The Art of Noises
Encyclopedia
The Art of Noises is a Futurist
manifesto
, written by Luigi Russolo
in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella
. In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise
of the urban
industrial
soundscape
; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics
and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms".
The Art of Noises is considered to be one of the most important and influential texts in 20th century musical aesthetics.
" first came into existence as the result of 19th century machine
s. Before this time the world was a quiet, if not silent, place. With the exception of storm
s, waterfall
s, and tectonic activity, the noise that did punctuate this silence were not loud, prolonged, or varied.
" was very simplistic and was created with very simple instruments, and that many early civilizations considered the secrets of music sacred and reserved it for rites and rituals. The Greek musical theory
was based on the tetrachord
mathematics of Pythagoras
, which did not allow for any harmonies
. Developments and modifications to the Greek musical system were made during the Middle Ages
, which led to music like Gregorian chant
. Russolo notes that during this time sounds were still narrowly seen as "unfolding in time." The chord did not yet exist.
as the "complete sound
," the conception of various parts that make and are subordinate to the whole. He notes that chords developed gradually, first moving from the "consonant triad to the consistent and complicated dissonances that characterize contemporary music." He notes that while early music tried to create sweet and pure sounds, it progressively grew more and more complex, with musicians seeking to create new and more dissonant
chords. This, he says, comes ever closer to the "noise-sound."
of machine
s, encouraging musicians to create a more "complicated polyphony
" in order to provoke emotion and stir our sensibilities. He notes that music has been developing towards a more complicated polyphony by seeking greater variety in timbre
s and tone colors.
down into four basic categories: bowed instruments
, metal winds
, wood winds, and percussion. He says that we must "break out of this limited circle of sound and conquer the infinite variety of noise-sounds," and that technology
would allow us to manipulate noises in ways that could not have been done with earlier instrument
s.
to certain noises.
Futurism (art)
Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future, including speed, technology, youth and violence, and objects such as the car, the airplane and the industrial city...
manifesto
Manifesto
A manifesto is a public declaration of principles and intentions, often political in nature. Manifestos relating to religious belief are generally referred to as creeds. Manifestos may also be life stance-related.-Etymology:...
, written by Luigi Russolo
Luigi Russolo
Luigi Russolo was an Italian Futurist painter and composer, and the author of the manifesto The Art of Noises . He is often regarded as one of the first noise music experimental composers with his performances of "noise concerts" in 1913-14 and then again after World War I, notably in Paris in 1921...
in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella
Francesco Balilla Pratella
Franceso Balilla Pratella was an Italian composer and musicologist.-Life and work:Pratella studied at the Pesaro Conservatory where he was a pupil of Pietro Mascagni....
. In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise
Noise
In common use, the word noise means any unwanted sound. In both analog and digital electronics, noise is random unwanted perturbation to a wanted signal; it is called noise as a generalisation of the acoustic noise heard when listening to a weak radio transmission with significant electrical noise...
of the urban
Urban area
An urban area is characterized by higher population density and vast human features in comparison to areas surrounding it. Urban areas may be cities, towns or conurbations, but the term is not commonly extended to rural settlements such as villages and hamlets.Urban areas are created and further...
industrial
Industry
Industry refers to the production of an economic good or service within an economy.-Industrial sectors:There are four key industrial economic sectors: the primary sector, largely raw material extraction industries such as mining and farming; the secondary sector, involving refining, construction,...
soundscape
Soundscape
A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology...
; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics
Electronics
Electronics is the branch of science, engineering and technology that deals with electrical circuits involving active electrical components such as vacuum tubes, transistors, diodes and integrated circuits, and associated passive interconnection technologies...
and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms".
The Art of Noises is considered to be one of the most important and influential texts in 20th century musical aesthetics.
"Ancient life was all silence"
Russolo states that "noiseNoise
In common use, the word noise means any unwanted sound. In both analog and digital electronics, noise is random unwanted perturbation to a wanted signal; it is called noise as a generalisation of the acoustic noise heard when listening to a weak radio transmission with significant electrical noise...
" first came into existence as the result of 19th century machine
Machine
A machine manages power to accomplish a task, examples include, a mechanical system, a computing system, an electronic system, and a molecular machine. In common usage, the meaning is that of a device having parts that perform or assist in performing any type of work...
s. Before this time the world was a quiet, if not silent, place. With the exception of storm
Storm
A storm is any disturbed state of an astronomical body's atmosphere, especially affecting its surface, and strongly implying severe weather...
s, waterfall
Waterfall
A waterfall is a place where flowing water rapidly drops in elevation as it flows over a steep region or a cliff.-Formation:Waterfalls are commonly formed when a river is young. At these times the channel is often narrow and deep. When the river courses over resistant bedrock, erosion happens...
s, and tectonic activity, the noise that did punctuate this silence were not loud, prolonged, or varied.
Early sounds
He notes that the earliest "musicMusic
Music is an art form whose medium is sound and silence. Its common elements are pitch , rhythm , dynamics, and the sonic qualities of timbre and texture...
