Slamdance Film Festival
Encyclopedia
As a year-round organization, Slamdance serves as a showcase for the discovery of new and emerging talent in the film industry; it is also the only major film festival fully programmed by filmmakers. Slamdance counts among its alumni many notable writers and directors who first gained notice at the festival, including Christopher Nolan, Marc Forster, Jared Hess and Oren Peli. The Slamdance Film Festival takes place each year in Utah at the same time as the Sundance Film Festival
, competing to provide what its supporters consider a truer representation of independent filmmaking. Slamdance is especially unique because their feature competition is limited to films made with budgets under $1 million dollars and made by first time directors.
Slamdance adamantly supports self-governance amongst independents, and claims to deliver what filmmakers go to festivals for: a chance to show their work and a launching point for their careers. Slamdance has earned a reputation for premiering films by first-time writers and directors working within limited budgets.
At the 2005 Festival, Slamdance screened the documentary “Mad Hot Ballroom”, which was immediately purchased by Paramount Pictures for the largest amount ever for a feature-length documentary. At the 2007 Festival Seth Gordon's premiere “The King Of Kong: A Fistful of Quarters” became another sought after documentary and was acquired by New Line. 2009 festival highlights included premiers “Mississippi Damned” directed by Tina Mobry and “I Sell The Dead” produced by Larry Fessenden and directed by Glenn McQuaid that was acquired by Independent Film Channel and Anchor Bay. “A Quiet Little Marriage”, directed by Mo Perkins, won the Grand Jury Prize for Best Dramatic Feature and shortly afterward was picked for distribution by the Independent Film Channel.
In 2008, Oren Peli's “Paranormal Activity” played its Festival premiere at Slamdance and was acquired by Dreamworks who then passed domestic control of the film onto Paramount. During the weekend of October 11–12, 2009 “Paranormal Activity” broke the box-office record for a film playing at fewer than 200 theaters by selling $7.1 million worth of tickets in the US and Canada. As of October 25, “Paranormal Activity” had earned $66 million and reached number 1 at the Box Office. By January 10, 2010, the $10,000 budgeted picture had amassed $107 million at the domestic Box Office and $193 million worldwide.
2010’s festival event took place in Park City, Utah January from 21-28, 2010. It included the world premiere of Steven Soderbergh's “And Everything is Going Fine” (a documentary about the late actor and monologist Spalding Gray) and The Filmmaker Summit. The Summit continues to invite the global filmmaking community to collectively craft a new charter for storytelling and content distribution that can succeed by using new technology. The Jury prize for Best Narrative film was won by Snow and Ashes, directed by Charles-Olivier Michaud and Best Documentary was won by “American Jihadist”, directed by Mark Claywell. The Audience Award for Best Narrative was won by “The Wild Hunt”, directed by Alexandre Franchi and Best Documentary was won by “Larry Linkogle: The Mind Of The Demon”.
For the 2011 Festival, Slamdance received a record number of over 5,000 submissions. The Sparky for Best Narrative Film went to "Stranger Things” and Best Documentary went to “Bhopali,” which also won the Audience Award. The Audience Award for Best Narrative went to “Silver Tongues.” Following their premiers at Slamdance “Real Life Superheroes” sold to HBO and “Atrocious” was acquired by the same team at Paramount that developed the “Paranormal Activity” franchise.
Each year the winning Short screenplay is produced by Slamdance and premieres at the film festival as part of the $99 specials which are paired with a non-competition Special Screening. In 2011, "Dead in the Room", written by Marjory Kaptanoglu (winner of Slamdance's 2010 Short Screenplay Competition) was directed by Academy nominated filmmaker Adam Pertofsky.
As the film festival is to film, the Slamdance Screenwriting and Teleplay Competition is dedicated to discovering and supporting emerging writing talent. Screenplays in every genre, any budget, on any topic, from anywhere in the world are welcome to submit. One unique feature of the competition is providing constructive feedback for every entrant.
