Templon
Encyclopedia
A templon is a feature of Byzantine
churches consisting of a barrier separating the nave
from the sacraments at the altar
.
The solid templon first appeared in Christian churches around the fifth century CE and is still found in many Eastern Christian
churches. Initially it was a low barrier probably not much different from the altar rails
of many Western churches. It eventually evolved into the modern iconostasis
, still found in Orthodox churches today. It is usually composed of carved wood or marble colonnettes supporting an architrave
(a beam resting on top of columns). Three doors, a large central one and two smaller flanking ones, lead into the sanctuary
. The templon did not originally obscure the view of the altar, but as time passed, icons were hung from the beams, curtains were placed in between the colonnettes, and the templon became more opaque. In modern Orthodox churches, it is common for the openings of the templa to be constructed specifically to contain icons.
chancel barriers. Classical stage architecture is one possible source. At certain times during Byzantine history, theater heavily influenced painting and sculpture. Architects then, influenced by stage backdrops dating back to Sophocles
, consciously imitated the classical proscenium
(the backdrop of a classical Greek stage), copying the multiple columns punctuated by a large door in the middle and two smaller doors to each side. The statues on top of the backdrop would thus be analogous to the icons of the saints looking down. The similarities, however, are probably only visual. Although classical drama was performed in Constantinople
, the capital of the Byzantine Empire, during the 5th and 6th century when the first templa appear, when Christian liturgy
was first being developed, the plays and their architecture had lost their importance and could not have influenced Christian ritual.
A more plausible theory is that the templon models in both form and content the decorative wall of the Torah screen in Jewish synagogue
s of the second and third centuries. These, too, had three main divisions: a central door leading to the altar, smaller flanking passages, and a distribution of parts similar to a templon. The Torah screen was probably not the direct prototype of the templon; it probably derives from the imitation of the Torah screen in the altar of a typical Syria
n pagan
temple
.
Barriers called templons in Greek were also used on occasions when the Roman Emperor
s appeared in public, to segregate the Imperial retinue from the crowd.
templum, "temple
"; how and why it came to have its present meaning is unclear. The most obvious explanation is that the form of the templon resembles a pagan temple
. The steps up to the apse
(semicircle where the altar is located) are analogous to the stereobate
and stylobate
of the temple (the floor of a temple). The colonnettes arranged in the π shape resemble the columns that surround all four sides of a temple, the architrave
looks like the architrave on a temple, and the carved disks on the architrave are analogous to the metopes
on the entablature
. However, it has also been suggested that the name templon derives not from the pagan temples but from the Christian idea of the shrine where God was worshipped, or more specifically the Temple in Jerusalem
.
In almost all modern European languages, the word templon is a direct and late borrowing of the Greek architectural term, and it is rarely found outside the academic usage; besides the Greek templon, another direct descendant of the Latin templum, having the same architectural meaning, is the Romanian
word tâmplă, "iconostasis".
dedicated to John the Baptist
, built in 463. The chancel barrier surrounded the altar in a π shape, with one large door facing the nave and two smaller doors on the other sides. Twelve piers held chancel slabs of about 1.6 meters in length. The height of the slabs is not known. The chancel barrier was not merely a low parapet
(a short wall); remains of colonnettes have been found, suggesting that the barrier carried an architrave on top of the columns.
Many fragments of a marble templon have been discovered on the Temple Mount
in Jerusalem.
Though there is some architectural and archaeological evidence of early templa, the first and most detailed description of a templon comes from a poem by Paul the Silentiary
, describing Hagia Sophia
in Constantinople. It was composed near the end of Justinian I
’s reign and was probably recited on Epiphany, January 6, AD 563
, celebrating the reinauguration of the church after the reconstruction of the great dome.
Hagia Sophia’s templon surrounded, according to Paulus, "such space as was reserved in the eastern arch of the great church for the bloodless sacrifices". That is, it stretched the length of the eastern semidome, including the apse but excluding the exedra
e (half-dome recesses in a wall). Twelve silver-covered marble columns of approximately 4.94 meters from base to capital were arranged on three sides of a rectangular ground plan around the altar. A horizontal entablature rested upon these. Three doors allowed entry to the apse, the central one larger than the other two. Though earlier scholars have proposed that all columns and all doors were in a single line parallel to the apse, modern reconstructions show the central portal facing out to the nave with the smaller doors each located on the other sides of the rectangular plan.
