Tiriel (Blake)
Encyclopedia
Tiriel is a narrative poem
by William Blake
, written c.1789. Considered the first of his prophetic books
, it is also the first poem in which Blake used free septenaries
, which he would go on to use in much of his later verse. Tiriel was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti
's Poetical Works of William Blake. Although Blake did not engrave
the poem, he did make twelve sepia
drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.
and Heva revolted and abandoned their parents. Tiriel subsequently set himself up as a tyrant
in the west, driving one of his brothers, Ijim, into exile
in the wilderness
, and chaining the other, Zazel, in a cave in the mountains. Tiriel then made slaves
of his own children, until eventually, led by the eldest son, Heuxos, they too rebelled, overthrowing their father. Upon his demise, Tiriel refused their offer of refuge in the palace, and instead went into exile in the mountains with his wife, Myratana. Five years later, the poem begins with the now blind
Tiriel returning to the kingdom with his dying wife, as he wants his children to see her death, believing them to be responsible and cursing
them for betraying him five years previously; "Come you accursed sons./In my weak arms. I here have borne your dying mother/Come forth sons of the Curse come forth. see the death of Myratana" (1:7-9). Soon thereafter, Myratana dies, and Tiriel's children again ask him to remain with them but he refuses and wanders away, again cursing them and telling them he will have his revenge
;
After some time wandering, Tiriel eventually arrives at the "pleasant gardens" (2:10) of the Vales of Har, where he finds his parents, Har and Heva. However, they have both become senile
and have regressed to a childlike state to such an extent that they think their guardian, Mnetha, is their mother. Tiriel lies about who is he is, claiming that he was cast into exile by the gods, who then destroyed his race; "I am an aged wanderer once father of a race/Far in the north. but they were wicked & were all destroyd/And I their father sent an outcast" (2:44-46). Excited by the visit, Har and Heva invite Tiriel to help them catch birds and listen to Har's singing in the "great cage" (3:21). Tiriel refuses to stay, however, claiming his journey is not yet at an end, and resumes his wandering.
He travels into the forest and soon encounters his brother Ijim, who has recently been terrorised by a shapeshifting
spirit
to whom he refers as "the Hypocrite". Upon seeing Tiriel, Ijim immediately assumes that Tiriel is another manifestation of the spirit;
Tiriel assures Ijim that he is in fact the real Tiriel, but Ijim does not believe him, and decides to return to Tiriel's palace to see the real Tiriel and thus expose the spirit as an imposter; "Impudent fiend said Ijim hold thy glib & eloquent tongue/Tiriel is a king. & thou the tempter of dark Ijim" (4:36-37). However, upon arriving at the palace, Heuxos informs Ijim that the Tiriel with him is indeed the real Tiriel, but Ijim suspects that the entire palace and everyone in it is part of the spirit's deception; "Then it is true Heuxos that thou hast turnd thy aged parent/To be the sport of wintry winds. (said Ijim) is this true/It is a lie & I am like the tree torn by the wind/Thou eyeless fiend. & you dissemblers. Is this Tiriels house/It is as false as Matha
. & as dark as vacant Orcus
/Escape ye fiends for Ijim will not lift his hand against ye" (4:72-77). As such, Ijim leaves, and upon his departure, Tiriel, descending ever more rapidly into madness, curses his children even more passionately than before;
Upon this declamation, four of his five daughters and one hundred of his one hundred and thirty sons are destroyed, including Heuxos. Tiriel then demands that his youngest and only surviving daughter, Hela, lead him back to the Vales of Har. She reluctantly agrees, but on the journey she denounces him for his actions; "Silence thy evil tongue thou murderer of thy helpless children" (6:35). Tiriel responds in a rage, turning her locks of hair into snakes, although he vows that if she brings him to the Vales of Har, he will return her hair to normal. On the way through the mountains, as they pass the cave wherein lives Zazel and his sons, Hela's cries of lamentation awaken them, and they hurl dirt and stones at Tiriel and Hela, mocking them as they pass; "Thy crown is bald old man. The sun will dry thy brains away/And thou wilt be as foolish as thy foolish brother Zazel" (7:12-13). Eventually Tiriel and Hela reach the Vales of Har, but rather than celebrating his return, Tiriel condemns his parents, and the way they brought him up, declaring that his father's laws and his own wisdom now "end together in a curse" (8:8);
Upon this outburst, Tiriel then dies at his parents' feet; "He ceast outstretch'd at Har & Heva's feet in awful death" (8:29).
copy, located in the British Museum
. An eight-page document written in Blake's hand, the manuscript is inscribed "Tiriel / MS. by Mr Blake". It is believed that up to page 8, line 4 ("Lead me to Har & Heva I am Tiriel King of the west"), the poem is a fair copy, transcribed from somewhere else, but at 8:4 the quantity of corrections and alterations increases, and the writing becomes scribbled and in a different ink to the rest of the poem. This difference has led Erdman to argue that the later part of the poem was not transcribed, but was worked out in the manuscript itself, and may have been rushed. Additionally, many of the handwritten corrections, emendations and deletions in the parts of the poem prior to 8:4 are in the same ink as the lines after 8:4, suggesting Blake went back over the manuscript and revised earlier parts of it when he returned to finish it.
A considerable amount of material has been deleted by Blake in the manuscript. For example, when Tiriel initially arrives in the Vales of Har, he lies about his identity. In the poem as Blake left it, the scene reads "I am not of this region, said Tiriel dissemblingly/I am an aged wanderer once father of a race/Far in the north" (2:43-44). However, in the original manuscript, between these two lines is contained the line "Fearing to tell them who he was, because of the weakness of Har." Similarly, when Har recognises Tiriel he proclaims "Bless thy face for thou are Tiriel" (3:6), to which Tiriel responds "Tiriel I never saw but once I sat with him and ate" (3:7). Between these two lines were originally the lines "Tiriel could scarcely dissemble more & his tongue could scarce refrain/But still he fear'd that Har & Heva would die of joy and grief."
The longest omissions occur during the encounter with Ijim and when Tiriel returns to the Vales of Har. When Ijim arrives at the palace with Tiriel, he begins by saying "Then it is true Heuxos that thou hast turned thy aged parent/To be the sport of wintry winds" (4:72-73). However, originally, Ijim begins
The second large deletion occurs towards the end of the poem, when Tiriel asks Har "Why is one law given to the lion & the patient Ox/And why men bound beneath the heavens in a reptile form" (8:9-10). Originally, however, between these two lines was
A major question concerning the manuscript is whether or not Blake ever intended to illuminate it. Whether he had devised his method for relief etching at the time of composition is unknown, although he did make twelve drawings which were apparently to be included with the poem in some shape or form. Peter Ackroyd
suggests that the illustrations, "conceived in the heroic style," were inspired by the work of James Barry
and George Romney
, both of whom Blake admired and were intended for illustration rather than illumination. Most scholars agree with this theory (i.e. the images wouldn't be combined with the text, they would simply accompany the text) and it has been suggested that Blake abandoned the project when he discovered the technique to realise his desire for full integration of text and image. His first relief etching was The Approach of Doom (1788), and his first successful combination of words and pictures were All Religions are One
and There is No Natural Religion
(both 1788), but they were experiments only. His first 'real' illuminated book was The Book of Thel
(1789) and it is possible that he abandoned Tiriel to work on Thel after making his breakthrough with All Religions and Natural Religion. According to David Bindman, for example, "Tiriel's clear separation of text and design is transitional in being an example of the conventional method of combining text with design implicitly rejected by Blake in developing the method of illuminated printing. He probably abandoned the series because his new technique took him beyond what had now become for him an obsolete method."
, which he had glimpsed within engravings of stones and broken pillars." Elements of his later mythology are thus manifested throughout the poem.
Although Northrop Frye speculates that the Vales of Har are located in Ethiopia
, due to the pyramids in the illustration Tiriel supporting Myratana, S. Foster Damon believes the poem to be set in Egypt
, which is a symbol of slavery and oppression throughout Blake's work. For example, in The Book of Urizen
(1794), after the creation of mortal man,
Similarly, in The Book of Los
(1795), Urizen is imprisoned within "Coldness, darkness, obstruction, a Solid/Without fluctuation, hard as adamant
/Black as marble
of Egypt; impenetrable" (Chap. I, Verse 10). Many years later, in On Virgil (1822), Blake claims that "Sacred Truth has pronounced that Greece
& Rome
as Babylon & Egypt: so far from being parents of Arts
& Science
s as they pretend: were destroyers of all Art." Similarly, in The Laocoön (also 1822), he writes "The Gods of Greece & Egypt were Mathematical Diagrams," "These are not the Works/Of Egypt nor Babylon Whose Gods are the Powers of this World. Goddess, Nature
./Who first spoil & then destroy Imaginative Art For their Glory is War and Dominion" and "Israel
deliverd from Egypt is Art deliverd from Nature & Imitation."
Another connection to Blake's later mythology is found in The Vales of Har, which are mentioned in The Book of Thel (1789). It is in the Vales where lives Thel herself, and throughout the poem they are represented as a place of purity and innocence; "I walk through the vales of Har. and smell the sweetest flowers" (3:18). At the end of the poem, when Thel is shown the world of experience outside the Vales, she panics and flees back to the safety of her home; "The Virgin started from her seat, & with a shriek./Fled back unhinderd till she came into the vales of Har" (6:21-22).
The characters of Har and Heva also reappear in the Africa section of The Song of Los
(1795), which is set chronologically before Tiriel. Disturbed by the actions of their family, Har and Heva flee into the wilderness, and turn into reptiles;
Damon refers to this transformation as turning them into "serpents of materialism," which he relates back to their role in Tiriel.
Har and Ijim are also briefly mentioned in Vala, or The Four Zoas
(1796–1803), where Har is the sixteenth son of Los
and Enitharmon
, and Ijim the eighteenth. Har's immediate father is Satan
, representative of self-love in Blake, and his children are Ijim and Ochim (The Four Zoas, VIII:360).
