The Lochmaben Harper (ballad)
Encyclopedia
"The Lochmaben Harper" or "The Blind Harper" is a traditional British Folk
ballad
((Child # 192, Roud
# 85) and is one of the ballads collected by Francis Child
in The English and Scottish Popular Ballads
(1882–1898).
came across and contributed to a Scots Musical Museum
. It is one of several songs about blind harpers from all over Britain and Ireland (for example, On a Blind Harper, The Blind Harper (traditional Welsh Song), The Blind Harper of Johnson Hall, The Blind Harper of Tyrone and Lament for a Blind Harper) although Roud only indexes the one. Blind harpers crop up frequently in British folklore and one features in another Child ballad, The Cruel Sister
, where he is called to play at the wedding of the surviving sister. There are a number of paintings of them including The Blind Harper of Conway (1792) by Julius Caesar Ibbetson
. In fact, traditionally, a good proportion of harpists were blind and these were often the most accomplished, for example, Turlough O’Carolan from Ireland (1670–1738), Ruairidh Dall Morison from Scotland (1646–1725) and John Parry (Bardd Alaw)
from Wales (1760–1765). It has been suggested that this is because blind people were encouraged to take up a musical instrument.
There was a jolly harper-man,
That harped aye frae toun to toun;
A wager he made, with two knights he laid
To steal King Henry's Wanton Brown.
Sir Roger he wagered five ploughs o land,
Sir Charles wagered five thousand pound,
And John he's taen the deed in hand,
To steal King Henry's Wanton Brown.
He's taen his harp into his hand,
And he gaed harping thro the toun,
And as the king in his palace sat,
His ear was touched wi the soun.
'Come in, come in, ye harper-man,
Some o your harping let me hear;'
'Indeed, my liege, and by your grace,
I'd rather hae stabling to my mare.'
'Ye'll gang to yon outer court,
That stands a little below the toun;
Ye'll find a stable snug and neat,
Where stands my stately Wanton Brown.'
He's down him to the outer court,
That stood a little below the toun;
There found a stable snug and neat,
For stately stood the Wanton Brown.
Then he has fixd a good strong cord
Unto his grey mare's bridle-rein,
And tied it unto that steed's tail,
Syne shut the stable-door behin.
Then he harped on, and he carped on,
Till all were fast asleep;
Then down thro bower and ha he's gone,
Even on his hands and feet.
He's to yon stable snug and neat,
That lay a little below the toun;
For there he placed his ain grey mare,
Alang wi Henry's Wanton Brown.
'Ye'll do you down thro mire and moss,
Thro mony bog and lairy hole;
But never miss your Wanton slack;
Ye'll gang to Mayblane, to your foal.'
As soon's the door he had unshut,
The mare gaed prancing frae the town,
An at her bridle-rein was tied
Henry's statey Wanton Brown.
Then she did rin thro mire an moss,
Thro mony bog an miery hole;
But never missed her Wanton slack
Till she reachd Mayblane, to her foal.
When the king awaked from sleep
He to the harper-man did say,
O waken ye, waken ye, jolly John,
We've fairly slept till it is day.
'Win up, win up, ye harper-man,
Some mair o harping ye'll gie me:'
He said, My liege, wi a' my heart,
But first my gude grey mare maun see.
Then forth he ran, and in he came,
Dropping mony a feigned tear:
'Some rogue[s] hae broke the outer court,
An stown awa my gude grey mare.'
'Then by my sooth,' the king replied,
'If there's been rogues into the toun,
I fear, as well as your grey mare,
Awa is my stately Wanton Brown.'
'My loss is great,' the harper said,
'My loss is twice as great, I fear;
In Scotland I lost a gude grey steed,
An here I've lost a gude grey mare.'
'Come on, come on, ye harper-man,
Some o your music lat me hear;
Well paid ye'se be, John, for the same,
An likewise for your gude grey mare.'
When that John his money received,
Then he went harping frae the toun,
But little did King Henry ken
He'd stown awa his Wanton Brown.
The knights then lay ower castle-wa,
An they beheld baith dale an down,
An saw the jolly harper-man
Come harping on to Striveling toun.
Then, 'By my sooth,' Sir Roger said,
'Are ye returned back to toun?
Idoubt my lad ye hae ill sped
Of stealing o the Wanton Brown.'
'I hae been into fair England,
An even into Lunan toun,
An in King Henry's outer court,
An stown awa the Wanton Brown.'
'Ye lie, ye lie,' Sir Charles he said,
'An aye sae loud's I hear ye lie;
Twall armed men, in armour bright,
They guard the stable night and day.'
'But I did harp them all asleep,
An managed my business cunninglie;
If ye make light o what I say,
Come to my stable an ye'll see.
'My music pleasd the king sae well
Mair o my harping he wishd to hear;
An for the same he paid me well,
And also for my gude grey mare.'
Then he drew out a gude lang purse,
Well stored wi gowd an white monie,
An in a short time after this
The Wanton Brown he lat them see.