In between the columns were slabs of marble covered in silver about 1.00 to 1.10 meters tall. On them had been carved the monograms of Justinian and Theodora (6th century)
, even though Theodora had been dead for several years, as well as a many-armed cross
in the center. On the center of the architrave was a repoussé medallion of Christ
. On either side of Him were medallions of angels, the Prophet
s, the Apostles, and finally the Virgin Mary. The carvings on the architrave were deeply tied to the liturgy. Another templon roughly contemporary to Hagia Sophia’s is that of the church to St. John of Ephesus, rebuilt by Justinian as a domed crucifix. There was an inscription to St. John the Theologian over a side door, since the crypt of the saint was within the enclosed sanctuary. St. John the Baptist was probably carved over the other door of the templon of Hagia Sophia, since he features prominently in liturgical writings of the church.
In any case, the majority of templa followed the same basic design. They were usually carved of monochrome marble, though some, like Hagia Sophia’s, were covered in precious metals and others used polychrome
marble
s. The slabs were often carved with vegetal or animal patterns and the architraves with busts
of God, the Virgin, and the saints. Figurative decoration on the templon was mainly concentrated on the architrave
, initially with carved busts. This continued from the time of Justinian into the middle Byzantine period, as shown from a 10th-century excavation in Sebaste
in Phrygia
, which uncovered a marble templon whose epistyle is covered with busts of saints. There is evidence that icons were hung from the columns of the templon prior to iconoclasm
. Nicephorus I, Patriarch
of Constantinople from 806 to 815 describes portable icons hung from columns and the gate of the templon in his Antirretikoi. Important portable and colossal icons were also placed in front of the templon, as in the 11th-century church of Saint Panteleimon in Nerzei.
. As late as the 10th century, a simple wooden chancel barrier separated the apse from the nave in the rock-cut churches, though by the late 11th century, the templon had become standard. This may have been because of the veneration and imitation of the Great Church Hagia Sophia in Constantinople, though the columnar form of chancel barrier does predate Hagia Sophia.
The templon began to change forms to the medieval templon with the attachment of icons and painted scenes to the architrave. Some of the best preserved of these images are from the Monastery of St. Catherine
at Mt. Sinai. The late 12th-century templon beam shows twelve canonical feast scenes, with the Deesis
(Christ enthroned, flanked by Mary and St. John the Baptist) located in the middle between the Transfiguration and the Raising of Lazarus
, linking the scene of Lazarus with the Holy Week
images according to liturgical practice. Several epistyles of this form have been excavated throughout the empire, none earlier than the 12th century, indicating a change from busts on the architrave to scenic decoration. This new scenic style is representative of the increasing liturgification in Byzantine representational art after iconoclasm.
During most of the Middle Byzantine period, the space between the colonnettes was not filled with icons but with curtains. Nicholaos Andidorum describes in his Protheoria "the shutting of the doors and the closing of the curtain over them". The most widespread image on the medieval templon seems to have been the Deesis. Its popularity arose from not only its simplicity and elegance, suggesting the efficacy of prayer and the threat of the Last Judgment
, but also because it could be easily adapted to the patron’s tastes with the addition of secondary scenes and characters, as in the Monastery at St. Catherine’s where scenes from the life of St Eustratios appear on either side of the Deesis on a templon beam. Proskynetaria
(large icons) also played a major part in the decoration of the medieval templon, either as monumental images placed on the piers flanking the templon or as portable images in front of the screen. Proskynetaria of both these types still exist in Cyprus, from Lagoudera, now in the Archbishop’s Palace in Nicosia, and in St Neophytos.
Sometime between the 11th and 14th centuries, icons and proskynetaria began to be placed in the intercolumnar openings on the templon. After the reconquest in 1261, carving on the medieval templon approached sculpture in the round
. From this period, the first wood-carved templa, or iconostases
, were produced. They for most part had a fixed program of icon decoration with three levels: the Local, the Deesis, and the Festival tiers. Early Russian versions were at chest height, and called "thoraxis" in Greek. The full height iconostasis became standard in the 15th century, and probably owes more to 14th-century Hesychast
mysticism and the wood-carving genius of the Russians
than anything else. The first ceiling-high, five-leveled Russian iconostasis was designed for the Cathedral of the Annunciation
in Moscow Kremlin
by Theophanes the Greek
in 1405, and soon copied by his assistant Andrey Rublyov in the Cathedral of the Dormition
in Vladimir
in 1408.
