Sprezzatura
Encyclopedia
Sprezzatura is an Italian word originating from Baldassare Castiglione
Baldassare Castiglione
Baldassare Castiglione, count of was an Italian courtier, diplomat, soldier and a prominent Renaissance author.-Biography:Castiglione was born into an illustrious Lombard family at Casatico, near Mantua, where his family had constructed an impressive palazzo...

’s The Book of the Courtier
The Book of the Courtier
The Book of the Courtier is a courtesy book. It was written by Baldassare Castiglione over the course of many years, beginning in 1508, and published in 1528 by the Aldine Press just before his death...

, where it is defined by the author as “a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it.” It is the ability of the courtier
Courtier
A courtier is a person who is often in attendance at the court of a king or other royal personage. Historically the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together...

 to display “an easy facility in accomplishing difficult actions which hides the conscious effort that went into them.” Sprezzatura has also been described “as a form of defensive irony
Irony
Irony is a rhetorical device, literary technique, or situation in which there is a sharp incongruity or discordance that goes beyond the simple and evident intention of words or actions...

: the ability to disguise what one really desires, feels, thinks, and means or intends behind a mask of apparent reticence and nonchalance.”

The word has entered the English language; the Oxford English Dictionary
Oxford English Dictionary
The Oxford English Dictionary , published by the Oxford University Press, is the self-styled premier dictionary of the English language. Two fully bound print editions of the OED have been published under its current name, in 1928 and 1989. The first edition was published in twelve volumes , and...

 defines it as "studied carelessness."

History

Castiglione wrote The Book of the Courtier
The Book of the Courtier
The Book of the Courtier is a courtesy book. It was written by Baldassare Castiglione over the course of many years, beginning in 1508, and published in 1528 by the Aldine Press just before his death...

as a portrayal of an idealized courtier - one who could successfully keep the support of his ruler. The ideal courtier was supposed to be skilled in arms and in athletic events but be equally skilled in music and dancing. However, the courtier who had sprezzatura managed to make these difficult tasks look easy. Concerning sprezzatura, Castiglione
Baldassare Castiglione
Baldassare Castiglione, count of was an Italian courtier, diplomat, soldier and a prominent Renaissance author.-Biography:Castiglione was born into an illustrious Lombard family at Casatico, near Mantua, where his family had constructed an impressive palazzo...

 said:
Thus, sprezzatura was essential to becoming the ideal courtier.

Positive and negative attributes

Sprezzatura was a vital quality for a courtier to have. Courtiers essentially had to put on a performance for their peers and those who employed sprezzatura created the impression that they completely mastered the roles they played. A courtier’s sprezzatura made him seem to be fully at ease in court and like someone who was “the total master of self, society’s rules, and even physical laws, and [his sprezzatura created] the distinct impression that he [was] unable to err.”

However, while the quality of sprezzatura did have its benefits, this quality also had its drawbacks. Since sprezzatura made difficult tasks seem effortless, those who possessed sprezzatura needed to be able to deceive people convincingly. In a way, sprezzatura was “the art of acting deviously.” This “art” created a “self-fulfilling culture of suspicion” because courtiers had to be diligent in maintaining their façades. “The by-product of the courtier’s performance is that the achievement of sprezzatura may require him to deny or disparage his nature.” Consequently, sprezzatura also had its downsides, since courtiers who excelled at sprezzatura risked losing themselves to the façade they put on for their peers.

See also

  • Glamour
    Glamour (presentation)
    Glamour originally was a magical-occult spell cast on somebody to make them believe that something or somebody was attractive. In the late 19th century terminology a non magical item used to help create a more attractive appearance gradually became 'a glamour'...

    , which sprezzatura is said to be necessary to achieve
  • Raphael
    Raphael
    Raffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...

  • Perugino
  • The Marriage of the Virgin (Raphael)
    The Marriage of the Virgin (Raphael)
    The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by Italian High Renaissance artist Raphael. Completed in 1504 for a Franciscan church in Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph...

  • Marriage of the Virgin (Perugino)
    Marriage of the Virgin (Perugino)
    The Marriage of the Virgin is a painting by the Italian Renaissance master Perugino. It is housed in the Musée des Beaux-Arts of Caen, France...


For Further Reading

  1. Berger Jr., Harry. “Sprezzatura and the Absence of Grace”, The Book of the Courtier: The Singleton Translation. Ed. Daniel Javitch. New York: Norton, 2002.295-307.
  2. Castiglione, Baldesar. The Book of the Courtier: The Singleton Translation. Ed. Daniel Javitch. New York: Norton, 2002.
  3. Javitch, Daniel. “Il Cortegiano and the Constraints of Despotism.” The Book of the Courtier: The Singleton Translation. Ed. Daniel Javitch. New York: Norton, 2002. 319-328.
  4. Louden, Lynn M. “‘Sprezzatura’ in Raphael and Castiglione.” Art Journal 28.1 (1968): 43-49+53.
  5. Rebhorn, Wayne A. Courtly Performances: Masking and Festivity in Castiglione’s Book of the Courtier. Austin: Wayne State, 1978.

External links

The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
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