Taikyoku series
Encyclopedia
The Taikyoku series is a series of kata
Kata
is a Japanese word describing detailed choreographed patterns of movements practised either solo or in pairs. The term form is used for the corresponding concept in non-Japanese martial arts in general....

 in use in several types of karate
Karate
is a martial art developed in the Ryukyu Islands in what is now Okinawa, Japan. It was developed from indigenous fighting methods called and Chinese kenpō. Karate is a striking art using punching, kicking, knee and elbow strikes, and open-handed techniques such as knife-hands. Grappling, locks,...

. The name Taikyoku (太極) refers to the Chinese philosophical concept of Taiji
Taiji
Taiji 太極 is a Chinese cosmological term for the "Supreme Ultimate" state of undifferentiated absolute and infinite potentiality, contrasted with the Wuji 無極 "Without Ultimate"...

. The Taikyoku kata were introduced by Gichin Funakoshi
Gichin Funakoshi
was the creator of Shotokan karate, perhaps the most widely known style of karate, and is attributed as being the 'father of modern karate.' Following the teachings of Anko Itosu, he was one of the Okinawan karate masters who introduced karate to the Japanese mainland in 1921...

 as a way to simplify the principles of the already simplified Pinan/Heian series
Pinan series
]The kata are a series of five empty hand forms taught in many karate styles. The Pinan kata originated in Okinawa and were adapted by Anko Itosu from older kata such as Kusanku and Channan into forms suitable for teaching karate to young students. When Gichin Funakoshi brought karate to Japan,...

. The embusen
Embusen
] is a Japanese term used in karate to refer to the spot where a kata begins, as well as its line of movement. Nearly all kata start and end on exactly the same embusen point. This word is also commonly romanized as enbusen....

, or pattern of the kata's movements, are the same as in Heian shodan. Students of karate
Karate
is a martial art developed in the Ryukyu Islands in what is now Okinawa, Japan. It was developed from indigenous fighting methods called and Chinese kenpō. Karate is a striking art using punching, kicking, knee and elbow strikes, and open-handed techniques such as knife-hands. Grappling, locks,...

 systems that use the Taikyoku kata series are often introduced to them first, as a preparation for the Pinan/Heian kata. Gōjū Kai developed five of its own Taikyoku kata, based on the Shotokan
Shotokan
is a style of karate, developed from various martial arts by Gichin Funakoshi and his son Gigo Funakoshi . Gichin was born in Okinawa and is widely credited with popularizing karate through a series of public demonstrations, and by promoting the development of university karate clubs, including...

 katas and retaining the I-shaped embusen.

The embusen (pathway) of all the Taikyoku kata is simple (here, the # represents the starting and ending point):

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On each turn, a block is executed, followed by a step and a strike. Up and back the middle, there are three punches.

Taikyoku (First Cause)

Gichin "Shoto" Funakoshi Sensei named the set of three Taikyoku kata developed by his son Yoshitaka “Gigō” Funakoshi Sensei. In his book "Karate-do Kyohan" Funakoshi, he explains the development of the kata and why he named them Taikyoku, which translates as First Cause.
He also wrote: “Because of its simplicity, the kata is easily learned by beginners. Nevertheless, as its name implies, this form is of the most profound character and one to which, upon mastery of the art of karate, an expert will return to select it as the ultimate training kata” (page 42, ‘Karate-Do Kyohan’). (a side note:- The Chinese kanji used for the name Taikyoku (太極) are pronounced as "Tai Chi" in Chinese, which translated as "Grand Ultimate").

Taikyoku Shodan (First Cause, First Level)

Taikyoku Shodan, often simply referred to as "kihon
Kihon
is a Japanese term meaning "basics" or "fundamentals." The term is used to refer to the basic techniques that are taught and practiced as the foundation of most Japanese martial arts....

" is the first of the series, and involves only two basic moves: the gedan barai
Gedan barai
A gedan barai is a karate technique mainly used for blocking an attack. The approximate English meaning is 'low level sweep'.-Execution :The following is consistent with the teachings of Shotokan karate...

 or low block, and chudan (middle) oi zuki (sometimes "oi tsuki"), or lunge punch. All stances, except at the beginning and end, are zenkutsu dachi (forward stance).

Taikyoku Nidan (First Cause, Second Level)

The second kata of the series, Taikyoku Nidan, is similar to Taikyoku Shodan, except that the chudan punches are all replaced with upper-level (jodan) punches.

