Tension (music)
Encyclopedia
In music
, tension is the perceived need for relaxation or release created by a listener's expectations. For example, dissonance
may give way to consonance. Tension may also be produced through reiteration
, increase in dynamic level
, or gradual motion to a higher pitch
(Kliewer 1975, p. 290).
Experiments in music perception have explored perceived tension in music (Fredrickson 1999) and perceived emotional intensity (Brittin and Duke 1997; Sloboda and Lehmann 2001).
Music
Music is an art form whose medium is sound and silence. Its common elements are pitch , rhythm , dynamics, and the sonic qualities of timbre and texture...
, tension is the perceived need for relaxation or release created by a listener's expectations. For example, dissonance
Consonance and dissonance
In music, a consonance is a harmony, chord, or interval considered stable, as opposed to a dissonance , which is considered to be unstable...
may give way to consonance. Tension may also be produced through reiteration
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated. One often stated idea is that repetition should be in balance with the initial statements and variations in a piece. It may be called restatement, such as the restatement of a theme...
, increase in dynamic level
Dynamics (music)
In music, dynamics normally refers to the volume of a sound or note, but can also refer to every aspect of the execution of a given piece, either stylistic or functional . The term is also applied to the written or printed musical notation used to indicate dynamics...
, or gradual motion to a higher pitch
Pitch (music)
Pitch is an auditory perceptual property that allows the ordering of sounds on a frequency-related scale.Pitches are compared as "higher" and "lower" in the sense associated with musical melodies,...
(Kliewer 1975, p. 290).
Experiments in music perception have explored perceived tension in music (Fredrickson 1999) and perceived emotional intensity (Brittin and Duke 1997; Sloboda and Lehmann 2001).