The competition consists of four categories. Awards are given to the top three scripts in each category and there is also one Grand Prize for the best piece of material submitted regardless of category.
• Feature
• Short/Webisode
• Horror
• Teleplay
In January 2007 the festival for the first time dropped a finalist. The game Super Columbine Massacre RPG!
was announced as a finalist in late November 2006, but the controversial game was dropped by Slamdance founder Peter Baxter
with no outside pressure as initially reported. In response to this 6 other finalists withdrew from the competition in protest, Jonathan Blow
withdrew Braid, thatgamecompany
withdrew flOw
, Waking Games withdrew Once Upon a Time, the developers for Toblo withdrew their game (however, on January 16 the college which they attend, the DigiPen Institute of Technology
against their wishes "overwrote our decision and readmitted Toblo to the Slamdance Festival", because the developers did not consult the college prior to their withdrawal decision), Queasy Games withdrew Everyday Shooter
, Nick Montfort
withdrew Book and Volume, and The Behemoth
withdrew Castle Crashers
. The University of Southern California
has also withdrawn its sponsorship of Slamdance over this controversy.
On 26 January 2007, the date the game awards were to be presented, a panel discussion with the remaining finalists resulted in the withdrawal of the "Official Jury Selection" for all finalists, and no awards were handed out. The competition has not been held since.
Slamdance President and Co-Founder Peter Baxter said, “Slamdance has a true independent identity and proven track record of unearthing great films. It’s time now to be progressive and unleash our film programs outside of the festival and directly help filmmakers find popular, worldwide audiences. The standard of Slamdance films deserve this much and we believe the audience will respond.”
As of opening day at the 2011 festival, select Competition Feature Films were made available via Zune video Marketplace as part of this year’s Festival and VOD Showcase for the duration of the festival, January 20–27. Select films included narrative features “Modern Imbecile’s Planet World”, “Snow On Tha Bluff” and “The Beast Pageant”; documentary features “Road Dogs” and “Scrapper”, as well as films from previous years’ festivals.
In addition to VOD development, the organization has established Slamdance On The Road, a traveling theatrical showcase supported by the film festival organization and its filmmakers. On the Road brings popular Slamdance films to audiences that otherwise would not have the chance to see them and provide theatrical venues with an alternative film program experience. On The Road events usually take place in the US but have also travelled to countries like China, Poland, France and Chile.
In 2011, Slamdance presented the second annual Filmmaker Summit, along with the Ford Foundation, IndieFlix and Banyan Branch, bringing together some of the most innovative thinkers in the industry. Speakers included Scilla Andreen (IndieFlix), Tiffany Shlain (Director: 'Connected', 'Yelp'), Brian Newman (subgenre media), Jenny Samppala (Banyan Branch), Amy Powell ('Paranormal Activity'), Lance Weiler ('Pandemic 1.0'), John Anderson (Variety), Orlando Bagwell (Ford Foundation), and Greg Pak (comic book scribe and filmmaker).
Slamdance also collaborated with Kodak in order to bring Academy Award-winning cinematographer Vilmos Zsigmond to the festival and host an intimate discussion about the future of film and digital cinematography.
At the 2011 Festival Slamdance launched a Student Initiative program involving both students and their faculty to help them gain a greater understanding of the current realities and opportunities in independent film.
Sundance Film Festival
The Sundance Film Festival is a film festival that takes place annually in Utah, in the United States. It is the largest independent cinema festival in the United States. Held in January in Park City, Salt Lake City, and Ogden, as well as at the Sundance Resort, the festival is a showcase for new...
, competing to provide what its supporters consider a truer representation of independent filmmaking. Slamdance is especially unique because their feature competition is limited to films made with budgets under $1 million dollars and made by first time directors.
Founding
The festival was founded in 1995 by Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter and has since become a year-round organization championing emerging filmmaking talent and their new work.Slamdance adamantly supports self-governance amongst independents, and claims to deliver what filmmakers go to festivals for: a chance to show their work and a launching point for their careers. Slamdance has earned a reputation for premiering films by first-time writers and directors working within limited budgets.
