Universal Zulu Nation
Encyclopedia
The Universal Zulu Nation is an international hip hop awareness group formed and headed by hip hop
pioneer Afrika Bambaataa
. Originally known simply as the Organization, it arose in the 1970s as reformed New York City
gang members began to organize cultural events for youths, combining local dance and music movements into what would become known as the various elements of hip hop culture. By the 1980s, hip hop had spread globally, and the Zulu Nation has since established (autonomous) branches in Japan
, France
, the UK
, Australia
, South Korea
and the Cape Flats in Cape Town South Africa.
The Zulu Nation has undergone changes over the past decade. From the late 1980s, at the height of the Afrocentric
movement in hip hop (when artists such as KRS-One
, Public Enemy, A Tribe Called Quest
, the Native Tongues
, and Rakim
hit success), the movement seemed to be incorporating many doctrines from the Nation of Islam
, the Nation of Gods and Earths, and the Nuwaubians. In the 2000s, however, its official Web site affirmed that the Zulu Nation has left the system of "believing" and instead adheres to Factology versus Beliefs, a philosophy and doctrine that can often be seen in, though is not always exclusive to, Nuwaubianism.
The imagery of the Zulu Nation has changed considerably as well. During the 1970s, and 1980s, Afrika Bambaataa and the Zulu Nation members would often clothe themselves in costumes representing different cultures of the world. These costumes were seen as symbols for the Zulu Nation's desire to help others regardless of nationality or skin color and also to symbolize people who were generally peaceful and good until they were oppressed by those who were not. Normal members, including whites and Latinos, would often wear necklaces or shirts depicting an outline of the African continent or a crude tribal drawing of a man's face. This was a symbol of the Zulu nations of Africa, from which the organization got its name. Nowadays, however, these things have been replaced by Egyptian symbols
such as ankh
s and pagan jewelry depicting pentagrams, though the older symbols and images can still be seen accompanying these.
in the early 1980s by Afrika Bambaataa
. The Zulu Nation was well received in suburban Paris
since most African immigrants lived beyond the city limits. The growing popularity of Afrika Bambaataa's sound introduced hip hop music
and culture to these poor suburban neighborhoods. The Zulu Nation
's ties to the French
hip hop
community have waned since 1987, and few contemporary emcees continue to represent the ideals of the group, but since Afrika Bambaataa's successful tour of France in 2008 and a big Zulu Nation reunion in Paris, France, there has been a new movement of the Universal Zulu Nation springing up in different cites again throughout France. According to Veronique Henelon, "French rap specifically has been a multi-dimensional expression of ties with Africa." The Zulu Nation Web site reaffirms this notion in their report of the French hip-hop community. The first hip-hop television show reportedly appeared in France
. It was called "H.I.P.-H.O.P.", aired by the TF1
channel and was hosted by "a guy named Sydney who also was the first Leader of The Universal Zulu Nation of France."
s then represent the Zulu Nation of the last millennium:
It's important to understand that though the Zulu Nation website for the American branch states that these beliefs represent the Zulu Nation of the "past millennium," many Zulu Nation members and branches(old and new) still follow the 15 Beliefs as factual. Thus it can be understood that the Zulu Nation's adoption of "Factology vs Beliefs," was an effort to reorganize the Nation to be more accessible by more people of even more different belief systems, due to the ever expansion of Hip Hop culture worldwide causing a bigger need for a much more universal Hip Hop preservation society.
.
This Hiphop Declaration of Peace guides Hiphop Kulture toward freedom from violence, and establishes advice and protection for the existence and development of the international Hiphop community. Through the principles of this Hiphop Declaration of Peace we, Hiphop Kulture, establish a foundation of Health, Love, Awareness, Wealth, peace and prosperity for ourselves, our children and their children's children, forever. For the clarification of Hiphop's meaning and purpose, or when the intention of Hiphop is questioned, or when disputes between parties arise concerning Hiphop; Hiphoppas shall have access to the advice of this document, The Hiphop Declaration of Peace, as guidance, advice and protection.