Sir Roger produced his ploughs o land,
Sir Charles produced his thousand pounds,
Then back to Henry, the English king,
Restored the stately Wanton Brown.
Folk music
Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers....
ballad
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of British and Irish popular poetry and song from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa. Many...
((Child # 192, Roud
Roud Folk Song Index
The Roud Folk Song Index is a database of 300,000 references to over 21,600 songs that have been collected from oral tradition in the English language from all over the world...
# 85) and is one of the ballads collected by Francis Child
Francis Child
Francis Child may refer to:*Francis Child , Lord Mayor of London* Francis James Child...
in The English and Scottish Popular Ballads
Child Ballads
The Child Ballads are a collection of 305 ballads from England and Scotland, and their American variants, collected by Francis James Child in the late nineteenth century...
(1882–1898).
Synopsis
A blind harp-player resolves to steal King Henry of England's brown horse, in some versions, as a result of a bet for substantial stakes. He tells his wife of his plans and that he needs their good grey mare to achieve them. She agrees but asks him to leave her newly born foal behind. He sets off and, at Carlisle, he meets the king, who asks for a song. The harper replies that he'd rather have a stable for his mare. The king tells his stable boy to house the grey mare next to his own brown horse. Now the harper plays and sings so beautifully that he spellbinds his audience and they all fall asleep. He tiptoes out of the room, makes his way to the stable, tethers the two horses together and releases them. The good grey mare makes her way back home taking the stolen brown horse with her. When the morning comes, the harper falsely mourns the loss of his horse, saying that, as a result, her foal will die. The king tells him not to fret and makes good the harper's losses by paying him for the foal and three times the worth of the good grey mare. Thus the harper not only wins his bet but also gets handsomely remunerated for the animals that he never lost.Commentary
This is another of the songs Robert BurnsRobert Burns
Robert Burns was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide...
came across and contributed to a Scots Musical Museum
Scots Musical Museum
The Scots Musical Museum was a major publication that had a pivotal role in the collecting and tradition of Music of Scotland. It was by no means the first collection of Scottish folk songs and music, but the six volumes, with 100 songs in each, collected more pieces, introduced new songs, and...
. It is one of several songs about blind harpers from all over Britain and Ireland (for example, On a Blind Harper, The Blind Harper (traditional Welsh Song), The Blind Harper of Johnson Hall, The Blind Harper of Tyrone and Lament for a Blind Harper) although Roud only indexes the one. Blind harpers crop up frequently in British folklore and one features in another Child ballad, The Cruel Sister
The Twa Sisters
"The Twa Sisters" is a murder ballad that recounts the tale of a girl drowned by her sister. It is first known to have appeared on a broadside in 1656 as "The Miller and the King's Daughter." At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel...
, where he is called to play at the wedding of the surviving sister. There are a number of paintings of them including The Blind Harper of Conway (1792) by Julius Caesar Ibbetson
Julius Caesar Ibbetson
Julius Caesar Ibbetson was a British 18th-century landscape and watercolour painter.-Early life and education:...
. In fact, traditionally, a good proportion of harpists were blind and these were often the most accomplished, for example, Turlough O’Carolan from Ireland (1670–1738), Ruairidh Dall Morison from Scotland (1646–1725) and John Parry (Bardd Alaw)
John Parry (Bardd Alaw)
John Parry , commonly known by his bardic name "Bardd Alaw", was a Welsh harpist and composer.-Biography:Parry was born in Denbigh, in northern Wales, the son of a stonemason...
from Wales (1760–1765). It has been suggested that this is because blind people were encouraged to take up a musical instrument.
Recordings
Many artists have recorded this song including:- Nic JonesNic JonesNicolas Paul "Nic" Jones is an English folk singer, fingerstyle guitarist and fiddle player whose professional career spanned the years 1964-1982. He recorded five solo albums, and was a frequent guest performer.-Biography:...
on From the Devil to a Stranger (1978) - Jamie McMenemy on The Road to Kerrigouarch'h (1981)
- Robin WilliamsonRobin WilliamsonRobin Williamson is a Scottish multi-instrumentalist musician, singer, songwriter and storyteller, who first made his name as a founder member of The Incredible String Band.-Career:...
on Legacy of the Scottish Harpers (1984) - Golden Bough on The Boatman’s Daughter (1992)
- Martin CarthyMartin CarthyMartin Carthy MBE is an English folk singer and guitarist who has remained one of the most influential figures in British traditional music, inspiring contemporaries such as Bob Dylan and Paul Simon and later artists such as Richard Thompson since he emerged as a young musician in the early days...