Byzantine architecture
Byzantine architecture is the architecture of the Byzantine Empire. The empire gradually emerged as a distinct artistic and cultural entity from what is today referred to as the Roman Empire after AD 330, when the Roman Emperor Constantine moved the capital of the Roman Empire east from Rome to...
churches consisting of a barrier separating the nave
Nave
In Romanesque and Gothic Christian abbey, cathedral basilica and church architecture, the nave is the central approach to the high altar, the main body of the church. "Nave" was probably suggested by the keel shape of its vaulting...
from the sacraments at the altar
Altar
An altar is any structure upon which offerings such as sacrifices are made for religious purposes. Altars are usually found at shrines, and they can be located in temples, churches and other places of worship...
.
The solid templon first appeared in Christian churches around the fifth century CE and is still found in many Eastern Christian
Eastern Christianity
Eastern Christianity comprises the Christian traditions and churches that developed in the Balkans, Eastern Europe, Asia Minor, the Middle East, Northeastern Africa, India and parts of the Far East over several centuries of religious antiquity. The term is generally used in Western Christianity to...
churches. Initially it was a low barrier probably not much different from the altar rails
Altar rails
Altar rails are a set of railings, sometimes ornate and frequently of marble or wood, delimiting the chancel in a church, the part of the sanctuary that contains the altar. A gate at the centre divides the line into two parts. The sanctuary is a figure of heaven, into which entry is not guaranteed...
of many Western churches. It eventually evolved into the modern iconostasis
Iconostasis
In Eastern Christianity an iconostasis is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. Iconostasis also refers to a portable icon stand that can be placed anywhere within a church...
, still found in Orthodox churches today. It is usually composed of carved wood or marble colonnettes supporting an architrave
Architrave
An architrave is the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.-Classical architecture:...
(a beam resting on top of columns). Three doors, a large central one and two smaller flanking ones, lead into the sanctuary
Sanctuary
A sanctuary is any place of safety. They may be categorized into human and non-human .- Religious sanctuary :A religious sanctuary can be a sacred place , or a consecrated area of a church or temple around its tabernacle or altar.- Sanctuary as a sacred place :#Sanctuary as a sacred place:#:In...
. The templon did not originally obscure the view of the altar, but as time passed, icons were hung from the beams, curtains were placed in between the colonnettes, and the templon became more opaque. In modern Orthodox churches, it is common for the openings of the templa to be constructed specifically to contain icons.
Origins
The templon most likely has an independent origin from that of LatinLatin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
chancel barriers. Classical stage architecture is one possible source. At certain times during Byzantine history, theater heavily influenced painting and sculpture. Architects then, influenced by stage backdrops dating back to Sophocles
Sophocles
Sophocles is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than those of Aeschylus, and earlier than or contemporary with those of Euripides...
, consciously imitated the classical proscenium
Proscenium
A proscenium theatre is a theatre space whose primary feature is a large frame or arch , which is located at or near the front of the stage...
(the backdrop of a classical Greek stage), copying the multiple columns punctuated by a large door in the middle and two smaller doors to each side. The statues on top of the backdrop would thus be analogous to the icons of the saints looking down. The similarities, however, are probably only visual. Although classical drama was performed in Constantinople
Constantinople
Constantinople was the capital of the Roman, Eastern Roman, Byzantine, Latin, and Ottoman Empires. Throughout most of the Middle Ages, Constantinople was Europe's largest and wealthiest city.-Names:...
, the capital of the Byzantine Empire, during the 5th and 6th century when the first templa appear, when Christian liturgy
Liturgy
Liturgy is either the customary public worship done by a specific religious group, according to its particular traditions or a more precise term that distinguishes between those religious groups who believe their ritual requires the "people" to do the "work" of responding to the priest, and those...
was first being developed, the plays and their architecture had lost their importance and could not have influenced Christian ritual.
