same rococo style as the palace itself. Some were small houses which compensated for the lack of reception rooms in the palace itself.
Frederick invested heavily in a vain attempt to introduce a fountain system in Sanssouci Park, attempting to emulate the other great Baroque gardens of Europe. Hydraulics at this stage were still in their infancy, and despite the building of pumping houses and reservoirs, the fountains at Sanssouci remained silent and still for the next 100 years. The invention of the steam power
solved the problems a century later, and thus the reservoir finally fulfilled its purpose. From around 1842, the Prussian Royal family were finally able to marvel at such features as the Great Fountain below the vineyard terraces, shooting jets of water to a height of 38 metres. The pumping station itself became another garden pavilion, disguised as Turkish
Mosque
, with its chimney
becoming a minaret
.
The park was expanded under Frederick William III, and later under his son Frederick William IV. The architects Karl Friedrich Schinkel
and Ludwig Persius
built Charlottenhof Palace
in the park on the site of a former farm house, and Peter Joseph Lenné
was commissioned with the garden design. Broad meadows created visual avenues between Charlottenhof, the Roman Baths
and the New Palace, and incorporated the follies
such as the Temple of Friendship
of Frederick the Great.
, and despite the end of the German monarchy, the palace remained in the possession of the Hohenzollern dynasty. It eventually came under the protection of the Prussian "Verwaltung der Staatlichen Schlösser und Gärten" (Administration of National Palaces and Gardens) on 1 April 1927.
When air raids
on Berlin began in the Second World War
, the most notable works of art of the former imperial palaces were transferred for safety to Rheinsberg
(Brandenburg
) and Bernterode im Eichsfeld (Thuringia
). The structure of the palace remained unscathed despite fierce fighting in the vicinity in 1945, but the ancient windmill
, retained in the park by Frederick to add rustic charm, was destroyed.
Following the end of the war, most of the items that had been moved to Rheinsberg were transferred as booty to the Soviet Union
; only a small part was returned to the palace in 1958. The artistic pieces from Bernterode found by American soldiers were first shipped to Wiesbaden
to the "Central Art Collecting Point" and in 1957 went to Charlottenburg palace in West Berlin
.
Compared to many similar buildings, the palace fared well during almost 50 years under Communist jurisdiction in East Germany. The Church of St. Saviour in Sacrow and the centre of Potsdam were neglected, and some of the historic centre of Potsdam was demolished. The Berliner Stadtschloss
(Berlin City Palace), containing architectural work by Schinkel, Erdmannsdorff and Knobelsdorff was demolished in 1950, but Sanssouci survived unscathed and the East German government endeavoured to have Sanssouci placed on the list of World Heritage Sites. This was achieved in 1990 with the following citation:
Following the reunification of Germany, the library of Frederick was returned in 1992 to its former home at Sanssouci. Thirty-six oil paintings followed between 1993 and 1995. In 1995, the Foundation of Prussian Palaces and Gardens in Berlin
-Brandenburg
was formed. The organization's job is to administer and care for Sanssouci and the other former royal palaces in Berlin and Brandenburg that are visited by over two million visitors annually from all over the world.
Prussia
Prussia was a German kingdom and historic state originating out of the Duchy of Prussia and the Margraviate of Brandenburg. For centuries, the House of Hohenzollern ruled Prussia, successfully expanding its size by way of an unusually well-organized and effective army. Prussia shaped the history...
, in Potsdam
Potsdam
Potsdam is the capital city of the German federal state of Brandenburg and part of the Berlin/Brandenburg Metropolitan Region. It is situated on the River Havel, southwest of Berlin city centre....
, near Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...
. It is often counted among the German rivals of Versailles
Palace of Versailles
The Palace of Versailles , or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. In French it is the Château de Versailles....
. While Sanssouci is in the more intimate Rococo
Rococo
Rococo , also referred to as "Late Baroque", is an 18th-century style which developed as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful...
style and is far smaller than its French Baroque counterpart, it too is notable for the numerous temple
Temple
A temple is a structure reserved for religious or spiritual activities, such as prayer and sacrifice, or analogous rites. A templum constituted a sacred precinct as defined by a priest, or augur. It has the same root as the word "template," a plan in preparation of the building that was marked out...
s and follies
Folly
In architecture, a folly is a building constructed primarily for decoration, but either suggesting by its appearance some other purpose, or merely so extravagant that it transcends the normal range of garden ornaments or other class of building to which it belongs...
in the park
Sanssouci Park
Sanssouci Park is a large park surrounding Sanssouci Palace in Potsdam, Germany. Following the terracing of the vineyard and the completion of the palace, the surroundings were included in the structure. A baroque flower garden with lawns, flower beds, hedges and trees was created. In the hedge...
. The palace was designed by Georg Wenzeslaus von Knobelsdorff
Georg Wenzeslaus von Knobelsdorff
Hans Georg Wenzeslaus von Knobelsdorff was a painter and architect in Prussia.Knobelsdorff was born in Kuckädel, now in Krosno Odrzańskie County. A soldier in the service of Prussia, he resigned his commission in 1729 as captain so that he could pursue his interest in architecture...
between 1745 and 1747 to fulfill King Frederick's need for a private residence where he could relax away from the pomp and ceremony of the Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...
court. The palace's name emphasises this; it is a French phrase (sans souci), which translates as "without concerns", meaning "without worries" or "carefree", symbolising that the palace was a place for relaxation rather than a seat of power. The palace is little more than a large single-storey villa
Villa
A villa was originally an ancient Roman upper-class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity,...
—more like the Château de Marly
Château de Marly
The Château de Marly was a relatively small French royal residence located in what has become Marly-le-Roi, the commune that existed at the edge of the royal park. The town that originally grew up to service the château is now a dormitory community for Paris....
than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced
Terrace (agriculture)
Terraces are used in farming to cultivate sloped land. Graduated terrace steps are commonly used to farm on hilly or mountainous terrain. Terraced fields decrease erosion and surface runoff, and are effective for growing crops requiring much water, such as rice...
hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo
Frederician Rococo
Frederician Rococo is a form of rococo, which developed in Prussia during the reign of Frederick the Great and combined influences from both France and the Netherlands. Its most famous adherent was the architect Georg Wenzeslaus von Knobelsdorff. Furthermore, the painter Antoine Pesne and even...
", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project.
During the 19th century
Sanssouci at the time of Frederick William IV
Sanssouci at the time of Frederick William IV covers the period almost one hundred years after the palace's construction, when a King who was convinced of the divine right of his crown and of the absolute claim to power of the ruler came to the Prussian throne. It was a time of social upheaval, its...
, the palace became a residence of Frederick William IV
Frederick William IV of Prussia
|align=right|Upon his accession, he toned down the reactionary policies enacted by his father, easing press censorship and promising to enact a constitution at some point, but he refused to enact a popular legislative assembly, preferring to work with the aristocracy through "united committees" of...
