Shakespeare's style
Encyclopedia
William Shakespeare
's style was borrowed from the conventions of the day, while at the same time adapting them to his needs.
, in the view of some critics, often hold up the action; meanwhile, the verse in Two Gentlemen of Verona has been described as stilted.
Soon, however, Shakespeare began to adapt the traditional styles to his own purposes. The opening soliloquy
of Richard III
has its roots in the self-declaration of Vice
in medieval drama. At the same time, Richard’s vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet
perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet, Richard II
, and A Midsummer Night's Dream
in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of the drama itself.
Shakespeare's standard poetic form was blank verse
, composed in iambic pentameter
. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at the end of lines
, with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar
and Hamlet
. Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind:
After Hamlet, Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines
, irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth
, for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "...pity, like a naked new-born babe/ Striding the blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity.
Shakespeare's poetic genius was allied with a practical sense of the theatre. Like all playwrights of the time, Shakespeare dramatised stories from sources such as Petrarch
and Holinshed. He reshaped each plot to create several centres of interest and show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting and wide interpretation without loss to its core drama. As Shakespeare’s mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in the later plays, however. In his late romances
, he deliberately returned to a more artificial style, which emphasised the illusion of theatre.
. In some of his early works, he added punctuation at the end of the lines to strengthen the rhythm wrote with his pen. He and other dramatists at the time used this form of blank verse
for much of the dialogue between characters in order to elevate the poetry of drama. To end many scenes in his plays he used a rhyming couplet
, thus creating suspense.
A typical example occurs in Macbeth
: as Macbeth leaves the stage to murder Duncan (to the sound of a chiming clock), he says,
Indeed, in the nineteenth century, popular censored versions of the plays were produced as The Family Shakespeare by Henrietta Bowdler (writing anonymously) and later by her brother Thomas Bowdler
. Comedy is not confined to Shakespeare's comedies, and is a core element of many of the tragedy and history plays. For example, comic scenes dominate over historical material in Henry IV, Part 1
.
, and seem to reveal strong influences from the Queen's Men
's performances, especially in his history plays. His style is also comparable to Francis Beaumont
's and John Fletcher
's, other playwrights of the time.
Shakespeare often borrowed plots from other plays and stories. Hamlet
, for example, is comparable to Saxo Grammaticus
' Gesta Danorum
. Romeo and Juliet
is thought to be based on Arthur Brooke's narrative poem The Tragical History of Romeus and Juliet
. King Lear
is based on the story of King Leir
in Historia Regum Britanniae
by Geoffrey of Monmouth
, which was retold in 1587 by Raphael Holinshed
. Borrowing plots in this way was not uncommon at the time. After Shakespeare's death, playwrights quickly began borrowing from his works, a tradition that continues to this day.
were human beings who commanded the sympathy of audiences when many other playwrights' characters were flat or archetypes. Macbeth, for example, commits six murders by the end of the fourth act, and is responsible for many deaths offstage, yet still commands an audience's sympathy until the very end because he is seen as a flawed human being, not a monster. Hamlet
knows that he must avenge the death of his father, but he is too indecisive, too self-doubting, to carry this out until he has no choice. His failings cause his downfall, and he exhibits some of the most basic human reactions and emotions. Shakespeare's characters were complex and human in nature. By making the protagonist's character development central to the plot, Shakespeare changed what could be accomplished with drama.
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
's style was borrowed from the conventions of the day, while at the same time adapting them to his needs.
Overview
Shakespeare's first plays were written in the conventionaly happy style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. For example, the grand speeches in Titus AndronicusTitus Andronicus
Titus Andronicus is a tragedy by William Shakespeare, and possibly George Peele, believed to have been written between 1588 and 1593. It is thought to be Shakespeare's first tragedy, and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were...
, in the view of some critics, often hold up the action; meanwhile, the verse in Two Gentlemen of Verona has been described as stilted.
Soon, however, Shakespeare began to adapt the traditional styles to his own purposes. The opening soliloquy
Soliloquy
A soliloquy is a device often used in drama whereby a character relates his or her thoughts and feelings to him/herself and to the audience without addressing any of the other characters, and is delivered often when they are alone or think they are alone. Soliloquy is distinct from monologue and...
of Richard III
Richard III (play)
Richard III is a history play by William Shakespeare, believed to have been written in approximately 1591. It depicts the Machiavellian rise to power and subsequent short reign of Richard III of England. The play is grouped among the histories in the First Folio and is most often classified...
has its roots in the self-declaration of Vice
The Vice
Vice is a stock character of the medieval morality plays. While the main character of these plays was representative of every human being , the other characters were representative of personified virtues or vices who sought to win control of man's soul...
in medieval drama. At the same time, Richard’s vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet
Romeo and Juliet
Romeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young star-crossed lovers whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular archetypal stories of young, teenage lovers.Romeo and Juliet belongs to a...
perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet, Richard II
Richard II (play)
King Richard the Second is a history play by William Shakespeare believed to be written in approximately 1595. It is based on the life of King Richard II of England and is the first part of a tetralogy, referred to by some scholars as the Henriad, followed by three plays concerning Richard's...
