Timotheus of Miletus
Encyclopedia
Timotheus of Miletus was a Greek
musician and dithyrambic poet
, an exponent of the "new music." He added one or more strings to the lyre
, whereby he incurred the displeasure of the Sparta
ns and Athenians
(E. Curtius, Hist of Greece, bk. v. ch. 2). He composed musical works of a mythological and historical character.
He spent some years in the court of Archelaus I of Macedon
Fragments of Timotheus' poetry survive, published in T. Bergk, Poetae lyrici graeci. A papyrus-fragment of his Persians (possibly the oldest Greek papyrus
in existence), discovered at Abusir has been edited by U. von Wilamowitz-Mollendorff (1903), with discussion of the nome, metre, the number of strings of the lyre, date of the poet and fragment.
Timotheus in the court of Alexander the Great.
Rabelais speaks of the musician in Chapter 23 of Gargantua "Ponocrates also made him forget everything he learned with his former preceptors, as Timotheus did with those of his disciples who were trained by other musicians." Rabelais implies that Timoethus believed other musicians to have merely inculcated bad habits.
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
musician and dithyrambic poet
Poet
A poet is a person who writes poetry. A poet's work can be literal, meaning that his work is derived from a specific event, or metaphorical, meaning that his work can take on many meanings and forms. Poets have existed since antiquity, in nearly all languages, and have produced works that vary...
, an exponent of the "new music." He added one or more strings to the lyre
Lyre
The lyre is a stringed musical instrument known for its use in Greek classical antiquity and later. The word comes from the Greek "λύρα" and the earliest reference to the word is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists", written in Linear B syllabic script...
, whereby he incurred the displeasure of the Sparta
Sparta
Sparta or Lacedaemon, was a prominent city-state in ancient Greece, situated on the banks of the River Eurotas in Laconia, in south-eastern Peloponnese. It emerged as a political entity around the 10th century BC, when the invading Dorians subjugated the local, non-Dorian population. From c...
ns and Athenians
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
(E. Curtius, Hist of Greece, bk. v. ch. 2). He composed musical works of a mythological and historical character.
He spent some years in the court of Archelaus I of Macedon
Archelaus I of Macedon
Archelaus I was a king of Macedon from 413 to 399 BC. He was a capable and beneficent ruler, known for the sweeping changes he made in state administration, the military, and commerce. By the time that he died, Archelaus had succeeded in converting Macedon into a significantly stronger power...
Fragments of Timotheus' poetry survive, published in T. Bergk, Poetae lyrici graeci. A papyrus-fragment of his Persians (possibly the oldest Greek papyrus
Papyrus
Papyrus is a thick paper-like material produced from the pith of the papyrus plant, Cyperus papyrus, a wetland sedge that was once abundant in the Nile Delta of Egypt....
in existence), discovered at Abusir has been edited by U. von Wilamowitz-Mollendorff (1903), with discussion of the nome, metre, the number of strings of the lyre, date of the poet and fragment.
In literature
In post-Classical literature Timotheus of Miletus is sometimes confused with another famous musician, the auleteAulos
An aulos or tibia was an ancient Greek wind instrument, depicted often in art and also attested by archaeology.An aulete was the musician who performed on an aulos...
Timotheus in the court of Alexander the Great.
Rabelais speaks of the musician in Chapter 23 of Gargantua "Ponocrates also made him forget everything he learned with his former preceptors, as Timotheus did with those of his disciples who were trained by other musicians." Rabelais implies that Timoethus believed other musicians to have merely inculcated bad habits.