A more plausible theory is that the templon models in both form and content the decorative wall of the Torah screen in Jewish synagogue
Synagogue
A synagogue is a Jewish house of prayer. This use of the Greek term synagogue originates in the Septuagint where it sometimes translates the Hebrew word for assembly, kahal...
s of the second and third centuries. These, too, had three main divisions: a central door leading to the altar, smaller flanking passages, and a distribution of parts similar to a templon. The Torah screen was probably not the direct prototype of the templon; it probably derives from the imitation of the Torah screen in the altar of a typical Syria
Syria
Syria , officially the Syrian Arab Republic , is a country in Western Asia, bordering Lebanon and the Mediterranean Sea to the West, Turkey to the north, Iraq to the east, Jordan to the south, and Israel to the southwest....
n pagan
Paganism
Paganism is a blanket term, typically used to refer to non-Abrahamic, indigenous polytheistic religious traditions....
temple
Temple
A temple is a structure reserved for religious or spiritual activities, such as prayer and sacrifice, or analogous rites. A templum constituted a sacred precinct as defined by a priest, or augur. It has the same root as the word "template," a plan in preparation of the building that was marked out...
.
Barriers called templons in Greek were also used on occasions when the Roman Emperor
Roman Emperor
The Roman emperor was the ruler of the Roman State during the imperial period . The Romans had no single term for the office although at any given time, a given title was associated with the emperor...
s appeared in public, to segregate the Imperial retinue from the crowd.
Etymology
Templon is a loan word in Greek, from the LatinLatin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
templum, "temple
Temple
A temple is a structure reserved for religious or spiritual activities, such as prayer and sacrifice, or analogous rites. A templum constituted a sacred precinct as defined by a priest, or augur. It has the same root as the word "template," a plan in preparation of the building that was marked out...
"; how and why it came to have its present meaning is unclear. The most obvious explanation is that the form of the templon resembles a pagan temple
Temple
A temple is a structure reserved for religious or spiritual activities, such as prayer and sacrifice, or analogous rites. A templum constituted a sacred precinct as defined by a priest, or augur. It has the same root as the word "template," a plan in preparation of the building that was marked out...
. The steps up to the apse
Apse
In architecture, the apse is a semicircular recess covered with a hemispherical vault or semi-dome...
(semicircle where the altar is located) are analogous to the stereobate
Stylobate
In classical Greek architecture, a stylobate is the top step of the crepidoma, the stepped platform on which colonnades of temple columns are placed...
and stylobate
Stylobate
In classical Greek architecture, a stylobate is the top step of the crepidoma, the stepped platform on which colonnades of temple columns are placed...
of the temple (the floor of a temple). The colonnettes arranged in the π shape resemble the columns that surround all four sides of a temple, the architrave
Architrave
An architrave is the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.-Classical architecture:...
looks like the architrave on a temple, and the carved disks on the architrave are analogous to the metopes
Metope (architecture)
In classical architecture, a metope is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order...
on the entablature
Entablature
An entablature refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave , the frieze ,...
. However, it has also been suggested that the name templon derives not from the pagan temples but from the Christian idea of the shrine where God was worshipped, or more specifically the Temple in Jerusalem
Temple in Jerusalem
The Temple in Jerusalem or Holy Temple , refers to one of a series of structures which were historically located on the Temple Mount in the Old City of Jerusalem, the current site of the Dome of the Rock. Historically, these successive temples stood at this location and functioned as the centre of...
.
In almost all modern European languages, the word templon is a direct and late borrowing of the Greek architectural term, and it is rarely found outside the academic usage; besides the Greek templon, another direct descendant of the Latin templum, having the same architectural meaning, is the Romanian
Romanian language
Romanian Romanian Romanian (or Daco-Romanian; obsolete spellings Rumanian, Roumanian; self-designation: română, limba română ("the Romanian language") or românește (lit. "in Romanian") is a Romance language spoken by around 24 to 28 million people, primarily in Romania and Moldova...
word tâmplă, "iconostasis".
Early templa
Archaeological evidence for an early templon comes from the Hagios Ioannes Studios in Constantinople, a basilicaBasilica
The Latin word basilica , was originally used to describe a Roman public building, usually located in the forum of a Roman town. Public basilicas began to appear in Hellenistic cities in the 2nd century BC.The term was also applied to buildings used for religious purposes...
dedicated to John the Baptist
John the Baptist
John the Baptist was an itinerant preacher and a major religious figure mentioned in the Canonical gospels. He is described in the Gospel of Luke as a relative of Jesus, who led a movement of baptism at the Jordan River...
, built in 463. The chancel barrier surrounded the altar in a π shape, with one large door facing the nave and two smaller doors on the other sides. Twelve piers held chancel slabs of about 1.6 meters in length. The height of the slabs is not known. The chancel barrier was not merely a low parapet
Parapet
A parapet is a wall-like barrier at the edge of a roof, terrace, balcony or other structure. Where extending above a roof, it may simply be the portion of an exterior wall that continues above the line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a...
