Sonnet 130
Encyclopedia
Shakespeare's
Sonnet CXXX mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress.
, following the AB-AB/CD-CD/EF-EF/GG Rhyme Scheme
.
“This sonnet plays with poetic conventions in which, for example, the mistress’s eyes are compared with the sun, her lips with coral, and her cheeks with roses. His mistress, says the poet, is nothing like this conventional image, but is as lovely as any woman” . Here Barbara Mowat offers her opinion of the meaning behind Sonnet 130; this work simply breaks down the mold in which Sonnets had come to conform to. Shakespeare composed a sonnet which seems to parody a great many sonnets of the time. Poets like Thomas Watson
, Michael Drayton
, and Barnabe Barnes
were all part of this sonnet craze and each wrote sonnets proclaiming love for an almost unimaginable figure ; Patrick Crutwell posits that Sonnet 130 could actually be a satire of the Thomas Watson poem “Passionate Century of Love”, pointing out that the Watson poem contains all but one of the platitudes that Shakespeare is making fun of in Sonnet 130. However, E.G. Rogers points out the similarities between Watson’s “Passionate Century of Love,” Sonnet 130, and Richard Linche’s Poem collection entitled “Diella.” There is a great deal of similarity between sections of the Diella poem collection and Shakespeare’s “Sonnet 130”, for example in “130” we see, “If hairs be wires, black wires grow on her head,” where in “Diella” we see “Her hayre exceeds fold forced in the smallest wire.” Each work uses a comparison of hairs to wires; while in modern sense this may seem unflattering one could argue that Linche’s work draws upon the beauty of weaving gold and that Shakespeare mocks this with harsh comparison. This along with other similarities in textual content lead, as E.G. Rodgers points out, the critic to believe that Diella may have been the source of inspiration for both homage, by Watson’s “Passionate Century of Love,” and satire by Shakespeare’s “Sonnet 130.” The idea of Satire
is further enforced by final couplet of “130” in which the speaker delivers his most expositional line: “And yet, by heaven, I think my love as rare, as any she belied with false compare.” This line projects the message behind this work; demeaning the false comparisons made by many Poets of the time.
Sonnet 130: Complimentary/Derisive Nature
According to Carl Atkins, many early editors took the sonnet at face value and believed that it was simply a disparagement of the writer’s mistress. However, William Flesch believes that the poem is actually quite the opposite, and acts as a compliment. He points out that many poems of the day seem to compliment the object of the poem for qualities that they really don’t have, such as snow white skin or golden hair. He states that people really don’t want to be complimented on a quality they don’t have, e.g. an old person doesn’t want to be told they are physically young, they want to be told they are youthful, in behavior or in looks. Flesch notes that while what Shakespeare writes of can seem derisive, he is in reality complimenting qualities the mistress truly exhibits, and he ends the poem with his confession of love.
Shakespeare and other great writers would reference each other and each other’s works in their own writing. According to Felicia Jean Steele, Shakespeare uses Petrarchan
imagery while actually undermining it at the same time. Stephen Booth would agree that Shakespeare references Petrarchan works however, Booth says that Shakespeare “gently mocks the thoughtless mechanical application of the standard Petrarchan metaphors.” Felicia Steele and Stephen Booth agree that there is some referencing going on, they vary slightly in the degree of Shakespeare’s mockery. Steele feels much stronger about the degree in which Shakespeare is discounting Petrarchan ideas by observing that in 14 lines of Sonnet 130, “Shakespeare seems to undo, discount, or invalidate nearly every Petrarchan conceit about feminine beauty employed by his fellow sonneteers.” The final couplet is designed to undo the damage Shakespeare has done to his reader’s faith that he indeed loves his “dusky mistress.” Steele’s article offers Stephen Booth’s paraphrasing of the couplet: “I think that my love is as rare as any woman belied by false compare.” Helen Vendler
, who is also referenced in Steele’s article states that the final couplet would read; “In all, by heaven, I think my love as rare/ As any she conceived for compare.” All three of these authors; Steele, Booth, and Vendler believe that in this couplet, Shakespeare is responding to Petrarchan imagery because other sonneteers actively misrepresent, or “belie” their mistress‘ beauty. Sonnet 130 talks of all the girl's negative features but Shakespeare says, "I don't care, I still love her."
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
Sonnet CXXX mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress.
Synopsis
This sonnet compares the Poet’s mistress to a number of natural beauties; each time making a point of his mistress’ obvious inadequacy in such comparisons; she cannot hope to stand up to the beauties of the natural world. The first five couplets compare the speaker’s mistress to aspects of nature, such as snow or coral; each comparison ending unflatteringly for the mistress. In the final couplet, the speaker claims his love for his mistress by claiming that while he makes no strive to create false comparison, he loves his mistress as much as any man could love a woman.Poetic form
The poetic forum uses standard Shakespearean iambic pentameterIambic pentameter
Iambic pentameter is a commonly used metrical line in traditional verse and verse drama. The term describes the particular rhythm that the words establish in that line. That rhythm is measured in small groups of syllables; these small groups of syllables are called "feet"...
, following the AB-AB/CD-CD/EF-EF/GG Rhyme Scheme
Rhyme scheme
A rhyme scheme is the pattern of rhyme between lines of a poem or song. It is usually referred to by using letters to indicate which lines rhyme. In other words, it is the pattern of end rhymes or lines...
.