" was very simplistic and was created with very simple instruments, and that many early civilizations considered the secrets of music sacred and reserved it for rites and rituals. The Greek musical theory
Music theory
Music theory is the study of how music works. It examines the language and notation of music. It seeks to identify patterns and structures in composers' techniques across or within genres, styles, or historical periods...
was based on the tetrachord
Tetrachord
Traditionally, a tetrachord is a series of three intervals filling in the interval of a perfect fourth, a 4:3 frequency proportion. In modern usage a tetrachord is any four-note segment of a scale or tone row. The term tetrachord derives from ancient Greek music theory...
mathematics of Pythagoras
Pythagoras
Pythagoras of Samos was an Ionian Greek philosopher, mathematician, and founder of the religious movement called Pythagoreanism. Most of the information about Pythagoras was written down centuries after he lived, so very little reliable information is known about him...
, which did not allow for any harmonies
Harmony
In music, harmony is the use of simultaneous pitches , or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic...
. Developments and modifications to the Greek musical system were made during the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
, which led to music like Gregorian chant
Gregorian chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical music within Western Christianity that accompanied the celebration of Mass and other ritual services...
. Russolo notes that during this time sounds were still narrowly seen as "unfolding in time." The chord did not yet exist.
"The complete sound"
Russolo refers to the chordChord (music)
A chord in music is any harmonic set of two–three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may for many practical and theoretical purposes be understood as chords...
as the "complete sound
Sound
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing and of a level sufficiently strong to be heard, or the sensation stimulated in organs of hearing by such vibrations.-Propagation of...
," the conception of various parts that make and are subordinate to the whole. He notes that chords developed gradually, first moving from the "consonant triad to the consistent and complicated dissonances that characterize contemporary music." He notes that while early music tried to create sweet and pure sounds, it progressively grew more and more complex, with musicians seeking to create new and more dissonant
Consonance and dissonance
In music, a consonance is a harmony, chord, or interval considered stable, as opposed to a dissonance , which is considered to be unstable...
chords. This, he says, comes ever closer to the "noise-sound."
Musical noise
Russolo compares the evolution of music to the multiplication of machinery, pointing out that our once desolate sound environment has become increasingly filled with the noiseNoise
In common use, the word noise means any unwanted sound. In both analog and digital electronics, noise is random unwanted perturbation to a wanted signal; it is called noise as a generalisation of the acoustic noise heard when listening to a weak radio transmission with significant electrical noise...
of machine
Machine
A machine manages power to accomplish a task, examples include, a mechanical system, a computing system, an electronic system, and a molecular machine. In common usage, the meaning is that of a device having parts that perform or assist in performing any type of work...
s, encouraging musicians to create a more "complicated polyphony
Polyphony
In music, polyphony is a texture consisting of two or more independent melodic voices, as opposed to music with just one voice or music with one dominant melodic voice accompanied by chords ....
" in order to provoke emotion and stir our sensibilities. He notes that music has been developing towards a more complicated polyphony by seeking greater variety in timbre
Timbre
In music, timbre is the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices and musical instruments, such as string instruments, wind instruments, and percussion instruments. The physical characteristics of sound that determine the...
s and tone colors.
Noise-Sounds
Russolo explains how "musical sound is too limited in its variety of timbres." He breaks the timbres of an orchestraOrchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...
down into four basic categories: bowed instruments
String instrument
A string instrument is a musical instrument that produces sound by means of vibrating strings. In the Hornbostel-Sachs scheme of musical instrument classification, used in organology, they are called chordophones...
, metal winds
Brass instrument
A brass instrument is a musical instrument whose sound is produced by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips...
, wood winds, and percussion. He says that we must "break out of this limited circle of sound and conquer the infinite variety of noise-sounds," and that technology
Technology
Technology is the making, usage, and knowledge of tools, machines, techniques, crafts, systems or methods of organization in order to solve a problem or perform a specific function. It can also refer to the collection of such tools, machinery, and procedures. The word technology comes ;...
would allow us to manipulate noises in ways that could not have been done with earlier instrument
Musical instrument
A musical instrument is a device created or adapted for the purpose of making musical sounds. In principle, any object that produces sound can serve as a musical instrument—it is through purpose that the object becomes a musical instrument. The history of musical instruments dates back to the...
s.
Future sounds
Russolo claims that music has reached a point that no longer has the power to excite or inspire. Even when it is new, he argues, it still sounds old and familiar, leaving the audience "waiting for the extraordinary sensation that never comes." He urges musicians to explore the city with "ears more sensitive than eyes," listening to the wide array of noises that are often taken for granted, yet (potentially) musical in nature. He feels these noises can be given pitched and "regulated harmonically," while still preserving their irregularity and character, even if it requires assigning multiple pitchesPitch (music)
Pitch is an auditory perceptual property that allows the ordering of sounds on a frequency-related scale.Pitches are compared as "higher" and "lower" in the sense associated with musical melodies,...
to certain noises.
The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination.