, and A Midsummer Night's Dream
A Midsummer Night's Dream
A Midsummer Night's Dream is a play that was written by William Shakespeare. It is believed to have been written between 1590 and 1596. It portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta...
in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of the drama itself.
Shakespeare's standard poetic form was blank verse
Blank verse
Blank verse is poetry written in unrhymed iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the sixteenth century" and Paul Fussell has claimed that "about three-quarters of all English poetry is in blank verse."The first...
, composed in iambic pentameter
Iambic pentameter
Iambic pentameter is a commonly used metrical line in traditional verse and verse drama. The term describes the particular rhythm that the words establish in that line. That rhythm is measured in small groups of syllables; these small groups of syllables are called "feet"...
. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at the end of lines
End-stopping
An end-stopped line is a feature in poetry in which the syntactic unit corresponds in length to the line. Its opposite is enjambment, where the sense runs on into the next line. According to A. C...
, with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar
Julius Caesar (play)
The Tragedy of Julius Caesar, also known simply as Julius Caesar, is a tragedy by William Shakespeare, believed to have been written in 1599. It portrays the 44 BC conspiracy against...
and Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
. Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind:
- Sir, in my heart there was a kind of fighting
- That would not let me sleep. Methought I lay
- Worse than the mutines in the bilboes. Rashly—
- And prais'd be rashness for it—let us know
- Our indiscretion sometimes serves us well...
After Hamlet, Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines
Enjambment
Enjambment or enjambement is the breaking of a syntactic unit by the end of a line or between two verses. It is to be contrasted with end-stopping, where each linguistic unit corresponds with a single line, and caesura, in which the linguistic unit ends mid-line...
, irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth
Macbeth
The Tragedy of Macbeth is a play by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is believed to have been written sometime between 1603 and 1607...
, for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "...pity, like a naked new-born babe/ Striding the blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity.
Shakespeare's poetic genius was allied with a practical sense of the theatre. Like all playwrights of the time, Shakespeare dramatised stories from sources such as Petrarch
Petrarch
Francesco Petrarca , known in English as Petrarch, was an Italian scholar, poet and one of the earliest humanists. Petrarch is often called the "Father of Humanism"...
and Holinshed. He reshaped each plot to create several centres of interest and show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting and wide interpretation without loss to its core drama. As Shakespeare’s mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in the later plays, however. In his late romances
Shakespeare's late romances
The late romances, often simply called the romances, are a grouping of what many scholars believe to be William Shakespeare's later plays, including Pericles, Prince of Tyre; Cymbeline; The Winter's Tale; and The Tempest. The Two Noble Kinsmen is sometimes included in this grouping...
, he deliberately returned to a more artificial style, which emphasised the illusion of theatre.
Form
Iambic pentameterIambic pentameter
Iambic pentameter is a commonly used metrical line in traditional verse and verse drama. The term describes the particular rhythm that the words establish in that line. That rhythm is measured in small groups of syllables; these small groups of syllables are called "feet"...
. In some of his early works, he added punctuation at the end of the lines to strengthen the rhythm wrote with his pen. He and other dramatists at the time used this form of blank verse
Blank verse
Blank verse is poetry written in unrhymed iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the sixteenth century" and Paul Fussell has claimed that "about three-quarters of all English poetry is in blank verse."The first...
for much of the dialogue between characters in order to elevate the poetry of drama. To end many scenes in his plays he used a rhyming couplet
Couplet
A couplet is a pair of lines of meter in poetry. It usually consists of two lines that rhyme and have the same meter.While traditionally couplets rhyme, not all do. A poem may use white space to mark out couplets if they do not rhyme. Couplets with a meter of iambic pentameter are called heroic...
, thus creating suspense.
A typical example occurs in Macbeth
Macbeth
The Tragedy of Macbeth is a play by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is believed to have been written sometime between 1603 and 1607...
: as Macbeth leaves the stage to murder Duncan (to the sound of a chiming clock), he says,
Indeed, in the nineteenth century, popular censored versions of the plays were produced as The Family Shakespeare by Henrietta Bowdler (writing anonymously) and later by her brother Thomas Bowdler
Thomas Bowdler
Thomas Bowdler was an English physician who published an expurgated edition of William Shakespeare's work, edited by his sister Harriet, intended to be more appropriate for 19th century women and children than the original....
