The Princess and the Pea
Encyclopedia
"The Princess and the Pea" is a literary fairy tale by Hans Christian Andersen
about a young woman whose royal identity is established by a test of her physical sensitivity. The tale was first published with three others by Andersen in an inexpensive booklet on 8 May 1835 in Copenhagen by C.A. Reitzel.
Andersen had heard the story as a child, and it likely has its source in folk material, possibly originating from Sweden as it is unknown in the Danish oral tradition. Neither "The Princess and the Pea" nor Andersen's other tales of 1835 were well received by Danish critics, who disliked their casual, chatty style, and their lack of morals.
In 1959 "The Princess and the Pea" was adapted to the musical stage in a production called Once Upon a Mattress
starring Carol Burnett
.
s—that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her. The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum.
, E. T. A. Hoffmann, and other precursors. The earliest reviews criticized Andersen for not following such models. In the second volume of the 1863 edition of his collected works Andersen remarked in the preface: "The style should be such that one hears the narrator. Therefore, the language had to be similar to the spoken word; the stories are for children, but adults too should be able to listen in."
Although no materials appear to exist specifically addressing the composition of "The Princess and the Pea", Andersen does speak to the writing of the first four tales of 1835 of which "The Princess on the Pea" was one. New Year's Day 1835, Andersen wrote to a friend: "I am now starting on some 'fairy tales for children.' I am going to win over future generations, you may want to know", and, in a letter dated February 1835 he wrote to the poet, Bernhard Severin Ingemann
: "I have started some 'Fairy Tales Told for Children' and believe I have succeeded. I have told a couple of tales which as a child I was happy about, and which I do not believe are known, and have written them exactly the way I would tell them to a child." Andersen had finished the tales by March 1835 and told Admiral Wulff's daughter, Henriette: "I have also written some fairy tales for children; Ørsted says about them that if The Improvisatore
makes me famous than these will make me immortal, for they are the most perfect things I have written; but I myself do not think so." On 26 March, he observed that "[the fairy tales] will be published in April, and people will say: the work of my immortality! Of course I shan't enjoy the experience in this world."
s (US$450 as of 2009). A second edition was published in 1842, and a third in 1845. "The Princess and the Pea" was reprinted on 18 December 1849 in Tales. 1850. with illustrations by Vilhelm Pedersen
. The story was published again on 15 December 1862, in Tales and Stories. First Volume. 1862.
The first Danish reviews of Andersen's 1835 tales appeared in 1836, and were hostile. Critics disliked the informal, chatty style, and the lack of morals, and offered Andersen no encouragement. One literary journal failed to mention the tales at all, while another advised Andersen not to waste his time writing "wonder stories". He was told he "lacked the usual form of that kind of poetry ... and would not study models". Andersen felt he was working against their preconceived notions of what a fairy tale should be and returned to writing novels, believing it to be his true calling.
were mythologized by the storyteller in the tale of "The Princess and the Pea", with Andersen himself the morbidly sensitive princess who can feel a pea through 20 mattresses.
Maria Tatar
notes that, unlike the folk heroine of his source material for the story, Andersen's princess has no need to resort to deceit to establish her identity; her sensitivity is enough to validate her nobility. For Andersen, she indicates, "true" nobility derived not from an individual's birth but from their sensitivity. Andersen's insistence upon sensitivity as the exclusive privilege of nobility challenges modern notions about character and social worth. The princess's sensitivity, however, may be a metaphor for her depth of feeling and compassion.
"The Princess and the Pea" was not uniformly well-received by critics. Toksvig wrote in 1934, "[the story] seems to the reviewer not only indelicate but indefensible, in so far as the child might absorb the false idea that great ladies must always be so terribly thin-skinned." Tatar notes that the princess's sensitivity has been interpreted as poor manners rather than a manifestation of noble birth, a view said to be based on "the cultural association between women's physical sensitivity and emotional sensitivity, specifically, the link between a woman reporting her physical experience of touch and negative images of women who are hypersensitive to physical conditions, who complain about trivialities, and who demand special treatment".