. He employed the architect Ludwig Persius
Ludwig Persius
Friedrich Ludwig Persius was a Prussian architect and a student of Karl Friedrich Schinkel....
to restore and enlarge the palace, while Ferdinand von Arnim
Ferdinand von Arnim
Ferdinand von Arnim was a German architect and watercolour-painter. He was a student of Karl Friedrich Schinkel and Ludwig Persius who mainly worked in Berlin and Potsdam....
was charged with improving the grounds and thus the view from the palace. The town of Potsdam, with its palaces, was a favourite place of residence for the German imperial family until the fall of the Hohenzollern dynasty
House of Hohenzollern
The House of Hohenzollern is a noble family and royal dynasty of electors, kings and emperors of Prussia, Germany and Romania. It originated in the area around the town of Hechingen in Swabia during the 11th century. They took their name from their ancestral home, the Burg Hohenzollern castle near...
in 1918.
After World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
, the palace became a tourist attraction in East Germany. It was fully maintained with due respect to its historical importance, and was open to the public. Following German reunification
German reunification
German reunification was the process in 1990 in which the German Democratic Republic joined the Federal Republic of Germany , and when Berlin reunited into a single city, as provided by its then Grundgesetz constitution Article 23. The start of this process is commonly referred by Germans as die...
in 1990, the final wish of Frederick came to pass: his body was finally returned to his beloved palace and buried in a new tomb
The Tomb of Frederick the Great
The Tomb of Frederick the Great was a subject to which Old Fritz, as he was popularly known, gave a great deal of thought. Frederick the Great died on August 17, 1786 in the armchair of his study in Sanssouci...
overlooking the gardens he had created. Sanssouci and its extensive gardens became a World Heritage Site
World Heritage Site
A UNESCO World Heritage Site is a place that is listed by the UNESCO as of special cultural or physical significance...
in 1990 under the protection of UNESCO
UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations...
; in 1995, the Foundation for Prussian Palaces and Gardens in Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...
-Brandenburg
Brandenburg
Brandenburg is one of the sixteen federal-states of Germany. It lies in the east of the country and is one of the new federal states that were re-created in 1990 upon the reunification of the former West Germany and East Germany. The capital is Potsdam...
was established to care for Sanssouci and the other former imperial palaces in and around Berlin. These palaces are now visited by more than two million people a year from all over the world.
Ethos of Sanssouci
The location and layout of Sanssouci above a vineyardVineyard
A vineyard is a plantation of grape-bearing vines, grown mainly for winemaking, but also raisins, table grapes and non-alcoholic grape juice...
reflected the pre-Romantic
German Romanticism
For the general context, see Romanticism.In the philosophy, art, and culture of German-speaking countries, German Romanticism was the dominant movement of the late 18th and early 19th centuries. German Romanticism developed relatively late compared to its English counterpart, coinciding in its...
ideal of harmony between man and nature, in a landscape ordered by human touch. Winemaking, however, was to take second place to the design of the palace and pleasure gardens. The hill on which Frederick created his terrace vineyard was to become the focal point of his demesne
Demesne
In the feudal system the demesne was all the land, not necessarily all contiguous to the manor house, which was retained by a lord of the manor for his own use and support, under his own management, as distinguished from land sub-enfeoffed by him to others as sub-tenants...
, crowned by the new, but small, palace—"mein Weinberghäuschen" ("my little vineyard house"), as Frederick called it. With its extensive views of the countryside in the midst of nature, Frederick wanted to reside there sans souci ("without a care") and to follow his personal and artistic interests. Hence, the palace was intended for the use of Frederick and his private guests—his sketch (illustration) indicated the balanced suites "pour les etrangers" and "pour le roy"— only during the summer months, from the end of April to the beginning of October.
Twenty years following his creation of Sanssouci, Frederick built the New Palace
New Palace (Potsdam)
The New Palace is a palace situated on the western side of the Sanssouci royal park in Potsdam, Germany. The building was begun in 1763, after the end of the Seven Years' War, under Frederick the Great and was completed in 1769...
(Neues Palais) in the western part of the park. This far larger palace was in direct contrast to the relaxed ethos behind Sanssouci, and displayed Frederick's power and strength to the world, in the Baroque style. The design of the New Palace was intended to demonstrate that Prussia's capabilities were undiminished despite its near defeat in the Seven Years' War
Seven Years' War
The Seven Years' War was a global military war between 1756 and 1763, involving most of the great powers of the time and affecting Europe, North America, Central America, the West African coast, India, and the Philippines...
. Frederick made no secret of his intention, even referring to the new construction as his "fanfaronnade" ("showing off").
This concept of a grand palace designed to impress has led to the comparison of the palaces of Potsdam to Versailles, with Sanssouci being thrust into the role of one of the Trianons
Petit Trianon
The Petit Trianon is a small château located on the grounds of the Palace of Versailles in Versailles, France.-Design and construction:...
. This analogy, though easy to understand, ignores the original merits of the concept behind Sanssouci, the palace for which the whole park and setting were created. Unlike the Trianons, Sanssouci was not an afterthought to escape the larger palace, for the simple reason that the larger palace did not exist at the time of Sanssouci's conception. It is true, however, that Sanssouci was intended to be a private place of retreat rather than display of power and strength and architectural merit. Unlike the Trianons, Sanssouci was designed to be a whole unto itself.
Sanssouci is small, with the principal block (or corps de logis
Corps de logis
Corps de logis is the architectural term which refers to the principal block of a large, usually classical, mansion or palace. It contains the principal rooms, state apartments and an entry. The grandest and finest rooms are often on the first floor above the ground level: this floor is the...
) being a narrow single-storey enfilade
Enfilade (architecture)
In architecture, an enfilade is a suite of rooms formally aligned with each other. This was a common feature in grand European architecture from the Baroque period onwards, although there are earlier examples, such as the Vatican stanze...
of just ten rooms, including a service passage and staff rooms behind them. Frederick's amateur sketch of 1745 (illustrated above) demonstrates that his architect, Knobelsdorff, was more a draughtsman
Technical drawing
Technical drawing, also known as drafting or draughting, is the act and discipline of composing plans that visually communicate how something functions or has to be constructed.Drafting is the language of industry....
at Sanssouci than complete architect. Frederick appears to have accepted no suggestions for alteration to his plans, refusing Knobelsdorff's idea that the palace should have a semi-basement
Semi-basement
Semi-basement is architectural term for a floor of a building that is half below ground, rather than entirely such as a true basement or cellar....
storey, which would not only have provided service areas closer at hand, but would have put the principal rooms on a raised piano nobile
Piano nobile
The piano nobile is the principal floor of a large house, usually built in one of the styles of classical renaissance architecture...
. This would have given the palace not only a more commanding presence, but also would have prevented the problems of dampness to which it has always been prone. However, Frederick wanted an intimate palace for living: for example, rather than scaling a large number of steps, he wanted to enter the palace immediately from the garden. He insisted on a building on the ground level, of which the pedestal was the hill: in short, this was to be a private pleasure house. His recurring theme and requirement was for a house with close connections between its style and free nature. The principal rooms, lit by tall slender windows, face south over the vineyard gardens; the north façade
Facade
A facade or façade is generally one exterior side of a building, usually, but not always, the front. The word comes from the French language, literally meaning "frontage" or "face"....
is the entrance front, where a semicircular cour d'honneur
Cour d'Honneur
Cour d'Honneur is the architectural term for defining a three-sided courtyard, created when the main central block, or corps de logis, is flanked by symmetrical advancing secondary wings, containing minor rooms...
was created by two segmented Corinthian colonnades
Corinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
.
