The Madwoman in the Attic
Encyclopedia
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, published in 1979, examines Victorian literature
from a feminist perspective. Authors Sandra Gilbert
and Susan Gubar
draw their title from Charlotte Brontë
's Jane Eyre
, in which Rochester's mad wife Bertha stays locked in the attic.
, Mary Shelley
, Charlotte
and Emily Brontë
, George Eliot
, Elizabeth Barrett Browning
, Christina Rossetti
and Emily Dickinson
.
In the work, Gilbert and Gubar examine the notion that women writers of the 19th Century were confined in their writing to make their female characters either embody the "angel" or the "monster." This struggle stemmed from male writers' tendencies to categorize female characters as either pure, angelic women, or rebellious, unkempt madwomen. In their argument, Gilbert and Gubar point to Virginia Woolf who says women writers must "kill the aesthetic ideal through which they themselves have been 'killed' into art". While it may be easy to construe that feminist writers embody the "madwoman" or "monster," Gilbert and Gubar stressed the importance of killing off both figures because neither the angel nor the monster are accurate representations of women or women writers. Instead, Gilbert and Gubar claimed that female writers should strive for definition beyond this dichotomy, whose options are limited by a patriarchal point of view.
literary criticism
. While some would argue that it has become outdated, or that the metaphoric framework outlined by Gilbert and Gubar is decidedly limiting, it nonetheless remains an important and still influential, if not foundational feminist work.
Originally published in 1979, the book is now in its second edition (2000), the first from Yale
University and second from Yale Nota Bene press.
Victorian literature
Victorian literature is the literature produced during the reign of Queen Victoria . It forms a link and transition between the writers of the romantic period and the very different literature of the 20th century....
from a feminist perspective. Authors Sandra Gilbert
Sandra Gilbert
Sandra M. Gilbert , Professor Emerita of English at the University of California, Davis, is an influential literary critic and poet who has published widely in the fields of feminist literary criticism, feminist theory, and psychoanalytic criticism...
and Susan Gubar
Susan Gubar
Dr. Susan D. Gubar is an American academic and Distinguished Professor of English and Women's Studies at Indiana University. She is co-author with Dr. Sandra M. Gilbert of the standard feminist text, The Madwoman in the Attic and a trilogy on women's writing in the twentieth century.Her book...
draw their title from Charlotte Brontë
Charlotte Brontë
Charlotte Brontë was an English novelist and poet, the eldest of the three Brontë sisters who survived into adulthood, whose novels are English literature standards...
's Jane Eyre
Jane Eyre
Jane Eyre is a novel by English writer Charlotte Brontë. It was published in London, England, in 1847 by Smith, Elder & Co. with the title Jane Eyre. An Autobiography under the pen name "Currer Bell." The first American edition was released the following year by Harper & Brothers of New York...
, in which Rochester's mad wife Bertha stays locked in the attic.
The Text
The text specifically examines Jane AustenJane Austen
Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature, her realism and biting social commentary cementing her historical importance among scholars and critics.Austen lived...
, Mary Shelley
Mary Shelley
Mary Shelley was a British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus . She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley...
, Charlotte
Charlotte Brontë
Charlotte Brontë was an English novelist and poet, the eldest of the three Brontë sisters who survived into adulthood, whose novels are English literature standards...
and Emily Brontë
Emily Brontë
Emily Jane Brontë 30 July 1818 – 19 December 1848) was an English novelist and poet, best remembered for her only novel, Wuthering Heights, now considered a classic of English literature. Emily was the third eldest of the four surviving Brontë siblings, between the youngest Anne and her brother...
, George Eliot
George Eliot
Mary Anne Evans , better known by her pen name George Eliot, was an English novelist, journalist and translator, and one of the leading writers of the Victorian era...
, Elizabeth Barrett Browning
Elizabeth Barrett Browning
Elizabeth Barrett Browning was one of the most prominent poets of the Victorian era. Her poetry was widely popular in both England and the United States during her lifetime. A collection of her last poems was published by her husband, Robert Browning, shortly after her death.-Early life:Members...
, Christina Rossetti
Christina Rossetti
Christina Georgina Rossetti was an English poet who wrote a variety of romantic, devotional, and children's poems...
and Emily Dickinson
Emily Dickinson
Emily Elizabeth Dickinson was an American poet. Born in Amherst, Massachusetts, to a successful family with strong community ties, she lived a mostly introverted and reclusive life...
.
In the work, Gilbert and Gubar examine the notion that women writers of the 19th Century were confined in their writing to make their female characters either embody the "angel" or the "monster." This struggle stemmed from male writers' tendencies to categorize female characters as either pure, angelic women, or rebellious, unkempt madwomen. In their argument, Gilbert and Gubar point to Virginia Woolf who says women writers must "kill the aesthetic ideal through which they themselves have been 'killed' into art". While it may be easy to construe that feminist writers embody the "madwoman" or "monster," Gilbert and Gubar stressed the importance of killing off both figures because neither the angel nor the monster are accurate representations of women or women writers. Instead, Gilbert and Gubar claimed that female writers should strive for definition beyond this dichotomy, whose options are limited by a patriarchal point of view.
Feminist Criticism
Over 700 pages long, the work is a landmark in feministFeminist literary criticism
Feminist literary criticism is literary criticism informed by feminist theory, or by the politics of feminism more broadly. Its history has been broad and varied, from classic works of nineteenth-century women authors such as George Eliot and Margaret Fuller to cutting-edge theoretical work in...
literary criticism
Literary criticism
Literary criticism is the study, evaluation, and interpretation of literature. Modern literary criticism is often informed by literary theory, which is the philosophical discussion of its methods and goals...
. While some would argue that it has become outdated, or that the metaphoric framework outlined by Gilbert and Gubar is decidedly limiting, it nonetheless remains an important and still influential, if not foundational feminist work.
Originally published in 1979, the book is now in its second edition (2000), the first from Yale
YALE
RapidMiner, formerly YALE , is an environment for machine learning, data mining, text mining, predictive analytics, and business analytics. It is used for research, education, training, rapid prototyping, application development, and industrial applications...
University and second from Yale Nota Bene press.