Researcher Jack Zipes
notes that the tale is told tongue-in-cheek, with Andersen poking fun at the "curious and ridiculous" measures taken by the nobility to establish the value of bloodlines. He also notes that the author makes a case for sensitivity being the decisive factor in determining royal authenticity and that Andersen "never tired of glorifying the sensitive nature of an elite class of people".
, with comedienne Carol Burnett
playing the play's heroine, Princess Winnifred the Woebegone. The musical was revived in 1997 with Sarah Jessica Parker
in the role. A television adaptation of "The Princess and the Pea" starred Liza Minnelli
in a Faerie Tale Theatre episode in 1984. The story has been adapted to two films, one full-length animation film
in 2002, and a 6-minute IMAX
production in 2001.
by Somadeva tells of a young man who claims to be especially fastidious about beds. After sleeping in a bed on top of seven mattresses, and newly made with clean sheets, the young man rises in great pain. A crooked red mark is discovered on his body, and upon investigation a hair is found on the bottom-most mattress of the bed. An Italian tale called "The Most Sensitive Woman" tells of a woman whose foot is bandaged after a jasmine petal falls upon it. The Brothers Grimm
included a "Princess on the Pea" tale in an edition of their Kinder- und Hausmärchen
, but removed it after they discovered that it belonged to the Danish literary tradition. A few folk tales feature a boy discovering a pea or a bean assumed to be of great value. After the boy enters a castle and is given a bed of straw for the night he tosses and turns in his sleep, attempting to guard his treasure. Some observers are persuaded that the boy is restless because he is unaccustomed to sleeping on straw, and is therefore of aristocratic blood.
Hans Christian Andersen
Hans Christian Andersen was a Danish author, fairy tale writer, and poet noted for his children's stories. These include "The Steadfast Tin Soldier," "The Snow Queen," "The Little Mermaid," "Thumbelina," "The Little Match Girl," and "The Ugly Duckling."...
about a young woman whose royal identity is established by a test of her physical sensitivity. The tale was first published with three others by Andersen in an inexpensive booklet on 8 May 1835 in Copenhagen by C.A. Reitzel.
Andersen had heard the story as a child, and it likely has its source in folk material, possibly originating from Sweden as it is unknown in the Danish oral tradition. Neither "The Princess and the Pea" nor Andersen's other tales of 1835 were well received by Danish critics, who disliked their casual, chatty style, and their lack of morals.
In 1959 "The Princess and the Pea" was adapted to the musical stage in a production called Once Upon a Mattress
Once Upon a Mattress
Once Upon a Mattress is a musical comedy with music by Mary Rodgers, lyrics by Marshall Barer and book by Jay Thompson, Dean Fuller, and Marshall Barer. It opened off-Broadway in May 1959, and then moved to Broadway...
starring Carol Burnett
Carol Burnett
Carol Creighton Burnett is an American actress, comedian, singer, dancer and writer. Burnett started her career in New York. After becoming a hit on Broadway, she made her television debut...
.
Plot
The story tells of a prince who wants to marry a princess, but is having difficulty finding a suitable wife. Something is always wrong with those he meets, and he cannot be certain they are real princesses. One stormy night (always a harbinger of either a life-threatening situation or the opportunity for a romantic alliance in Andersen's stories), a young woman drenched with rain seeks shelter in the prince's castle. She claims to be a princess, so the prince's mother decides to test their unexpected guest by placing a pea in the bed she is offered for the night, covered by 20 mattresses and 20 featherbeds. In the morning the guest tells her hosts—in a speech colored with double entendreDouble entendre
A double entendre or adianoeta is a figure of speech in which a spoken phrase is devised to be understood in either of two ways. Often the first meaning is straightforward, while the second meaning is less so: often risqué or ironic....
s—that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her. The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum.