First Principle
Hiphop (Hip´Hop) is a term that describes our independent collective consciousness. Ever growing, it is commonly expressed through such elements as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism. Wherever and whenever these and future elements and expressions of Hiphop Kulture manifest; this Hiphop Declaration of Peace shall advise the use and interpretation of such elements, expressions and lifestyle.
Second Principle
Hiphop Kulture respects the dignity and sanctity of life without discrimination or prejudice. Hiphoppas shall thoroughly consider the protection and the development of life, over and before the individual decision to destroy or seek to alter its natural development.
Third Principle
Hiphop Kulture respects the Laws and agreements of its culture, its country, its institutions and whomever it does business with. Hiphop does not irresponsibly break Laws and commitments.
Fourth Principle
Hiphop is a term that describes our independent collective consciousness. As a conscious way of life, we acknowledge our influence on society, especially on children; and we shall forever keep the rights and welfare of both in mind. Hiphop Kulture encourages womanhood, manhood, sisterhood, brotherhood, childhood and family. We are conscious not to bring any intentional disrespect that jeopardizes the dignity and reputation of our children, elders and ancestors.
Fifth Principle
The ability to define, defend and educate ourselves is encouraged, developed, preserved, protected and promoted as a means toward peace and prosperity, and toward the protection and the development of our self-worth. Through knowledge of purpose and the development of our natural and learned skills, Hiphoppas are encouraged to always present their best work and ideas.
Sixth Principle
Hiphop Kulture honors no relationship, person, event, act or otherwise wherein the preservation and further development of Hiphop's culture, principles and elements are not considered or respected. Hiphop Kulture does not participate in activities that clearly destroy or alter its ability to productively and peacefully exist. Hiphoppas are encouraged to initiate and participate in fair trade and honesty in all negotiations and transactions.
Seventh Principle
The essence of Hiphop is beyond entertainment: The elements of Hiphop Kulture may be traded for money, honor, power, respect, food, shelter, information and other resources; however, Hiphop and its culture cannot be bought, nor is it for sale. It (Hiphop) cannot be transferred or exchanged by or to anyone for any compensation at any time or at any place. Hiphop is not a product. Hiphop is the priceless principle of our self-empowerment.
Eighth Principle
Companies, corporations, non and not-for-profit organizations, as well as individuals and groups that are clearly benefiting from the use, interpretation and/or exploitation of the term Hiphop, (i.e. Hip Hop, hip-hop,) and the expressions and terminologies of Hiphop, (i.e. Hip Hop, hip-hop,) are encouraged to commission and/or employ a full-time or part-time certified Hiphop Kultural Specialist to interpret and answer sensitive cultural questions regarding the principles and proper presentations of Hiphop’s elements and culture; relative to businesses, individuals, organizations, communities, cities, as well as other countries.
Ninth Principle
May 3 is Rap Music Day. Hiphoppas are encouraged to dedicate their own time and talent to self-development and for service to their communities. Every third week in May is Hiphop Appreciation Week. During this time, Hiphoppas are encouraged to honor their ancestors, reflect upon their cultural contributions and appreciate the elements and principles of Hiphop Kulture. November is Hiphop History Month. During this time Hiphoppas are encouraged to participate in the creating, learning and honoring of Hiphop's history and historical cultural contributors.
Tenth Principle
Hiphoppas are encouraged to build meaningful and lasting relationships that rest upon Love, trust, equality and respect. Hiphoppas are encouraged not to cheat, abuse, or deceive their friends.
Eleventh Principle
The Hiphop community exists as an international culture of consciousness that provides all races, tribes, religions and styles of people a foundation for the communication of their best ideas and works. Hiphop Kulture is united as one multi-skilled, multi-cultural, multi-faith, multi-racial people committed to the establishment and the development of peace.
Twelfth Principle
Hiphop Kulture does not intentionally or voluntarily participate in any form of hate, deceit, prejudice or theft at any time. At no time shall Hiphop Kulture engage in any violent war within itself. Those who intentionally violate the principles of this Declaration of Peace or intentionally reject its advice, forfeit by their own actions the protections set forth herein.