Although Tiriel himself is not featured in any of Blake's later work, he is often seen as a foreshadowing of Urizen, limiter of men's desires, embodiment of tradition
and conformity
, and a central character in Blake's mythology, appearing in Visions of the Daughters of Albion
(1793), America a Prophecy
(1793), Europe a Prophecy
(1794), The Book of Urizen (1794), The Book of Ahania
(1795), The Book of Los (1795), The Song of Los (1795), Vala, or The Four Zoas (1796–1803), Milton a Poem (1804–1810), and Jerusalem The Emanation of the Giant Albion (1804–1820). Tiriel is similar to Urizen insofar as "he too revolted, set himself up as a tyrant, became a hypocrite, ruined his children by his curse, and finally collapsed."
Other aspects of Blake's mythology also begin to emerge during the poem. For example, Damon argues that the death of the four unnamed daughters and the corruption of the fifth is Blake's first presentation of the death of the four senses and the corruption of touch, or sex; "all imaginative activity based on the senses disappears except automatic sexual reproduction
. Even this proves too much for his moral virtue." As Damon elaborates, "Hela's Medusa
n locks are the torturing thoughts of suppressed lust
." The corruption of the senses plays an important role throughout Europe a Prophecy ("the five senses whelm'd/In deluge o'er the earth-born man"), The Book of Urizen ("The senses inwards rush'd shrinking,/Beneath the dark net of infection"), The Song of Los ("Thus the terrible race of Los & Enitharmon gave/Laws & Religions to the sons of Har binding them more/And more to Earth: closing and restraining:/Till a Philosophy of Five Senses was complete"), The Four Zoas ("Beyond the bounds of their own self their senses cannot penetrate") and Jerusalem ("As the Senses of Men shrink together under the Knife of flint
").
Harold Bloom points out that the points of the compass
, which would come to play a vital role in Blake's later mythological system, are used symbolically for the first time in Tiriel; "the reference to "the western plains" in line 2 marks the onset of Blake's directional system, in which the west stands for man's body, with its potential either for sensual salvation or natural decay." In The Four Zoas, Milton and Jerusalem, after the Fall of the primeval man, Albion
, he is divided fourfold, and each of the four Zoas corresponds to a point on the compass and an aspect of Fallen man; Tharmas is west (the body), Urizen is south (Reason
), Luvah
is east (emotion
s) and Urthona is north (imagination).
Another subtle connection with the later mythological system is found when Tiriel has all but thirty of his sons killed; "And all the children in their beds were cut off in one night/Thirty of Tiriels sons remaind. to wither in the palace/Desolate. Loathed. Dumb Astonishd waiting for black death" (5:32-34). Damon believes this foreshadows The Book of Urizen, where Urizen brings about the fall of the thirty cities of Africa; "And their thirty cities divided/In form of a human heart", "And the thirty cities remaind/Surrounded by salt floods" (27:21-22 and 28:8-9).
Another minor connection to the later mythology is that two lines from the poem are used in later work by Blake. The deleted line "can wisdom be put in a silver rod, or love in a golden bowl?" is found in the Motto from The Book of Thel, and a version of the line "Why is one law given to the lion & the patient Ox?" (8:9) is found as the final line of The Marriage of Heaven and Hell
(1790); "One Law for the Lion & Ox is Oppression."
, "Tiriel has always proved a puzzle to commentators on Blake." Similarly, Kathleen Raine
points out, "this phantasmagoria
on the theme of the death of an aged king and tyrant-father may be – indeed, must be – read at several levels." Making much the same point, W.H. Stevenson argues that "the theme is not clearly related to any political, philosophical, religious or moral doctrine."
Northrop Frye reads the poem symbolically, seeing it primarily as "a tragedy of reason," and arguing that "Tiriel is the puritanical iconoclasm
and brutalised morality that marks the beginning of cultural decadence of which the lassitude of Deism is the next stage, and Ijim is introduced to show the mental affinity between Deism and savagery."
A different reading is given by S. Foster Damon, who argues that it is "an analysis of the decay and failure of Materialism
at the end of the Age of Reason
." Similarly, arguing that Har represents Christianity and Heva is an Eve-figure, Damon believes the poem illustrates that "by the end of the Age of Reason, official religion had sunk into the imbecility of childhood."
David V. Erdman looks at the poem from a political perspective, reading it in the light of the commencement of the French Revolution
in July 1789, with the Storming of the Bastille
. He believes the poem deals both with pre-revolutionary France and "unrevolutionary" England, where people were more concerned with the recently revealed madness of George III than with righting the wrongs of society, as Blake saw them; "in France the people in motion were compelling the King to relax his grasp on the spectre. In England, the royal grasp had suddenly failed but there seemed nothing for the people to do but wait and see [...] when the King's recovery was celebrated, a bit prematurely, in March 1789, "happiness" was again official. Popular movements did exist, but except for the almost subterranean strike of the London blacksmith
s for a shorter workday, they were largely humanitarian or pious in orientation and in no immediate sense revolutionary." He also feels the poem deals with "the internal disintegration of despotism
," and finds a political motive in Tiriel's final speech, which he sees as inspired by Jean-Jacques Rousseau
's Emile: or, On Education
.
Anne Kostelanetz Mellor also reads the poem as a political tract, although from a very different perspective than Erdman. She argues that the poem engages with "Blake's increasing uncertainty about both the social and the aesthetic implications of a closed form or system" and concludes with the edict that Tiriel's "repressive reign of deceit, slander, discontent and despair enslaves not only the ruled but the ruler as well [...] his closed mind, chained to closed palaces and legal systems ends by destroying both itself and everything over which it gains power. In this sense, she reads Tiriel's final speech as "reflecting the agony of a self trapped in the repressive social mores and intellectual absolutism
of eighteenth century England."
Harold Bloom, however, is not convinced of a political interpretation, arguing instead that "Tiriel's failure to learn until too late the limitations of his self-proclaimed holiness is as much a failure in a conception of divinity as it is of political authority."
Another theory is suggested by Peter Ackroyd, who argues that the poem is "a fable
of familial blindness and foolishness – fathers against sons, brother against brother, a family dispersed and alienated – which concludes with Blake's belief in the spiritual rather than the natural, man."
Alicia Ostriker believes that the poem deals with "the failure of natural law
."
Perhaps the most common theory, however, is summarised by Nelson Hilton, who argues that it "suggests in part a commentary on the state of the arts in an age which could conceive of poetry as a golden structure built with "harmony of words, harmony of numbers" (John Dryden
) [...] exchanging the present for the past, Tiriel views late eighteenth-century English artistic material and practice as an impotent enterprise with nothing left but to curse its stultifying ethos of decorum and improvement." Hilton is here building on the work of Damon, who argued that Mnetha represents "neoclassical criticism, which protects decadent poetry (Har) and painting (Heva)." Additionally, Har sings in a "great cage" (3:21), which to Damon suggests the heroic couplet
, which Blake abhorred. Hilton believes the phrase "great cage" recalls the poem 'Song: "How sweet I roamd from field to field"' from Poetical Sketches
(1783), which also deals with oppression and failure to achieve fulfillment. Similarly, in this same line of interpretation, Ostriker argues that "our singing birds" (3:20) and "fleeces" (3:21) suggest neoclassical lyric poetry
and pastoral poetry
, while Erdman argues that "To catch birds & gather them ripe cherries" (3:13) "signifies triviality and sacchurnity of subject matter", whilst "sing in the great cage" (3:21) "signifies rigidity of form."
is a 1985 opera with libretto
and music by Russian/British composer Dmitri Smirnov partially based on Blake's text. The opera incorporates material from several of Blake’s other poems; the "Introduction", "A Cradle Song" and "The Divine Image
" from Songs of Innocence (1789), and "The Tyger
" from Songs of Innocence and of Experience (1794).
Narrative poetry
Narrative poetry is poetry that has a plot. The poems that make up this genre may be short or long, and the story it relates to may be simple or complex. It is usually nondramatic, with objective regular scheme and meter. Narrative poems include epics, ballads, idylls and lays.Some narrative...
by William Blake
William Blake
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age...
, written c.1789. Considered the first of his prophetic books
William Blake's prophetic books
The prophetic books of the English poet and artist William Blake are a series of difficult and obscure poetic works. While Blake worked as a commercial illustrator, these books were ones that he produced, with his own engravings, as an extended and largely private project...
, it is also the first poem in which Blake used free septenaries
Heptameter
Heptameter is one or more lines of verse containing seven metrical feet .An example from Lord Byron's Youth and Age:...
, which he would go on to use in much of his later verse. Tiriel was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti
William Michael Rossetti
William Michael Rossetti was an English writer and critic.-Biography:Born in London, he was a son of immigrant Italian scholar Gabriele Rossetti, and the brother of Maria Francesca Rossetti, Dante Gabriel Rossetti and Christina Georgina Rossetti.He was one of the seven founder members of the...
's Poetical Works of William Blake. Although Blake did not engrave
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...
the poem, he did make twelve sepia
Sepia (color)
Sepia is a dark brown-grey color, named after the rich brown pigment derived from the ink sac of the common cuttlefish Sepia.The word sepia is the Latinized form of the Greek σηπία, sēpía, cuttlefish.-Sepia in human culture:...
drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.
Synopsis
Many years before the poem begins, the sons of HarHar (Blake)
Har is a character in the mythological writings of William Blake, who roughly corresponds to an aged Adam. His wife, Heva, corresponds to Eve...
and Heva revolted and abandoned their parents. Tiriel subsequently set himself up as a tyrant
Tyrant
A tyrant was originally one who illegally seized and controlled a governmental power in a polis. Tyrants were a group of individuals who took over many Greek poleis during the uprising of the middle classes in the sixth and seventh centuries BC, ousting the aristocratic governments.Plato and...
in the west, driving one of his brothers, Ijim, into exile
Exile
Exile means to be away from one's home , while either being explicitly refused permission to return and/or being threatened with imprisonment or death upon return...
in the wilderness
Wilderness
Wilderness or wildland is a natural environment on Earth that has not been significantly modified by human activity. It may also be defined as: "The most intact, undisturbed wild natural areas left on our planet—those last truly wild places that humans do not control and have not developed with...