Sources
In his preface to the second volume of Tales and Stories (1863) Andersen claims to have heard the story in his childhood, but the tale has never been a traditional one in Denmark. He may as a child have heard a Swedish version, "Princess Who Lay on Seven Peas", which tells of an orphan girl who establishes her identity after a sympathetic helper (a cat or a dog) informs her that an object (a bean, a pea, or a straw) had been placed under her mattress.Composition
Andersen deliberately cultivated a humorous and colloquial style in the tales of 1835, reminiscent of oral storytelling techniques rather than the sophisticated literary devices of the fairy tales written by les précieusesPrécieuses
The French literary style called préciosité arose in the 17th century from the lively conversations and playful word games of les précieuses , the witty and educated intellectual ladies who frequented the salon of Catherine de Vivonne, marquise de Rambouillet; her Chambre bleue offered a...
, E. T. A. Hoffmann, and other precursors. The earliest reviews criticized Andersen for not following such models. In the second volume of the 1863 edition of his collected works Andersen remarked in the preface: "The style should be such that one hears the narrator. Therefore, the language had to be similar to the spoken word; the stories are for children, but adults too should be able to listen in."
Although no materials appear to exist specifically addressing the composition of "The Princess and the Pea", Andersen does speak to the writing of the first four tales of 1835 of which "The Princess on the Pea" was one. New Year's Day 1835, Andersen wrote to a friend: "I am now starting on some 'fairy tales for children.' I am going to win over future generations, you may want to know", and, in a letter dated February 1835 he wrote to the poet, Bernhard Severin Ingemann
Bernhard Severin Ingemann
Bernhard Severin Ingemann was a Danish novelist and poet.Ingemann was born in Thorkildstrup, on the island of Falster, Denmark. The son of a vicar, he was left fatherless in his youth. While a student at the University of Copenhagen he published his first collection of poems Bernhard Severin...
: "I have started some 'Fairy Tales Told for Children' and believe I have succeeded. I have told a couple of tales which as a child I was happy about, and which I do not believe are known, and have written them exactly the way I would tell them to a child." Andersen had finished the tales by March 1835 and told Admiral Wulff's daughter, Henriette: "I have also written some fairy tales for children; Ørsted says about them that if The Improvisatore
The Improvisatore
The Improvisatore is an autobiographical novel by Hans Christian Andersen . First published in 1835, it was an immediate success and is considered to be Andersen's breakthrough...
makes me famous than these will make me immortal, for they are the most perfect things I have written; but I myself do not think so." On 26 March, he observed that "[the fairy tales] will be published in April, and people will say: the work of my immortality! Of course I shan't enjoy the experience in this world."
Publication
"The Princess and the Pea" was first published in Copenhagen, Denmark by C.A. Reitzel on 8 May 1835 in an unbound 61-page booklet called Tales, Told for Children. First Collection. First Booklet. 1835. (Eventyr, fortalte for Børn. Første Samling. Første Hefte. 1835.). "The Princess and the Pea" was the third tale in the collection, with "The Tinderbox" ("Fyrtøiet"), "Little Claus and Big Claus" ("Lille Claus og store Claus"), and "Little Ida's Flowers" ("Den lille Idas Blomster"). The booklet was priced at twenty-four shillings (the equivalent of 25 Dkr. or approximately US$5 as of 2009), and the publisher paid Andersen 30 rixdollarRixdollar
Rixdollar is the English term for silver coinage used throughout the European continent .The same term was also used of currency in Cape Colony and Ceylon. However, the Rixdollar only existed as a coin in Ceylon. Unissued remainder banknotes for the Cape of Good Hope denominated in Rixdollars...
s (US$450 as of 2009). A second edition was published in 1842, and a third in 1845. "The Princess and the Pea" was reprinted on 18 December 1849 in Tales. 1850. with illustrations by Vilhelm Pedersen
Vilhelm Pedersen
Thomas Vilhelm Pedersen was a Danish artist best known for being the first artist to illustrate the fairy tales of Hans Christian Andersen....