Thirteenth Principle
Hiphop Kulture rejects the immature impulse for unwarranted acts of violence and always seeks diplomatic, non-violent strategies in the settlement of all disputes. Hiphoppas are encouraged to consider forgiveness and understanding before any act of retaliation. War is reserved as a final solution when there is evidence that all other means of diplomatic negotiation have failed repeatedly.
Fourteenth Principle
Hiphoppas are encouraged to eliminate poverty, speak out against injustice and shape a more caring society and a more peaceful world. Hiphop Kulture supports a dialogue and action that heals divisions in society, addresses the legitimate concerns of humankind and advances the cause of peace.
Fifteenth Principle
Hiphoppas respect and learn from the ways of Nature, regardless of where we are on this planet. Hiphop Kulture holds sacred our duty to contribute to our own survival as independent, free-thinking beings in and throughout the Universe. This planet, commonly known as Earth is our nurturing parent and Hiphoppas are encouraged to respect Nature and all creations and inhabitants of Nature.
Sixteenth Principle
Hiphop's pioneers, legends, teachas, elders, and ancestors shall not be inaccurately quoted, misrepresented, or disrespected at anytime. No one should profess to be a Hiphop pioneer or legend unless they can prove with facts and/or witnesses their credibility and contributions to Hiphop Kulture.
Seventeenth Principle
Hiphoppas are encouraged to share resources. Hiphoppas should give as freely and as often as possible. It is the duty of every Hiphoppa to assist, whenever possible, in the relief of human suffering and in the correction of injustice. Hiphop is shown the highest respect when Hiphoppas respect each other. Hiphop Kulture is preserved, nurtured and developed when Hiphoppas preserve, nurture and develop one another.
Eighteenth Principle
Hiphop Kulture maintains a healthy, caring and wealthy, central Hiphop guild – fully aware and invested with the power to promote, teach, interpret, modify and defend the principles of this Hiphop Declaration of Peace.
Hip hop
Hip hop is a form of musical expression and artistic culture that originated in African-American and Latino communities during the 1970s in New York City, specifically the Bronx. DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, breaking and graffiti writing...
pioneer Afrika Bambaataa
Afrika Bambaataa
Afrika Bambaataa is an American DJ from the South Bronx, New York who was instrumental in the early development of hip hop throughout the 1980s. Afrika Bambaataa is one of the three originators of break-beat deejaying, and is respectfully known as the "Grandfather" and the Amen Ra of Universal...
. Originally known simply as the Organization, it arose in the 1970s as reformed New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
gang members began to organize cultural events for youths, combining local dance and music movements into what would become known as the various elements of hip hop culture. By the 1980s, hip hop had spread globally, and the Zulu Nation has since established (autonomous) branches in Japan
Japanese hip hop
Japanese hip hop is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop generally tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture, and overall fun and...
, France
French hip hop
French hip hop is the hip hop music style which was developed in France, and is considered the second worldwide hip hop scene after the U.S....
, the UK
British hip hop
British hip hop is a genre of music, and a culture that covers a variety of styles of hip hop music made in the United Kingdom. It is generally classified as one of a number of styles of urban music...
, Australia
Australian hip hop
Australian hip hop music began in the early 1980s; originally it was primarily influenced by hip hop music and culture imported via radio and television from the United States of America. However, since the 1990s, a distinctive local style has developed. Australian hip hop is an underground music...
, South Korea
Korean hip hop
In South Korea, hip hop expanded into a form of cultural phenomenon; namely in Seoul, Busan and Daegu. Although the movement has been growing since the mid-90's, Korean hip-hop scene has been gaining a great amount of attention on an international level, since their exposure of bboys who have won...
and the Cape Flats in Cape Town South Africa.
Afrocentrism
Afrocentrism is cultural ideology mostly limited to the United States, dedicated to the history of Black people a response to global racist attitudes about African people and their historical contributions by revisiting this history with an African cultural and ideological center...
movement in hip hop (when artists such as KRS-One
KRS-One
Lawrence Krisna Parker , better known by his stage names KRS-One , and Teacha, is an American rapper...