In the park, east of the palace, is the Sanssouci Picture Gallery
Sanssouci Picture Gallery
The Picture Gallery in the park of Sanssouci palace in Potsdam was built in 1755–1764 during the reign of Frederick II of Prussia under the supervision of Johann Gottfried Büring. The Picture Gallery is situated east of the palace and is the oldest extant museum built for a ruler in...
, built from 1755 to 1764 under the supervision of the architect Johann Gottfried Büring
Johann Gottfried Büring
Johann Gottfried Büring was a German master builder and architect of the late Baroque period. He mainly worked in Potsdam, supervising the construction of the Sanssouci Picture Gallery and designing the Nauener Tor and New Palace there. He also designed the Luisenstädtische Kirche in Berlin....
. It stands on the site of a former greenhouse
Greenhouse
A greenhouse is a building in which plants are grown. These structures range in size from small sheds to very large buildings...
, where Frederick raised tropical fruit. The Picture Gallery is the oldest extant museum built for a ruler in Germany. Like the palace itself, it is a long, low building, dominated by a central domed bow of three bays.
Following the death of Frederick a new era began, a visible sign of which was the change in architectural styles. Neo-Classicism, popular elsewhere in Europe but ignored by Frederick, now found its way to Potsdam and Berlin during the reign of the new king Frederick William II
Frederick William II of Prussia
Frederick William II was the King of Prussia, reigning from 1786 until his death. He was in personal union the Prince-Elector of Brandenburg and the sovereign prince of the Principality of Neuchâtel.-Early life:...
. He ordered the construction of a new palace in the new more fashionable style, and stayed at Sanssouci only occasionally.
The reception and bedrooms were renovated and completely altered immediately after Frederick's death. Frederick William von Erdmannsdorff
Frederick William von Erdmannsdorff
Friedrich Wilhelm Freiherr von Erdmannsdorff was a German architect and architectural theoretician, and one of the most significant representatives of early German Neoclassicism. His work included Wörlitz House in Wörlitzer Park near Dessau, one of the earliest classical houses on the European...
received the commission for the refurbishment. While Frederick had been constructing the New Palace
New Palace (Potsdam)
The New Palace is a palace situated on the western side of the Sanssouci royal park in Potsdam, Germany. The building was begun in 1763, after the end of the Seven Years' War, under Frederick the Great and was completed in 1769...
in the Baroque style between 1763 and 1769, Erdmannsdorff, an advocate of the new neo-classical style, had created Schloss Wörlitz in Wörlitz Park, the first neo-classical palace in Germany. As a result of his influence, Sanssouci became the first of the palaces in Potsdam and Berlin to be remodelled with a neo-classical interior. In 1797, Frederick William II was succeeded by Frederick William III; he visited Sanssouci even less frequently than did his father, preferring to spend the summer months in Paretz Palace
Paretz Palace
Paretz is a village in the German state of Brandenburg in the district of Havelland, west of Berlin. Recently, a district reform made Paretz into a borough of the city of Ketzin. It has a population of approximately 400...
or on the Pfaueninsel
Pfaueninsel
Pfaueninsel is an island in the River Havel situated in Berlin-Wannsee, in southwestern Berlin, near the borders with Potsdam and Brandenburg. The island is part of the Palaces and Parks of Potsdam and Berlin World Heritage Site and a popular destination for day-trippers...
in Berlin.
Architecture of Sanssouci
It was no coincidence that Frederick selected the Rococo style of architecture for Sanssouci. The light, almost whimsical style then in vogue exactly suited the light-hearted uses for which he required this retreat. The Rococo style of artArt
Art is the product or process of deliberately arranging items in a way that influences and affects one or more of the senses, emotions, and intellect....
emerged in France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
in the early 18th century as a continuation of the Baroque style, but in contrast with the heavier themes and darker colours of the Baroque, the Rococo was characterized by an opulence, grace, playfulness, and lightness. Rococo motifs
Motif (art)
In art, a motif is an element of a pattern, an image or part of one, or a theme. A motif may be repeated in a design or composition, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other...
focused on the carefree aristocratic life and on light-hearted romance, rather than on heroic battles and religious figures. They also revolve around natural and exterior settings; this again suited Frederick’s ideal of nature and design being in complete harmony. The palace was completed much as Frederick had envisaged in his preliminary sketches (see illustration above).
The palace has a single-storey principal block with two flanking side wings. The building occupies almost the entire upper terrace. The potential monotony of the façade is broken by a central bow, its dome rising above the hipped roof, with the name of the palace—remarkably written with a comma and a full stop—on it in gilded bronze letters. The secondary side wings on the garden front are screened by two symmetrical rows of trees each terminating in free-standing trellis
Trellis (agriculture)
A trellis is an architectural structure, usually made from interwoven pieces of wood, bamboo or metal that is often made to support climbing plants...
ed gazebo
Gazebo
A gazebo is a pavilion structure, sometimes octagonal, that may be built, in parks, gardens, and spacious public areas. Gazebos are freestanding or attached to a garden wall, roofed, and open on all sides; they provide shade, shelter, ornamental features in a landscape, and a place to rest...
s, richly decorated with gilded ornaments.
The garden front of the palace is decorated by carved figures of Atlas
Atlas (architecture)
In the classical European architectural tradition an atlas is a support sculpted in the form of a man, which may take the place of a column, a pier or a pilaster...
and Caryatid
Caryatid
A caryatid is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term karyatides literally means "maidens of Karyai", an ancient town of Peloponnese...
s; grouped in pairs between the windows, these appear to support the balustrade above. Executed in sandstone
Sandstone
Sandstone is a sedimentary rock composed mainly of sand-sized minerals or rock grains.Most sandstone is composed of quartz and/or feldspar because these are the most common minerals in the Earth's crust. Like sand, sandstone may be any colour, but the most common colours are tan, brown, yellow,...
, these figures of both sexes represent Bacchants, the companions of the wine god
God
God is the English name given to a singular being in theistic and deistic religions who is either the sole deity in monotheism, or a single deity in polytheism....
Bacchus
Dionysus
Dionysus was the god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. His name in Linear B tablets shows he was worshipped from c. 1500—1100 BC by Mycenean Greeks: other traces of Dionysian-type cult have been found in ancient Minoan Crete...
, and originate from the workshop of the sculptor Friedrich Christian Glume
Friedrich Christian Glume
Friedrich Christian Glume was a German artist active during the reign of Frederick II of Prussia. The sculptural decorations above the entrance doors of Sanssouci were created by him.-References:...
. The same workshop created the vases on the balustrade, and the groups of cherubs
CHERUBS
CHERUBS is a Non-Profit Organization. It was founded in February, 1995 for families of children born with Congenital Diaphragmatic Hernia, a severe and often lethal birth defect. It was founded and currently led by Dawn M...
above the windows of the dome.
