Sexy Partners
Encyclopedia
aka Companions of Love and Lustful Companions is a 1967
Japan
ese pink film directed by Kan Mukai
. It was the first pink film to use S&M as a main theme.
filmed Sexy Partners for Mutsukuni Eiga and this studio released it theatrically in Japan on July 2, 1967. There is some disagreement among Japanese sources as to which was the first pink film to deal with sado-masochism. Besides Sexy Partners, some claim the first pink S&M was in Masao Adachi
's Birth Control Revolution
, Hitoshi Kataoka's Trap Of Lust, or Kinya Ogawa's Memoirs Of A Modern Female Doctor. All these films were released in 1967. Whichever was the first to introduce S&M into pink cinema, Sexy Partners was the first pink film to use it as its central theme.
In their Japanese Cinema Encyclopedia: The Sex Films, Thomas and Yuko Mihara Weisser give Sexy Partners a rating of two-and-a-half out of four stars, noting that whether one considers it a good or a bad film largely depends on one's attitude towards cinematic S&M. They judge Mukai's story and script to be "limited, psychologically deficient", "clandestinely misogynist", "wildly contrived, simplistic and even antagonistic", merely providing a pretext for scenes of whipping and other forms of abuse. In the film's favor, however, the Weissers note that the performances are above average, and that the character of Tomoko, the wife, is sympathetic. Mukai's direction and camera-work are also praised as markedly better than that in other pink films of this era.
1967 in film
The year 1967 in film involved some significant events. It is widely considered as one of the most ground-breaking years in film.-Events:* December 26 - The Beatles Magical Mystery Tour airs on British television....
Japan
Japan
Japan is an island nation in East Asia. Located in the Pacific Ocean, it lies to the east of the Sea of Japan, China, North Korea, South Korea and Russia, stretching from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the south...
ese pink film directed by Kan Mukai
Kan Mukai
aka Hiroshi Mukai and was a Japanese film director, cinematographer, producer and screenwriter, known for his pioneering work in the pink film genre...
. It was the first pink film to use S&M as a main theme.
Synopsis
Tomoko suffers at the hand of her husband, Arakawa, who practises sadistic sex with her and various other women. After Arakawa dies suddenly, Tomoko is at first relieved, but then discovers that she is incapable of enjoying sex unless she is in a masochistic position.Cast
- Michiko Sakyō as Tomoko
- Jōji Ohara as Arakawa
- Kae Hoshi as Masayo, a maid
- Kemi Ichiboshi as bar hostess
- Midori Enoki as bar hostess
Background and critical appraisal
Kan MukaiKan Mukai
aka Hiroshi Mukai and was a Japanese film director, cinematographer, producer and screenwriter, known for his pioneering work in the pink film genre...
filmed Sexy Partners for Mutsukuni Eiga and this studio released it theatrically in Japan on July 2, 1967. There is some disagreement among Japanese sources as to which was the first pink film to deal with sado-masochism. Besides Sexy Partners, some claim the first pink S&M was in Masao Adachi
Masao Adachi
Masao Adachi is a Japanese screenwriter and director who was most active in the 1960s and 1970s.-Career:...
's Birth Control Revolution
Birth Control Revolution
a.k.a. Contraceptive Revolution is a 1967 Japanese pink film directed by Masao Adachi for Kōji Wakamatsu's production studio.-Synopsis:...
, Hitoshi Kataoka's Trap Of Lust, or Kinya Ogawa's Memoirs Of A Modern Female Doctor. All these films were released in 1967. Whichever was the first to introduce S&M into pink cinema, Sexy Partners was the first pink film to use it as its central theme.
In their Japanese Cinema Encyclopedia: The Sex Films, Thomas and Yuko Mihara Weisser give Sexy Partners a rating of two-and-a-half out of four stars, noting that whether one considers it a good or a bad film largely depends on one's attitude towards cinematic S&M. They judge Mukai's story and script to be "limited, psychologically deficient", "clandestinely misogynist", "wildly contrived, simplistic and even antagonistic", merely providing a pretext for scenes of whipping and other forms of abuse. In the film's favor, however, the Weissers note that the performances are above average, and that the character of Tomoko, the wife, is sympathetic. Mukai's direction and camera-work are also praised as markedly better than that in other pink films of this era.