Six Families of Noises for the Futurist Orchestra
Russolo sees the futurist orchestra drawing its sounds from "six families of noise":- Roars, Thunderings, Explosions, Hissing roars, Bangs, Booms
- Whistling, Hissing, Puffing
- Whispers, Murmurs, Mumbling, Muttering, Gurgling
- Screeching, Creaking, Rustling, Buzzing, Crackling, Scraping
- Noises obtained by beating on metals, woods, skins, stones, pottery, etc.
- Voices of animals and people, Shouts, Screams, Shrieks, Wails, Hoots, Howls, Death rattles, Sobs
Russolo asserts that these are the most basic and fundamental noises, and that all other noises are only associations and combinations of these.
Conclusions
Russolo includes a list of conclusions:- Futurist composers should use their creativity and innovation to "enlarge and enrich the field of sound" by approaching the "noise-sound."
- Futurist musicians should strive to replicate the infinite timbres in noises.
- Futurist musicians should free themselves from the traditional and seek to explore the diverse rhythms of noise.
- The complex tonalities of noise can be achieved by creating instruments that replicate that complexity.
- The creation of instruments that replicate noise should not be a difficult task, since the manipulation of pitch will be simple once the mechanical principles that create the noise have been recreated. Pitch can be manipulated through simples changes in speed or tension.
- The new orchestra will not evoke new and novel emotions by imitating the noises of life, but by finding new and unique combinations of timbres and rhythms in noise, to find a way to fully express the rhythm and sound that stretches beyond normal un-inebriated comprehension.
- The variety of noise is infinite, and as man creates new machines the number of noises he can differentiate between continues to grow.
- Therefore, he invites all talented musicians to pay attention to noises and their complexity, and once they discover the broadness of noise's palette of timbres, they will develop a passion for noise. He predicts that our "multiplied sensibility, having been conquered by futurist eyes, will finally have some futurist ears, and . . . every workshop will become an intoxicating orchestra of noise."
Musicians/Artists influenced by The Art of Noises
- Pierre SchaefferPierre SchaefferPierre Henri Marie Schaeffer was a French composer, writer, broadcaster, engineer, musicologist and acoustician of the 20th century. His innovative work in both the sciences —particularly communications and acoustics— and the various arts of music, literature and radio presentation after the end...
- Pierre HenryPierre HenryPierre Henry is a French composer, considered a pioneer of the musique concrète genre of electronic music.-Biography:...
- Art of Noise
- Adam AntAdam AntAdam Ant is an English musician who gained popularity as the lead singer of New Wave/post-punk group Adam and the Ants and later as a solo artist, scoring ten UK top ten hits between 1980 and 1983, including three No.1s...
- Einstürzende NeubautenEinstürzende NeubautenEinstürzende Neubauten is a German post-industrial band, originally from West Berlin, formed in 1980. The group currently comprises Blixa Bargeld , Alexander Hacke , N.U...
- Test DeptTest DeptTest Dept were an industrial music group from London, one of the most important and influential early industrial music acts. Their approach was marked by a strong commitment to radical socialist politics.-History:...
- DJ SpookyDJ SpookyPaul D. Miller , known by his stage name DJ Spooky, That Subliminal Kid, is a Washington DC-born electronic and experimental hip hop musician whose work is often called by critics or his fans as "illbient" or "trip hop". He is a turntablist, a producer, a philosopher, and an author...
- Francisco LópezFrancisco López (musician)Francisco López is an avant-garde experimental musician and sound artist.He has released a large amount of sound pieces with record labels from more than fifty countries and realized hundreds of concerts and sound installations worldwide; including some of the main international museums, galleries...
- Panayiotis KokorasPanayiotis KokorasPanayiotis Kokoras is a Greek composer, musician, teacher, writer and Vice President of HELMCA -Studies:Kokoras studied composition with I. Ioannidi, K. Varotsi and Anri Kergomard as well as classical guitar with E. Asimakopoulo in Athens. In 1999 he moved to England, for postgraduate studies at...
- Intonarumori
- R. Henry NiglR. Henry NiglRichard Henry Nigl is perhaps best known for a series of performances generally characterized as "Shout Art". Nigl created these works improvisationally in the late 1970s. These "Shouts" consist of quasi-poetic performances typically ending in a startling shouted word or phrase. The general format...
- MaterialMaterial (band)For the rock band of the same name, see The MaterialMaterial is a musical group formed in 1979 and led by bass guitarist Bill Laswell.-1978-82: The band:...
- Jean-Luc Hervé Berthelot
- Spiral-Shaped Mind
- Marinos Koutsomichalis
See also
- Experimental musicExperimental musicExperimental music refers, in the English-language literature, to a compositional tradition which arose in the mid-20th century, applied particularly in North America to music composed in such a way that its outcome is unforeseeable. Its most famous and influential exponent was John Cage...
- Experimental musical instrument
- Musica Futurista: The Art of Noises
- Noise musicNoise musicNoise music is a term used to describe varieties of avant-garde music and sound art that may use elements such as cacophony, dissonance, atonality, noise, indeterminacy, and repetition in their realization. Noise music can feature distortion, various types of acoustically or electronically...