, and chaining the other, Zazel, in a cave in the mountains. Tiriel then made slaves
Slavery
Slavery is a system under which people are treated as property to be bought and sold, and are forced to work. Slaves can be held against their will from the time of their capture, purchase or birth, and deprived of the right to leave, to refuse to work, or to demand compensation...
of his own children, until eventually, led by the eldest son, Heuxos, they too rebelled, overthrowing their father. Upon his demise, Tiriel refused their offer of refuge in the palace, and instead went into exile in the mountains with his wife, Myratana. Five years later, the poem begins with the now blind
Blindness
Blindness is the condition of lacking visual perception due to physiological or neurological factors.Various scales have been developed to describe the extent of vision loss and define blindness...
Tiriel returning to the kingdom with his dying wife, as he wants his children to see her death, believing them to be responsible and cursing
Curse
A curse is any expressed wish that some form of adversity or misfortune will befall or attach to some other entity—one or more persons, a place, or an object...
them for betraying him five years previously; "Come you accursed sons./In my weak arms. I here have borne your dying mother/Come forth sons of the Curse come forth. see the death of Myratana" (1:7-9). Soon thereafter, Myratana dies, and Tiriel's children again ask him to remain with them but he refuses and wanders away, again cursing them and telling them he will have his revenge
Revenge
Revenge is a harmful action against a person or group in response to a grievance, be it real or perceived. It is also called payback, retribution, retaliation or vengeance; it may be characterized, justly or unjustly, as a form of justice.-Function in society:Some societies believe that the...
;
There take the body. cursed sons. & may the heavenHeavenHeaven, the Heavens or Seven Heavens, is a common religious cosmological or metaphysical term for the physical or transcendent place from which heavenly beings originate, are enthroned or inhabit...
s rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorialMemorialA memorial is an object which serves as a focus for memory of something, usually a person or an event. Popular forms of memorials include landmark objects or art objects such as sculptures, statues or fountains, and even entire parks....
.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east
And. not a bone of all the soils of Tiriel remain
Bury your mother but you cannot bury the curse of Tiriel
- (1:42-50)
After some time wandering, Tiriel eventually arrives at the "pleasant gardens" (2:10) of the Vales of Har, where he finds his parents, Har and Heva. However, they have both become senile
Dementia
Dementia is a serious loss of cognitive ability in a previously unimpaired person, beyond what might be expected from normal aging...
and have regressed to a childlike state to such an extent that they think their guardian, Mnetha, is their mother. Tiriel lies about who is he is, claiming that he was cast into exile by the gods, who then destroyed his race; "I am an aged wanderer once father of a race/Far in the north. but they were wicked & were all destroyd/And I their father sent an outcast" (2:44-46). Excited by the visit, Har and Heva invite Tiriel to help them catch birds and listen to Har's singing in the "great cage" (3:21). Tiriel refuses to stay, however, claiming his journey is not yet at an end, and resumes his wandering.
He travels into the forest and soon encounters his brother Ijim, who has recently been terrorised by a shapeshifting
Shapeshifting
Shapeshifting is a common theme in mythology, folklore, and fairy tales. It is also found in epic poems, science fiction literature, fantasy literature, children's literature, Shakespearean comedy, ballet, film, television, comics, and video games...
spirit
Ghost
In traditional belief and fiction, a ghost is the soul or spirit of a deceased person or animal that can appear, in visible form or other manifestation, to the living. Descriptions of the apparition of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to...
to whom he refers as "the Hypocrite". Upon seeing Tiriel, Ijim immediately assumes that Tiriel is another manifestation of the spirit;
This is the Hypocrite that sometimes roars a dreadful lionLionThe lion is one of the four big cats in the genus Panthera, and a member of the family Felidae. With some males exceeding 250 kg in weight, it is the second-largest living cat after the tiger...
Then I have rent his limbs & left him rotting in the forest
For birds to eat but I have scarce departed from the place
But like a tygerTigerThe tiger is the largest cat species, reaching a total body length of up to and weighing up to . Their most recognizable feature is a pattern of dark vertical stripes on reddish-orange fur with lighter underparts...
he would come & so I rent him too
Then like a riverRiverA river is a natural watercourse, usually freshwater, flowing towards an ocean, a lake, a sea, or another river. In a few cases, a river simply flows into the ground or dries up completely before reaching another body of water. Small rivers may also be called by several other names, including...
he would seek to drown me in his waves
But soon I buffetted the torrent anon like to a cloudCloudA cloud is a visible mass of liquid droplets or frozen crystals made of water and/or various chemicals suspended in the atmosphere above the surface of a planetary body. They are also known as aerosols. Clouds in Earth's atmosphere are studied in the cloud physics branch of meteorology...
Fraught with the swords of lightning. but I bravd the vengeance too
Then he would creep like a bright serpentSnakeSnakes are elongate, legless, carnivorous reptiles of the suborder Serpentes that can be distinguished from legless lizards by their lack of eyelids and external ears. Like all squamates, snakes are ectothermic, amniote vertebrates covered in overlapping scales...
till around my neck
While I was Sleeping he would twine I squeezd his poisnous soul
Then like a toadToadA toad is any of a number of species of amphibians in the order Anura characterized by dry, leathery skin , short legs, and snoat-like parotoid glands...
or like a newtNewtA newt is an aquatic amphibian of the family Salamandridae, although not all aquatic salamanders are considered newts. Newts are classified in the subfamily Pleurodelinae of the family Salamandridae, and are found in North America, Europe and Asia...
. would whisper in my ears
Or like a rockRock (geology)In geology, rock or stone is a naturally occurring solid aggregate of minerals and/or mineraloids.The Earth's outer solid layer, the lithosphere, is made of rock. In general rocks are of three types, namely, igneous, sedimentary, and metamorphic...
stood in my way. or like a poisnous shrubShrubA shrub or bush is distinguished from a tree by its multiple stems and shorter height, usually under 5–6 m tall. A large number of plants may become either shrubs or trees, depending on the growing conditions they experience...
At last I caught him in the form of Tiriel blind & old
- (4:49-61)
Tiriel assures Ijim that he is in fact the real Tiriel, but Ijim does not believe him, and decides to return to Tiriel's palace to see the real Tiriel and thus expose the spirit as an imposter; "Impudent fiend said Ijim hold thy glib & eloquent tongue/Tiriel is a king. & thou the tempter of dark Ijim" (4:36-37). However, upon arriving at the palace, Heuxos informs Ijim that the Tiriel with him is indeed the real Tiriel, but Ijim suspects that the entire palace and everyone in it is part of the spirit's deception; "Then it is true Heuxos that thou hast turnd thy aged parent/To be the sport of wintry winds. (said Ijim) is this true/It is a lie & I am like the tree torn by the wind/Thou eyeless fiend. & you dissemblers. Is this Tiriels house/It is as false as Matha
Matha
A matha ) is a term for monastic and similar religious establishments of Hinduism and Jainism. A matha is usually more formal, hierarchical, and rule-based than an ashram.-Advaita Mathas:...
. & as dark as vacant Orcus
Hell
In many religious traditions, a hell is a place of suffering and punishment in the afterlife. Religions with a linear divine history often depict hells as endless. Religions with a cyclic history often depict a hell as an intermediary period between incarnations...
/Escape ye fiends for Ijim will not lift his hand against ye" (4:72-77). As such, Ijim leaves, and upon his departure, Tiriel, descending ever more rapidly into madness, curses his children even more passionately than before;
Earth thus I stamp thy bosom rouse the earthquake from his den
To raise his dark & burning visage thro the cleaving ground
To thrust these towers with his shoulders. let his fiery dogs
Rise from the centre belching flames & roarings. dark smoke
Where art thou Pestilence that bathest in fogs & standing lakes
Rise up thy sluggish limbs. & let the loathsomest of poisons
Drop from thy garments as thou walkest. wrapt in yellow clouds
Here take thy seat. in this wide court. let it be strewn with dead
And sit & smile upon these cursed sons of Tiriel
Thunder & fire & pestilence. hear you not Tiriel's curse.
- (5:4-13)
Upon this declamation, four of his five daughters and one hundred of his one hundred and thirty sons are destroyed, including Heuxos. Tiriel then demands that his youngest and only surviving daughter, Hela, lead him back to the Vales of Har. She reluctantly agrees, but on the journey she denounces him for his actions; "Silence thy evil tongue thou murderer of thy helpless children" (6:35). Tiriel responds in a rage, turning her locks of hair into snakes, although he vows that if she brings him to the Vales of Har, he will return her hair to normal. On the way through the mountains, as they pass the cave wherein lives Zazel and his sons, Hela's cries of lamentation awaken them, and they hurl dirt and stones at Tiriel and Hela, mocking them as they pass; "Thy crown is bald old man. The sun will dry thy brains away/And thou wilt be as foolish as thy foolish brother Zazel" (7:12-13). Eventually Tiriel and Hela reach the Vales of Har, but rather than celebrating his return, Tiriel condemns his parents, and the way they brought him up, declaring that his father's laws and his own wisdom now "end together in a curse" (8:8);
The child springs from the wombUterusThe uterus or womb is a major female hormone-responsive reproductive sex organ of most mammals including humans. One end, the cervix, opens into the vagina, while the other is connected to one or both fallopian tubes, depending on the species...
. the father ready stands to form
The infant head while the mother idle plays with her dog on her couch
The young bosom is cold for lack of mothers nourishment & milk
Is cut off from the weeping mouth with difficulty & pain
The little lids are lifted & the little nostrils opend
The father forms a whip to rouze the sluggish senses to act
And scourges off all youthful fancies from the newborn man
Then walks the weak infant in sorrow compelld to number footsteps
Upon the sand. &c
And when the drone has reachd his crawling length
Black berries appear that poison all around him. Such was Tiriel
Compell'd to pray repugnant & to humble the immortal spirit
Till I am subtil as a serpent in a paradiseParadiseParadise is a place in which existence is positive, harmonious and timeless. It is conceptually a counter-image of the miseries of human civilization, and in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, but it is not necessarily a land of luxury and...
