The Goddess of 1967
Encyclopedia
The Goddess of 1967 is a 2000 Australian film directed by Macau
-born Australian Clara Law
, who wrote the script with her husband (and previous script collaborator) Eddie Ling-Ching Fong.
The film is about a rich young Japanese man (Rikiya Kurokawa), who travels to Australia with the intention of buying a Citroën DS
car (the goddess of the film's title - nicknamed the Déesse, after its initials in French
, déesse being French for "goddess") that he has found for sale on the net. Once there things do not quite go to plan ... and he ends up on a road journey with a blind girl (Rose Byrne
).
The film was partly filmed in and around Lightning Ridge in New South Wales, Australia.
It won several awards, including best actress for Rose Byrne at the 2000 Venice Film Festival
and best director at the Chicago Film Festival.
The song from the dance scene between BG and JM is Walk-Don't Run (the 1964 version) by The Ventures
. Unfortunately the song is not included on the film's soundtrack
, which contains the score by Jen Anderson.
No one meets JM at the airport but he eventually finds the home where the car is located and meets BG (Rose Byrne), a blind and emotionally unstable young woman. BG, who is minding a young child, explains that the couple did not actually own the Citroën and that the husband shot his wife and then killed himself after a violent argument over money. She shows him the car and tells him, after he has test driven it, that she can take him to its real owner, who is somewhere in the outback, a five-day drive away. Intoxicated by the vehicle, JM agrees. BG abandons the young child at the blood-splattered house, instructing her not to trust anyone.
As BG and JM journey into the spectacular but harsh landscape, the viewer is taken on a series of complex and often confusing flashbacks which attempt to illustrate the dark tragedies that have shaped their respective lives. JM, we learn, became fabulously wealthy after a friend gave him the computer password to a major bank. But his friend was soon run over and killed by a passing truck. JM's infatuation with the car is apparently an attempt to fill the emotional gap created by his friend's death and the barren life he leads in Tokyo, which, he tells BG, is alien and “just like Mars”.
Most of the flashbacks, however, concern BG. She was sexually attacked three years earlier by a young boxer from a travelling circus but escaped into the bush where she was protected by wild dingoes. As a young child, she was also sexually abused by her grandfather (who is her blood father) and traumatised by Marie (Elise McCredie), her disoriented and deeply religious mother. Grandpa (Nicholas Hope), who was a hippie, a wine maker and then an opal miner, believes his outback existence frees him from all moral constraints.
BG's favourite radio show is the obituary notices program and she is infatuated by the sound of insects splattering on the Citroën's windscreen, which, she explains to JM, is the “sound of death”. Although blind, BG carries a revolver which she fires occasionally: the first time at two sinister men who pull alongside the car during JM's test drive and later, in the outback, to destroy the satellite phone JM uses to call his Tokyo girlfriend. Unbeknownst to JM, BG's grandfather owns the car and she is leading JM to him not to consummate the car's sale but in order to kill the old man.
In the course of their journey through an unremittingly hostile world inhabited by cruel outback men and women, the couple become friends and, after JM teaches BG how to dance, tentative lovers. BG eventually finds her grandfather and confronts him in his rundown opal mine. She had planned to shoot him but, having reconciled her past in the course of the trip and found someone who genuinely cares for her, decides not to go ahead with it. The film ends with BG and JM travelling off together in the Citroën, the message being that humane relationships are only possible when people come to terms with their past.
: another movie in which a successful Japanese man travels foreign land in a newly purchased bright red Citroen DS and meets strange characters, though this time in Iceland.
Macau
Macau , also spelled Macao , is, along with Hong Kong, one of the two special administrative regions of the People's Republic of China...
-born Australian Clara Law
Clara Law
Clara Law is a Hong Kong Second Wave film director, now having relocated to Australia before the 1997 Hong Kong handover....
, who wrote the script with her husband (and previous script collaborator) Eddie Ling-Ching Fong.
The film is about a rich young Japanese man (Rikiya Kurokawa), who travels to Australia with the intention of buying a Citroën DS
Citroën DS
The Citroën DS is an executive car produced by the French manufacturer Citroën between 1955 and 1975. Styled by Italian sculptor and industrial designer Flaminio Bertoni and the French aeronautical engineer André Lefèbvre, the DS was known for its aerodynamic futuristic body design and innovative...
car (the goddess of the film's title - nicknamed the Déesse, after its initials in French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...
, déesse being French for "goddess") that he has found for sale on the net. Once there things do not quite go to plan ... and he ends up on a road journey with a blind girl (Rose Byrne
Rose Byrne
Mary Rose Byrne is an Australian actress.Byrne made her screen debut in 1994 with a small role in the film Dallas Doll...