By contrast, the north entrance façade is more restrained. Segmented colonnades of 88 Corinthian columns—two deep—curve outwards from the palace building to enclose the semicircular cour d'honneur. As on the south side, a balustrade
Baluster
A baluster is a moulded shaft, square or of lathe-turned form, one of various forms of spindle in woodwork, made of stone or wood and sometimes of metal, standing on a unifying footing, and supporting the coping of a parapet or the handrail of a staircase. Multiplied in this way, they form a...
with sandstone vases decorates the roof of the main corps de logis.
Flanking the corps de logis are two secondary wings, providing the large service accommodation and domestic offices necessary to serve an 18th-century monarch, even when in retreat from the world. In Frederick's time, these single-storey wings were covered with foliage to screen their mundane purpose. The eastern wing housed the secretaries', gardeners' and servants' rooms, while the west wing held the palace kitchen, stables and a remise (coach house).
Frederick regularly occupied the palace each summer throughout his lifetime, but after his death in 1786 it remained mostly unoccupied and neglected until the mid-19th century. In 1840, 100 years after Frederick's accession to the throne, his grand nephew Frederick William IV and his wife moved into the guest rooms. The royal couple retained the existing furniture and replaced missing pieces with furniture from Frederick's time. The room in which Frederick had died was intended to be restored to its original state, but this plan was never executed because of a lack of authentic documents and plans. However, the armchair in which Frederick had died was returned to the palace in 1843.
Frederick William IV, a draftsman interested in both architecture and landscape gardening, transformed the palace from the retreat of his reclusive great uncle into a fully functioning and fashionable country house. The small service wings were enlarged between 1840 and 1842. This was necessary because, while Frederick philosophised and played music at Sanssouci, he liked to live modestly without splendour. As he aged, his modesty developed into miserliness. He would not permit repairs to the outer façade
Facade
A facade or façade is generally one exterior side of a building, usually, but not always, the front. The word comes from the French language, literally meaning "frontage" or "face"....
and allowed them in the rooms only with great reluctance. This was ascribed to his wish that Sanssouci should only last his lifetime.
The additions included a mezzanine
Mezzanine (architecture)
In architecture, a mezzanine or entresol is an intermediate floor between main floors of a building, and therefore typically not counted among the overall floors of a building. Often, a mezzanine is low-ceilinged and projects in the form of a balcony. The term is also used for the lowest balcony in...
floor to both wings. The kitchen was moved into the east wing. Frederick the Great's small wine cellar
Wine cellar
A wine cellar is a storage room for wine in bottles or barrels, or more rarely in carboys, amphorae or plastic containers. In an active wine cellar, important factors such as temperature and humidity are maintained by a climate control system. In contrast, passive wine cellars are not...
was enlarged to provide ample store rooms for the enlarged household, while the new upper floor provided staff bedrooms.
The west wing became known as "The Ladies' Wing", providing accommodation for ladies-in-waiting
Lady-in-waiting
A lady-in-waiting is a female personal assistant at a royal court, attending on a queen, a princess, or a high-ranking noblewoman. Historically, in Europe a lady-in-waiting was often a noblewoman from a family highly thought of in good society, but was of lower rank than the woman on whom she...
and guests. This was a common arrangement in mid-19th-century households, which often had a corresponding "Bachelor's Wing" for unmarried male guests and members of the household. The rooms were decorated with intricate boiseries, panelling and tapestries
Tapestry
Tapestry is a form of textile art, traditionally woven on a vertical loom, however it can also be woven on a floor loom as well. It is composed of two sets of interlaced threads, those running parallel to the length and those parallel to the width ; the warp threads are set up under tension on a...
. This new accommodation for ladies was vital: entertaining at Sanssouci was minimal during the reign of Frederick the Great, and it is known that women were never entertained there, so there were no facilities for them. Frederick had married Elisabeth Christine of Brunswick-Bevern
Elisabeth Christine of Brunswick-Bevern
Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern was a Queen of Prussia as wife of Frederick the Great...
in 1733, but separated from his wife after his accession to the throne in 1740. The Queen resided alone at Schönhausen Palace
Schönhausen Palace
Schönhausen Palace is a Baroque palace at Niederschönhausen, in Berlin's borough of Pankow. It is surrounded by gardens through which the Panke river runs...
in Berlin after the separation, and Frederick preferred Sanssouci to be "sans femmes" (without women).
Interior of the palace
In the Baroque tradition, the principal rooms (including the bedrooms) are all on the piano nobile, which at Sanssouci was the ground floor by Frederick's choice. While the secondary wings have upper floors, the corps de logis occupied by the King occupies the full height of the structure. Comfort was also a priority in the layout of the rooms. The palace expresses contemporary French architectural theory in its apartement double ideals of courtly comfort, comprising two rows of rooms, one behind the other. The main rooms face the garden, looking southwards, while the servant's quarters in the row behind are on the north side of the building. An apartement double thus consists of a main room and a servant's chamber. Doors connect the apartments with each other. They are arranged as an "enfilade", so that the entire indoor length of the palace can be assessed at a glance.Frederick sketched his requirements for decoration and layout, and these sketches were interpreted by artists such as Johann August Nahl
Johann August Nahl
Johann August Nahl was a German sculptor and stuccist.He was first taught by his father Johann Samuel Nahl , who had been court sculptor of Frederic I since 1704. At the age of 18, Nahl undertook a journey via Sigmaringen and Bern to Strasbourg, where he worked for Robert Le Lorrain...
, the Hoppenhaupt brothers, the Spindler brothers and Johann Melchior Kambly
Johann Melchior Kambly
Johann Melchior Kambly was a Swiss sculptor who took part in the development of the architectural style of Frederician Rococo....
, who all not only created works of art, but decorated the rooms in the Rococo style. While Frederick cared little about etiquette
Etiquette
Etiquette is a code of behavior that delineates expectations for social behavior according to contemporary conventional norms within a society, social class, or group...
and fashion, he also wanted to be surrounded by beautiful objects and works of art. He arranged his private apartments according to his personal taste and needs, often ignoring the current trends and fashions. These "self-compositions" in Rococo art led to the term "Frederician Rococo
Frederician Rococo
Frederician Rococo is a form of rococo, which developed in Prussia during the reign of Frederick the Great and combined influences from both France and the Netherlands. Its most famous adherent was the architect Georg Wenzeslaus von Knobelsdorff. Furthermore, the painter Antoine Pesne and even...
".
The principal entrance area, consisting of two halls, the "Entrance Hall" and the "Marble Hall", is at the centre, thus providing common rooms for the assembly of guests and the court, while the principal rooms flanking the Marble Hall become progressively more intimate and private, in the tradition of the Baroque concept of state room
State room
A state room in a large European mansion is usually one of a suite of very grand rooms which were designed to impress. The term was most widely used in the 17th and 18th centuries. They were the most lavishly decorated in the house and contained the finest works of art...
s. Thus, the Marble Hall was the principal reception room beneath the central dome. Five guest rooms adjoined the Marble Hall to the west, while the King's apartments lay to the east - an audience room, music room, study, bedroom, library, and a long gallery on the north side.