Taikyoku Sandan (First Cause, Third Level)

The third kata of the series, Taikyoku Sandan, is similar to Taikyoku Shodan, except that moves 1, 3, 9, 11, 17 and 19 are replaced with middle level arm blocks (uchi uke) executed in back (kokutsu) stance; and moves 6, 7, & 8 and 14, 15, & 16 become upper level attacks (jodan zuki).

Taikyoko Yondan (First Cause, Fourth Level)

Practically the same as Taikyoko Shodan except after moves 1, 3, 9, 11, 17 and 19 a mae-geri is executed

Taikyoko Godan (First Cause, Fifth Level)

This is quite different from Taikyoko Shodan as after moves 1, 3, 9, 11, 17 and 19 instead of striking chudan the moves executed are age uke and then reverse punch and on moves 5 and 13 after the gedan-barai a mae-geri is executed before each strike.

Taikyoko Rokudan (First Cause, Sixth Level)

The final of the taikyoko series is also the most different of the previous five as each move is a gedan barai in kiba dachi (horse riding stance).

Juni No Kata

Juni No Kata (十二の型, twelve attack step kata) is the version of Taikyoku taught in Shitō-ryū. It follows the same embusen as the Shotokan Taikyoku, and has the same 20 separate 'moves' with the block/punch combinations as 1 count each resulting in a 12 count kata. Typically, three version of this kata are taught: Juni No Ichi, Juni No Ni, and Juni No San. Juni No Ichi includes gedan-barai (low block) in zenkutsu-dachi (forward stance) and oi-zuku (lunge punch) in moto-dachi (high stance), Juni No Ni replaces low blocks with middle blocks, and Juni No San - with high blocks in neko ashi dachi (cat stance).

Gōjū Kai

These kata are performed largely the same, changing the stances and strikes to teach students the basics of moving and striking before moving on to more difficult kata.

The first in the series is taikyoku gedan. It employs the same strikes and blocks as Shotokan's taikyoku shodan, but employs the shiko dachi ("straddle-leg stance", similar to the "horse stance") in half facing position (hanmi)instead of the front stance. The second in the series, taikyoku chudan, alternates between front stance and sanchin dachi ("hourglass stance") and the low blocks have been replaced with soto uke (outer mid-level block). The third kata, taikyoku jodan, is identical to chudan but replaces the soto uke with jodan age uke (high block). The fourth, taikyoku tora guchi, is named after the trapping technique/block it teaches: the double handed hooking block, tora guchi. The fifth, taikyoku kake uke is exactly the same as taikyoku tora guchi, but teaches the ankle block, kake uke.

Taigyoku Shodan (GKR spelling)

Almost identical to Shotokan's Taikyoku Shodan except that a look over the left shoulder is performed with moves 3, 11 and 19 where the right foot is moved back (behind) for the 180 degree (about face) turns.
The GKR open and close ceremonies are also different to Shotokan's, notably the use of parallel ready stance (heiko dachi) instead of open V stance (soto hachiji dachi).

Moves performed in order are:
  • 1 - turn to the left and block gedan-barai in Zenkutsu Dachi (long forward stance)
  • 2 - step forward and punch oi-zuki
  • 3 - move the front foot backwards (to turn 180) and block gedan-barai
  • 4 - step forward and punch oi-zuki
  • 5 - step left 90 and block gedan-barai
  • 6 - step forward and punch oi-zuki
  • 7 - step forward and punch oi-zuki
  • 8 - step forward and punch oi-zuki (kiai)
  • 9 - turn to the right from behind (turn 270) and block gedan-barai
  • 10 - step forward and punch oi-zuki
  • 11 - slide the front foot backwards (to turn 180) and block gedan-barai
  • 12 - step forward and punch oi-zuki
  • 13 - step left 90 and block gedan-barai
  • 14 - step forward and punch oi-zuki
  • 15 - step forward and punch oi-zuki
  • 16 - step forward and punch oi-zuki (kiai)
  • 17 - turn to the right from behind (turn 270) and block gedan-barai
  • 18 - step forward and punch oi-zuki
  • 19 - move the front foot backwards (to turn 180) and block gedan-barai
  • 20 - step forward and punch oi-zuki

Taigyoku Nidan

Based on Taigyoku Shodan with simple punch/kick and kick/punch combinations replacing some single technique counts.
Moves 2, 4, 10, 12, 18 and 20 are an in-place chudan gyaku-zuki then moving forward with a chudan mae-geri keage.
Moves 6, 7, 8 and 14, 15, 16 are (a moving forward) chudan mae-geri keage and landing with a chudan oi-zuki. The look over the left shoulder is not performed in Taigyoku Nidan.