).
The film was partly filmed in and around Lightning Ridge in New South Wales, Australia.
It won several awards, including best actress for Rose Byrne at the 2000 Venice Film Festival
Venice Film Festival
The Venice International Film Festival is the oldest international film festival in the world. Founded by Count Giuseppe Volpi in 1932 as the "Esposizione Internazionale d'Arte Cinematografica", the festival has since taken place every year in late August or early September on the island of the...
and best director at the Chicago Film Festival.
The song from the dance scene between BG and JM is Walk-Don't Run (the 1964 version) by The Ventures
The Ventures
The Ventures is an American instrumental rock band formed in 1958 in Tacoma, Washington. Founded by Don Wilson and Bob Bogle, the group in its various incarnations has had an enduring impact on the development of music worldwide. With over 100 million records sold, the group is the best-selling...
. Unfortunately the song is not included on the film's soundtrack
Soundtrack
A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the...
, which contains the score by Jen Anderson.
Plot
The film's storyline verges on the ridiculous. It opens in Tokyo where JM (Rikiya Kurokawa), a rich young IT worker and sometime computer hacker, is attempting to purchase a 1967 model Citroën DS, or Goddess, as it is known to French car aficionados. JM lives in a pristine but unfriendly hi-tech apartment. The smog filled city is blue-grey and bleak. He rarely speaks to his live-in girlfriend and is preoccupied with other possessions—his latest underwater scuba gear as well as the pet snakes and other exotic reptiles he keeps in the flat. After tracing, on the Internet, a perfectly restored Citroën owned by a couple in Australia, JM abandons his job and flies out to purchase the rare car, which he thinks can fill the emptiness in his life.No one meets JM at the airport but he eventually finds the home where the car is located and meets BG (Rose Byrne), a blind and emotionally unstable young woman. BG, who is minding a young child, explains that the couple did not actually own the Citroën and that the husband shot his wife and then killed himself after a violent argument over money. She shows him the car and tells him, after he has test driven it, that she can take him to its real owner, who is somewhere in the outback, a five-day drive away. Intoxicated by the vehicle, JM agrees. BG abandons the young child at the blood-splattered house, instructing her not to trust anyone.
As BG and JM journey into the spectacular but harsh landscape, the viewer is taken on a series of complex and often confusing flashbacks which attempt to illustrate the dark tragedies that have shaped their respective lives. JM, we learn, became fabulously wealthy after a friend gave him the computer password to a major bank. But his friend was soon run over and killed by a passing truck. JM's infatuation with the car is apparently an attempt to fill the emotional gap created by his friend's death and the barren life he leads in Tokyo, which, he tells BG, is alien and “just like Mars”.
Most of the flashbacks, however, concern BG. She was sexually attacked three years earlier by a young boxer from a travelling circus but escaped into the bush where she was protected by wild dingoes. As a young child, she was also sexually abused by her grandfather (who is her blood father) and traumatised by Marie (Elise McCredie), her disoriented and deeply religious mother. Grandpa (Nicholas Hope), who was a hippie, a wine maker and then an opal miner, believes his outback existence frees him from all moral constraints.
BG's favourite radio show is the obituary notices program and she is infatuated by the sound of insects splattering on the Citroën's windscreen, which, she explains to JM, is the “sound of death”. Although blind, BG carries a revolver which she fires occasionally: the first time at two sinister men who pull alongside the car during JM's test drive and later, in the outback, to destroy the satellite phone JM uses to call his Tokyo girlfriend. Unbeknownst to JM, BG's grandfather owns the car and she is leading JM to him not to consummate the car's sale but in order to kill the old man.
In the course of their journey through an unremittingly hostile world inhabited by cruel outback men and women, the couple become friends and, after JM teaches BG how to dance, tentative lovers. BG eventually finds her grandfather and confronts him in his rundown opal mine. She had planned to shoot him but, having reconciled her past in the course of the trip and found someone who genuinely cares for her, decides not to go ahead with it. The film ends with BG and JM travelling off together in the Citroën, the message being that humane relationships are only possible when people come to terms with their past.
See also
Cold FeverCold Fever
Cold Fever is a 1995 Icelandic film directed by Friðrik Þór Friðriksson. It is a road movie set in Iceland and was the first of Friðrik's films to be made in the English language. The movie depicts the travels of a Japanese man across Iceland...
: another movie in which a successful Japanese man travels foreign land in a newly purchased bright red Citroen DS and meets strange characters, though this time in Iceland.