. The story was published again on 15 December 1862, in Tales and Stories. First Volume. 1862.
The first Danish reviews of Andersen's 1835 tales appeared in 1836, and were hostile. Critics disliked the informal, chatty style, and the lack of morals, and offered Andersen no encouragement. One literary journal failed to mention the tales at all, while another advised Andersen not to waste his time writing "wonder stories". He was told he "lacked the usual form of that kind of poetry ... and would not study models". Andersen felt he was working against their preconceived notions of what a fairy tale should be and returned to writing novels, believing it to be his true calling.
English translation
Charles Boner was the first to translate "The Princess and the Pea" into English, working from a German translation that had increased Andersen's lone pea to a trio of peas in an attempt to make the story more credible, an embellishment also added by another early English translator, Caroline Peachey. Boner's translation was published as "The Princess on the Peas" in A Danish Story-Book in 1846. Boner has been accused of missing the satire of the tale by ending with the rhetorical question, "Now was not that a lady of exquisite feeling?" rather than Andersen's joke of the pea being placed in the Royal Museum. Boner and Peachey's work established the standard for English translations of the fairy tales, which, for almost a century, as Wullschlager notes, "continued to range from the inadequate to the abysmal".Commentaries
Wullschlager observes that in "The Princess and the Pea" Andersen blended his childhood memories of a primitive world of violence, death, and inexorable fate, with his social climber's private romance about the serene, secure and cultivated Danish bourgeoisie, which did not quite accept him as one of their own. The nervousness and humiliations Andersen suffered in the presence of the bourgeoisieBourgeoisie
In sociology and political science, bourgeoisie describes a range of groups across history. In the Western world, between the late 18th century and the present day, the bourgeoisie is a social class "characterized by their ownership of capital and their related culture." A member of the...
were mythologized by the storyteller in the tale of "The Princess and the Pea", with Andersen himself the morbidly sensitive princess who can feel a pea through 20 mattresses.
Maria Tatar
Maria Tatar
Maria Tatar is an American academic whose expertise lies in children's literature, German literature, and folklore. Tatar is the John L. Loeb Professor of Germanic Languages and Literatures, and Chair of Folklore & Mythology at Harvard University...
notes that, unlike the folk heroine of his source material for the story, Andersen's princess has no need to resort to deceit to establish her identity; her sensitivity is enough to validate her nobility. For Andersen, she indicates, "true" nobility derived not from an individual's birth but from their sensitivity. Andersen's insistence upon sensitivity as the exclusive privilege of nobility challenges modern notions about character and social worth. The princess's sensitivity, however, may be a metaphor for her depth of feeling and compassion.
"The Princess and the Pea" was not uniformly well-received by critics. Toksvig wrote in 1934, "[the story] seems to the reviewer not only indelicate but indefensible, in so far as the child might absorb the false idea that great ladies must always be so terribly thin-skinned." Tatar notes that the princess's sensitivity has been interpreted as poor manners rather than a manifestation of noble birth, a view said to be based on "the cultural association between women's physical sensitivity and emotional sensitivity, specifically, the link between a woman reporting her physical experience of touch and negative images of women who are hypersensitive to physical conditions, who complain about trivialities, and who demand special treatment".
Researcher Jack Zipes
Jack Zipes
Jack David Zipes is an American retired Professor of German at the University of Minnesota, who has published and lectured on the subject of fairy tales, their evolution, and their social and political role in civilizing processes...
notes that the tale is told tongue-in-cheek, with Andersen poking fun at the "curious and ridiculous" measures taken by the nobility to establish the value of bloodlines. He also notes that the author makes a case for sensitivity being the decisive factor in determining royal authenticity and that Andersen "never tired of glorifying the sensitive nature of an elite class of people".
