Terezka Drnzik
Encyclopedia
Terezka Drnzik is one of the matriarch figures in the Australian bellydancing community, having started the first dedicated bellydance studio in Sydney in 1989. The school has produced many professional dancers including Jrisi Jusakos of Hathor Dance and Kaeshi Chai of Bellydance Superstars.
Of Czechoslovakian/New Zealand descent, Terezka was introduced to bellydancing when she arrived in Australia in 1979 and saw Rozeta Ahalyea
performing in a Greek nightclub. Terezka approached Rozetta who took her under her wing.
In 1980 Terezka lived in a household with three Arabic families, absorbing their tradition and culture. She was influenced by the stars of the 1930s to the 1950s and considers Soheir Zaki, who was prominent in the 1970s, as her greatest teacher — even though they never met.
Turning professional in 1981 Terezka was given the Arabic name of "Leila" (Night). She regularly performed seven shows per night and quickly established herself as one of three top performers in Sydney. This was a time when Arabic food, clubs and restaurants were in their heyday, with the influx of Arabs to Australia due to the Lebanese Civil War
.
In 1982 Terezka performed with the renowned Egyptian Baladi singer Ahmed Adaweyah
and the famed composer and piano accordion player Hussan Abou Seoud and his orchestra from Paris. As a result, she was offered a contract in Paris, where she performed six nights a week at Vildizler, La Lampe d'Aladin and Al Badiya as well as at numerous functions for the upper echelons of Paris. Contracts followed in London (at the Omar Khyaam performing alongside Mona Sayeed) as well as Belgium, Spain, and Morocco and Tunisia.
Terezka returned to Australia to open Sydney’s first full-time Middle Eastern dance studio. Her mission was to present Arabic dance in an intelligent and sensitive way, staying true to the cultural aspects.
Terezka aimed to present the dance form to the Arabic community in a way that hadn't been seen before, incorporating traditional group dances as well as cabaret and contemporary in full theatrical performance. Her shows included group dances presenting contemporary (Pharaonic) pieces, traditional Beledi, Saidi and Khaleegy and stunning soloists with an emphasis on Arabic interpretation, technique and spirit in movement and performance skills.
Terezka's Academy of Danse Orientale is now one of the pre-eminent schools in Sydney. One of her innovations is classes and workshops accompanied by live musicians, a rare opportunity for dancers at intermediate and advanced levels to experience live musical accompaniment.
In 1991 Terezka hosted an evening with live musicians for the first Bellydance-a-thon, an event that turned into the annual Sydney Middle Eastern Dance Festival.
In 1992 Terezka retired from performance on the Arabic nightclub and restaurant circuit.
In 2006 Terezka was Australia's representative teacher at the Cairo Dance Festival.
Terezka has now set up a charity call Make a Child Smile, which sponsors children from developing nations. The charity’s main fundraising events are gala bellydancing balls.
Of Czechoslovakian/New Zealand descent, Terezka was introduced to bellydancing when she arrived in Australia in 1979 and saw Rozeta Ahalyea
Rozeta Ahalyea
Rozeta Ahalyea was one of the earliest professional bellydancers in Australia with a performance career that spanned four decades. She trained Amera Eid and Terezka Drznik, who both became distinguished teachers and who themselves taught many of today's professional Australian belly dancers...
performing in a Greek nightclub. Terezka approached Rozetta who took her under her wing.
In 1980 Terezka lived in a household with three Arabic families, absorbing their tradition and culture. She was influenced by the stars of the 1930s to the 1950s and considers Soheir Zaki, who was prominent in the 1970s, as her greatest teacher — even though they never met.
Turning professional in 1981 Terezka was given the Arabic name of "Leila" (Night). She regularly performed seven shows per night and quickly established herself as one of three top performers in Sydney. This was a time when Arabic food, clubs and restaurants were in their heyday, with the influx of Arabs to Australia due to the Lebanese Civil War
Lebanese Civil War
The Lebanese Civil War was a multifaceted civil war in Lebanon. The war lasted from 1975 to 1990 and resulted in an estimated 150,000 to 230,000 civilian fatalities. Another one million people were wounded, and today approximately 350,000 people remain displaced. There was also a mass exodus of...
.
In 1982 Terezka performed with the renowned Egyptian Baladi singer Ahmed Adaweyah
Ahmed Adaweyah
Ahmed Adaweyah is an Egyptian singer and he was the first big star of sha'abi music during its first wave of popularity in the 1970s. He has starred in 27 Egyptian films. Adaweyah started his career as a cafe waiter but in 1971, he began performing songs using the language of the streets of Cairo,...
and the famed composer and piano accordion player Hussan Abou Seoud and his orchestra from Paris. As a result, she was offered a contract in Paris, where she performed six nights a week at Vildizler, La Lampe d'Aladin and Al Badiya as well as at numerous functions for the upper echelons of Paris. Contracts followed in London (at the Omar Khyaam performing alongside Mona Sayeed) as well as Belgium, Spain, and Morocco and Tunisia.
Terezka returned to Australia to open Sydney’s first full-time Middle Eastern dance studio. Her mission was to present Arabic dance in an intelligent and sensitive way, staying true to the cultural aspects.
Terezka aimed to present the dance form to the Arabic community in a way that hadn't been seen before, incorporating traditional group dances as well as cabaret and contemporary in full theatrical performance. Her shows included group dances presenting contemporary (Pharaonic) pieces, traditional Beledi, Saidi and Khaleegy and stunning soloists with an emphasis on Arabic interpretation, technique and spirit in movement and performance skills.
Terezka's Academy of Danse Orientale is now one of the pre-eminent schools in Sydney. One of her innovations is classes and workshops accompanied by live musicians, a rare opportunity for dancers at intermediate and advanced levels to experience live musical accompaniment.
In 1991 Terezka hosted an evening with live musicians for the first Bellydance-a-thon, an event that turned into the annual Sydney Middle Eastern Dance Festival.
In 1992 Terezka retired from performance on the Arabic nightclub and restaurant circuit.
In 2006 Terezka was Australia's representative teacher at the Cairo Dance Festival.
Terezka has now set up a charity call Make a Child Smile, which sponsors children from developing nations. The charity’s main fundraising events are gala bellydancing balls.
External links
- Radio Interview
- Australian Dance Festival including interview
- Academy of Danse Orientale
- Middle Eastern Dance in Australia - Today by Jamie McGraw
- Interview of Rozeta Ahalyea by Despina Rosales
- Interview of Jrisi Jusakos by Despina Rosales
- Bio of Bellydance Superstars performer Kaeshi Chai
- Bellydance Superstars
- Sydney Middle Eastern Dance Festival Archives
- Sydney Middle Eastern Dance Festival 2004 Workshop Program extract
- Sydney Middle Eastern Dance Festival 2005 Australian Bellydance Legends Invitational Performance
- Sydney Middle Eastern Dance Festival 2006 Workshop extract
- Cairo Dance Festival 2006 report
- Cairo Dance Festival 2005 mention
