Tom Cobb
Encyclopedia
Tom Cobb or, Fortune's Toy is a farce in three-acts (styled "An Entirely Original Farcical Comedy") by W. S. Gilbert
. It opened at the St. James's Theatre on 24 April 1875. Although it was praised by the critics, the original production of the play ran for only 53 performances.
Arthur Sullivan
's The Zoo
played as an afterpiece to Tom Cobb.
had already produced their hit one-act comic opera
Trial by Jury
by the time Tom Cobb was written, but both Gilbert and Sullivan were still producing a considerable amount of work separately.
Several plot elements from Tom Cobb reappear in Gilbert and Sullivan's last opera, The Grand Duke
(1896). This full-length romantic farce was a departure by Gilbert from his earlier farces, which had generally been short works in one act.
Gilbert claimed, in a 1903 story article called "My Last Client", that the idea for the play came to him when he attended the funeral of T. W. Robertson in 1871 and a man in the crowd reminded him of Robertson. However, Gilbert based Tom Cobb on a short story that he had written in 1871 called "Tom Poulton's Joke", in which the title character attends his own "funeral", as in the story told by Gilbert in "My Last Client". In Tom Cobb there is no such incident. Arthur Sullivan
and F. C. Burnand had earlier written Cox and Box
, in which a man describes how he "killed himself" yet remains alive.
}||Young Surgeons – E. W. Royce and Edgar Bruce
|-
|Matilda O'Fipp|| ||The Colonel's Daughter – Edith Challis
|-
|Mr. Effingham
Mrs. Effingham
Bulstrode Effingham
Caroline Effingham||}
}
}
}||Members of a Romantic Family – Mr. De Vere, Mrs. Chippendale, W. J. Hill, Marie Litton
|-
|Biddy|| || – Miss E. Doyne
|-
|Footman|| || – E. A. Russell
|}
Matilda, the Colonel's daughter, is engaged to Tom Cobb, a penniless young surgeon. Tom rents a room at O'Fipp's house. He is in debt to a moneylender and has lent the money to O'Fipp in exchange for some worthless I.O.U.s. The money-lender has just signed judgement against Tom, so Tom is in bad financial straits as the play opens.
Whipple, a successful young surgeon, also wishes to marry Matilda. He proposes to her, but she says she prefers Tom. She notes, however, that if Tom hasn't married her in another month, she'll talk to Whipple again. Tom tells Whipple about his financial difficulties. Whipple notes that one of his old patients has just died. The deceased had had no name of his own, so Whipple had called him Tom Cobb as a joke. Whipple suggests that Tom make people think the dead man is young Tom Cobb, lie low for a few months, and come back to life with a new name and a clean slate. Tom adopts the suggestion and leaves immediately, Whipple giving him £25 to tide him over.
Caroline Effingham, an old school-friend of Matilda's, is a very romantic young woman. She tells Matilda that she fell in love with a "poet-soldier" with whom she has corresponded with but never met. However, he hasn't responded to her letters for some time, and when she finds him she will sue him for breach of promise.
Before Tom "died", he scribbled a joke "will" in which he left his worldly goods to Matilda. O'Fipp angrily crumples this up and throws it away. Whipple arrives with the news that the old pauper Tom Cobb was not a pauper at all, but a miser with a hoard of gold under his hearth but without any friends or relations. O'Fipp, retrieving the "will", lays claim to the money.
Act II: The same room, but now handsomely furnished.
Three months have passed, and Whipple is engaged to Matilda. The wealthy O'Fipps are happy, thanks to the "death" of Tom Cobb, and they agree that if he should decide to return from the dead, he will find it difficult to convince anyone of his identity.
Tom reappears looking "very seedy and dirty". His money has run out. Much to his bewilderment, O'Fipp, Matilda and Whipple all deny that he is Tom Cobb. O'Fipp suggests he assume another name, selecting one at random from the Times newspaper: Major-General Arthur Fitzpatrick. Tom accepts from O'Fipp a pound a week for as long as he keeps that name. "I'm so hungry, and seedy, and wretched," Tom says, "that I'd agree to anything."
Caroline Effingham and her family appear, and O'Fipp introduces Tom to them as Major-General Arthur Fitzpatrick. It turns out that this was the name of the "poet-soldier" who had jilted Caroline. To avoid being sued for breach of promise of marriage, Tom agrees to marry Caroline.
Act III: A drawing-room, shabbily furnished, in Mr. Effingham's house.
Three more months have passed, and Tom, engaged to Caroline, has grown his hair long and centre-parted, he wears a floppy Byronic collar, and he talks solemn poetic rubbish. He is now a poet-soldier. He does not wish to deceive Caroline, but he is afraid to tell her who he really is.
Docket & Tape, Solicitors, have been advertising in the papers for information about him, and he fears that they are after him for forging the will of old Tom Cobb. O'Fipp refuses to pay Tom his pound a week any more, because he believes that Tom's fear of prosecution for forgery will be enough to keep him quiet. Finally, Tom writes a letter to Docket & Tape, confessing everything. It turns out, however, that they have discovered that Tom was, in actuality, the grandson of the old miser, Tom Cobb. Therefore, he is a very wealthy man. Matilda now seeks to marry Tom, but he decides to marry Caroline.
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
. It opened at the St. James's Theatre on 24 April 1875. Although it was praised by the critics, the original production of the play ran for only 53 performances.
Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
's The Zoo
The Zoo
The Zoo is a one-act comic opera, with music by Arthur Sullivan and a libretto by B. C. Stephenson, writing under the pen name of Bolton Rowe. It premiered on 5 June 1875 at the St. James's Theatre in London , concluding its run five weeks later, on 9 July 1875, at the Haymarket Theatre...
played as an afterpiece to Tom Cobb.
Background
Gilbert and SullivanGilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
had already produced their hit one-act comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
Trial by Jury
Trial by Jury
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its...
by the time Tom Cobb was written, but both Gilbert and Sullivan were still producing a considerable amount of work separately.
Several plot elements from Tom Cobb reappear in Gilbert and Sullivan's last opera, The Grand Duke
The Grand Duke
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
(1896). This full-length romantic farce was a departure by Gilbert from his earlier farces, which had generally been short works in one act.
Gilbert claimed, in a 1903 story article called "My Last Client", that the idea for the play came to him when he attended the funeral of T. W. Robertson in 1871 and a man in the crowd reminded him of Robertson. However, Gilbert based Tom Cobb on a short story that he had written in 1871 called "Tom Poulton's Joke", in which the title character attends his own "funeral", as in the story told by Gilbert in "My Last Client". In Tom Cobb there is no such incident. Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
and F. C. Burnand had earlier written Cox and Box
Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two...
, in which a man describes how he "killed himself" yet remains alive.
Roles and original cast
Colonel O'Fipp | An Irish Adventurer – Clifford Cooper | |
Tom Cobb Whipple |
}||Young Surgeons – E. W. Royce and Edgar Bruce
|-
|Matilda O'Fipp|| ||The Colonel's Daughter – Edith Challis
|-
|Mr. Effingham
Mrs. Effingham
Bulstrode Effingham
Caroline Effingham||}
}
}
}||Members of a Romantic Family – Mr. De Vere, Mrs. Chippendale, W. J. Hill, Marie Litton
|-
|Biddy|| || – Miss E. Doyne
|-
|Footman|| || – E. A. Russell
|}
Synopsis
Act I: A shabby but pretentious sitting-room in Colonel O'Fipp's house.Matilda, the Colonel's daughter, is engaged to Tom Cobb, a penniless young surgeon. Tom rents a room at O'Fipp's house. He is in debt to a moneylender and has lent the money to O'Fipp in exchange for some worthless I.O.U.s. The money-lender has just signed judgement against Tom, so Tom is in bad financial straits as the play opens.
Whipple, a successful young surgeon, also wishes to marry Matilda. He proposes to her, but she says she prefers Tom. She notes, however, that if Tom hasn't married her in another month, she'll talk to Whipple again. Tom tells Whipple about his financial difficulties. Whipple notes that one of his old patients has just died. The deceased had had no name of his own, so Whipple had called him Tom Cobb as a joke. Whipple suggests that Tom make people think the dead man is young Tom Cobb, lie low for a few months, and come back to life with a new name and a clean slate. Tom adopts the suggestion and leaves immediately, Whipple giving him £25 to tide him over.
Caroline Effingham, an old school-friend of Matilda's, is a very romantic young woman. She tells Matilda that she fell in love with a "poet-soldier" with whom she has corresponded with but never met. However, he hasn't responded to her letters for some time, and when she finds him she will sue him for breach of promise.
Before Tom "died", he scribbled a joke "will" in which he left his worldly goods to Matilda. O'Fipp angrily crumples this up and throws it away. Whipple arrives with the news that the old pauper Tom Cobb was not a pauper at all, but a miser with a hoard of gold under his hearth but without any friends or relations. O'Fipp, retrieving the "will", lays claim to the money.
Act II: The same room, but now handsomely furnished.
Three months have passed, and Whipple is engaged to Matilda. The wealthy O'Fipps are happy, thanks to the "death" of Tom Cobb, and they agree that if he should decide to return from the dead, he will find it difficult to convince anyone of his identity.
Tom reappears looking "very seedy and dirty". His money has run out. Much to his bewilderment, O'Fipp, Matilda and Whipple all deny that he is Tom Cobb. O'Fipp suggests he assume another name, selecting one at random from the Times newspaper: Major-General Arthur Fitzpatrick. Tom accepts from O'Fipp a pound a week for as long as he keeps that name. "I'm so hungry, and seedy, and wretched," Tom says, "that I'd agree to anything."
Caroline Effingham and her family appear, and O'Fipp introduces Tom to them as Major-General Arthur Fitzpatrick. It turns out that this was the name of the "poet-soldier" who had jilted Caroline. To avoid being sued for breach of promise of marriage, Tom agrees to marry Caroline.
Act III: A drawing-room, shabbily furnished, in Mr. Effingham's house.
Three more months have passed, and Tom, engaged to Caroline, has grown his hair long and centre-parted, he wears a floppy Byronic collar, and he talks solemn poetic rubbish. He is now a poet-soldier. He does not wish to deceive Caroline, but he is afraid to tell her who he really is.
Docket & Tape, Solicitors, have been advertising in the papers for information about him, and he fears that they are after him for forging the will of old Tom Cobb. O'Fipp refuses to pay Tom his pound a week any more, because he believes that Tom's fear of prosecution for forgery will be enough to keep him quiet. Finally, Tom writes a letter to Docket & Tape, confessing everything. It turns out, however, that they have discovered that Tom was, in actuality, the grandson of the old miser, Tom Cobb. Therefore, he is a very wealthy man. Matilda now seeks to marry Tom, but he decides to marry Caroline.