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The Flesh Eaters (film)
Encyclopedia
The Flesh Eaters is a 1964
American
horror
/science fiction
thriller, directed on a low budget by Jack Curtis and edited by future filmmaker Radley Metzger
. The film contains moments of violence much more graphic and extreme than many other movies of its time, making it one of the first ever gore films.
) a marine biologist with a German accent who is living in seclusion on the isle.
After a series of strange skeletons wash ashore (human, then fish) it turns out the water has become inhabited by some sort of glowing microbe which apparently devours flesh rapaciously. Bartell is a former US Government agent who was sent to Nazi Germany to recover as much of their scientific data as possible. He was chosen for the job for his scientific skills and knowledge of the German language. Using the methods learned there he hopes to cultivate a group of monstrous "flesh eaters" that can devour the skin off a screaming victim in mere seconds. A beatnik
named Omar (Ray Tudor) joins the group after becoming shipwrecked on their shore. Tensions mount after the plane drifts off into the ocean, leaving the castaways and Bartell as potential meals for the ravenous monsters.
High-voltage electrification (from a battery system devised by Bartell) is utilized in an attempt to slay the monsters. Bartell explains that he has been tracking these creatures and attempting to cultivate them to sell as biological weapons. Soon after it is discovered that the electrical shock instead increases their powers. The high voltage causes the numerous smaller creatures to join into a larger version. By accident, the survivors stumble upon the solution. The creatures devour flesh but not blood, as in each case that remains have been found blood has been present. Bartell surmises that the creatures have a negative reaction to hemoglobin and when directly injected with it the creatures are indeed slain. Following a struggle Bartell is killed just before Murdoch destroys the last of the creatures.
due to its gruesome, if primitive, special effects, including some memorably bloody death scenes. One character is eaten from the inside out by the titular monsters, resulting in a gushing fountain of intestinal matter. Another victim is stabbed with a wooden stake, then shot twice in the face, with resultant gaping bullet holes. These scenes, as well as some occasional unintentionally campy moments, have helped to make the film a favorite for late night TV fanatics for decades.
The deep focus
cinematography was the work of director Jack Curtis (working under a pseudonym, Carson Davidson), who shot every scene outdoors under the sun of Long Island. The film was scripted by comic book writer Arnold Drake
(The Doom Patrol, Marvel's Captain Marvel, et al.). Drake storyboarded the film, so every shot has the careful, formalized composition of a well-drawn comic strip. One shot, for example is a shot in deep focus: the right profile of the hero dominates the left-side foreground of the frame; in a moment, two or three tiny figures at the far-removed shoreline move left to right, from behind the actor's head, and in focus.
of The Flesh Eaters was completed by co-directors Shane M. Dallmann and Christo Roppolo for their own production company, Labcoat Productions.
To date, the film has not been picked up for distribution, reportedly due to rights clearance problems.
1964 in film
The year 1964 in film involved some significant events.-Events:* January 29 - The film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is released....
American
Cinema of the United States
The cinema of the United States, also known as Hollywood, has had a profound effect on cinema across the world since the early 20th century. Its history is sometimes separated into four main periods: the silent film era, classical Hollywood cinema, New Hollywood, and the contemporary period...
horror
Horror film
Horror films seek to elicit a negative emotional reaction from viewers by playing on the audience's most primal fears. They often feature scenes that startle the viewer through the means of macabre and the supernatural, thus frequently overlapping with the fantasy and science fiction genres...
/science fiction
Science fiction film
Science fiction film is a film genre that uses science fiction: speculative, science-based depictions of phenomena that are not necessarily accepted by mainstream science, such as extraterrestrial life forms, alien worlds, extrasensory perception, and time travel, often along with futuristic...
thriller, directed on a low budget by Jack Curtis and edited by future filmmaker Radley Metzger
Radley Metzger
Radley Metzger is an American filmmaker and distributor. He is also credited under the pseudonym Henry Paris, a name he adopted in the 1970s when he began to direct hardcore pornography....
. The film contains moments of violence much more graphic and extreme than many other movies of its time, making it one of the first ever gore films.
Plot
A wealthy, over-the-hill actress named Laura Winters (Rita Morely) hires pilot Grant Murdoch (Byron Sanders) to fly her and her assistant Jan Letterman (Barbara Wilkin) to Provincetown, but a storm forces them to land on a small island. They soon meet Prof. Peter Bartell (Martin KosleckMartin Kosleck
Martin Kosleck was a German film actor. Like many other German actors, he fled when the Nazis came to power. Inspired by his deep hatred of Adolf Hitler and the Nazis, Kosleck would make a career in Hollywood playing villainous Nazis in films. While in the United States, he would appear in more...