, Public Enemy, A Tribe Called Quest
A Tribe Called Quest
A Tribe Called Quest is an American hip hop group, formed in 1985, and is composed of rapper/producer Q-Tip , rapper Phife Dawg , and DJ/producer Ali Shaheed Muhammad. A fourth member, rapper Jarobi White, left the group after their first album but rejoined in 2006...
, the Native Tongues
Native tongues
Native Tongues is a book by the linguist Charles Berlitz.It is a list of words in different languages, etymology and questions with speculations far and wide about words....
, and Rakim
Rakim
William Michael Griffin Jr. , known by his stage names Rakim , Rakim Allah, R.A.K.I.M., and The Master, is an American rapper. He is widely regarded as one of the most influential and most skilled emcees of all time. Eric B...
hit success), the movement seemed to be incorporating many doctrines from the Nation of Islam
Nation of Islam
The Nation of Islam is a mainly African-American new religious movement founded in Detroit, Michigan by Wallace D. Fard Muhammad in July 1930 to improve the spiritual, mental, social, and economic condition of African-Americans in the United States of America. The movement teaches black pride and...
, the Nation of Gods and Earths, and the Nuwaubians. In the 2000s, however, its official Web site affirmed that the Zulu Nation has left the system of "believing" and instead adheres to Factology versus Beliefs, a philosophy and doctrine that can often be seen in, though is not always exclusive to, Nuwaubianism.
The imagery of the Zulu Nation has changed considerably as well. During the 1970s, and 1980s, Afrika Bambaataa and the Zulu Nation members would often clothe themselves in costumes representing different cultures of the world. These costumes were seen as symbols for the Zulu Nation's desire to help others regardless of nationality or skin color and also to symbolize people who were generally peaceful and good until they were oppressed by those who were not. Normal members, including whites and Latinos, would often wear necklaces or shirts depicting an outline of the African continent or a crude tribal drawing of a man's face. This was a symbol of the Zulu nations of Africa, from which the organization got its name. Nowadays, however, these things have been replaced by Egyptian symbols
Culture of Egypt
The culture of Egypt has thousands of years of recorded history. Ancient Egypt was among the earliest civilizations. For millennia, Egypt maintained a strikingly complex and stable culture that influenced later cultures of Europe, the Middle East and Africa. After the Pharaonic era, Egypt itself...
such as ankh
Ankh
The ankh , also known as key of life, the key of the Nile or crux ansata, was the ancient Egyptian hieroglyphic character that read "eternal life", a triliteral sign for the consonants ʻ-n-ḫ...
s and pagan jewelry depicting pentagrams, though the older symbols and images can still be seen accompanying these.
Zulu Nation in France
The Zulu movement was introduced to FranceFrance
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
in the early 1980s by Afrika Bambaataa
Afrika Bambaataa
Afrika Bambaataa is an American DJ from the South Bronx, New York who was instrumental in the early development of hip hop throughout the 1980s. Afrika Bambaataa is one of the three originators of break-beat deejaying, and is respectfully known as the "Grandfather" and the Amen Ra of Universal...
. The Zulu Nation was well received in suburban Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
since most African immigrants lived beyond the city limits. The growing popularity of Afrika Bambaataa's sound introduced hip hop music
Hip hop music
Hip hop music, also called hip-hop, rap music or hip-hop music, is a musical genre consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted...
and culture to these poor suburban neighborhoods. The Zulu Nation
Universal Zulu Nation
|rightThe Universal Zulu Nation is an international hip hop awareness group formed and headed by hip hop pioneer Afrika Bambaataa. Originally known simply as the Organization, it arose in the 1970s as reformed New York City gang members began to organize cultural events for youths, combining local...