Festival Discoveries
Festival discoveries have included directors such as Christopher Nolan (“Memento”), Marc Forster (“Monster's Ball”) and Jared Hess (“Napoleon Dynamite”). Slamdance also attracts world renowned alumni including Larry Clark and Steven Soderbergh.At the 2005 Festival, Slamdance screened the documentary “Mad Hot Ballroom”, which was immediately purchased by Paramount Pictures for the largest amount ever for a feature-length documentary. At the 2007 Festival Seth Gordon's premiere “The King Of Kong: A Fistful of Quarters” became another sought after documentary and was acquired by New Line. 2009 festival highlights included premiers “Mississippi Damned” directed by Tina Mobry and “I Sell The Dead” produced by Larry Fessenden and directed by Glenn McQuaid that was acquired by Independent Film Channel and Anchor Bay. “A Quiet Little Marriage”, directed by Mo Perkins, won the Grand Jury Prize for Best Dramatic Feature and shortly afterward was picked for distribution by the Independent Film Channel.
In 2008, Oren Peli's “Paranormal Activity” played its Festival premiere at Slamdance and was acquired by Dreamworks who then passed domestic control of the film onto Paramount. During the weekend of October 11–12, 2009 “Paranormal Activity” broke the box-office record for a film playing at fewer than 200 theaters by selling $7.1 million worth of tickets in the US and Canada. As of October 25, “Paranormal Activity” had earned $66 million and reached number 1 at the Box Office. By January 10, 2010, the $10,000 budgeted picture had amassed $107 million at the domestic Box Office and $193 million worldwide.
2010’s festival event took place in Park City, Utah January from 21-28, 2010. It included the world premiere of Steven Soderbergh's “And Everything is Going Fine” (a documentary about the late actor and monologist Spalding Gray) and The Filmmaker Summit. The Summit continues to invite the global filmmaking community to collectively craft a new charter for storytelling and content distribution that can succeed by using new technology. The Jury prize for Best Narrative film was won by Snow and Ashes, directed by Charles-Olivier Michaud and Best Documentary was won by “American Jihadist”, directed by Mark Claywell. The Audience Award for Best Narrative was won by “The Wild Hunt”, directed by Alexandre Franchi and Best Documentary was won by “Larry Linkogle: The Mind Of The Demon”.
For the 2011 Festival, Slamdance received a record number of over 5,000 submissions. The Sparky for Best Narrative Film went to "Stranger Things” and Best Documentary went to “Bhopali,” which also won the Audience Award. The Audience Award for Best Narrative went to “Silver Tongues.” Following their premiers at Slamdance “Real Life Superheroes” sold to HBO and “Atrocious” was acquired by the same team at Paramount that developed the “Paranormal Activity” franchise.
Screenwriting & Teleplay Competitions
In addition to the festival, Slamdance's Screenwriting and Teleplay Competitions have discovered a number of talented screenwriters, including Joshua Marston (“Maria Full of Grace”) and Nicole Kassell (“The Woodsman”). In 2006, Slamdance entered into a deal with Greg Segal's Angel Baby Entertainment to help produce one film per year from its Horror Screenplay Competition. The first winning selection from the Horror Screenplay Competition was “Slaughter”, written by British writers Nathan Brookes and Bobby Lee Darby. In 2008, Slamdance entered into an agreement with Upload Films to develop and produce “Drool”, the winner of Slamdance's Screenplay Competition. Written and directed by Nancy Kissam, “Drool” premiered at the 2009 Festival and thereafter was acquired by Strand Releasing.Each year the winning Short screenplay is produced by Slamdance and premieres at the film festival as part of the $99 specials which are paired with a non-competition Special Screening. In 2011, "Dead in the Room", written by Marjory Kaptanoglu (winner of Slamdance's 2010 Short Screenplay Competition) was directed by Academy nominated filmmaker Adam Pertofsky.