& Dave SwarbrickDave SwarbrickDave Swarbrick is an English folk musician and singer-songwriter. He has been described by Ashley Hutchings as 'the most influential [British] fiddle player bar none' and his style has been copied or developed by almost every British, and many World folk violin players that have followed him...
on Life and Limb (1990) - The DublinersThe DublinersThe Dubliners are an Irish folk band founded in 1962.-Formation and history:The Dubliners, initially known as "The Ronnie Drew Ballad Group", formed in 1962 and made a name for themselves playing regularly in O'Donoghue's Pub in Dublin...
on Festival Of Irish Music Vol. II (1994) - Richard Hayes Phillips on Blessing in Disguise (1998)
- Paddy Tutty on The Roving Jewel (2000)
- Kate RusbyKate RusbyKate Anna Rusby is an English folk singer and songwriter from Penistone, South Yorkshire. Sometimes known as The Barnsley Nightingale, she has headlined various British national folk festivals, and is regarded as one of the most famous English folk singers of contemporary times...
on Underneath The Stars (2003) - Emily SmithEmily Smith (singer)Emily Smith is a Scottish folk singer from Dumfries and Galloway. She went to school at Wallace Hall Academy and has a degree in Scottish music from The Royal Scottish Academy of Music and Drama. She is married to New Zealand-born fiddle player Jamie McClennan.Dumfries & Galloway's EMILY SMITH is...
on A Different Life (2005) - MerventMerventMervent is a commune in the Vendée department in the Pays de la Loire region in western France....
on Mervent (2006)
Lyrics
The Lochmaben HarperThere was a jolly harper-man,
That harped aye frae toun to toun;
A wager he made, with two knights he laid
To steal King Henry's Wanton Brown.
Sir Roger he wagered five ploughs o land,
Sir Charles wagered five thousand pound,
And John he's taen the deed in hand,
To steal King Henry's Wanton Brown.
He's taen his harp into his hand,
And he gaed harping thro the toun,
And as the king in his palace sat,
His ear was touched wi the soun.
'Come in, come in, ye harper-man,
Some o your harping let me hear;'
'Indeed, my liege, and by your grace,
I'd rather hae stabling to my mare.'
'Ye'll gang to yon outer court,
That stands a little below the toun;
Ye'll find a stable snug and neat,
Where stands my stately Wanton Brown.'
He's down him to the outer court,
That stood a little below the toun;
There found a stable snug and neat,
For stately stood the Wanton Brown.
Then he has fixd a good strong cord
Unto his grey mare's bridle-rein,
And tied it unto that steed's tail,
Syne shut the stable-door behin.
Then he harped on, and he carped on,
Till all were fast asleep;
Then down thro bower and ha he's gone,
Even on his hands and feet.
He's to yon stable snug and neat,
That lay a little below the toun;
For there he placed his ain grey mare,
Alang wi Henry's Wanton Brown.
'Ye'll do you down thro mire and moss,
Thro mony bog and lairy hole;
But never miss your Wanton slack;
Ye'll gang to Mayblane, to your foal.'
As soon's the door he had unshut,
The mare gaed prancing frae the town,
An at her bridle-rein was tied
Henry's statey Wanton Brown.
Then she did rin thro mire an moss,
Thro mony bog an miery hole;
But never missed her Wanton slack
Till she reachd Mayblane, to her foal.
When the king awaked from sleep
He to the harper-man did say,
O waken ye, waken ye, jolly John,
We've fairly slept till it is day.
'Win up, win up, ye harper-man,
Some mair o harping ye'll gie me:'
He said, My liege, wi a' my heart,
But first my gude grey mare maun see.
Then forth he ran, and in he came,
Dropping mony a feigned tear:
'Some rogue[s] hae broke the outer court,
An stown awa my gude grey mare.'
'Then by my sooth,' the king replied,
'If there's been rogues into the toun,
I fear, as well as your grey mare,
Awa is my stately Wanton Brown.'
'My loss is great,' the harper said,
'My loss is twice as great, I fear;
In Scotland I lost a gude grey steed,
An here I've lost a gude grey mare.'
'Come on, come on, ye harper-man,
Some o your music lat me hear;
Well paid ye'se be, John, for the same,
An likewise for your gude grey mare.'
When that John his money received,
Then he went harping frae the toun,
But little did King Henry ken
He'd stown awa his Wanton Brown.
The knights then lay ower castle-wa,
An they beheld baith dale an down,
An saw the jolly harper-man
Come harping on to Striveling toun.
Then, 'By my sooth,' Sir Roger said,
'Are ye returned back to toun?
Idoubt my lad ye hae ill sped
Of stealing o the Wanton Brown.'
'I hae been into fair England,
An even into Lunan toun,
An in King Henry's outer court,
An stown awa the Wanton Brown.'
'Ye lie, ye lie,' Sir Charles he said,
'An aye sae loud's I hear ye lie;
Twall armed men, in armour bright,
They guard the stable night and day.'
'But I did harp them all asleep,
An managed my business cunninglie;
If ye make light o what I say,
Come to my stable an ye'll see.
'My music pleasd the king sae well
Mair o my harping he wishd to hear;
An for the same he paid me well,
And also for my gude grey mare.'
Then he drew out a gude lang purse,
Well stored wi gowd an white monie,
An in a short time after this
The Wanton Brown he lat them see.
Sir Roger produced his ploughs o land,
Sir Charles produced his thousand pounds,
Then back to Henry, the English king,
Restored the stately Wanton Brown.