The palace is generally entered through the Entrance Hall, where the restrained form of the classical external colonnade was continued into the interior. The walls of the rectangular room were subdivided by ten pairs of Corinthian columns made of white stucco
Stucco
Stucco or render is a material made of an aggregate, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture...
marble with gilded capitals
Capital (architecture)
In architecture the capital forms the topmost member of a column . It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface...
. Three overdoor
Overdoor
An "overdoor" is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intended for this purpose.The overdoor is usually architectural in form, but may take the form of a cartouche in Rococo...
reliefs with themes from the myth of Bacchus
Dionysus
Dionysus was the god of the grape harvest, winemaking and wine, of ritual madness and ecstasy in Greek mythology. His name in Linear B tablets shows he was worshipped from c. 1500—1100 BC by Mycenean Greeks: other traces of Dionysian-type cult have been found in ancient Minoan Crete...
reflected the vineyard theme created outside. Georg Franz Ebenhech
Georg Franz Ebenhech
Georg Franz Ebenhech was a German sculptor known for his mastery of marble technique.Little is known of Ebenhech's early life before he arrived at Berlin, but it is believed that he had previously worked in Italy, Leipzig, and Dresden...
was responsible for gilded stucco works. The strict classical elegance was relieved by a painted ceiling executed by the Swedish
Sweden
Sweden , officially the Kingdom of Sweden , is a Nordic country on the Scandinavian Peninsula in Northern Europe. Sweden borders with Norway and Finland and is connected to Denmark by a bridge-tunnel across the Öresund....
painter Johann Harper, depicting the goddess Flora
Flora (mythology)
In Roman mythology, Flora was a goddess of flowers and the season of spring. While she was otherwise a relatively minor figure in Roman mythology, being one among several fertility goddesses, her association with the spring gave her particular importance at the coming of springtime...
with her acolytes, throwing flowers down from the sky.
The white-and-gold oval Marmorsaal ("Marble Hall"), as the principal reception room, was the setting for celebrations in the palace, its dome crowned by a cupola
Cupola
In architecture, a cupola is a small, most-often dome-like, structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome....
. White Carrara
Carrara
Carrara is a city and comune in the province of Massa-Carrara , notable for the white or blue-grey marble quarried there. It is on the Carrione River, some west-northwest of Florence....
marble was used for the paired columns, above which stucco putti dangle their feet from the cornice. The dome is white with gilded ornament, and the floor is of Italian marble intarsia
Intarsia
Intarsia is a form of wood inlaying that is similar to marquetry. The term is also used for a similar technique used with small, highly polished stones set in a marble matrix .- History :...
inlaid in compartments radiating from a central trelliswork oval. Three arch-headed windows face the garden; opposite them, in two niches flanking the doorway, figures of Venus
Venus (mythology)
Venus is a Roman goddess principally associated with love, beauty, sex,sexual seduction and fertility, who played a key role in many Roman religious festivals and myths...
Urania
Urania
Urania was, in Greek mythology, the muse of astronomy. Some accounts list her as the mother of the musician Linus. She is usually depicted with a globe in her left hand. She is able to foretell the future by the arrangement of the stars...
, the goddess of free nature and life, and Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
, the god of the arts, by the French sculptor François Gaspard Adam
François Gaspard Adam
François Gaspard Adam was a French rococo sculptor.A member of the Adam family of painters, François was born at Nancy, and studied under his father, Jacob-Sigisbert. He later followed his two brothers to Rome in 1730, before moving to Paris...
, established the iconography of Sanssouci as a place where art was joined with nature.
The adjoining room served as both an audience room and the Dining Room. It is decorated with paintings by French 18th-century artists, including Jean-Baptiste Pater
Jean-Baptiste Pater
Jean-Baptiste Pater was a French rococo painter.Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite...
, Jean François de Troy
Jean François de Troy
Jean François de Troy was a French Rococo painter and tapestry designer. He was one of a family of painters, being the son of the portrait painter François de Troy , under whom he first studied, and at whose expense he first went to Italy from 1699 to 1706, staying in Rome, but also visiting many...
, Pierre-Jacques Cazes
Pierre-Jacques Cazes
Pierre-Jacques Cazes was a French historical painter, known as the teacher of, among others, Chardin. In 1703, he became part of the Académie, was named as director in 1743 and chancellor in 1746. He also worked in the Galerie d'Apollon in the Louvre in 1727 and produced a large number of...
, Louis Silvestre, and Antoine Watteau
Antoine Watteau
Jean-Antoine Watteau was a French painter whose brief career spurred the revival of interest in colour and movement...
. However, here, as in the majority of the rooms, the carved putti, flowers and books on the overdoor reliefs were the work of Glume, and the ceiling paintings emphasise the rococo spirit of the palace. This exuberant form of ornamentation of rococo, Rocaille, was used in abundance on the walls and ceiling in the music room. Much of the work was by the sculptor and decorator Johann Michael Hoppenhaupt (the elder). A 1746 fortepiano
Fortepiano
Fortepiano designates the early version of the piano, from its invention by the Italian instrument maker Bartolomeo Cristofori around 1700 up to the early 19th century. It was the instrument for which Haydn, Mozart, and the early Beethoven wrote their piano music...
by Gottfried Silbermann
Gottfried Silbermann
Gottfried Silbermann was an influential German constructor of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two.-Life:...
which once belonged to Frederick the Great remains as a nostalgic reminder of the room's original purpose.
The King's study and bedroom, remodelled after Frederick's death by Frederick William von Erdmannsdorff
Frederick William von Erdmannsdorff
Friedrich Wilhelm Freiherr von Erdmannsdorff was a German architect and architectural theoretician, and one of the most significant representatives of early German Neoclassicism. His work included Wörlitz House in Wörlitzer Park near Dessau, one of the earliest classical houses on the European...
in 1786, it is now in direct contrast to the rococo rooms. Here, the clean and plain lines of classicism now rule. However, Frederick's desk and the armchair in which he died in were returned to the room in the middle of the 19th century. Portraits and once missing pieces of furniture from the Frederick's time have also since been replaced.
The circular library deviated from the spatial structure of French palace architecture. The room is almost hidden, accessed through a narrow passageway from the bedroom, underlining its private character. Cedarwood
Cedar wood
Cedar wood comes from several different trees that grow in different parts of the world, and may have different uses.* California incense-cedar, from Calocedrus decurrens, is the primary type of wood used for making pencils...
was used to panel the walls and for the alcove
Alcove
Alcove , a vault) is an architectural term for a recess in a room, usually screened off by pillars, balustrades or drapery.In geography and geology, the term Alcove is used for a wind-eroded depression in the side of a cliff of a homogenous rock type, famous from sandstones of the Colorado Plateau...
d bookcase
Bookcase
A bookcase, or bookshelf, is a piece of furniture, almost always with horizontal shelves, used to store books. A bookcase consists of a unit including two or more shelves which may not all be used to contain books or other printed materials. Shelves may be fixed or adjustable to different positions...
s. The harmonious shades of brown augmented with rich gold-coloured Rocaille ornaments were intended to create a peaceful mood.