) a marine biologist with a German accent who is living in seclusion on the isle.
After a series of strange skeletons wash ashore (human, then fish) it turns out the water has become inhabited by some sort of glowing microbe which apparently devours flesh rapaciously. Bartell is a former US Government agent who was sent to Nazi Germany to recover as much of their scientific data as possible. He was chosen for the job for his scientific skills and knowledge of the German language. Using the methods learned there he hopes to cultivate a group of monstrous "flesh eaters" that can devour the skin off a screaming victim in mere seconds. A beatnik
Beatnik
Beatnik was a media stereotype of the 1950s and early 1960s that displayed the more superficial aspects of the Beat Generation literary movement of the 1950s and violent film images, along with a cartoonish depiction of the real-life people and the spiritual quest in Jack Kerouac's autobiographical...
named Omar (Ray Tudor) joins the group after becoming shipwrecked on their shore. Tensions mount after the plane drifts off into the ocean, leaving the castaways and Bartell as potential meals for the ravenous monsters.
High-voltage electrification (from a battery system devised by Bartell) is utilized in an attempt to slay the monsters. Bartell explains that he has been tracking these creatures and attempting to cultivate them to sell as biological weapons. Soon after it is discovered that the electrical shock instead increases their powers. The high voltage causes the numerous smaller creatures to join into a larger version. By accident, the survivors stumble upon the solution. The creatures devour flesh but not blood, as in each case that remains have been found blood has been present. Bartell surmises that the creatures have a negative reaction to hemoglobin and when directly injected with it the creatures are indeed slain. Following a struggle Bartell is killed just before Murdoch destroys the last of the creatures.
Cast
- Martin KosleckMartin KosleckMartin Kosleck was a German film actor. Like many other German actors, he fled when the Nazis came to power. Inspired by his deep hatred of Adolf Hitler and the Nazis, Kosleck would make a career in Hollywood playing villainous Nazis in films. While in the United States, he would appear in more...
as Prof. Peter Bartell - Byron Sanders as Grant Murdoch
- Barbara Wilkin as Jan Letterman
- Rita Morley as Laura Winters
- Ray Tudor as Omar
- Christopher Drake as Matt
- Darby Nelson as Jim
- Rita Floyd as Radio Operator
- Warren Houston as Cab Driver
- Barbara Wilson as Ann
- Ira Lewis as Freddy
Background
The film has developed a cult followingCult following
A cult following is a group of fans who are highly dedicated to a specific area of pop culture. A film, book, band, or video game, among other things, will be said to have a cult following when it has a small but very passionate fan base...
due to its gruesome, if primitive, special effects, including some memorably bloody death scenes. One character is eaten from the inside out by the titular monsters, resulting in a gushing fountain of intestinal matter. Another victim is stabbed with a wooden stake, then shot twice in the face, with resultant gaping bullet holes. These scenes, as well as some occasional unintentionally campy moments, have helped to make the film a favorite for late night TV fanatics for decades.
The deep focus
Deep focus
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image — that is, how much of it appears sharp and clear. Consequently, in deep focus the foreground, middle-ground and background are all in focus...
cinematography was the work of director Jack Curtis (working under a pseudonym, Carson Davidson), who shot every scene outdoors under the sun of Long Island. The film was scripted by comic book writer Arnold Drake
Arnold Drake
Arnold Drake was an American comic book writer and screenwriter best known for co-creating the DC Comics characters Deadman and the Doom Patrol, and the Marvel Comics characters the Guardians of the Galaxy, among others....
(The Doom Patrol, Marvel's Captain Marvel, et al.). Drake storyboarded the film, so every shot has the careful, formalized composition of a well-drawn comic strip. One shot, for example is a shot in deep focus: the right profile of the hero dominates the left-side foreground of the frame; in a moment, two or three tiny figures at the far-removed shoreline move left to right, from behind the actor's head, and in focus.
Remake
In 2001, a remakeRemake
A remake is a piece of media based primarily on an earlier work of the same medium.-Film:The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source...
of The Flesh Eaters was completed by co-directors Shane M. Dallmann and Christo Roppolo for their own production company, Labcoat Productions.
To date, the film has not been picked up for distribution, reportedly due to rights clearance problems.
External links
- The Flesh Eaters at "The Bad Movie Report."
- The Flesh Eaters at the "Horrorwood."
- The Flesh Eaters DVD review.