. Comedy is not confined to Shakespeare's comedies, and is a core element of many of the tragedy and history plays. For example, comic scenes dominate over historical material in Henry IV, Part 1
Henry IV, Part 1
Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second play in Shakespeare's tetralogy dealing with the successive reigns of Richard II, Henry IV , and Henry V...
.
Similarities to contemporaries
Besides following the popular forms of his day, Shakespeare's general style is comparable to several of his contemporaries. His works have many similarities to the writing of Christopher MarloweChristopher Marlowe
Christopher Marlowe was an English dramatist, poet and translator of the Elizabethan era. As the foremost Elizabethan tragedian, next to William Shakespeare, he is known for his blank verse, his overreaching protagonists, and his mysterious death.A warrant was issued for Marlowe's arrest on 18 May...
, and seem to reveal strong influences from the Queen's Men
Queen's Men
The Queen's Men was an Elizabethan playing company that operated between 1583 and 1595. It was a popular company and its patron was Queen Elizabeth I...
's performances, especially in his history plays. His style is also comparable to Francis Beaumont
Francis Beaumont
Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher....
's and John Fletcher
John Fletcher (playwright)
John Fletcher was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; both during his lifetime and in the early Restoration, his fame rivalled Shakespeare's...
's, other playwrights of the time.
Shakespeare often borrowed plots from other plays and stories. Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
, for example, is comparable to Saxo Grammaticus
Saxo Grammaticus
Saxo Grammaticus also known as Saxo cognomine Longus was a Danish historian, thought to have been a secular clerk or secretary to Absalon, Archbishop of Lund, foremost advisor to Valdemar I of Denmark. He is the author of the first full history of Denmark.- Life :The Jutland Chronicle gives...
' Gesta Danorum
Gesta Danorum
Gesta Danorum is a patriotic work of Danish history, by the 12th century author Saxo Grammaticus . It is the most ambitious literary undertaking of medieval Denmark and is an essential source for the nation's early history...
. Romeo and Juliet
Romeo and Juliet
Romeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young star-crossed lovers whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular archetypal stories of young, teenage lovers.Romeo and Juliet belongs to a...
is thought to be based on Arthur Brooke's narrative poem The Tragical History of Romeus and Juliet
The Tragical History of Romeus and Juliet
The Tragicall Historye of Romeus and Juliet is a narrative poem, first published in 1562 by Arthur Brooke, who is reported to have translated it from an Italian novella by Matteo Bandello...
. King Lear
King Lear
King Lear is a tragedy by William Shakespeare. The title character descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological...
is based on the story of King Leir
King Leir
King Leir is an anonymous Elizabethan play about the life of the ancient Celtic king Leir of Britain. It was published in 1605 but was entered into the Stationers' Register on 15 May 1594...
in Historia Regum Britanniae
Historia Regum Britanniae
The Historia Regum Britanniae is a pseudohistorical account of British history, written c. 1136 by Geoffrey of Monmouth. It chronicles the lives of the kings of the Britons in a chronological narrative spanning a time of two thousand years, beginning with the Trojans founding the British nation...
by Geoffrey of Monmouth
Geoffrey of Monmouth
Geoffrey of Monmouth was a cleric and one of the major figures in the development of British historiography and the popularity of tales of King Arthur...
, which was retold in 1587 by Raphael Holinshed
Raphael Holinshed
Raphael Holinshed was an English chronicler, whose work, commonly known as Holinshed's Chronicles, was one of the major sources used by William Shakespeare for a number of his plays....
. Borrowing plots in this way was not uncommon at the time. After Shakespeare's death, playwrights quickly began borrowing from his works, a tradition that continues to this day.
Differences from contemporaries
Shakespeare's works express the complete range kittens of human experience. His charactersCharacterisation
Characterization or characterisation is the art of creating characters for a narrative, including the process of conveying information about them. It may be employed in dramatic works of art or everyday conversation...
were human beings who commanded the sympathy of audiences when many other playwrights' characters were flat or archetypes. Macbeth, for example, commits six murders by the end of the fourth act, and is responsible for many deaths offstage, yet still commands an audience's sympathy until the very end because he is seen as a flawed human being, not a monster. Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
knows that he must avenge the death of his father, but he is too indecisive, too self-doubting, to carry this out until he has no choice. His failings cause his downfall, and he exhibits some of the most basic human reactions and emotions. Shakespeare's characters were complex and human in nature. By making the protagonist's character development central to the plot, Shakespeare changed what could be accomplished with drama.