Adaptations
"The Princess and the Pea" was adapted to the musical stage in 1959 as Once Upon a MattressOnce Upon a Mattress
Once Upon a Mattress is a musical comedy with music by Mary Rodgers, lyrics by Marshall Barer and book by Jay Thompson, Dean Fuller, and Marshall Barer. It opened off-Broadway in May 1959, and then moved to Broadway...
, with comedienne Carol Burnett
Carol Burnett
Carol Creighton Burnett is an American actress, comedian, singer, dancer and writer. Burnett started her career in New York. After becoming a hit on Broadway, she made her television debut...
playing the play's heroine, Princess Winnifred the Woebegone. The musical was revived in 1997 with Sarah Jessica Parker
Sarah Jessica Parker
Sarah Jessica Parker is an American film, television, and theater actress and producer.She is best known for her leading role as Carrie Bradshaw on the HBO television series Sex and the City , for which she won four Golden Globe Awards, three Screen Actors Guild Awards, and two Emmy Awards...
in the role. A television adaptation of "The Princess and the Pea" starred Liza Minnelli
Liza Minnelli
Liza May Minnelli is an American actress and singer. She is the daughter of singer and actress Judy Garland and film director Vincente Minnelli....
in a Faerie Tale Theatre episode in 1984. The story has been adapted to two films, one full-length animation film
The Princess and the Pea (2002 Film)
The Princess and the Pea is an animation film adaptation of the popular fairy tale The Princess and the Pea by Hans Christian Andersen. The film was directed by Mark Swan. It was released August 16, 2002 as an American-Hungarian production of Feature Films for Families & Swan Productions. The...
in 2002, and a 6-minute IMAX
IMAX
IMAX is a motion picture film format and a set of proprietary cinema projection standards created by the Canadian company IMAX Corporation. IMAX has the capacity to record and display images of far greater size and resolution than conventional film systems...
production in 2001.
Similar tales
Tales of extreme sensitivity are infrequent in world culture but a few have been recorded. The 11th-century KathasaritsagaraKathasaritsagara
Kathasaritsagara is a famous 11th-century collection of Indian legends, fairy tales and folk tales as retold by a Saivite Brahmin named Somadeva....
by Somadeva tells of a young man who claims to be especially fastidious about beds. After sleeping in a bed on top of seven mattresses, and newly made with clean sheets, the young man rises in great pain. A crooked red mark is discovered on his body, and upon investigation a hair is found on the bottom-most mattress of the bed. An Italian tale called "The Most Sensitive Woman" tells of a woman whose foot is bandaged after a jasmine petal falls upon it. The Brothers Grimm
Brothers Grimm
The Brothers Grimm , Jacob Grimm and Wilhelm Grimm , were German academics, linguists, cultural researchers, and authors who collected folklore and published several collections of it as Grimm's Fairy Tales, which became very popular...
included a "Princess on the Pea" tale in an edition of their Kinder- und Hausmärchen
Grimm's Fairy Tales
Children's and Household Tales is a collection of German origin fairy tales first published in 1812 by Jacob and Wilhelm Grimm, the Brothers Grimm. The collection is commonly known today as Grimms' Fairy Tales .-Composition:...
, but removed it after they discovered that it belonged to the Danish literary tradition. A few folk tales feature a boy discovering a pea or a bean assumed to be of great value. After the boy enters a castle and is given a bed of straw for the night he tosses and turns in his sleep, attempting to guard his treasure. Some observers are persuaded that the boy is restless because he is unaccustomed to sleeping on straw, and is therefore of aristocratic blood.
External links
- "Prinsessen på ærten" Original Danish text
- "The Princess and the Pea" English translation by Jean HersholtJean HersholtJean Pierre Hersholt was a Danish-born actor who lived in the United States, where he was a leading film and radio talent, best known for his 17 years starring on radio in Dr. Christian and for playing Shirley Temple's grandfather in Heidi...
- Archived audio version of the story