's ties to the French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
hip hop
Hip hop
Hip hop is a form of musical expression and artistic culture that originated in African-American and Latino communities during the 1970s in New York City, specifically the Bronx. DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, breaking and graffiti writing...
community have waned since 1987, and few contemporary emcees continue to represent the ideals of the group, but since Afrika Bambaataa's successful tour of France in 2008 and a big Zulu Nation reunion in Paris, France, there has been a new movement of the Universal Zulu Nation springing up in different cites again throughout France. According to Veronique Henelon, "French rap specifically has been a multi-dimensional expression of ties with Africa." The Zulu Nation Web site reaffirms this notion in their report of the French hip-hop community. The first hip-hop television show reportedly appeared in France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
. It was called "H.I.P.-H.O.P.", aired by the TF1
TF1
TF1 is a national French TV channel, controlled by TF1 Group, whose major share-holder is Bouygues. TF1's average market share of 24% makes it the most popular domestic network...
channel and was hosted by "a guy named Sydney who also was the first Leader of The Universal Zulu Nation of France."
The Beliefs of the Universal Zulu Nation
As stated on its official Web site, the Universal Zulu Nation believes that in the new millennium it is time to abandon belief systems in favor of factology. The following fifteen tenetTenet
A tenet is one of the principles on which a belief or theory is based. Tenet may also refer to:* Tenet , a Canadian heavy metal band* Tenet Healthcare, a hospital holding company* Tenet people, an ethnic group in Sudan...
s then represent the Zulu Nation of the last millennium:
- Belief in the Abrahamic GodGodGod is the English name given to a singular being in theistic and deistic religions who is either the sole deity in monotheism, or a single deity in polytheism....
- Belief in the validity of the BibleBibleThe Bible refers to any one of the collections of the primary religious texts of Judaism and Christianity. There is no common version of the Bible, as the individual books , their contents and their order vary among denominations...
(OldOld TestamentThe Old Testament, of which Christians hold different views, is a Christian term for the religious writings of ancient Israel held sacred and inspired by Christians which overlaps with the 24-book canon of the Masoretic Text of Judaism...
and NewNew TestamentThe New Testament is the second major division of the Christian biblical canon, the first such division being the much longer Old Testament....
) , Qur'anQur'anThe Quran , also transliterated Qur'an, Koran, Alcoran, Qur’ān, Coran, Kuran, and al-Qur’ān, is the central religious text of Islam, which Muslims consider the verbatim word of God . It is regarded widely as the finest piece of literature in the Arabic language...
and in the scriptures of all the Prophets of God. - Belief that the scriptures have been tampered withBiblical criticismBiblical criticism is the scholarly "study and investigation of Biblical writings that seeks to make discerning judgments about these writings." It asks when and where a particular text originated; how, why, by whom, for whom, and in what circumstances it was produced; what influences were at work...
- Belief that history textbooks and other educational materials have been negatively influenced by white-supremacistWhite supremacyWhite supremacy is the belief, and promotion of the belief, that white people are superior to people of other racial backgrounds. The term is sometimes used specifically to describe a political ideology that advocates the social and political dominance by whites.White supremacy, as with racial...
doctrines - "We believe in truth whatever it is. If the truth or idea you bring us is backed by facts, then we as Amazulu bear witness to this truth. Truth is truth."
- Belief that religion should not make adherents into a slave or zombie but should instead make them a fighter for freedom, justice, and equality for all human beings.
- Belief that racismRacismRacism is the belief that inherent different traits in human racial groups justify discrimination. In the modern English language, the term "racism" is used predominantly as a pejorative epithet. It is applied especially to the practice or advocacy of racial discrimination of a pernicious nature...
is attempting to destroy civilization. - Belief that humanity must stop destroying the environmentEnvironmentalismEnvironmentalism is a broad philosophy, ideology and social movement regarding concerns for environmental conservation and improvement of the health of the environment, particularly as the measure for this health seeks to incorporate the concerns of non-human elements...
. - "We believe in the mental resurrection of the dead. There are many of the Human race who are blind, deaf, and dumb to the knowledge of self and others, and we feel the ones who know should teach."
- Belief that mathematicsMathematicsMathematics is the study of quantity, space, structure, and change. Mathematicians seek out patterns and formulate new conjectures. Mathematicians resolve the truth or falsity of conjectures by mathematical proofs, which are arguments sufficient to convince other mathematicians of their validity...
is the foundation of all realityRealityIn philosophy, reality is the state of things as they actually exist, rather than as they may appear or might be imagined. In a wider definition, reality includes everything that is and has been, whether or not it is observable or comprehensible...