Consuming all both flowers & fruits insects & warbling birds
And now my paradise is fall'n & a drear sandy plain
Returns my thirsty hissings in a curse on thee O Har
Mistaken father of a lawless race my voice is past
- (8:12-28)
Upon this outburst, Tiriel then dies at his parents' feet; "He ceast outstretch'd at Har & Heva's feet in awful death" (8:29).
Characters
- Tiriel – as the former king of the west, Tiriel is of the body in Blake's mythological systemWilliam Blake's mythologyThe prophetic books of the English poet and artist William Blake contain a rich invented mythology , in which Blake worked to encode his revolutionary spiritual and political ideas into a prophecy for a new age. This desire to recreate the cosmos is the heart of his work and his psychology...
, in which the west is assigned to TharmasTharmasIn the mythological writings of William Blake, Tharmas is one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. He represents sensation, and his female counterpart is Enion, who represents sexual urges. He is connected to the God the Father aspect of the...
, representative of the senses. However, when he visits the Vales of Har, Tiriel falsely claims to be from the north, which is assigned to UrthonaUrthonaIn the mythological writings of William Blake, Urthona is one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. Specifically, he is the Zoa of inspiration and creativity, and he is a blacksmith god. His female counterpart is Enitharmon...
, representative of the imaginationImaginationImagination, also called the faculty of imagining, is the ability of forming mental images, sensations and concepts, in a moment when they are not perceived through sight, hearing or other senses...
. Most scholars agree that Tiriel's name was probably taken from Heinrich Cornelius AgrippaHeinrich Cornelius AgrippaHeinrich Cornelius Agrippa von Nettesheim was a German magician, occult writer, theologian, astrologer, and alchemist.-Life:Agrippa was born in Cologne in 1486...
's De occulta philosophia libri tres (1651), where the name is associated with the planet MercuryMercury (planet)Mercury is the innermost and smallest planet in the Solar System, orbiting the Sun once every 87.969 Earth days. The orbit of Mercury has the highest eccentricity of all the Solar System planets, and it has the smallest axial tilt. It completes three rotations about its axis for every two orbits...
and the elements sulphurSulfurSulfur or sulphur is the chemical element with atomic number 16. In the periodic table it is represented by the symbol S. It is an abundant, multivalent non-metal. Under normal conditions, sulfur atoms form cyclic octatomic molecules with chemical formula S8. Elemental sulfur is a bright yellow...
and mercuryMercury (element)Mercury is a chemical element with the symbol Hg and atomic number 80. It is also known as quicksilver or hydrargyrum...
. Harold BloomHarold BloomHarold Bloom is an American writer and literary critic, and is Sterling Professor of Humanities at Yale University. He is known for his defense of 19th-century Romantic poets, his unique and controversial theories of poetic influence, and his prodigious literary output, particularly for a literary...
, however, believes the name is a combination of the word 'tyrant' and the HebrewHebrew languageHebrew is a Semitic language of the Afroasiatic language family. Culturally, is it considered by Jews and other religious groups as the language of the Jewish people, though other Jewish languages had originated among diaspora Jews, and the Hebrew language is also used by non-Jewish groups, such...
word for God, El. In terms of Tiriel's character, David V. ErdmanDavid V. ErdmanDavid V. Erdman was an American literary critic, editor, and Professor Emeritus of English at the State University of New York at Stony Brook. Professor Erdman established his reputation as a William Blake scholar when his Blake: Prophet Against Empire was published in 1954...
believes that he is partially based on King George IIIGeorge III of the United KingdomGeorge III was King of Great Britain and King of Ireland from 25 October 1760 until the union of these two countries on 1 January 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death...
, who suffered bouts of insanityInsanityInsanity, craziness or madness is a spectrum of behaviors characterized by certain abnormal mental or behavioral patterns. Insanity may manifest as violations of societal norms, including becoming a danger to themselves and others, though not all such acts are considered insanity...
throughout 1788 and 1789. Erdman argues that "the pattern of Tiriel's "madness and deep dismay" parallels that of King George's," and thus the poem is "a symbolic portrait of the ruler of the British Empire. [Blake] knew that the monarch who represented the father principal of lawLawLaw is a system of rules and guidelines which are enforced through social institutions to govern behavior, wherever possible. It shapes politics, economics and society in numerous ways and serves as a social mediator of relations between people. Contract law regulates everything from buying a bus...
and civil authorityCivil authorityCivil authority is that apparatus of the state other than its military units that enforces law and order. It is also used to distinguish between religious authority and secular authority...
was currently insane." As evidence, Erdman points out that during his bouts of insanity, George tended to became hysterical in the presence of four of his five daughters, only the youngest, (AmeliaPrincess Amelia of the United KingdomPrincess Amelia of the United Kingdom was a member of the British Royal Family as the youngest daughter of King George III of the United Kingdom and his queen consort Charlotte of Mecklenburg-Strelitz.-Early life:...
), could calm him (in the poem, Tiriel destroys four of his daughters but spares the youngest, his favourite). Bloom believes that Tiriel is also partially based on William ShakespeareWilliam ShakespeareWilliam Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
's King LearKing LearKing Lear is a tragedy by William Shakespeare. The title character descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological...
and, in addition, is a satire "of the JehovahJehovahJehovah is an anglicized representation of Hebrew , a vocalization of the Tetragrammaton , the proper name of the God of Israel in the Hebrew Bible....
of deisticDeismDeism in religious philosophy is the belief that reason and observation of the natural world, without the need for organized religion, can determine that the universe is the product of an all-powerful creator. According to deists, the creator does not intervene in human affairs or suspend the...
orthodoxy, irascible and insanely rationalisticRationalismIn epistemology and in its modern sense, rationalism is "any view appealing to reason as a source of knowledge or justification" . In more technical terms, it is a method or a theory "in which the criterion of the truth is not sensory but intellectual and deductive"...
." Northrop FryeNorthrop FryeHerman Northrop Frye, was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century....
makes a similar claim; "He expects and loudly demands gratitude and reverence from his children because he wants to be worshipped as a god, and when his demands are answered by contempt he responds with a steady outpouring of curses. The kind of god which the existence of such tyrannical papas suggests is the jealous Jehovah of the Old TestamentOld TestamentThe Old Testament, of which Christians hold different views, is a Christian term for the religious writings of ancient Israel held sacred and inspired by Christians which overlaps with the 24-book canon of the Masoretic Text of Judaism...
who is equally fertile in curses and pretexts for destroying his innumerable objects of hatred." Alicia OstrikerAlicia OstrikerAlicia Suskin Ostriker is an American poet and scholar who writes Jewish feminist poetry.Alicia is married to the noted astronomer Jeremiah Ostriker who taught at Princeton University...
believes the character to be partially based on both OedipusOedipusOedipus was a mythical Greek king of Thebes. He fulfilled a prophecy that said he would kill his father and marry his mother, and thus brought disaster on his city and family...
from SophoclesSophoclesSophocles is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than those of Aeschylus, and earlier than or contemporary with those of Euripides...
' Oedipus the KingOedipus the KingOedipus the King , also known by the Latin title Oedipus Rex, is an Athenian tragedy by Sophocles that was first performed c. 429 BCE. It was the second of Sophocles's three Theban plays to be produced, but it comes first in the internal chronology, followed by Oedipus at Colonus and then Antigone...
and the prince of Tyre from the Book of EzekielBook of EzekielThe Book of Ezekiel is the third of the Latter Prophets in the Hebrew Bible, following the books of Isaiah and Jeremiah and preceding the Book of the Twelve....
(28:1-10), who is denounced by EzekielEzekielEzekiel , "God will strengthen" , is the central protagonist of the Book of Ezekiel in the Hebrew Bible. In Judaism, Christianity and Islam, Ezekiel is acknowledged as a Hebrew prophet...
for trying to pass himself off as God. Looking at the character from a symbolic point of view, Frye argues that he "symbolises a society or civilisation in its decline."
- Har – Mary S. Hall believes that Har's name was derived from Jacob BryantJacob BryantJacob Bryant was a British scholar and mythographer, who has been described as "the outstanding figure among the mythagogues who flourished in the late eighteenth and early nineteenth centuries".-Life:...
's A New System or Analysis of Antient Mythology (1776), where Bryant conflates the AmazonianAmazonsThe Amazons are a nation of all-female warriors in Greek mythology and Classical antiquity. Herodotus placed them in a region bordering Scythia in Sarmatia...
deities Harmon and Ares with the Egyptian deity HarmoniaHarmonia (mythology)In Greek mythology, Harmonia is the immortal goddess of harmony and concord. Her Roman counterpart is Concordia, and her Greek opposite is Eris, whose Roman counterpart is Discordia.-Origins:...
, wife of CadmusCadmusCadmus or Kadmos , in Greek mythology was a Phoenician prince, the son of king Agenor and queen Telephassa of Tyre and the brother of Phoenix, Cilix and Europa. He was originally sent by his royal parents to seek out and escort his sister Europa back to Tyre after she was abducted from the shores...
. Blake had engraved plates for the book in the early 1780s, so he would have certainly have been familiar with its content. As a character, S. Foster DamonS. Foster DamonS Foster Damon was an American academic, a specialist in William Blake, a critic and a poet. He was born in Newton, Massachusetts. He was one of the Harvard Aesthetes, and married Louise Wheelwright, sister of John Wheelwright who was another poet identified with that grouping...
believes that Har represents both the "decadent poetryAugustan poetryIn Latin literature, Augustan poetry is the poetry that flourished during the reign of Caesar Augustus as Emperor of Rome, most notably including the works of Virgil, Horace, and Ovid. In English literature, Augustan poetry is a branch of Augustan literature, and refers to the poetry of the...
of Blake's day" and the traditional spirit of ChristianityChristianityChristianity is a monotheistic religion based on the life and teachings of Jesus as presented in canonical gospels and other New Testament writings...