Taikyoku sono ichi

The first kata in the series. On every turn, a gedan barai is executed. Every punch is seiken oi tsuki chudan.
It is in effect identical to the Taikyoku Shodan as done in shotokan.

Taikyoku sono ni

The second kata in the series. It is performed the same way as taikyoku sono ichi, except that all punches are jodan
Jodan (karate)
Jōdan , which in a martial arts context means something like 'high-level' , is one of the three heights commonly referred to in Japanese martial arts. It refers to the upper part of the body, which includes the shoulders and above....

 instead of chudan.
It is in effect identical to the Taikyoku nidan as done in shotokan.

Taikyoku sono san

The third kata in the series. The blocks when turning to the long side are gedan barai done in Zenkutsu Dachi stance, while the others are chudan uchi uke done in kokutsu dachi stance. The punches are all seiken oi tsuki done in Zenkutsu Dachi stance. On the long side they are done in jodan (upper level) height while the other are done in chudan (middle level) height.

Sokugi taikyoku sono ichi

The first sokugi (kicking) kata in the series. On every turn, kansetsu geri is executed, while on the following step or the three steps over the middle, mae keage is executed. In some schools, a kake wake uke is performed between the kansetsu geri and the mae keage.

Sokugi taikyoku sono ni

The second sokugi (kicking) kata in the series. Instead of kansetsu geri being executed on every turn, yoko geri is executed, which is the same technique but going to chudan or jodan instead of gedan. On each step and the three steps over the middle, mae geri is executed. Again, in some schools, a kake wake uke is performed between the yoko geri and the mae geri.

Sokugi taikyoku sono san

The third sokugi (kicking) kata in the series. On each turn, a yoko geri is executed. The following steps on the short sides are uchi mawashi geri, while the three kicks executed over the long side are soto mawashi geri. In some schools, an uchi keage is performed instead of an uchi mawashi geri, and a soto keage instead of a soto mawashi geri, and a kake wake uke is performed between the yoko geri and the following keage.

Sokugi taikyoku sono yon

The fourth sokugi (kicking) kata in the series. on each turn, a yoko geri jodan is executed. the following steps on the short sides are mawashi geri jodan, while the three kicks executed over the long side are ushiro mawshi geri. in some schools, kake wake uke is performed between the yoko geri and the following kick.

Sokugi taikyoku sono go

The fifth sokugi (kicking) kata in the series. Fudo dachi, Left: Yoko geri jodan (kakiwake uke, zen kutsu dachi), Mae tobi geri with the back leg, Right: Yoko geri jodan, mawashi geri jodan, Front: Yoko geri jodan, ushiro tobi geri geri, Right: Yoko geri jodan, mae tobi geri jodan, Left: Yoko geri jodan, mawashi geri jodan, Back: Yoko geri jodan, ushiro tobi geri, Right: Yoko geri jodan, mae tobi geri jodan, Left: Yoko geri jodan, mawashi geri jodan,
Fudo dachi

Ura

The taikyoku series can also be done "in Ura" denoting that each step is reversed, meaning that every other step one steps in circle to reach the target, then performs the technique. The round steps are always performed on the strikes, not the blocks

Tate

The series can also be performed "in Tate" a variation invented by Yoshikazu Matsushima and unique to IKO3. In this variation the steps are performed in a straight line, starting by stepping directly forward, then the turns being 180 degrees rather than ninety. On the last step, one turns to the where one was originally facing rather than stepping forward.

Shuri-ryū
Shuri-ryu
karate, is an eclectic martial arts system developed by Robert Trias , the first person to teach karate in the mainland United States, who opened the first dojo in 1946 in Phoenix, Arizona. Later in 1948 he formed the first karate association in the U.S., The United States Karate Association...

In Shuri-ryū, Taikyoku Ichi is performed at gedan level, Taikyoku Ni is performed at chudan level, and Taikyoku San is performed at jodan level. All performed in the typical "H" or "I" pattern.

Korean Martial Arts

Korean schools of Tang Soo Do
Tang Soo Do
Tang Soo Do is a Korean martial art promoted by Hwang Kee that has roots in various martial arts, including taekkyeon and Subak.-Etymology:...

 and Tae Kwon Do began teaching the Taikyoku Kata under the name Kicho Hyung. The embusen
Embusen
] is a Japanese term used in karate to refer to the spot where a kata begins, as well as its line of movement. Nearly all kata start and end on exactly the same embusen point. This word is also commonly romanized as enbusen....

used are the same, the stances and blocks are similar, and the strikes are virtually identical. A common symbol used in Korean arts for the Kicho Hyung is a human baby learning to walk.

External links

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