The Camp (play)
Encyclopedia
The Camp: A Musical Entertainment is a 1778 play by Richard Brinsley Sheridan
, with assistance from John Burgoyne
and David Garrick
. The set designs were by Philip James de Loutherbourg
. The play gently satirised the preparations of the British to organise home defences during the American War of Independence when an invasion of the British Isles
by France, and later Spain, seemed imminent. It focuses on a military camp placed near Coxheath
in Southern England. It premiered on 15 October 1778 at the Drury Lane Theatre
.
The play was produced at a time when a genuine sense of crisis swept the country following France's entry into the war which culminated in the failed Armada of 1779
. Because of his death while working on the play Garrick is sometimes said to be the only casualty of the French invasion.
The play proved to be a hit. It was the most performed work at the Drury Lane Theatre during the 1778-1779 season, comfortably beating School for Scandal.
Richard Brinsley Sheridan
Richard Brinsley Butler Sheridan was an Irish-born playwright and poet and long-term owner of the London Theatre Royal, Drury Lane. For thirty-two years he was also a Whig Member of the British House of Commons for Stafford , Westminster and Ilchester...
, with assistance from John Burgoyne
John Burgoyne
General John Burgoyne was a British army officer, politician and dramatist. He first saw action during the Seven Years' War when he participated in several battles, mostly notably during the Portugal Campaign of 1762....
and David Garrick
David Garrick
David Garrick was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of theatrical practice throughout the 18th century and was a pupil and friend of Dr Samuel Johnson...
. The set designs were by Philip James de Loutherbourg
Philip James de Loutherbourg
Philip James de Loutherbourg, also seen as Philippe-Jacques and Philipp Jakob and with the appellation the Younger was an English artist of German origin who became known for his elaborate set designs for London theatres.-Early life:He was born in Strasbourg, where his father, the representative...
. The play gently satirised the preparations of the British to organise home defences during the American War of Independence when an invasion of the British Isles
British Isles
The British Isles are a group of islands off the northwest coast of continental Europe that include the islands of Great Britain and Ireland and over six thousand smaller isles. There are two sovereign states located on the islands: the United Kingdom of Great Britain and Northern Ireland and...
by France, and later Spain, seemed imminent. It focuses on a military camp placed near Coxheath
Coxheath
Coxheath is a village and civil parish within the Borough of Maidstone, Kent, England. The parish is approximately south of Maidstone. It is mainly centred along Heath Road which links the villages of Yalding and Boughton Monchelsea to the west and east, respectively.A replica beacon pole and the...
in Southern England. It premiered on 15 October 1778 at the Drury Lane Theatre
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
.
The play was produced at a time when a genuine sense of crisis swept the country following France's entry into the war which culminated in the failed Armada of 1779
Armada of 1779
The Armada of 1779 was an exceptionally large joint French and Spanish fleet intended, with the aid of a feint by the American Continental Navy, to facilitate an invasion of Britain, as part of the wider American War of Independence, and in application of the Franco-American alliance...
. Because of his death while working on the play Garrick is sometimes said to be the only casualty of the French invasion.
The play proved to be a hit. It was the most performed work at the Drury Lane Theatre during the 1778-1779 season, comfortably beating School for Scandal.