Stagehand
Encyclopedia
A stagehand is a person who works backstage or behind the scenes in theatres, film, television, or location performance. Their duties include setting up the scenery, lights, sound, props, rigging, and special effects for a production.
Riggers are in charge of the things that hang. This may include building structures that are tens of stories high. They use safety gear similar to that used for mountain climbing.
Carpenters construct and set up scenery. They also move scenery on stage during a show.
Electricians set up all the lights, program the light design in the lighting console and run the follow spot (what lay people often call a spot light).
Stagehands are generally employed on a show-by-show basis, although most major theaters and studios maintain staff heads of departments and assistants. Often, they are union members, typically I.A.T.S.E. in North America.
Different disciples experience different risks. The most serious injury risk for riggers is falling. The primary risks for carpenters are things falling on them or being injured by power tools. Electrocution is the most serious risk for the particular stagehand working with lighting and show power.
When a show travels or "goes on tour" some stagehands travel with the show ("the road crew") and others work to support the shows at each new venue ("the local crew"). Usually everything the show needs is transported from venue to venue in trucks. Local stagehands "load in" a tour under the direction of the road crew, also known as "roadies". This can involve moving tens of thousands of tons worth of equipment from the trucks to the local venue.
After the show, which can be one day or as long as a month, they take it all apart and load back onto the fleet of trucks to haul it to the next city.
When a show is produced locally, stagehands build and set up the scenery, hang all the lights, and set up sound systems. Stagehands work closely with the directors, lighting designers, set designers, costume designer, and sound designers to ensure their visions are realized.
Some stagehands work conventional hours but more often they work nights and weekends. Employment can be intermittent due largely to the seasonal nature of theatrical production work.
Many production companies and venues have union contracts. Stagehands are represented by the International Alliance of Theatrical Stage Employees. In some smaller productions, stagehands are not all paid, many are volunteers, theatre students or unpaid interns.
Types of stagehand
- Professional Stagehands
- Audio engineer (A1)
- Assistant audio (A2A2 (theater)A2 is an abbreviation for Audio Assistant, Second Audio Assistant, or Second Assistant Audio Engineer. Any of these three terms, or any similar term such as Mic Wrangler, may be used to describe the same set of duties....
) - ElectriciansElectrician (theater)In theatre, the term Electrician is generally applied to those that work with the various aspects of lighting. Some of the positions among Electricians include the Lighting Supervisor, Master Electrician, Deck Electrician, Light Board Operator, Moving Light Programmer, Followspot Operator, as well...
- Light board operatorLight board operatorThe light board operator is the electrician who operates the light board. Depending on the scale and type of production, the board op may be responsible for conventional or automated lighting fixtures, as well as practicals and, in some instances, controlling video as well.Sometimes, most commonly...
- Followspot operator
- CarpentersCarpenter (theater)In theatre, a carpenter is a stagehand who builds sets and stage elements. They usually are hired by the production manager, crew chief or technical director and in some less common cases they may be hired by director or producer...
- Theatrical technicianTheatrical technicianA theatrical technician, is a person who operates technical equipment and systems in the Performing arts and Entertainment industry...
- Property Master/MistressProperty masterThe property master is an artistic and organizational employee in a film, television or theatrical production who is responsible for purchasing, acquiring and/or manufacturing any props needed for a production...
- RiggerRigger (entertainment)A rigger is one who works on ropes, booms, lifts, hoists and the like for a stage production .The term "rigger" originally referred to a person who attended to the rigging of a sailing ship. In the age of sail, trading followed seasonal patterns with ships leaving port at set times of the year to...
General
Stagehands are usually skilled in multiple disciplines, including rigging, carpentry, stage electrics, stage lighting, audio/projection, and props. Stagehands are often responsible for operating the systems during shows or taping and also for the repair and maintenance of the equipment. Most stagehands have a general knowledge of all the phases of a production, but tend to develop specialties and focus on specific areas.Riggers are in charge of the things that hang. This may include building structures that are tens of stories high. They use safety gear similar to that used for mountain climbing.
Carpenters construct and set up scenery. They also move scenery on stage during a show.
Electricians set up all the lights, program the light design in the lighting console and run the follow spot (what lay people often call a spot light).
Stagehands are generally employed on a show-by-show basis, although most major theaters and studios maintain staff heads of departments and assistants. Often, they are union members, typically I.A.T.S.E. in North America.
Challenges
Stagehands may work in many different venues, including traditional theatrical spaces large and small, convention centers, outdoor venues, concert arenas, film sets, television studios and others. Skilled stagehands know how to work in a wide range of theaters and other venues to support successful shows.Different disciples experience different risks. The most serious injury risk for riggers is falling. The primary risks for carpenters are things falling on them or being injured by power tools. Electrocution is the most serious risk for the particular stagehand working with lighting and show power.
When a show travels or "goes on tour" some stagehands travel with the show ("the road crew") and others work to support the shows at each new venue ("the local crew"). Usually everything the show needs is transported from venue to venue in trucks. Local stagehands "load in" a tour under the direction of the road crew, also known as "roadies". This can involve moving tens of thousands of tons worth of equipment from the trucks to the local venue.
After the show, which can be one day or as long as a month, they take it all apart and load back onto the fleet of trucks to haul it to the next city.
When a show is produced locally, stagehands build and set up the scenery, hang all the lights, and set up sound systems. Stagehands work closely with the directors, lighting designers, set designers, costume designer, and sound designers to ensure their visions are realized.
Some stagehands work conventional hours but more often they work nights and weekends. Employment can be intermittent due largely to the seasonal nature of theatrical production work.
Many production companies and venues have union contracts. Stagehands are represented by the International Alliance of Theatrical Stage Employees. In some smaller productions, stagehands are not all paid, many are volunteers, theatre students or unpaid interns.
See also
- IATSE
- Running crewRunning crewRunning crew or run crew, is a collective term used in theatre to describe the members of the technical crew who supervise and operate the various technical aspects of the production during a performance...
- Theatrical technicianTheatrical technicianA theatrical technician, is a person who operates technical equipment and systems in the Performing arts and Entertainment industry...
- Fly captainFly captainA fly captain is known as the fly man in theaters in the US & Canada. The fly man is in charge of a fly crew which operates a fly system in a theatrical production. Ordinarily a fly man will coordinate with the set designer to get flying scenery safely into the fly loft and to plan and delegate...