. - "We believe in the seen and what is to be known of the unseen. We believe in the power of the mind, and that knowledge is as infinite as God himself."
- Belief in equal justiceJusticeJustice is a concept of moral rightness based on ethics, rationality, law, natural law, religion, or equity, along with the punishment of the breach of said ethics; justice is the act of being just and/or fair.-Concept of justice:...
for all. - Belief in peace unless provoked.
- "We believe in power, education in truth, freedom, justice, equality, work for the people, and the upliftment of the people."
- "The Universal Zulu Nation stands for knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, work, fun, overcoming the negative, economics, mathematics, science, life, truth facts, faith, and the oneness of God."
It's important to understand that though the Zulu Nation website for the American branch states that these beliefs represent the Zulu Nation of the "past millennium," many Zulu Nation members and branches(old and new) still follow the 15 Beliefs as factual. Thus it can be understood that the Zulu Nation's adoption of "Factology vs Beliefs," was an effort to reorganize the Nation to be more accessible by more people of even more different belief systems, due to the ever expansion of Hip Hop culture worldwide causing a bigger need for a much more universal Hip Hop preservation society.
The Hip Hop Declaration of Peace
It's mainly created by Zulu Nation & Temple of Hiphop, headed by KRS-OneKRS-One
Lawrence Krisna Parker , better known by his stage names KRS-One , and Teacha, is an American rapper...
.
This Hiphop Declaration of Peace guides Hiphop Kulture toward freedom from violence, and establishes advice and protection for the existence and development of the international Hiphop community. Through the principles of this Hiphop Declaration of Peace we, Hiphop Kulture, establish a foundation of Health, Love, Awareness, Wealth, peace and prosperity for ourselves, our children and their children's children, forever. For the clarification of Hiphop's meaning and purpose, or when the intention of Hiphop is questioned, or when disputes between parties arise concerning Hiphop; Hiphoppas shall have access to the advice of this document, The Hiphop Declaration of Peace, as guidance, advice and protection.
First Principle
Hiphop (Hip´Hop) is a term that describes our independent collective consciousness. Ever growing, it is commonly expressed through such elements as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism. Wherever and whenever these and future elements and expressions of Hiphop Kulture manifest; this Hiphop Declaration of Peace shall advise the use and interpretation of such elements, expressions and lifestyle.
Second Principle
Hiphop Kulture respects the dignity and sanctity of life without discrimination or prejudice. Hiphoppas shall thoroughly consider the protection and the development of life, over and before the individual decision to destroy or seek to alter its natural development.
Third Principle
Hiphop Kulture respects the Laws and agreements of its culture, its country, its institutions and whomever it does business with. Hiphop does not irresponsibly break Laws and commitments.
Fourth Principle
Hiphop is a term that describes our independent collective consciousness. As a conscious way of life, we acknowledge our influence on society, especially on children; and we shall forever keep the rights and welfare of both in mind. Hiphop Kulture encourages womanhood, manhood, sisterhood, brotherhood, childhood and family. We are conscious not to bring any intentional disrespect that jeopardizes the dignity and reputation of our children, elders and ancestors.
Fifth Principle
The ability to define, defend and educate ourselves is encouraged, developed, preserved, protected and promoted as a means toward peace and prosperity, and toward the protection and the development of our self-worth. Through knowledge of purpose and the development of our natural and learned skills, Hiphoppas are encouraged to always present their best work and ideas.
Sixth Principle
Hiphop Kulture honors no relationship, person, event, act or otherwise wherein the preservation and further development of Hiphop's culture, principles and elements are not considered or respected. Hiphop Kulture does not participate in activities that clearly destroy or alter its ability to productively and peacefully exist. Hiphoppas are encouraged to initiate and participate in fair trade and honesty in all negotiations and transactions.