. Northrop Frye reaches a similar conclusion, but also sees divergence in the character, arguing that although Har and Heva are based on AdamAdamAdam is a figure in the Book of Genesis. According to the creation myth of Abrahamic religions, he is the first human. In the Genesis creation narratives, he was created by Yahweh-Elohim , and the first woman, Eve was formed from his rib...
and EveEveEve is the first woman created by God in the Book of Genesis.Eve may also refer to:-People:*Eve , a common given name and surname*Eve , American recording artist and actress-Places:...
, "Har is distinguished from Adam. Adam is ordinary man in his mixed twofold nature of imagination and Selfhood. Har is the human Selfhood which, though men spend most of their time trying to express it, never achieves reality and is identified only as death. Har, unlike Adam, never outgrows his garden but remains there shut up from the world in a permanent state of near-existence." Bloom agrees with this interpretation, arguing that "Har is natural man, the isolated selfhood." Bloom also believes that Har is comparable to Struldbruggs from Jonathan SwiftJonathan SwiftJonathan Swift was an Irish satirist, essayist, political pamphleteer , poet and cleric who became Dean of St...
's Gulliver's TravelsGulliver's TravelsTravels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, better known simply as Gulliver's Travels , is a novel by Anglo-Irish writer and clergyman Jonathan Swift that is both a satire on human nature and a parody of...
(1726) and TithonusTithonusIn Greek mythology, Tithonus or Tithonos was the lover of Eos, Titan of the dawn. He was a Trojan by birth, the son of King Laomedon of Troy by a water nymph named Strymo . The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a rhapsode, as the lyre in his...
from Alfred, Lord Tennyson's poem of the same nameTithonus (poem)"Tithonus" is a poem by the Victorian poet Alfred, Lord Tennyson , originally written in 1833 as "Tithon" and completed in 1859. It first appeared in the February edition of the Cornhill Magazine in 1860. Faced with old age, Tithonus, weary of his immortality, yearns for death...
(1859). In another sense, Frye suggests that "Har represents the unborn theory of negative innocenceInnocenceInnocence is a term used to indicate a lack of guilt, with respect to any kind of crime, sin, or wrongdoing. In a legal context, innocence refers to the lack of legal guilt of an individual, with respect to a crime.-Symbolism:...
established by obeying a moral lawMoral absolutismMoral absolutism is an ethical view that certain actions are absolutely right or wrong, regardless of other contexts such as their consequences or the intentions behind them. Thus stealing, for instance, might be considered to be always immoral, even if done to promote some other good , and even if...
." On the other hand, Anne Kostelanetz Mellor sees Har as representing simple innocence and the Vales of Har as representative of EdenGarden of EdenThe Garden of Eden is in the Bible's Book of Genesis as being the place where the first man, Adam, and his wife, Eve, lived after they were created by God. Literally, the Bible speaks about a garden in Eden...
. 'Har' is the Hebrew word for 'mountain', thus giving an inherent irony to the phrase "Vales of Har". Damon believes this conveys the ironic sense that "he who was a mountain now lives in a vale, cut off from mankind. - Heva – Frye believes she is "a reduplicate Eve." Damon argues that she represents neoclassicalNeoclassicismNeoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
paintingPaintingPainting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
. - Ijim – Ostriker feels he represents superstitionSuperstitionSuperstition is a belief in supernatural causality: that one event leads to the cause of another without any process in the physical world linking the two events....
. Damon believes he represents the power of the common people. Ijim's name could have come from Emanuel SwedenborgEmanuel Swedenborgwas a Swedish scientist, philosopher, and theologian. He has been termed a Christian mystic by some sources, including the Encyclopædia Britannica online version, and the Encyclopedia of Religion , which starts its article with the description that he was a "Swedish scientist and mystic." Others...
's Vera Christiana Religio (1857); "the ochim, tziim and jiim, which are mentioned in the prophetical parts of the Word." In the poem, Ijim encounters a tiger, a lion, a river, a cloud, a serpent, a toad, a rock, a shrub and Tiriel. In Swedenborg, "self-love causes its lusts to appear at a distance in hell where it reigns like various species of wild beasts, some like foxes and leopards, some like wolves and tigers, and some like crocodiles and venomous serpents." The word is also found in the Book of IsaiahBook of IsaiahThe Book of Isaiah is the first of the Latter Prophets in the Hebrew Bible, preceding the books of Ezekiel, Jeremiah and the Book of the Twelve...
13:21, where it is translated as "satyrSatyrIn Greek mythology, satyrs are a troop of male companions of Pan and Dionysus — "satyresses" were a late invention of poets — that roamed the woods and mountains. In myths they are often associated with pipe-playing....
s". According to Harold Bloom, "The Ijim are satyrs or wild men who will dance in the ruins of the fallen tyranny, BabylonBabylonBabylon was an Akkadian city-state of ancient Mesopotamia, the remains of which are found in present-day Al Hillah, Babil Province, Iraq, about 85 kilometers south of Baghdad...
. Blake's Ijim is a self-brutalised wanderer in a deathly nature [...] The animisticAnimismAnimism refers to the belief that non-human entities are spiritual beings, or at least embody some kind of life-principle....
superstitions of Ijim are a popular support for the negative holiness of Tiriel." On the other hand, W.H. Stevenson reads Ijim as "an old-fashioned PuritanPuritanThe Puritans were a significant grouping of English Protestants in the 16th and 17th centuries. Puritanism in this sense was founded by some Marian exiles from the clergy shortly after the accession of Elizabeth I of England in 1558, as an activist movement within the Church of England...
– honest but grim, always a ready adversary of SinSinIn religion, sin is the violation or deviation of an eternal divine law or standard. The term sin may also refer to the state of having committed such a violation. Christians believe the moral code of conduct is decreed by God In religion, sin (also called peccancy) is the violation or deviation...
." Nancy Bogen believes he may be partially based on William PittWilliam Pitt the YoungerWilliam Pitt the Younger was a British politician of the late 18th and early 19th centuries. He became the youngest Prime Minister in 1783 at the age of 24 . He left office in 1801, but was Prime Minister again from 1804 until his death in 1806...
, especially his actions during the Regency Crisis of 1788. - Zazel – Damon argues that Zazel represents the outcast genius. As with Tiriel, his name was probably taken from Agrippa, where it is associated with SaturnSaturnSaturn is the sixth planet from the Sun and the second largest planet in the Solar System, after Jupiter. Saturn is named after the Roman god Saturn, equated to the Greek Cronus , the Babylonian Ninurta and the Hindu Shani. Saturn's astronomical symbol represents the Roman god's sickle.Saturn,...
and the element earthEarth (classical element)Earth, home and origin of humanity, has often been worshipped in its own right with its own unique spiritual tradition.-European tradition:Earth is one of the four classical elements in ancient Greek philosophy and science. It was commonly associated with qualities of heaviness, matter and the...
. The name could also be a modification of the Hebrew word AzazelAzazelAzazel or Azazael or Azâzêl is a term used three times in the Hebrew scriptures, and later in Hebrew mythology as the enigmatic name of a character....
, which occurs in the Book of Leviticus, 16:10, and tends to be translated as "scapegoat". Nancy Bogen believes he may be partially based on the Whig politician Charles James FoxCharles James FoxCharles James Fox PC , styled The Honourable from 1762, was a prominent British Whig statesman whose parliamentary career spanned thirty-eight years of the late 18th and early 19th centuries and who was particularly noted for being the arch-rival of William Pitt the Younger...
, arch rival of William Pitt. - Myratana – her name may have come from MyrinaBatea (mythology)In Greek mythology, the name Batea refers to the following individuals:* The daughter or the aunt of King Teucer. Her father was the ruler of a tribe known as the Teucrians . The Teucrians inhabited the area of northwest Asia Minor later called the Troad , and the term is sometimes used as...
, Queen of MauretaniaMauretaniaMauretania is a part of the historical Ancient Libyan land in North Africa. It corresponds to present day Morocco and a part of western Algeria...
, who was described in Bryant's A New System. - Heuxos – Hall believes the name was derived from the HyksosHyksosThe Hyksos were an Asiatic people who took over the eastern Nile Delta during the twelfth dynasty, initiating the Second Intermediate Period of ancient Egypt....
, an Asiatic people who invaded the Nile DeltaNile DeltaThe Nile Delta is the delta formed in Northern Egypt where the Nile River spreads out and drains into the Mediterranean Sea. It is one of the world's largest river deltas—from Alexandria in the west to Port Said in the east, it covers some 240 km of Mediterranean coastline—and is a rich...
in the Twelfth dynasty of EgyptTwelfth dynasty of EgyptThe twelfth dynasty of ancient Egypt is often combined with Dynasties XI, XIII and XIV under the group title Middle Kingdom.-Rulers:Known rulers of the twelfth dynasty are as follows :...
c.1720 BC. - Yuva – son of Tiriel
- Lotho – son of Tiriel
- Hela – Damon argues that she symbolises touch and sexualityHuman sexualityHuman sexuality is the awareness of gender differences, and the capacity to have erotic experiences and responses. Human sexuality can also be described as the way someone is sexually attracted to another person whether it is to opposite sexes , to the same sex , to either sexes , or not being...
. She is possibly named after HelHel (being)In Norse mythology, Hel is a being who presides over a realm of the same name, where she receives a portion of the dead. Hel is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson...
, the ScandinavianNorse mythologyNorse mythology, a subset of Germanic mythology, is the overall term for the myths, legends and beliefs about supernatural beings of Norse pagans. It flourished prior to the Christianization of Scandinavia, during the Early Middle Ages, and passed into Nordic folklore, with some aspects surviving...
goddess of Hell in Thomas GrayThomas GrayThomas Gray was a poet, letter-writer, classical scholar and professor at Cambridge University.-Early life and education:...
's "The Descent of Odin" (1768). - Mnetha – Damon believes she represents the spirit of neoclassicism, which Blake felt encouraged inferior poetry and painting. He also points out that Mnetha is "almost" an anagram of AthenaAthenaIn Greek mythology, Athena, Athenê, or Athene , also referred to as Pallas Athena/Athene , is the goddess of wisdom, courage, inspiration, civilization, warfare, strength, strategy, the arts, crafts, justice, and skill. Minerva, Athena's Roman incarnation, embodies similar attributes. Athena is...