As the film festival is to film, the Slamdance Screenwriting and Teleplay Competition is dedicated to discovering and supporting emerging writing talent. Screenplays in every genre, any budget, on any topic, from anywhere in the world are welcome to submit. One unique feature of the competition is providing constructive feedback for every entrant.
The competition consists of four categories. Awards are given to the top three scripts in each category and there is also one Grand Prize for the best piece of material submitted regardless of category.
• Feature
• Short/Webisode
• Horror
• Teleplay
Slamdance Guerrilla Games Competition
The festival used to host a computer and video game competition called "Slamdance Guerrilla Games Competition."In January 2007 the festival for the first time dropped a finalist. The game Super Columbine Massacre RPG!
Super Columbine Massacre RPG!
Super Columbine Massacre RPG!, abbreviated SCMRPG!, is a role-playing video game created by Danny Ledonne and released in April 2005. The game recreates the 1999 Columbine High School shootings near Littleton, Colorado...
was announced as a finalist in late November 2006, but the controversial game was dropped by Slamdance founder Peter Baxter
Peter Baxter
Peter Baxter was a producer for BBC radio, in particular he was for 34 years the organising brain behind Test Match Special.-Career:Baxter joined the BBC in September 1965 after a spell in British Forces Broadcasting....
with no outside pressure as initially reported. In response to this 6 other finalists withdrew from the competition in protest, Jonathan Blow
Jonathan Blow
Jonathan Blow is an independent video game developer. His game Braid won the "Game Design" award at the Independent Games Festival in 2006. He is currently developing The Witness, to be released in 2012....
withdrew Braid, thatgamecompany
Thatgamecompany
Thatgamecompany, stylized as thatgamecompany, is an American independent video game developer co-founded by University of Southern California students Kellee Santiago and Jenova Chen. The studio is currently a second-party developer for Sony Computer Entertainment, and is under contract to create...
withdrew flOw
FlOw
Flow is an indie video game created by Jenova Chen and Nicholas Clark. Originally released as a free Flash game in 2006 to accompany Chen's master's thesis, it was reworked into a 2007 PlayStation 3 game by his development studio, Thatgamecompany. SuperVillain Studios released a PlayStation...
, Waking Games withdrew Once Upon a Time, the developers for Toblo withdrew their game (however, on January 16 the college which they attend, the DigiPen Institute of Technology
DigiPen Institute of Technology
DigiPen Institute of Technology is a college located in Redmond, Washington which has a focus on computer science, computer engineering, and art with emphasis in creating video games.- History :...
against their wishes "overwrote our decision and readmitted Toblo to the Slamdance Festival", because the developers did not consult the college prior to their withdrawal decision), Queasy Games withdrew Everyday Shooter
Everyday Shooter
Everyday Shooter is an independent video game developed by Canadian programmer and artist Jonathan Mak. It was released on the U.S...
, Nick Montfort
Nick Montfort
Nick Montfort is an associate professor of digital media at MIT in the Program in Writing and Humanistic Studies. He is also a poet, computer scientist, and author of interactive fiction. Montfort has collaborated on the blog Grand Text Auto, the sticker novel Implementation, and the contemporary...
withdrew Book and Volume, and The Behemoth
The Behemoth
The Behemoth is a video game development company that was created in 2002 by John Baez, artist Dan Paladin , and programmers Tom Fulp , Brandon LaCava, and Nick Dryburgh. Dryburgh later left the company. The Behemoth development studio is located in San Diego, California...
withdrew Castle Crashers
Castle Crashers
Castle Crashers is a beat 'em up console video game independently developed by The Behemoth and published by Microsoft Game Studios. It features music created by members of Newgrounds. The Xbox 360 version was released on August 27, 2008 via Xbox Live Arcade as part of the Xbox Live Summer of Arcade...