Analysis
Sonnet 130 as a Satire“This sonnet plays with poetic conventions in which, for example, the mistress’s eyes are compared with the sun, her lips with coral, and her cheeks with roses. His mistress, says the poet, is nothing like this conventional image, but is as lovely as any woman” . Here Barbara Mowat offers her opinion of the meaning behind Sonnet 130; this work simply breaks down the mold in which Sonnets had come to conform to. Shakespeare composed a sonnet which seems to parody a great many sonnets of the time. Poets like Thomas Watson
Thomas Watson (poet)
Thomas Watson , English lyrical poet, was the son of William Watson and Anne Lee . He was educated at Winchester College and OxfordUniversity. He then spent 7 years in France and Italy before studying law in London...
, Michael Drayton
Michael Drayton
Michael Drayton was an English poet who came to prominence in the Elizabethan era.-Early life:He was born at Hartshill, near Nuneaton, Warwickshire, England. Almost nothing is known about his early life, beyond the fact that in 1580 he was in the service of Thomas Goodere of Collingham,...
, and Barnabe Barnes
Barnabe Barnes
Barnabe Barnes , was an English poet. He is known for his Petrarchan love sonnets and for his combative personality, involving feuds with other writers and culminating in an alleged attempted murder.-Early life:...
were all part of this sonnet craze and each wrote sonnets proclaiming love for an almost unimaginable figure ; Patrick Crutwell posits that Sonnet 130 could actually be a satire of the Thomas Watson poem “Passionate Century of Love”, pointing out that the Watson poem contains all but one of the platitudes that Shakespeare is making fun of in Sonnet 130. However, E.G. Rogers points out the similarities between Watson’s “Passionate Century of Love,” Sonnet 130, and Richard Linche’s Poem collection entitled “Diella.” There is a great deal of similarity between sections of the Diella poem collection and Shakespeare’s “Sonnet 130”, for example in “130” we see, “If hairs be wires, black wires grow on her head,” where in “Diella” we see “Her hayre exceeds fold forced in the smallest wire.” Each work uses a comparison of hairs to wires; while in modern sense this may seem unflattering one could argue that Linche’s work draws upon the beauty of weaving gold and that Shakespeare mocks this with harsh comparison. This along with other similarities in textual content lead, as E.G. Rodgers points out, the critic to believe that Diella may have been the source of inspiration for both homage, by Watson’s “Passionate Century of Love,” and satire by Shakespeare’s “Sonnet 130.” The idea of Satire
Satire
Satire is primarily a literary genre or form, although in practice it can also be found in the graphic and performing arts. In satire, vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, and society itself, into improvement...
is further enforced by final couplet of “130” in which the speaker delivers his most expositional line: “And yet, by heaven, I think my love as rare, as any she belied with false compare.” This line projects the message behind this work; demeaning the false comparisons made by many Poets of the time.
Sonnet 130: Complimentary/Derisive Nature
According to Carl Atkins, many early editors took the sonnet at face value and believed that it was simply a disparagement of the writer’s mistress. However, William Flesch believes that the poem is actually quite the opposite, and acts as a compliment. He points out that many poems of the day seem to compliment the object of the poem for qualities that they really don’t have, such as snow white skin or golden hair. He states that people really don’t want to be complimented on a quality they don’t have, e.g. an old person doesn’t want to be told they are physically young, they want to be told they are youthful, in behavior or in looks. Flesch notes that while what Shakespeare writes of can seem derisive, he is in reality complimenting qualities the mistress truly exhibits, and he ends the poem with his confession of love.
Possible influences
PetrarchPetrarch
Francesco Petrarca , known in English as Petrarch, was an Italian scholar, poet and one of the earliest humanists. Petrarch is often called the "Father of Humanism"...
Shakespeare and other great writers would reference each other and each other’s works in their own writing. According to Felicia Jean Steele, Shakespeare uses Petrarchan
Petrarchan
The Petrarchan sonnet is a verse form that typically refers to a concept of unattainable love. It was first developed by the Italian humanist and writer, Francesco Petrarca. Conventionally Petrarchan sonnets depict the addressed lady in hyperbolic terms and present her as a model of perfection and...
imagery while actually undermining it at the same time. Stephen Booth would agree that Shakespeare references Petrarchan works however, Booth says that Shakespeare “gently mocks the thoughtless mechanical application of the standard Petrarchan metaphors.” Felicia Steele and Stephen Booth agree that there is some referencing going on, they vary slightly in the degree of Shakespeare’s mockery. Steele feels much stronger about the degree in which Shakespeare is discounting Petrarchan ideas by observing that in 14 lines of Sonnet 130, “Shakespeare seems to undo, discount, or invalidate nearly every Petrarchan conceit about feminine beauty employed by his fellow sonneteers.” The final couplet is designed to undo the damage Shakespeare has done to his reader’s faith that he indeed loves his “dusky mistress.” Steele’s article offers Stephen Booth’s paraphrasing of the couplet: “I think that my love is as rare as any woman belied by false compare.” Helen Vendler
Helen Vendler
Helen Hennessy Vendler is a leading American critic of poetry.-Life and career:Vendler has written books on Emily Dickinson, W. B. Yeats, Wallace Stevens, John Keats, and Seamus Heaney. She has been a professor of English at Harvard University since 1984; between 1981 and 1984 she taught...
, who is also referenced in Steele’s article states that the final couplet would read; “In all, by heaven, I think my love as rare/ As any she conceived for compare.” All three of these authors; Steele, Booth, and Vendler believe that in this couplet, Shakespeare is responding to Petrarchan imagery because other sonneteers actively misrepresent, or “belie” their mistress‘ beauty. Sonnet 130 talks of all the girl's negative features but Shakespeare says, "I don't care, I still love her."