, goddess of wisdomWisdomWisdom is a deep understanding and realization of people, things, events or situations, resulting in the ability to apply perceptions, judgements and actions in keeping with this understanding. It often requires control of one's emotional reactions so that universal principles, reason and...
. Frye suggests that the name is an amalgamation of Athena and MnemosyneMnemosyneMnemosyne , source of the word mnemonic, was the personification of memory in Greek mythology. This titaness was the daughter of Gaia and Uranus and the mother of the nine Muses by Zeus:* Calliope * Clio * Erato...
, the personification of memory in Greek mythologyGreek mythologyGreek mythology is the body of myths and legends belonging to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They were a part of religion in ancient Greece...
. Anne Kostelanetz Mellor sees her as representative of "that memory that preserves the vision of the past." - Clithyma and Makuth – sons of Tiriel mentioned in a deleted passage
- Four unnamed daughters and one hundred and twenty-five unnamed sons
Manuscript
Tiriel survives in only a single manuscriptManuscript
A manuscript or handwrite is written information that has been manually created by someone or some people, such as a hand-written letter, as opposed to being printed or reproduced some other way...
copy, located in the British Museum
British Museum
The British Museum is a museum of human history and culture in London. Its collections, which number more than seven million objects, are amongst the largest and most comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture from its...
. An eight-page document written in Blake's hand, the manuscript is inscribed "Tiriel / MS. by Mr Blake". It is believed that up to page 8, line 4 ("Lead me to Har & Heva I am Tiriel King of the west"), the poem is a fair copy, transcribed from somewhere else, but at 8:4 the quantity of corrections and alterations increases, and the writing becomes scribbled and in a different ink to the rest of the poem. This difference has led Erdman to argue that the later part of the poem was not transcribed, but was worked out in the manuscript itself, and may have been rushed. Additionally, many of the handwritten corrections, emendations and deletions in the parts of the poem prior to 8:4 are in the same ink as the lines after 8:4, suggesting Blake went back over the manuscript and revised earlier parts of it when he returned to finish it.
A considerable amount of material has been deleted by Blake in the manuscript. For example, when Tiriel initially arrives in the Vales of Har, he lies about his identity. In the poem as Blake left it, the scene reads "I am not of this region, said Tiriel dissemblingly/I am an aged wanderer once father of a race/Far in the north" (2:43-44). However, in the original manuscript, between these two lines is contained the line "Fearing to tell them who he was, because of the weakness of Har." Similarly, when Har recognises Tiriel he proclaims "Bless thy face for thou are Tiriel" (3:6), to which Tiriel responds "Tiriel I never saw but once I sat with him and ate" (3:7). Between these two lines were originally the lines "Tiriel could scarcely dissemble more & his tongue could scarce refrain/But still he fear'd that Har & Heva would die of joy and grief."
The longest omissions occur during the encounter with Ijim and when Tiriel returns to the Vales of Har. When Ijim arrives at the palace with Tiriel, he begins by saying "Then it is true Heuxos that thou hast turned thy aged parent/To be the sport of wintry winds" (4:72-73). However, originally, Ijim begins
Lotho. Clithyma. Makuth fetch your father
Why do you stand confounded thus. Heuxos why art thou silent
O noble Ijim thou hast brought our father to our eyes
That we may tremble and repent before thy mighty knees
O we are but the slaves of fortune. & that most cruel man
Desires our deaths. O Ijim tis one whose aged tongue
Deceive the noble if the eloquence of Tiriel
Hath worked our ruin we submit nor strive against stern fate
He spoke & kneel'd upon his knee. Then Ijim on the pavement
Set aged Tiriel, in deep thought whether these things were so.
The second large deletion occurs towards the end of the poem, when Tiriel asks Har "Why is one law given to the lion & the patient Ox/And why men bound beneath the heavens in a reptile form" (8:9-10). Originally, however, between these two lines was
Dost thou not see that men cannot be formed all alike
Some nostril'd wide breathing out blood. Some close shut up
In silent deceit. poisons inhaling from the morning rose
With daggers hid beneath their lips & poison in their tongue
Or eyed with little sparks of Hell or with infernal brands
Flinging flames of discontent & plagues of dark despair
Or those whose mouths are graves whose teeth the gates of eternal death
Can wisdom be put in a silver rod or love in a golden bowl
Is the son of a king warmed without wool or does he cry with a voice
Of thunder does he look upon the sun & laugh or stretch
His little hands into the depths of the sea, to bring forth
The deadly cunning of the flatterer & spread it to the morning
A major question concerning the manuscript is whether or not Blake ever intended to illuminate it. Whether he had devised his method for relief etching at the time of composition is unknown, although he did make twelve drawings which were apparently to be included with the poem in some shape or form. Peter Ackroyd
Peter Ackroyd
Peter Ackroyd CBE is an English biographer, novelist and critic with a particular interest in the history and culture of London. For his novels about English history and culture and his biographies of, among others, Charles Dickens, T. S. Eliot and Sir Thomas More he won the Somerset Maugham Award...
suggests that the illustrations, "conceived in the heroic style," were inspired by the work of James Barry
James Barry (painter)
James Barry , Irish painter, best remembered for his six part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts...
and George Romney
George Romney (painter)
George Romney was an English portrait painter. He was the most fashionable artist of his day, painting many leading society figures - including his artistic muse, Emma Hamilton, mistress of Lord Nelson....
, both of whom Blake admired and were intended for illustration rather than illumination. Most scholars agree with this theory (i.e. the images wouldn't be combined with the text, they would simply accompany the text) and it has been suggested that Blake abandoned the project when he discovered the technique to realise his desire for full integration of text and image. His first relief etching was The Approach of Doom (1788), and his first successful combination of words and pictures were All Religions are One
All Religions are One
All Religions are One is the title of a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom , All Religions are One and There is No Natural Religion represent Blake's first...
and There is No Natural Religion
There is No Natural Religion
There is No Natural Religion is the title of a series of philosophical aphorisms by William Blake, written in 1788. Following on from his initial experiments with relief etching in the non-textual The Approach of Doom , All Religions are One and There is No Natural Religion represent Blake's first...
(both 1788), but they were experiments only. His first 'real' illuminated book was The Book of Thel
The Book of Thel
The Book of Thel is a poem by William Blake, dated 1789 and probably worked on in the period 1788 to 1790.It is illustrated by his own plates, and is relatively short and easy to understand, compared to his later prophetic books. The metre is a fourteen-syllable line. It was preceded by Tiriel,...
(1789) and it is possible that he abandoned Tiriel to work on Thel after making his breakthrough with All Religions and Natural Religion. According to David Bindman, for example, "Tiriel's clear separation of text and design is transitional in being an example of the conventional method of combining text with design implicitly rejected by Blake in developing the method of illuminated printing. He probably abandoned the series because his new technique took him beyond what had now become for him an obsolete method."
Blake's mythology
Although Blake was yet to formulate his mythological system, several preliminary elements of that system are present in microcosm in Tiriel. According to Peter Ackroyd, "the elements of Blake's unique mythology have already begun to emerge. It is the primeval world of Bryant and of StukeleyWilliam Stukeley
William Stukeley FRS, FRCP, FSA was an English antiquarian who pioneered the archaeological investigation of the prehistoric monuments of Stonehenge and Avebury, work for which he has been remembered as "probably... the most important of the early forerunners of the discipline of archaeology"...
, which he had glimpsed within engravings of stones and broken pillars." Elements of his later mythology are thus manifested throughout the poem.
Although Northrop Frye speculates that the Vales of Har are located in Ethiopia
Ethiopia
Ethiopia , officially known as the Federal Democratic Republic of Ethiopia, is a country located in the Horn of Africa. It is the second-most populous nation in Africa, with over 82 million inhabitants, and the tenth-largest by area, occupying 1,100,000 km2...
, due to the pyramids in the illustration Tiriel supporting Myratana, S. Foster Damon believes the poem to be set in Egypt
Egypt
Egypt , officially the Arab Republic of Egypt, Arabic: , is a country mainly in North Africa, with the Sinai Peninsula forming a land bridge in Southwest Asia. Egypt is thus a transcontinental country, and a major power in Africa, the Mediterranean Basin, the Middle East and the Muslim world...
, which is a symbol of slavery and oppression throughout Blake's work. For example, in The Book of Urizen
The Book of Urizen
The Book of Urizen is one of the major prophetic books of the English writer William Blake, illustrated by Blake's own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the "First". The book takes its name from the character Urizen in Blake's mythology,...
(1794), after the creation of mortal man,
They lived a period of years
Then left a noisom body
To the jaws of devouring darkness
And their children wept, & built
Tombs in the desolate places,
And form'd laws of prudence, and call'd them
The eternal laws of God
And the thirty cities remaind
Surrounded by salt floods, now call'd
AfricaAfricaAfrica is the world's second largest and second most populous continent, after Asia. At about 30.2 million km² including adjacent islands, it covers 6% of the Earth's total surface area and 20.4% of the total land area...
: its name was then Egypt.
The remaining sons of UrizenUrizenIn the complex mythology of William Blake, Urizen is the embodiment of conventional reason and law. He is usually depicted as a bearded old man; he sometimes bears architect's tools, to create and constrain the universe; or nets, with which he ensnares people in webs of law and conventional culture...
Beheld their brethren shrink together
Beneath the Net of Urizen;
Perswasion was in vain;
For the ears of the inhabitants,
Were wither'd, & deafen'd, & cold:
And their eyes could not discern,
Their brethren of other cities.
So FuzonFuzon (Blake)In the mythological writings of William Blake, Fuzon is the fourth and final son of Urizen, associated with the classical element of fire. In The Book of Ahania he fights Urizen for control of the world....
call'd all together
The remaining children of Urizen:
And they left the pendulous earth:
They called it Egypt, & left it.