(a short wall); remains of colonnettes have been found, suggesting that the barrier carried an architrave on top of the columns.
Many fragments of a marble templon have been discovered on the Temple Mount
Temple Mount
The Temple Mount, known in Hebrew as , and in Arabic as the Haram Ash-Sharif , is one of the most important religious sites in the Old City of Jerusalem. It has been used as a religious site for thousands of years...
in Jerusalem.
Though there is some architectural and archaeological evidence of early templa, the first and most detailed description of a templon comes from a poem by Paul the Silentiary
Paul the Silentiary
Paul the Silentiary, also known as Paulus Silentiarius , was an epigrammatist and an officer in the imperial household of the Byzantine emperor Justinian I, responsible for the silence in the imperial palace....
, describing Hagia Sophia
Hagia Sophia
Hagia Sophia is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey...
in Constantinople. It was composed near the end of Justinian I
Justinian I
Justinian I ; , ; 483– 13 or 14 November 565), commonly known as Justinian the Great, was Byzantine Emperor from 527 to 565. During his reign, Justinian sought to revive the Empire's greatness and reconquer the lost western half of the classical Roman Empire.One of the most important figures of...
’s reign and was probably recited on Epiphany, January 6, AD 563
563
Year 563 was a common year starting on Monday of the Julian calendar. The denomination 563 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.- Byzantine Empire :* Justinian I re-consecrates Hagia...
, celebrating the reinauguration of the church after the reconstruction of the great dome.
Hagia Sophia’s templon surrounded, according to Paulus, "such space as was reserved in the eastern arch of the great church for the bloodless sacrifices". That is, it stretched the length of the eastern semidome, including the apse but excluding the exedra
Exedra
In architecture, an exedra is a semicircular recess or plinth, often crowned by a semi-dome, which is sometimes set into a building's facade. The original Greek sense was applied to a room that opened onto a stoa, ringed with curved high-backed stone benches, a suitable place for a philosophical...
e (half-dome recesses in a wall). Twelve silver-covered marble columns of approximately 4.94 meters from base to capital were arranged on three sides of a rectangular ground plan around the altar. A horizontal entablature rested upon these. Three doors allowed entry to the apse, the central one larger than the other two. Though earlier scholars have proposed that all columns and all doors were in a single line parallel to the apse, modern reconstructions show the central portal facing out to the nave with the smaller doors each located on the other sides of the rectangular plan.
In between the columns were slabs of marble covered in silver about 1.00 to 1.10 meters tall. On them had been carved the monograms of Justinian and Theodora (6th century)
Theodora (6th century)
Theodora , was empress of the Roman Empire and the wife of Emperor Justinian I. Like her husband, she is a saint in the Orthodox Church, commemorated on November 14...
, even though Theodora had been dead for several years, as well as a many-armed cross
Cross
A cross is a geometrical figure consisting of two lines or bars perpendicular to each other, dividing one or two of the lines in half. The lines usually run vertically and horizontally; if they run obliquely, the design is technically termed a saltire, although the arms of a saltire need not meet...
in the center. On the center of the architrave was a repoussé medallion of Christ
Christ
Christ is the English term for the Greek meaning "the anointed one". It is a translation of the Hebrew , usually transliterated into English as Messiah or Mashiach...
. On either side of Him were medallions of angels, the Prophet
Prophet
In religion, a prophet, from the Greek word προφήτης profitis meaning "foreteller", is an individual who is claimed to have been contacted by the supernatural or the divine, and serves as an intermediary with humanity, delivering this newfound knowledge from the supernatural entity to other people...
s, the Apostles, and finally the Virgin Mary. The carvings on the architrave were deeply tied to the liturgy. Another templon roughly contemporary to Hagia Sophia’s is that of the church to St. John of Ephesus, rebuilt by Justinian as a domed crucifix. There was an inscription to St. John the Theologian over a side door, since the crypt of the saint was within the enclosed sanctuary. St. John the Baptist was probably carved over the other door of the templon of Hagia Sophia, since he features prominently in liturgical writings of the church.