Seventh Principle
The essence of Hiphop is beyond entertainment: The elements of Hiphop Kulture may be traded for money, honor, power, respect, food, shelter, information and other resources; however, Hiphop and its culture cannot be bought, nor is it for sale. It (Hiphop) cannot be transferred or exchanged by or to anyone for any compensation at any time or at any place. Hiphop is not a product. Hiphop is the priceless principle of our self-empowerment.
Eighth Principle
Companies, corporations, non and not-for-profit organizations, as well as individuals and groups that are clearly benefiting from the use, interpretation and/or exploitation of the term Hiphop, (i.e. Hip Hop, hip-hop,) and the expressions and terminologies of Hiphop, (i.e. Hip Hop, hip-hop,) are encouraged to commission and/or employ a full-time or part-time certified Hiphop Kultural Specialist to interpret and answer sensitive cultural questions regarding the principles and proper presentations of Hiphop’s elements and culture; relative to businesses, individuals, organizations, communities, cities, as well as other countries.
Ninth Principle
May 3 is Rap Music Day. Hiphoppas are encouraged to dedicate their own time and talent to self-development and for service to their communities. Every third week in May is Hiphop Appreciation Week. During this time, Hiphoppas are encouraged to honor their ancestors, reflect upon their cultural contributions and appreciate the elements and principles of Hiphop Kulture. November is Hiphop History Month. During this time Hiphoppas are encouraged to participate in the creating, learning and honoring of Hiphop's history and historical cultural contributors.
Tenth Principle
Hiphoppas are encouraged to build meaningful and lasting relationships that rest upon Love, trust, equality and respect. Hiphoppas are encouraged not to cheat, abuse, or deceive their friends.
Eleventh Principle
The Hiphop community exists as an international culture of consciousness that provides all races, tribes, religions and styles of people a foundation for the communication of their best ideas and works. Hiphop Kulture is united as one multi-skilled, multi-cultural, multi-faith, multi-racial people committed to the establishment and the development of peace.
Twelfth Principle
Hiphop Kulture does not intentionally or voluntarily participate in any form of hate, deceit, prejudice or theft at any time. At no time shall Hiphop Kulture engage in any violent war within itself. Those who intentionally violate the principles of this Declaration of Peace or intentionally reject its advice, forfeit by their own actions the protections set forth herein.
Thirteenth Principle
Hiphop Kulture rejects the immature impulse for unwarranted acts of violence and always seeks diplomatic, non-violent strategies in the settlement of all disputes. Hiphoppas are encouraged to consider forgiveness and understanding before any act of retaliation. War is reserved as a final solution when there is evidence that all other means of diplomatic negotiation have failed repeatedly.
Fourteenth Principle
Hiphoppas are encouraged to eliminate poverty, speak out against injustice and shape a more caring society and a more peaceful world. Hiphop Kulture supports a dialogue and action that heals divisions in society, addresses the legitimate concerns of humankind and advances the cause of peace.
Fifteenth Principle
Hiphoppas respect and learn from the ways of Nature, regardless of where we are on this planet. Hiphop Kulture holds sacred our duty to contribute to our own survival as independent, free-thinking beings in and throughout the Universe. This planet, commonly known as Earth is our nurturing parent and Hiphoppas are encouraged to respect Nature and all creations and inhabitants of Nature.
Sixteenth Principle
Hiphop's pioneers, legends, teachas, elders, and ancestors shall not be inaccurately quoted, misrepresented, or disrespected at anytime. No one should profess to be a Hiphop pioneer or legend unless they can prove with facts and/or witnesses their credibility and contributions to Hiphop Kulture.
Seventeenth Principle
Hiphoppas are encouraged to share resources. Hiphoppas should give as freely and as often as possible. It is the duty of every Hiphoppa to assist, whenever possible, in the relief of human suffering and in the correction of injustice. Hiphop is shown the highest respect when Hiphoppas respect each other. Hiphop Kulture is preserved, nurtured and developed when Hiphoppas preserve, nurture and develop one another.
Eighteenth Principle
Hiphop Kulture maintains a healthy, caring and wealthy, central Hiphop guild – fully aware and invested with the power to promote, teach, interpret, modify and defend the principles of this Hiphop Declaration of Peace.