The bookcases contained approximately 2,100 volumes of Greek and Roman writings and historiographies
Historiography
Historiography refers either to the study of the history and methodology of history as a discipline, or to a body of historical work on a specialized topic...
and also a collection of French literature
French literature
French literature is, generally speaking, literature written in the French language, particularly by citizens of France; it may also refer to literature written by people living in France who speak traditional languages of France other than French. Literature written in French language, by citizens...
of the 17th and 18th centuries with a heavy emphasis on the works of Voltaire
Voltaire
François-Marie Arouet , better known by the pen name Voltaire , was a French Enlightenment writer, historian and philosopher famous for his wit and for his advocacy of civil liberties, including freedom of religion, free trade and separation of church and state...
. The books were bound in brown or red goat leather and richly gilded.
The north facing gallery overlooked the forecourt. Here, again, Frederick deviated from French room design, which would have placed service rooms in this location. Recessed into the inner wall of this long room were niche
Niche (architecture)
A niche in classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedras;...
s containing marble sculptures of Greco-Roman deities. Five windows alternating with pier glass
Pier glass
A pier glass is a mirror which is placed on a pier, i.e. a wall between two windows supporting an upper structure. It is therefore generally of a long and tall shape to fit the space. It may be as a hanging mirror or as mirrored glass affixed flush to the pier, in which case it is sometimes of...
es on the outer wall reflect the paintings by Nicolas Lancret
Nicolas Lancret
Nicolas Lancret , French painter, was born in Paris, and became a brilliant depicter of light comedy which reflected the tastes and manners of French society under the regent Orleans....
, Jean-Baptiste Pater
Jean-Baptiste Pater
Jean-Baptiste Pater was a French rococo painter.Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite...
and Antoine Watteau
Antoine Watteau
Jean-Antoine Watteau was a French painter whose brief career spurred the revival of interest in colour and movement...
hung between the niches opposite.
To the west were the guest rooms in which were lodged those friends of the King considered intimate enough to be invited to this most private of his palaces. Two of Frederick's visitors were sufficiently distinguished and frequent that the rooms they occupied were named after them. The Rothenburg room is named after the Count of Rothenburg, who inhabited his circular room until his death in 1751. This room balances the palace architecturally with the library. The Voltaire Room was frequently occupied by the philosopher during his stay in Potsdam between 1750 and 1753. The Voltaire Room was remarkable for its decoration, which gave it the alternative name of the "Flower Room". On a yellow lacquer
Lacquer
In a general sense, lacquer is a somewhat imprecise term for a clear or coloured varnish that dries by solvent evaporation and often a curing process as well that produces a hard, durable finish, in any sheen level from ultra matte to high gloss and that can be further polished as required...
ed wall panel were superimposed, colourful, richly adorned wood carvings. Apes, parrots, cranes, storks, fruits, flowers, garlands gave the room a cheerful and natural character. Johann Christian Hoppenhaupt (the younger) designed the room between 1752 and 1753 from sketches made by Frederick.
The terraced gardens
The panoramicPanorama
A panorama is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film/video, or a three-dimensional model....
vista of the garden of Sanssouci is the result of Frederick the Great's decision to create a terrace
Terrace (agriculture)
Terraces are used in farming to cultivate sloped land. Graduated terrace steps are commonly used to farm on hilly or mountainous terrain. Terraced fields decrease erosion and surface runoff, and are effective for growing crops requiring much water, such as rice...
d vineyard on the south slope of the hills of Bornstedt
Bornstedt (Potsdam)
Bornstedt is a borough of Potsdam, Germany. It is bordered by the Pappelallee and the Castle Park of Sanssouci to the south, the Amundsenstraße to the west, and by the Nedlitzer Straße to the north and east...
. The area had previously been wooded but the trees were felled during the reign of the "soldier-king" Frederick William I
Frederick William I of Prussia
Frederick William I of the House of Hohenzollern, was the King in Prussia and Elector of Brandenburg from 1713 until his death...
to allow the city of Potsdam to expand.
On 10 August 1744, Frederick ordered the bare hillside to be transformed into terraced vineyards. Three wide terraces were created, with convex centres to maximise the sun light (see plan). On the partitions of the supporting walls, the brickwork is pierced by 168 glazed niche
Niche (architecture)
A niche in classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedras;...
s. Trellised vines from Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
, France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
, and also from nearby Neuruppin
Neuruppin
Neuruppin is a town in Brandenburg, Germany. Located on the shore of Ruppiner See , it is the capital of the district of Ostprignitz-Ruppin. Population: 32,800 .-Overview:...
, were planted against the brickwork, while fig
Ficus
Ficus is a genus of about 850 species of woody trees, shrubs, vines, epiphytes, and hemiepiphyte in the family Moraceae. Collectively known as fig trees or figs, they are native throughout the tropics with a few species extending into the semi-warm temperate zone. The Common Fig Ficus is a genus of...
s grew in the niches. The individual parts of the terrace were further divided by strips of lawn, on which were planted yew trees
Taxus
Taxus is a genus of yews, small coniferous trees or shrubs in the yew family Taxaceae. They are relatively slow-growing and can be very long-lived, and reach heights of 1-40 m, with trunk diameters of up to 4 m...
. Low box hedging
Buxus
Buxus is a genus of about 70 species in the family Buxaceae. Common names include box or boxwood ....
surrounded trellised fruit, making a circular ornamental parterre
Parterre
A parterre is a formal garden construction on a level surface consisting of planting beds, edged in stone or tightly clipped hedging, and gravel paths arranged to form a pleasing, usually symmetrical pattern. Parterres need not have any flowers at all...
. In the middle of this "wheel", 120 steps (now 132) led downward further dividing the terraces into six.
Below the hill, a Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
ornamental garden, modelled on the parterre at Versailles
Versailles
Versailles , a city renowned for its château, the Palace of Versailles, was the de facto capital of the kingdom of France for over a century, from 1682 to 1789. It is now a wealthy suburb of Paris and remains an important administrative and judicial centre...
, was constructed in 1745. The Great Fountain was built at the centre of this garden in 1748. Frederick never saw the fountain playing because the engineers employed in the construction had little understanding of the hydraulics
Hydraulics
Hydraulics is a topic in applied science and engineering dealing with the mechanical properties of liquids. Fluid mechanics provides the theoretical foundation for hydraulics, which focuses on the engineering uses of fluid properties. In fluid power, hydraulics is used for the generation, control,...
involved. From 1750, marble
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
statues
Statues
Statues is a popular children's game, often played in Australia but with versions throughout the world.-General rules:# A person starts out as the "Curator" and stands at the end of a field. Everyone else playing stands at the far end...
were placed around the basin of the fountain. This again was a feature copied from Versailles: figures of Venus
Venus (mythology)
Venus is a Roman goddess principally associated with love, beauty, sex,sexual seduction and fertility, who played a key role in many Roman religious festivals and myths...
, Mercury
Mercury (mythology)
Mercury was a messenger who wore winged sandals, and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx , mercari , and merces...
, Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
, Diana
Diana (mythology)
In Roman mythology, Diana was the goddess of the hunt and moon and birthing, being associated with wild animals and woodland, and having the power to talk to and control animals. She was equated with the Greek goddess Artemis, though she had an independent origin in Italy...