In any case, the majority of templa followed the same basic design. They were usually carved of monochrome marble, though some, like Hagia Sophia’s, were covered in precious metals and others used polychrome
Polychrome
Polychrome is one of the terms used to describe the use of multiple colors in one entity. It has also been defined as "The practice of decorating architectural elements, sculpture, etc., in a variety of colors." Polychromatic light is composed of a number of different wavelengths...
marble
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
s. The slabs were often carved with vegetal or animal patterns and the architraves with busts
Bust (sculpture)
A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person's head and neck, as well as a variable portion of the chest and shoulders. The piece is normally supported by a plinth. These forms recreate the likeness of an individual...
of God, the Virgin, and the saints. Figurative decoration on the templon was mainly concentrated on the architrave
Architrave
An architrave is the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.-Classical architecture:...
, initially with carved busts. This continued from the time of Justinian into the middle Byzantine period, as shown from a 10th-century excavation in Sebaste
Elaiussa Sebaste
Elaiussa Sebaste or Elaeousa Sebaste was an ancient Roman town located from Mersin in the direction of Silifke in Cilicia on the southern coast of Anatolia . Elaiussa, meaning olive, was founded in the 2nd century B.C...
in Phrygia
Phrygia
In antiquity, Phrygia was a kingdom in the west central part of Anatolia, in what is now modern-day Turkey. The Phrygians initially lived in the southern Balkans; according to Herodotus, under the name of Bryges , changing it to Phruges after their final migration to Anatolia, via the...
, which uncovered a marble templon whose epistyle is covered with busts of saints. There is evidence that icons were hung from the columns of the templon prior to iconoclasm
Iconoclasm
Iconoclasm is the deliberate destruction of religious icons and other symbols or monuments, usually with religious or political motives. It is a frequent component of major political or religious changes...
. Nicephorus I, Patriarch
Patriarch
Originally a patriarch was a man who exercised autocratic authority as a pater familias over an extended family. The system of such rule of families by senior males is called patriarchy. This is a Greek word, a compound of πατριά , "lineage, descent", esp...
of Constantinople from 806 to 815 describes portable icons hung from columns and the gate of the templon in his Antirretikoi. Important portable and colossal icons were also placed in front of the templon, as in the 11th-century church of Saint Panteleimon in Nerzei.
Evolution
The templon gradually replaced all other forms of chancel barriers in Byzantine churches in the 6th, 7th, and 8th centuries except in CappadociaCappadocia
Cappadocia is a historical region in Central Anatolia, largely in Nevşehir Province.In the time of Herodotus, the Cappadocians were reported as occupying the whole region from Mount Taurus to the vicinity of the Euxine...
. As late as the 10th century, a simple wooden chancel barrier separated the apse from the nave in the rock-cut churches, though by the late 11th century, the templon had become standard. This may have been because of the veneration and imitation of the Great Church Hagia Sophia in Constantinople, though the columnar form of chancel barrier does predate Hagia Sophia.
The templon began to change forms to the medieval templon with the attachment of icons and painted scenes to the architrave. Some of the best preserved of these images are from the Monastery of St. Catherine
Saint Catherine's Monastery, Mount Sinai
Saint Catherine's Monastery lies on the Sinai Peninsula, at the mouth of a gorge at the foot of Mount Sinai in the city of Saint Catherine in Egypt's South Sinai Governorate. The monastery is Orthodox and is a UNESCO World Heritage Site...
at Mt. Sinai. The late 12th-century templon beam shows twelve canonical feast scenes, with the Deesis
Deesis
In Byzantine art, and later Eastern Orthodox art generally, the Deësis or Deisis , is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels...
(Christ enthroned, flanked by Mary and St. John the Baptist) located in the middle between the Transfiguration and the Raising of Lazarus
Lazarus of Bethany
Lazarus of Bethany, also known as Saint Lazarus or Lazarus of the Four Days, is the subject of a prominent miracle attributed to Jesus in the Gospel of John, in which Jesus restores him to life four days after his death...
, linking the scene of Lazarus with the Holy Week
Holy Week
Holy Week in Christianity is the last week of Lent and the week before Easter...
images according to liturgical practice. Several epistyles of this form have been excavated throughout the empire, none earlier than the 12th century, indicating a change from busts on the architrave to scenic decoration. This new scenic style is representative of the increasing liturgification in Byzantine representational art after iconoclasm.
