The Second of May 1808
Encyclopedia
The Second of May 1808, also known as The Charge of the Mamelukes, is a painting by the Spanish master Francisco de Goya. It is a companion to the painting The Third of May 1808
The Third of May 1808
The Third of May 1808 is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid. In the work, Goya sought to commemorate Spanish resistance to Napoleon's armies during the occupation of 1808...

. The painting depicts a scene during the May 2nd Uprising in Madrid, at the Calle de Alcalá
Calle de Alcalá
Calle de Alcalá is the longest street in Madrid. It starts at the Puerta del Sol and goes on for 10.5 km, to the northeastern outskirts of the city....

 near Puerta del Sol
Puerta del Sol
The Puerta del Sol is one of the best known and busiest places in Madrid. This is the centre of the radial network of Spanish roads. The square also contains the famous clock whose bells mark the traditional eating of the Twelve Grapes and the beginning of a new year...

.

Painted in 1814 in the space of two months, today both are displayed in Madrid's Museo del Prado
Museo del Prado
The Museo del Prado is the main Spanish national art museum, located in central Madrid. It features one of the world's finest collections of European art, from the 12th century to the early 19th century, based on the former Spanish Royal Collection, and unquestionably the best single collection of...

.

Background

Goya witnessed first hand the French occupation of Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...

 in 1808, when Napoleon
Napoleon I
Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...

 used the pretext of reinforcing his army in Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...

 to seize the Spanish throne, leaving his brother Joseph
Joseph Bonaparte
Joseph-Napoléon Bonaparte was the elder brother of Napoleon Bonaparte, who made him King of Naples and Sicily , and later King of Spain...

 in power. Attempts to remove members of the Spanish royal family from Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...

 provoked a widespread rebellion. This popular uprising occurred between the second and third of May 1808, when suppressed by forces under Maréchal Joachim Murat
Joachim Murat
Joachim-Napoléon Murat , Marshal of France and Grand Admiral or Admiral of France, 1st Prince Murat, was Grand Duke of Berg from 1806 to 1808 and then King of Naples from 1808 to 1815...

.

The Second of May 1808 depicts the beginning of the uprising when the elite Mamelukes of the French Imperial Guard are ordered to charge and subdue the rioting citizens. The crowd sees the Mamelukes as Moors
Moors
The description Moors has referred to several historic and modern populations of the Maghreb region who are predominately of Berber and Arab descent. They came to conquer and rule the Iberian Peninsula for nearly 800 years. At that time they were Muslim, although earlier the people had followed...

, provoking an angry response. Instead of dispersing, the crowd turned on the charging Mamelukes, resulting in a ferocious melee.

The painting

Goya was probably not present during the Charge of the Mamelukes. His supposed presence was first suggested in a book published 40 years after his death, reporting on conversations the author claimed to have had with Goya's gardener. His paintings were commissioned in 1814, after the expulsion of Napoleon's army from Spain, by the council governing Spain until the return of Ferdinand VII. He chose to portray the citizens of Madrid as unknown heroes using the crudest of weapons, such as knives to attack a professional, occupying army. That did not please the king (Ferdinand VII) when he returned, so the paintings were not hung publicly until many years (and governments) later.

Goya chose not to paint any single action or to have any single focal point. His dramatically chaotic scene evokes realism or actuality.

Damage

During the Spanish Civil War
Spanish Civil War
The Spanish Civil WarAlso known as The Crusade among Nationalists, the Fourth Carlist War among Carlists, and The Rebellion or Uprising among Republicans. was a major conflict fought in Spain from 17 July 1936 to 1 April 1939...

, when Madrid was bombed by Nationalist troops, the republican
Second Spanish Republic
The Second Spanish Republic was the government of Spain between April 14 1931, and its destruction by a military rebellion, led by General Francisco Franco....

 government decided to evacuate the paintings from the Prado
Museo del Prado
The Museo del Prado is the main Spanish national art museum, located in central Madrid. It features one of the world's finest collections of European art, from the 12th century to the early 19th century, based on the former Spanish Royal Collection, and unquestionably the best single collection of...

. A truck carrying Goya's paintings had an accident, and The Second of May was badly damaged: there were tears and even pieces missing. When the painting was later repaired, some damage was left unrepaired at its left border to remind viewers of the events of the civil war.

Sources

  • Hughes, Robert
    Robert Hughes (critic)
    Robert Studley Forrest Hughes, AO is an Australian-born art critic, writer and television documentary maker who has resided in New York since 1970.-Early life:...

    . Goya. New York: Alfred A. Knopf, 2004. ISBN 0-3945-8028-1
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