The Mark of the Whistler
Encyclopedia
The Mark of the Whistler is a 1944 American crime film noir
Film noir
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as extending from the early 1940s to the late 1950s...

 based on the radio drama
Radio drama
Radio drama is a dramatized, purely acoustic performance, broadcast on radio or published on audio media, such as tape or CD. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story...

 The Whistler
The Whistler
The Whistler was an American radio mystery drama which ran from May 16, 1942 until September 22, 1955. It was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." The program was adapted into a film noir series by Columbia Pictures in...

. It was directed by William Castle
William Castle
William Castle was an American film director, producer, screenwriter, and actor. Castle was known for directing films with many gimmicks which were ambitiously promoted, despite being reasonably low budget B-movies....

 and features Richard Dix
Richard Dix
Richard Dix was an American motion picture actor who achieved popularity in both silent and sound film. His standard on-screen image was that of the rugged and stalwart hero.-Early life:...

 and Janis Carter
Janis Carter
Janis Carter was a film and television actress working in the 1940s and 1950s.After attending Mather College in Cleveland, Ohio, Carter headed to New York in an attempt to start an opera career. Although unsuccessful in opera, she was working on Broadway where she was spotted on stage by Darryl F...

, among others. It is the second of eight Whistler films starring Richard Dix produced in the 1940s.

Synopsis

A drifter claims the money in an dormant bank account. Later, he becomes the target of men who are the sons of the man's old partner, who is now in prison due to a conflict with him over the money.

Cast

  • Richard Dix
    Richard Dix
    Richard Dix was an American motion picture actor who achieved popularity in both silent and sound film. His standard on-screen image was that of the rugged and stalwart hero.-Early life:...

     as Lee Selfridge Nugent
  • Janis Carter
    Janis Carter
    Janis Carter was a film and television actress working in the 1940s and 1950s.After attending Mather College in Cleveland, Ohio, Carter headed to New York in an attempt to start an opera career. Although unsuccessful in opera, she was working on Broadway where she was spotted on stage by Darryl F...

     as Patricia Henley
  • Porter Hall
    Porter Hall
    Porter Hall was an American character actor known for appearing in a number of films in the 1930s and 1940s...

     as Joe Sorsby
  • Paul Guilfoyle as 'Limpy' Smith
  • John Calvert
    John Calvert (magician)
    Madren Elbern "John" Calvert is an American magician who has performed on stage for eight decades both in the United States and worldwide. He is also a film actor who appeared in numerous movies...

     as Eddie Donnelly
  • Matt Willis as Perry Donnelly

Reception

Bosley Crowther
Bosley Crowther
Bosley Crowther was a journalist and author who was film critic for The New York Times for 27 years. His reviews and articles helped shape the careers of actors, directors and screenwriters, though his reviews, at times, were unnecessarily mean...

, the film critic for the New York Times, gave the film a mixed review, writing "The dodges by which a fellow successfully stakes a phony claim to a dormant account in a savings bank and swindles $29,000 lend some fair to middling interest to Columbia's latest Whistler-series film—one called The Mark of the Whistler...In this dubious demonstration, the film does present a criminal case with the patient documentation familiar in crime-and-punishment shorts. But the things that happen to this defrauder after he has got the cash are just the claptrap of cheap melodrama—and they are bluntly presented that way."
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