Titon et l'Aurore
Encyclopedia
Titon et l'Aurore is an opera
in three acts and a prologue by the French
composer Jean-Joseph de Mondonville
which was first performed at the Académie royale de musique
, Paris
on 9 January 1753. The authorship of the libretto
has been subject to debate; Mondonville's contemporaries ascribed the prologue to Antoine Houdar de la Motte and the three acts of the opera to the Abbé de la Marre. Titon et l'Aurore belongs to the genre known as the pastorale héroïque
. The work played an important role in the so-called Querelle des Bouffons, a dispute over the relative merits of the French and Italian operatic traditions which dominated the intellectual life of Paris in the early 1750s. The tremendous success of Mondonville's opera at its premiere was an important victory for the French camp (although their Italian rivals claimed that this was because they had been excluded from their seats by members of the army). Titon was one of Mondonville's most popular works and went on to enjoy several revivals during his lifetime.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
in three acts and a prologue by the French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
composer Jean-Joseph de Mondonville
Jean-Joseph de Mondonville
Jean-Joseph de Mondonville , also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day...
which was first performed at the Académie royale de musique
Académie Royale de Musique
The Salle Le Peletier was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the former Hôtel de Choiseul...
, Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
on 9 January 1753. The authorship of the libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
has been subject to debate; Mondonville's contemporaries ascribed the prologue to Antoine Houdar de la Motte and the three acts of the opera to the Abbé de la Marre. Titon et l'Aurore belongs to the genre known as the pastorale héroïque
Pastorale héroïque
Pastorale héroïque was a type of ballet héroïque, a form of the opéra-ballet genre of French Baroque opera. The first work to bear the name was Jean-Baptiste Lully's final completed opera Acis et Galatée , although musical works on pastoral themes had already appeared on the French stage...
. The work played an important role in the so-called Querelle des Bouffons, a dispute over the relative merits of the French and Italian operatic traditions which dominated the intellectual life of Paris in the early 1750s. The tremendous success of Mondonville's opera at its premiere was an important victory for the French camp (although their Italian rivals claimed that this was because they had been excluded from their seats by members of the army). Titon was one of Mondonville's most popular works and went on to enjoy several revivals during his lifetime.
Roles
Original version | Premiere, Paris 1753 | |
---|---|---|
Titon | haute-contre Haute-contre The haute-contre is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.-History:... |
Pierre Jélyotte Pierre Jélyotte Pierre Jélyotte was a French operatic tenor, particularly associated with works by Rameau, Lully, Campra, and Destouches.-Life and career:... |
l'Aurore | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Marie Fel |
Promethée, Eole | bass | Claude Chassé |
Palès | soprano | Mlle Chevalier |
L'Amour | soprano | Mlle Coupée |
Synopsis
- Prologue Promethée (PrometheusPrometheusIn Greek mythology, Prometheus is a Titan, the son of Iapetus and Themis, and brother to Atlas, Epimetheus and Menoetius. He was a champion of mankind, known for his wily intelligence, who stole fire from Zeus and gave it to mortals...
) has stolen fire from heaven to give life to his statues. L'Amour (CupidCupidIn Roman mythology, Cupid is the god of desire, affection and erotic love. He is the son of the goddess Venus and the god Mars. His Greek counterpart is Eros...
) teaches them about the delights of love. - Act One Titon (TithonusTithonusIn Greek mythology, Tithonus or Tithonos was the lover of Eos, Titan of the dawn. He was a Trojan by birth, the son of King Laomedon of Troy by a water nymph named Strymo . The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a rhapsode, as the lyre in his...
), a mortal shepherd, is in love with Aurore (AuroraAurora (mythology)Aurora is the Latin word for dawn, the goddess of dawn in Roman mythology and Latin poetry.Like Greek Eos and Rigvedic Ushas , Aurora continues the name of an earlier Indo-European dawn goddess, *Hausos....
), the goddess of the dawn. He awaits her and when she arrives the two sing of their love for each other. This arouses the jealousy of Eole (AeolusAeolusAeolus was the ruler of the winds in Greek mythology. In fact this name was shared by three mythic characters. These three personages are often difficult to tell apart, and even the ancient mythographers appear to have been perplexed about which Aeolus was which...
), the god of the winds, who is in love with Aurore. Palès (PalesPalesIn Roman mythology, Pales was a deity of shepherds, flocks and livestock. Regarded as a male by some sources and a female by others, and even possibly as a pair of deities ....
), another goddess, is also in love with Titon and asks Eole to be allowed to deal with him. - Act Two Aurore rejects Eole's advances, saying she would rather lose her immortality than the love of Titon. Palès is also unsuccessful in her wooing of Titon and her love turns to anger.
- Act Three Palès curses Titon with premature old age. Nevertheless Aurore remains faithful to him and L'Amour saves the day by reversing the spell.
Recordings
- Titon et l'Aurore Jean-Paul FouchécourtJean-Paul FouchécourtJean-Paul Fouchécourt is a French tenor, mostly as an opera singer. He was born on August 30, 1958, at Blanzy in the Burgundy region. He is best known for singing French Baroque music, especially the parts called in French haute-contre, written for a very high tenor voice with no falsetto...
, Catherine Napoli, Philippe HuttenlocherPhilippe HuttenlocherPhilippe Huttenlocher is a Swiss baritone.He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg...
, Les Musiciens du LouvreLes Musiciens du LouvreLes Musiciens du Louvre is a French period instrument ensemble, formed in 1982. Originally based in Paris, since 1996 it has been based in the Couvent des Minimes in Grenoble. The Guardian considers it one of the best orchestras in the world.- History:Founded by Marc Minkowski in 1982, the...
, conducted by Marc MinkowskiMarc MinkowskiMarc Minkowski is a French conductor of classical music, especially known for his interpretations of French Baroque works. His mother is American, and his father was Alexandre Minkowski, a Polish-French professor of pediatrics and one of the founders of neonatology...
(Erato, 1992)