, Juno
Juno (mythology)
Juno is an ancient Roman goddess, the protector and special counselor of the state. She is a daughter of Saturn and sister of the chief god Jupiter and the mother of Mars and Vulcan. Juno also looked after the women of Rome. Her Greek equivalent is Hera...
, Jupiter, Mars
Mars (mythology)
Mars was the Roman god of war and also an agricultural guardian, a combination characteristic of early Rome. He was second in importance only to Jupiter, and he was the most prominent of the military gods worshipped by the Roman legions...
and Minerva
Minerva
Minerva was the Roman goddess whom Romans from the 2nd century BC onwards equated with the Greek goddess Athena. She was the virgin goddess of poetry, medicine, wisdom, commerce, weaving, crafts, magic...
, as well as allegorical portrayals of the four elements
Classical element
Many philosophies and worldviews have a set of classical elements believed to reflect the simplest essential parts and principles of which anything consists or upon which the constitution and fundamental powers of anything are based. Most frequently, classical elements refer to ancient beliefs...
Fire, Water, Air and Earth. Venus
Venus
Venus is the second planet from the Sun, orbiting it every 224.7 Earth days. The planet is named after Venus, the Roman goddess of love and beauty. After the Moon, it is the brightest natural object in the night sky, reaching an apparent magnitude of −4.6, bright enough to cast shadows...
and Mercury
Mercury (mythology)
Mercury was a messenger who wore winged sandals, and a god of trade, the son of Maia Maiestas and Jupiter in Roman mythology. His name is related to the Latin word merx , mercari , and merces...
, the works of the sculptor Jean Baptiste Pigalle, and two groups of hunters, allegories of the elements (wind and water) by Lambert Sigisbert Adam, were presented by Versailles's owner, the French King Louis XV. The remaining figures came from the workshop of François Gaspard Adam
François Gaspard Adam
François Gaspard Adam was a French rococo sculptor.A member of the Adam family of painters, François was born at Nancy, and studied under his father, Jacob-Sigisbert. He later followed his two brothers to Rome in 1730, before moving to Paris...
, a renowned sculptor in Berlin. By 1764, the French Rondel, as it came to be known, was completed.
Nearby was a kitchen garden
Kitchen garden
The traditional kitchen garden, also known as a potager, is a space separate from the rest of the residential garden - the ornamental plants and lawn areas...
, which Frederick William I had laid out sometime prior to 1715. The soldier-king jokingly gave this simple garden the name "My Marly", in reference to the very similar garden at the summer residence of the Louis XIV in Marly-le-Roi
Marly-le-Roi
Marly-le-Roi is a commune in the Yvelines department in the Île-de-France region in north-central France. It is located in the western suburbs of Paris from the centre....
.
In his plans for the grounds, Frederick attached great importance on the combination of both an ornamental and a practical garden, thus demonstrating his belief that art
Art
Art is the product or process of deliberately arranging items in a way that influences and affects one or more of the senses, emotions, and intellect....
and nature
Nature
Nature, in the broadest sense, is equivalent to the natural world, physical world, or material world. "Nature" refers to the phenomena of the physical world, and also to life in general...
should be united.
The Park
Following the terracing of the vineyard and the completion of the palace, Frederick turned his attention to the landscaping of the greater vicinity of the palace and thus began the creation of Sanssouci Park
Sanssouci Park
Sanssouci Park is a large park surrounding Sanssouci Palace in Potsdam, Germany. Following the terracing of the vineyard and the completion of the palace, the surroundings were included in the structure. A baroque flower garden with lawns, flower beds, hedges and trees was created. In the hedge...
. In his organisation of the park, Frederick continued what he had begun in Neuruppin
Neuruppin
Neuruppin is a town in Brandenburg, Germany. Located on the shore of Ruppiner See , it is the capital of the district of Ostprignitz-Ruppin. Population: 32,800 .-Overview:...
and Rheinsberg
Rheinsberg
Rheinsberg is a town and a municipality in the Ostprignitz-Ruppin district, in Brandenburg, Germany. It is situated on the river Rhin, approx. 20 km north-east of Neuruppin and 75 km north-west of Berlin.-History:...
. A straight main avenue was laid out, ultimately 2.5 km long, beginning in the east at the 1748 obelisk
Obelisk
An obelisk is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape at the top, and is said to resemble a petrified ray of the sun-disk. A pair of obelisks usually stood in front of a pylon...
and extended over the years to the New Palace, which marks its western end.
Continuing the horticultural theme of the terraced gardens, 3,000 fruit trees were planted in the park, and greenhouses and nurseries
Nursery (horticulture)
A nursery is a place where plants are propagated and grown to usable size. They include retail nurseries which sell to the general public, wholesale nurseries which sell only to businesses such as other nurseries and to commercial gardeners, and private nurseries which supply the needs of...
laid out, producing oranges
Orange (fruit)
An orange—specifically, the sweet orange—is the citrus Citrus × sinensis and its fruit. It is the most commonly grown tree fruit in the world....
, melon
Melon
thumb|200px|Various types of melonsThis list of melons includes members of the plant family Cucurbitaceae with edible, fleshy fruit e.g. gourds or cucurbits. The word "melon" can refer to either the plant or specifically to the fruit...
s, peach
Peach
The peach tree is a deciduous tree growing to tall and 6 in. in diameter, belonging to the subfamily Prunoideae of the family Rosaceae. It bears an edible juicy fruit called a peach...
es and banana
Banana
Banana is the common name for herbaceous plants of the genus Musa and for the fruit they produce. Bananas come in a variety of sizes and colors when ripe, including yellow, purple, and red....
s. Statuary and obelisk
Obelisk
An obelisk is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape at the top, and is said to resemble a petrified ray of the sun-disk. A pair of obelisks usually stood in front of a pylon...
s were also erected, with representations of the goddesses Flora and Pomona
Pomona
Pomona was a goddess of fruitful abundance in ancient Roman religion and myth. Her name comes from the Latin word pomum, "fruit," specifically orchard fruit. She was said to be a wood nymph and a part of the Numia, guardian spirits who watch over people, places, or homes...
. Frederick had several temples and follies erected in the same rococo style as the palace itself. Some were small houses which compensated for the lack of reception rooms in the palace itself.
Frederick invested heavily in a vain attempt to introduce a fountain system in Sanssouci Park, attempting to emulate the other great Baroque gardens of Europe. Hydraulics at this stage were still in their infancy, and despite the building of pumping houses and reservoirs, the fountains at Sanssouci remained silent and still for the next 100 years. The invention of the steam power
Steam engine
A steam engine is a heat engine that performs mechanical work using steam as its working fluid.Steam engines are external combustion engines, where the working fluid is separate from the combustion products. Non-combustion heat sources such as solar power, nuclear power or geothermal energy may be...
solved the problems a century later, and thus the reservoir finally fulfilled its purpose. From around 1842, the Prussian Royal family were finally able to marvel at such features as the Great Fountain below the vineyard terraces, shooting jets of water to a height of 38 metres. The pumping station itself became another garden pavilion, disguised as Turkish
Ottoman Empire
The Ottoman EmpireIt was usually referred to as the "Ottoman Empire", the "Turkish Empire", the "Ottoman Caliphate" or more commonly "Turkey" by its contemporaries...