. The University of Southern California
University of Southern California
The University of Southern California is a private, not-for-profit, nonsectarian, research university located in Los Angeles, California, United States. USC was founded in 1880, making it California's oldest private research university...
has also withdrawn its sponsorship of Slamdance over this controversy.
On 26 January 2007, the date the game awards were to be presented, a panel discussion with the remaining finalists resulted in the withdrawal of the "Official Jury Selection" for all finalists, and no awards were handed out. The competition has not been held since.
Slamdance Studios
In January 2010, Slamdance and Microsoft announced its partnership of year-round Slamdance Film programming on Xbox and Zune.Slamdance President and Co-Founder Peter Baxter said, “Slamdance has a true independent identity and proven track record of unearthing great films. It’s time now to be progressive and unleash our film programs outside of the festival and directly help filmmakers find popular, worldwide audiences. The standard of Slamdance films deserve this much and we believe the audience will respond.”
As of opening day at the 2011 festival, select Competition Feature Films were made available via Zune video Marketplace as part of this year’s Festival and VOD Showcase for the duration of the festival, January 20–27. Select films included narrative features “Modern Imbecile’s Planet World”, “Snow On Tha Bluff” and “The Beast Pageant”; documentary features “Road Dogs” and “Scrapper”, as well as films from previous years’ festivals.
In addition to VOD development, the organization has established Slamdance On The Road, a traveling theatrical showcase supported by the film festival organization and its filmmakers. On the Road brings popular Slamdance films to audiences that otherwise would not have the chance to see them and provide theatrical venues with an alternative film program experience. On The Road events usually take place in the US but have also travelled to countries like China, Poland, France and Chile.
Growth of Festival
Slamdance continued to create new avenues for its filmmakers expanding beyond Park City during the festival by creating the annual Filmmaker Summit in 2010.In 2011, Slamdance presented the second annual Filmmaker Summit, along with the Ford Foundation, IndieFlix and Banyan Branch, bringing together some of the most innovative thinkers in the industry. Speakers included Scilla Andreen (IndieFlix), Tiffany Shlain (Director: 'Connected', 'Yelp'), Brian Newman (subgenre media), Jenny Samppala (Banyan Branch), Amy Powell ('Paranormal Activity'), Lance Weiler ('Pandemic 1.0'), John Anderson (Variety), Orlando Bagwell (Ford Foundation), and Greg Pak (comic book scribe and filmmaker).
Slamdance also collaborated with Kodak in order to bring Academy Award-winning cinematographer Vilmos Zsigmond to the festival and host an intimate discussion about the future of film and digital cinematography.
At the 2011 Festival Slamdance launched a Student Initiative program involving both students and their faculty to help them gain a greater understanding of the current realities and opportunities in independent film.
See also: articles about individual years' festivals
- 2011 Slamdance Film Festival2011 Slamdance Film FestivalThe 2011 Slamdance Film Festival was a film festival held in Park City, Utah from January 20 to January 27, 2011. It was the 17th iteration of the Slamdance Film Festival, an alternative to the more mainstream Sundance Film Festival.-Festival:...
- 2010 Slamdance Film Festival2010 Slamdance film festivalThe 2010 Slamdance Film Festival took place in Park City, Utah from January 21 to January 28, 2010. It was the 16th iteration of the Slamdance Film Festival, an alternative to the more mainstream Sundance Film Festival....
- 2009 Slamdance Film Festival
- 2008 Slamdance Film Festival2008 Slamdance Film FestivalThe 2008 Slamdance Film Festival took place in Park City, Utah from January 17 to January 25, 2008. It was the 14th iteration of the Slamdance Film Festival, an alternative to the more mainstream Sundance Film Festival....
- 2007 Slamdance Film Festival2007 Slamdance Film FestivalThe 2007 Slamdance Film Festival took place in Park City, Utah from January 18 to January 27, 2007. It was the 13th iteration of the Slamdance Film Festival, an alternative to the more mainstream Sundance Film Festival...