- (Chap: IX, Verses 4-8)
Similarly, in The Book of Los
The Book of Los
The Book of Los is a 1795 prophetic book by English poet and painter William Blake. It exists in only one copy, now held by The British Museum. The book is related to the Book of Urizen and to the Continental prophecies; it is essentially a retelling of Urizen from the point of view of Los...
(1795), Urizen is imprisoned within "Coldness, darkness, obstruction, a Solid/Without fluctuation, hard as adamant
Adamant
Adamant and similar words are used to refer to any especially hard substance, whether composed of diamond, some other gemstone, or some type of metal. Both adamant and diamond derive from the Greek word αδαμας , meaning "untameable"...
/Black as marble
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
of Egypt; impenetrable" (Chap. I, Verse 10). Many years later, in On Virgil (1822), Blake claims that "Sacred Truth has pronounced that Greece
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
& Rome
Ancient Rome
Ancient Rome was a thriving civilization that grew on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to one of the largest empires in the ancient world....
as Babylon & Egypt: so far from being parents of Arts
The arts
The arts are a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which as a description of a field usually means only the visual arts. The arts encompass visual arts, literary arts and the performing arts – music, theatre, dance and...
& Science
Science
Science is a systematic enterprise that builds and organizes knowledge in the form of testable explanations and predictions about the universe...
s as they pretend: were destroyers of all Art." Similarly, in The Laocoön (also 1822), he writes "The Gods of Greece & Egypt were Mathematical Diagrams," "These are not the Works/Of Egypt nor Babylon Whose Gods are the Powers of this World. Goddess, Nature
Nature
Nature, in the broadest sense, is equivalent to the natural world, physical world, or material world. "Nature" refers to the phenomena of the physical world, and also to life in general...
./Who first spoil & then destroy Imaginative Art For their Glory is War and Dominion" and "Israel
Israel
The State of Israel is a parliamentary republic located in the Middle East, along the eastern shore of the Mediterranean Sea...
deliverd from Egypt is Art deliverd from Nature & Imitation."
Another connection to Blake's later mythology is found in The Vales of Har, which are mentioned in The Book of Thel (1789). It is in the Vales where lives Thel herself, and throughout the poem they are represented as a place of purity and innocence; "I walk through the vales of Har. and smell the sweetest flowers" (3:18). At the end of the poem, when Thel is shown the world of experience outside the Vales, she panics and flees back to the safety of her home; "The Virgin started from her seat, & with a shriek./Fled back unhinderd till she came into the vales of Har" (6:21-22).
The characters of Har and Heva also reappear in the Africa section of The Song of Los
The Song of Los
The Song of Los is one of William Blake's epic poems, known as prophetic books. The poem consists of two sections, "Africa" and "Asia". In the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers...
(1795), which is set chronologically before Tiriel. Disturbed by the actions of their family, Har and Heva flee into the wilderness, and turn into reptiles;
Since that dread day when Har and Heva fled.
Because their brethren & sisters liv'd in War & Lust;
And as they fled they shrunk
Into two narrow doleful forms:
Creeping in reptile flesh upon
The bosom of the ground
- (The Song of Los; 4:4-9)
Damon refers to this transformation as turning them into "serpents of materialism," which he relates back to their role in Tiriel.
Har and Ijim are also briefly mentioned in Vala, or The Four Zoas
Vala, or The Four Zoas
Vala, or The Four Zoas refers to one of the incompleted prophetic books by English poet William Blake, begun in 1797. The titular main characters of the book are The Four Zoas: , who were created by the fall of Albion in Blake's mythology. It consists of nine books, referred to as "nights"...
(1796–1803), where Har is the sixteenth son of Los
Los (Blake)
In the mythological writings of William Blake, Los is the fallen form of Urthona, one of the four Zoas. He is referred to as the "eternal prophet" and creates the visionary city of Golgonooza. Los is regularly described as a smith, beating with his hammer on a forge, which is metaphorically...
and Enitharmon
Enitharmon
Enitharmon is a major female character in William Blake's mythology, playing a main part in some of his prophetic books. She is, but not directly, an aspect of the male Urthona, one of the Four Zoas. She is in fact the Emanation of Los, also male. There is a complex verbal nexus attached. The Zoa...
, and Ijim the eighteenth. Har's immediate father is Satan
Satan
Satan , "the opposer", is the title of various entities, both human and divine, who challenge the faith of humans in the Hebrew Bible...
, representative of self-love in Blake, and his children are Ijim and Ochim (The Four Zoas, VIII:360).
Although Tiriel himself is not featured in any of Blake's later work, he is often seen as a foreshadowing of Urizen, limiter of men's desires, embodiment of tradition
Tradition
A tradition is a ritual, belief or object passed down within a society, still maintained in the present, with origins in the past. Common examples include holidays or impractical but socially meaningful clothes , but the idea has also been applied to social norms such as greetings...
and conformity
Conformity
Conformity is the process by which an individual's attitudes, beliefs, and behaviors are influenced by other people.Conformity may also refer to:*Conformity: A Tale, a novel by Charlotte Elizabeth Tonna...
, and a central character in Blake's mythology, appearing in Visions of the Daughters of Albion
Visions of the Daughters of Albion
Visions of the Daughters of Albion is a 1793 poem by William Blake, produced as a book with his own illustrations. It is a short and early example of his prophetic books, and a sequel of sorts to The Book of Thel....
(1793), America a Prophecy
America a Prophecy
America a Prophecy is a 1793 prophetic book by English poet and illustrator William Blake. It is engraved on eighteen plates, and survives in fourteen known copies. It is the first of Blake's Continental prophecies.-Background:...
(1793), Europe a Prophecy
Europe a Prophecy
Europe a Prophecy is a 1794 prophetic book by English poet and illustrator William Blake. It is engraved on 18 plates, and survives in just nine known copies. It followed America a Prophecy of 1793.-Background:...
(1794), The Book of Urizen (1794), The Book of Ahania
The Book of Ahania
The Book of Ahania is one of the English poet William Blake's prophetic books. It was published in 1795, illustrated by Blake's own plates....
(1795), The Book of Los (1795), The Song of Los (1795), Vala, or The Four Zoas (1796–1803), Milton a Poem (1804–1810), and Jerusalem The Emanation of the Giant Albion (1804–1820). Tiriel is similar to Urizen insofar as "he too revolted, set himself up as a tyrant, became a hypocrite, ruined his children by his curse, and finally collapsed."
Other aspects of Blake's mythology also begin to emerge during the poem. For example, Damon argues that the death of the four unnamed daughters and the corruption of the fifth is Blake's first presentation of the death of the four senses and the corruption of touch, or sex; "all imaginative activity based on the senses disappears except automatic sexual reproduction
Sexual reproduction
Sexual reproduction is the creation of a new organism by combining the genetic material of two organisms. There are two main processes during sexual reproduction; they are: meiosis, involving the halving of the number of chromosomes; and fertilization, involving the fusion of two gametes and the...
. Even this proves too much for his moral virtue." As Damon elaborates, "Hela's Medusa
Medusa
In Greek mythology Medusa , " guardian, protectress") was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. The author Hyginus, interposes a generation and gives Medusa another chthonic pair as parents. Gazing directly upon her would turn onlookers to stone...
n locks are the torturing thoughts of suppressed lust
Lust
Lust is an emotional force that is directly associated with the thinking or fantasizing about one's desire, usually in a sexual way.-Etymology:The word lust is phonetically similar to the ancient Roman lustrum, which literally meant "purification"...
." The corruption of the senses plays an important role throughout Europe a Prophecy ("the five senses whelm'd/In deluge o'er the earth-born man"), The Book of Urizen ("The senses inwards rush'd shrinking,/Beneath the dark net of infection"), The Song of Los ("Thus the terrible race of Los & Enitharmon gave/Laws & Religions to the sons of Har binding them more/And more to Earth: closing and restraining:/Till a Philosophy of Five Senses was complete"), The Four Zoas ("Beyond the bounds of their own self their senses cannot penetrate") and Jerusalem ("As the Senses of Men shrink together under the Knife of flint
Flint
Flint is a hard, sedimentary cryptocrystalline form of the mineral quartz, categorized as a variety of chert. It occurs chiefly as nodules and masses in sedimentary rocks, such as chalks and limestones. Inside the nodule, flint is usually dark grey, black, green, white, or brown in colour, and...
").
Harold Bloom points out that the points of the compass
Cardinal direction
The four cardinal directions or cardinal points are the directions of north, east, south, and west, commonly denoted by their initials: N, E, S, W. East and west are at right angles to north and south, with east being in the direction of rotation and west being directly opposite. Intermediate...
, which would come to play a vital role in Blake's later mythological system, are used symbolically for the first time in Tiriel; "the reference to "the western plains" in line 2 marks the onset of Blake's directional system, in which the west stands for man's body, with its potential either for sensual salvation or natural decay." In The Four Zoas, Milton and Jerusalem, after the Fall of the primeval man, Albion
Albion (Blake)
In the complex mythology of William Blake, Albion is the primeval man whose fall and division results in the Four Zoas: Urizen, Tharmas, Luvah/Orc, and Urthona/Los. The name derives from the ancient and mythological name of Britain, Albion.-Sources:...
, he is divided fourfold, and each of the four Zoas corresponds to a point on the compass and an aspect of Fallen man; Tharmas is west (the body), Urizen is south (Reason
Reason
Reason is a term that refers to the capacity human beings have to make sense of things, to establish and verify facts, and to change or justify practices, institutions, and beliefs. It is closely associated with such characteristically human activities as philosophy, science, language, ...
), Luvah
Luvah
In the mythological writings of William Blake, Luvah is one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. He represents love, passion, and rebellious energy. His Emanation is Vala; his fallen form is Orc. Throughout Blake's mythological system, he is...
is east (emotion
Emotion
Emotion is a complex psychophysiological experience of an individual's state of mind as interacting with biochemical and environmental influences. In humans, emotion fundamentally involves "physiological arousal, expressive behaviors, and conscious experience." Emotion is associated with mood,...
s) and Urthona is north (imagination).