Mosque
Mosque
A mosque is a place of worship for followers of Islam. The word is likely to have entered the English language through French , from Portuguese , from Spanish , and from Berber , ultimately originating in — . The Arabic word masjid literally means a place of prostration...
, with its chimney
Chimney
A chimney is a structure for venting hot flue gases or smoke from a boiler, stove, furnace or fireplace to the outside atmosphere. Chimneys are typically vertical, or as near as possible to vertical, to ensure that the gases flow smoothly, drawing air into the combustion in what is known as the...
becoming a minaret
Minaret
A minaret مناره , sometimes مئذنه) is a distinctive architectural feature of Islamic mosques, generally a tall spire with an onion-shaped or conical crown, usually either free standing or taller than any associated support structure. The basic form of a minaret includes a base, shaft, and gallery....
.
The park was expanded under Frederick William III, and later under his son Frederick William IV. The architects Karl Friedrich Schinkel
Karl Friedrich Schinkel
Karl Friedrich Schinkel was a Prussian architect, city planner, and painter who also designed furniture and stage sets. Schinkel was one of the most prominent architects of Germany and designed both neoclassical and neogothic buildings.-Biography:Schinkel was born in Neuruppin, Margraviate of...
and Ludwig Persius
Ludwig Persius
Friedrich Ludwig Persius was a Prussian architect and a student of Karl Friedrich Schinkel....
built Charlottenhof Palace
Charlottenhof Palace
Charlottenhof Palace is located southwest of Sanssouci Palace in Sanssouci Park at Potsdam, Germany. It is most famous as the summer residence of Crown Prince Frederick William...
in the park on the site of a former farm house, and Peter Joseph Lenné
Peter Joseph Lenné
Peter Joseph Lenné was a Prussian gardener and landscape architect from Bonn who worked in the German classicist style.-Childhood and development:...
was commissioned with the garden design. Broad meadows created visual avenues between Charlottenhof, the Roman Baths
Roman Baths (Potsdam)
The Roman Baths , northeast of the Charlottenhof Palace in the Sanssouci Park in Potsdam, reflect the Italiensehnsucht of its creator Frederick William IV of Prussia...
and the New Palace, and incorporated the follies
Folly
In architecture, a folly is a building constructed primarily for decoration, but either suggesting by its appearance some other purpose, or merely so extravagant that it transcends the normal range of garden ornaments or other class of building to which it belongs...
such as the Temple of Friendship
Temple of Friendship
The Temple of Friendship is a small, round temple in the western part of Sanssouci Park in Potsdam. It was built by the Prussian king Frederick II in memory of his favorite sister, Markgravine Wilhelmine of Bayreuth, who died in 1758...
of Frederick the Great.
Sanssouci in modern times
After the First World WarWorld War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
, and despite the end of the German monarchy, the palace remained in the possession of the Hohenzollern dynasty. It eventually came under the protection of the Prussian "Verwaltung der Staatlichen Schlösser und Gärten" (Administration of National Palaces and Gardens) on 1 April 1927.
When air raids
Airstrike
An air strike is an attack on a specific objective by military aircraft during an offensive mission. Air strikes are commonly delivered from aircraft such as fighters, bombers, ground attack aircraft, attack helicopters, and others...
on Berlin began in the Second World War
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
, the most notable works of art of the former imperial palaces were transferred for safety to Rheinsberg
Rheinsberg
Rheinsberg is a town and a municipality in the Ostprignitz-Ruppin district, in Brandenburg, Germany. It is situated on the river Rhin, approx. 20 km north-east of Neuruppin and 75 km north-west of Berlin.-History:...
(Brandenburg
Brandenburg
Brandenburg is one of the sixteen federal-states of Germany. It lies in the east of the country and is one of the new federal states that were re-created in 1990 upon the reunification of the former West Germany and East Germany. The capital is Potsdam...
) and Bernterode im Eichsfeld (Thuringia
Thuringia
The Free State of Thuringia is a state of Germany, located in the central part of the country.It has an area of and 2.29 million inhabitants, making it the sixth smallest by area and the fifth smallest by population of Germany's sixteen states....
). The structure of the palace remained unscathed despite fierce fighting in the vicinity in 1945, but the ancient windmill
Windmill
A windmill is a machine which converts the energy of wind into rotational energy by means of vanes called sails or blades. Originally windmills were developed for milling grain for food production. In the course of history the windmill was adapted to many other industrial uses. An important...
, retained in the park by Frederick to add rustic charm, was destroyed.
Following the end of the war, most of the items that had been moved to Rheinsberg were transferred as booty to the Soviet Union
Soviet Union
The Soviet Union , officially the Union of Soviet Socialist Republics , was a constitutionally socialist state that existed in Eurasia between 1922 and 1991....
; only a small part was returned to the palace in 1958. The artistic pieces from Bernterode found by American soldiers were first shipped to Wiesbaden
Wiesbaden
Wiesbaden is a city in southwest Germany and the capital of the federal state of Hesse. It has about 275,400 inhabitants, plus approximately 10,000 United States citizens...
to the "Central Art Collecting Point" and in 1957 went to Charlottenburg palace in West Berlin
West Berlin
West Berlin was a political exclave that existed between 1949 and 1990. It comprised the western regions of Berlin, which were bordered by East Berlin and parts of East Germany. West Berlin consisted of the American, British, and French occupation sectors, which had been established in 1945...
.
Compared to many similar buildings, the palace fared well during almost 50 years under Communist jurisdiction in East Germany. The Church of St. Saviour in Sacrow and the centre of Potsdam were neglected, and some of the historic centre of Potsdam was demolished. The Berliner Stadtschloss
Berliner Stadtschloss
The Stadtschloss , was a royal palace in the centre of Berlin, capital of Germany. The palace bore features of the Baroque style, and its shape, finalized by the mid 18th century, is attributed to Andreas Schlüter, whose first design is likely to date from 1702, though the palace incorporated...
(Berlin City Palace), containing architectural work by Schinkel, Erdmannsdorff and Knobelsdorff was demolished in 1950, but Sanssouci survived unscathed and the East German government endeavoured to have Sanssouci placed on the list of World Heritage Sites. This was achieved in 1990 with the following citation:
The palace and park of Sanssouci, often described as the "Prussian Versailles", are a synthesis of the artistic movements of the 18th century in the cities and courts of Europe. That ensemble is a unique example of the architectural creations and landscape design against the backdrop of the intellectual background of monarchic ideas of the state.
Following the reunification of Germany, the library of Frederick was returned in 1992 to its former home at Sanssouci. Thirty-six oil paintings followed between 1993 and 1995. In 1995, the Foundation of Prussian Palaces and Gardens in Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...
-Brandenburg
Brandenburg
Brandenburg is one of the sixteen federal-states of Germany. It lies in the east of the country and is one of the new federal states that were re-created in 1990 upon the reunification of the former West Germany and East Germany. The capital is Potsdam...
was formed. The organization's job is to administer and care for Sanssouci and the other former royal palaces in Berlin and Brandenburg that are visited by over two million visitors annually from all over the world.