During most of the Middle Byzantine period, the space between the colonnettes was not filled with icons but with curtains. Nicholaos Andidorum describes in his Protheoria "the shutting of the doors and the closing of the curtain over them". The most widespread image on the medieval templon seems to have been the Deesis. Its popularity arose from not only its simplicity and elegance, suggesting the efficacy of prayer and the threat of the Last Judgment
Last Judgment
The Last Judgment, Final Judgment, Day of Judgment, Judgment Day, or The Day of the Lord in Christian theology, is the final and eternal judgment by God of every nation. The concept is found in all the Canonical gospels, particularly the Gospel of Matthew. It will purportedly take place after the...
, but also because it could be easily adapted to the patron’s tastes with the addition of secondary scenes and characters, as in the Monastery at St. Catherine’s where scenes from the life of St Eustratios appear on either side of the Deesis on a templon beam. Proskynetaria
Proskynetarion
A proskynetarion is a monumental icon usually of Christ, the Virgin, or the patron saint of a church. It was normally placed on the piers separating the parts of a templon in a Byzantine church. They were usually made of mosaic or fresco in a marble frame...
(large icons) also played a major part in the decoration of the medieval templon, either as monumental images placed on the piers flanking the templon or as portable images in front of the screen. Proskynetaria of both these types still exist in Cyprus, from Lagoudera, now in the Archbishop’s Palace in Nicosia, and in St Neophytos.
Sometime between the 11th and 14th centuries, icons and proskynetaria began to be placed in the intercolumnar openings on the templon. After the reconquest in 1261, carving on the medieval templon approached sculpture in the round
Sculpture
Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer materials can also be used, such as clay, textiles, plastics, polymers and softer metals...
. From this period, the first wood-carved templa, or iconostases
Iconostasis
In Eastern Christianity an iconostasis is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. Iconostasis also refers to a portable icon stand that can be placed anywhere within a church...
, were produced. They for most part had a fixed program of icon decoration with three levels: the Local, the Deesis, and the Festival tiers. Early Russian versions were at chest height, and called "thoraxis" in Greek. The full height iconostasis became standard in the 15th century, and probably owes more to 14th-century Hesychast
Hesychasm
Hesychasm is an eremitic tradition of prayer in the Eastern Orthodox Church, and some of the Eastern Catholic Churches, such as the Byzantine Rite, practised by the Hesychast Hesychasm is an eremitic tradition of prayer in the Eastern Orthodox Church, and some of the Eastern Catholic Churches,...
mysticism and the wood-carving genius of the Russians
Russians
The Russian people are an East Slavic ethnic group native to Russia, speaking the Russian language and primarily living in Russia and neighboring countries....
than anything else. The first ceiling-high, five-leveled Russian iconostasis was designed for the Cathedral of the Annunciation
Cathedral of the Annunciation
The Cathedral of the Annunciation is a Russian Orthodox church dedicated to the Annunciation of the Theotokos. It is located on the southwest side of Cathedral Square of the Moscow Kremlin in Russia, where it connects directly to the main building of the complex of the Grand Kremlin Palace,...
in Moscow Kremlin
Moscow Kremlin
The Moscow Kremlin , sometimes referred to as simply The Kremlin, is a historic fortified complex at the heart of Moscow, overlooking the Moskva River , Saint Basil's Cathedral and Red Square and the Alexander Garden...
by Theophanes the Greek
Theophanes the Greek
Theophanes the Greek was a Byzantine Greek artist and one of the greatest icon painters, or iconographers, of Muscovite Russia, and was noted as the teacher and mentor of the great Andrei Rublev.-Life and work:Theophanes was born in the capital of the Byzantine Empire, Constantinople...
in 1405, and soon copied by his assistant Andrey Rublyov in the Cathedral of the Dormition
Cathedral of the Dormition
The Cathedral of the Dormition is a Russian Orthodox church dedicated to the Dormition of the Theotokos. It is located on the north side of Cathedral Square of the Moscow Kremlin in Russia, where a narrow alley separates the north from the Patriarch's Palace with the Twelve Apostles Church....
in Vladimir
Vladimir
Vladimir is a city and the administrative center of Vladimir Oblast, Russia, located on the Klyazma River, to the east of Moscow along the M7 motorway. Population:...
in 1408.
External links
- Cyprus's Centre of Cultural Heritage Contains a photo of a rebuilt "modern" templon
- Templon of Saint Luke of Stiris Hosios Loukas, Phokis, Boeotia, Greece