Another subtle connection with the later mythological system is found when Tiriel has all but thirty of his sons killed; "And all the children in their beds were cut off in one night/Thirty of Tiriels sons remaind. to wither in the palace/Desolate. Loathed. Dumb Astonishd waiting for black death" (5:32-34). Damon believes this foreshadows The Book of Urizen, where Urizen brings about the fall of the thirty cities of Africa; "And their thirty cities divided/In form of a human heart", "And the thirty cities remaind/Surrounded by salt floods" (27:21-22 and 28:8-9).
Another minor connection to the later mythology is that two lines from the poem are used in later work by Blake. The deleted line "can wisdom be put in a silver rod, or love in a golden bowl?" is found in the Motto from The Book of Thel, and a version of the line "Why is one law given to the lion & the patient Ox?" (8:9) is found as the final line of The Marriage of Heaven and Hell
The Marriage of Heaven and Hell
The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs. Like his other books, it was published as printed sheets...
(1790); "One Law for the Lion & Ox is Oppression."
Critical interpretations
Tiriel has provoked a number of divergent critical responses. For example, according to G.E. BentleyGerald Eades Bentley
Gerald Eades Bentley was an American academic and literary scholar, best remembered for his The Jacobean and Caroline Stage, published by Oxford University Press in seven volumes between 1941 and 1968...
, "Tiriel has always proved a puzzle to commentators on Blake." Similarly, Kathleen Raine
Kathleen Raine
Kathleen Jessie Raine was a British poet, critic, and scholar writing in particular on William Blake, W. B. Yeats and Thomas Taylor. Known for her interest in various forms of spirituality, most prominently Platonism and Neoplatonism, she was a founder member of the Temenos Academy.-Life:Raine was...
points out, "this phantasmagoria
Phantasmagoria
Phantasmagoria can refer to:* Phantasmagoria, a type of show using an optical device to display moving images* Phantasmagoria, a video game* Phantasmagoria: A Puzzle of Flesh, a video game sequel to Phantasmagoria...
on the theme of the death of an aged king and tyrant-father may be – indeed, must be – read at several levels." Making much the same point, W.H. Stevenson argues that "the theme is not clearly related to any political, philosophical, religious or moral doctrine."
Northrop Frye reads the poem symbolically, seeing it primarily as "a tragedy of reason," and arguing that "Tiriel is the puritanical iconoclasm
Iconoclasm
Iconoclasm is the deliberate destruction of religious icons and other symbols or monuments, usually with religious or political motives. It is a frequent component of major political or religious changes...
and brutalised morality that marks the beginning of cultural decadence of which the lassitude of Deism is the next stage, and Ijim is introduced to show the mental affinity between Deism and savagery."
A different reading is given by S. Foster Damon, who argues that it is "an analysis of the decay and failure of Materialism
Materialism
In philosophy, the theory of materialism holds that the only thing that exists is matter; that all things are composed of material and all phenomena are the result of material interactions. In other words, matter is the only substance...
at the end of the Age of Reason
17th-century philosophy
17th-century philosophy in the Western world is generally regarded as being the start of modern philosophy, and a departure from the medieval approach, especially Scholasticism....
." Similarly, arguing that Har represents Christianity and Heva is an Eve-figure, Damon believes the poem illustrates that "by the end of the Age of Reason, official religion had sunk into the imbecility of childhood."
David V. Erdman looks at the poem from a political perspective, reading it in the light of the commencement of the French Revolution
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
in July 1789, with the Storming of the Bastille
Storming of the Bastille
The storming of the Bastille occurred in Paris on the morning of 14 July 1789. The medieval fortress and prison in Paris known as the Bastille represented royal authority in the centre of Paris. While the prison only contained seven inmates at the time of its storming, its fall was the flashpoint...
. He believes the poem deals both with pre-revolutionary France and "unrevolutionary" England, where people were more concerned with the recently revealed madness of George III than with righting the wrongs of society, as Blake saw them; "in France the people in motion were compelling the King to relax his grasp on the spectre. In England, the royal grasp had suddenly failed but there seemed nothing for the people to do but wait and see [...] when the King's recovery was celebrated, a bit prematurely, in March 1789, "happiness" was again official. Popular movements did exist, but except for the almost subterranean strike of the London blacksmith
Blacksmith
A blacksmith is a person who creates objects from wrought iron or steel by forging the metal; that is, by using tools to hammer, bend, and cut...
s for a shorter workday, they were largely humanitarian or pious in orientation and in no immediate sense revolutionary." He also feels the poem deals with "the internal disintegration of despotism
Despotism
Despotism is a form of government in which a single entity rules with absolute power. That entity may be an individual, as in an autocracy, or it may be a group, as in an oligarchy...
," and finds a political motive in Tiriel's final speech, which he sees as inspired by Jean-Jacques Rousseau
Jean-Jacques Rousseau
Jean-Jacques Rousseau was a Genevan philosopher, writer, and composer of 18th-century Romanticism. His political philosophy influenced the French Revolution as well as the overall development of modern political, sociological and educational thought.His novel Émile: or, On Education is a treatise...
's Emile: or, On Education
Emile: Or, On Education
Émile, or On Education is a treatise on the nature of education and on the nature of man written by Jean-Jacques Rousseau, who considered it to be the “best and most important of all my writings”. Due to a section of the book entitled “Profession of Faith of the Savoyard Vicar,” Émile was be...
.
Anne Kostelanetz Mellor also reads the poem as a political tract, although from a very different perspective than Erdman. She argues that the poem engages with "Blake's increasing uncertainty about both the social and the aesthetic implications of a closed form or system" and concludes with the edict that Tiriel's "repressive reign of deceit, slander, discontent and despair enslaves not only the ruled but the ruler as well [...] his closed mind, chained to closed palaces and legal systems ends by destroying both itself and everything over which it gains power. In this sense, she reads Tiriel's final speech as "reflecting the agony of a self trapped in the repressive social mores and intellectual absolutism
Absolutism (European history)
Absolutism or The Age of Absolutism is a historiographical term used to describe a form of monarchical power that is unrestrained by all other institutions, such as churches, legislatures, or social elites...
of eighteenth century England."
Harold Bloom, however, is not convinced of a political interpretation, arguing instead that "Tiriel's failure to learn until too late the limitations of his self-proclaimed holiness is as much a failure in a conception of divinity as it is of political authority."
Another theory is suggested by Peter Ackroyd, who argues that the poem is "a fable
Fable
A fable is a succinct fictional story, in prose or verse, that features animals, mythical creatures, plants, inanimate objects or forces of nature which are anthropomorphized , and that illustrates a moral lesson , which may at the end be expressed explicitly in a pithy maxim.A fable differs from...
of familial blindness and foolishness – fathers against sons, brother against brother, a family dispersed and alienated – which concludes with Blake's belief in the spiritual rather than the natural, man."
Alicia Ostriker believes that the poem deals with "the failure of natural law
Natural law
Natural law, or the law of nature , is any system of law which is purportedly determined by nature, and thus universal. Classically, natural law refers to the use of reason to analyze human nature and deduce binding rules of moral behavior. Natural law is contrasted with the positive law Natural...
."
Perhaps the most common theory, however, is summarised by Nelson Hilton, who argues that it "suggests in part a commentary on the state of the arts in an age which could conceive of poetry as a golden structure built with "harmony of words, harmony of numbers" (John Dryden
John Dryden
John Dryden was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.Walter Scott called him "Glorious John." He was made Poet...
) [...] exchanging the present for the past, Tiriel views late eighteenth-century English artistic material and practice as an impotent enterprise with nothing left but to curse its stultifying ethos of decorum and improvement." Hilton is here building on the work of Damon, who argued that Mnetha represents "neoclassical criticism, which protects decadent poetry (Har) and painting (Heva)." Additionally, Har sings in a "great cage" (3:21), which to Damon suggests the heroic couplet
Heroic couplet
A heroic couplet is a traditional form for English poetry, commonly used for epic and narrative poetry; it refers to poems constructed from a sequence of rhyming pairs of iambic pentameter lines. The rhyme is always masculine. Use of the heroic couplet was first pioneered by Geoffrey Chaucer in...
, which Blake abhorred. Hilton believes the phrase "great cage" recalls the poem 'Song: "How sweet I roamd from field to field"' from Poetical Sketches
Poetical Sketches
Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777. Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew...
(1783), which also deals with oppression and failure to achieve fulfillment. Similarly, in this same line of interpretation, Ostriker argues that "our singing birds" (3:20) and "fleeces" (3:21) suggest neoclassical lyric poetry
Lyric poetry
Lyric poetry is a genre of poetry that expresses personal and emotional feelings. In the ancient world, lyric poems were those which were sung to the lyre. Lyric poems do not have to rhyme, and today do not need to be set to music or a beat...
and pastoral poetry
Pastoral
The adjective pastoral refers to the lifestyle of pastoralists, such as shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasturage. It also refers to a genre in literature, art or music that depicts such shepherd life in an...
, while Erdman argues that "To catch birds & gather them ripe cherries" (3:13) "signifies triviality and sacchurnity of subject matter", whilst "sing in the great cage" (3:21) "signifies rigidity of form."
Adaptations
TirielTiriel (opera)
Tiriel is an opera by a Russian composer Dmitri N. Smirnov in three acts with a Symphonic Prologue to his own libretto after a poem of the same title by William Blake....
is a 1985 opera with libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
and music by Russian/British composer Dmitri Smirnov partially based on Blake's text. The opera incorporates material from several of Blake’s other poems; the "Introduction", "A Cradle Song" and "The Divine Image
The Divine Image (poem)
"The Divine Image" is a poem by English poet William Blake from his book Songs of Innocence , later included in his joint collection Songs of Innocence and of Experience...
" from Songs of Innocence (1789), and "The Tyger
The Tyger
"The Tyger" is a poem by the English poet William Blake. It was published as part of his collection Songs of Experience in 1794 . It is one of Blake's best-known and most analyzed poems...
" from Songs of Innocence and of Experience (1794).