Universal key
Encyclopedia
The universal key or universal scale is a concept employed in music theory
in which specific notes
or chord symbols in a key signature
are replaced with numbers or Roman numerals
, allowing for a discussion describing relationships between notes or chords that can be universally applied to all key signatures.
For example, in the key of E-flat major, the notes of the scale would be replaced like so:
represent the root
of a triad built on the associated scale step. In music theory based on the practices of the Common Practice Period
and its derivations the chord numerals are often written in upper case for chords in the major
family, and in lower case for chords in the minor
family, with the usual "m" or "—" minor chord quality suffix
omitted outright:
When representing the triads rooted in a minor key, the upper or lower case of the numerals indicate both its chord quality and that the key is minor:
A major drawback of using this method is its lack of use of accidental
s. While in the numeric system, flats and sharps can be represented either by the use of fractions (e.g. an A natural in the scale above becomes 4½) or, more commonly in written text, by inserting an accidental before the number (e.g. the same note becomes 5 or 4).
, all triads are represented by upper case numerals, followed by a symbol to indicate if it is not a major chord (e.g. "-" for minor or "ø" for half-diminished):
When representing the triads rooted in a minor key, accidentals are used to indicate the chromatic alteration from the assumed major key roots indicated by numerals that don't have accidentals:
E- (minor):
This will frequently result in numerals whose accidentals are different than those of the actual root note, as they are referring to a change from the assumed pitch and not an absolute pitch:
D- (Minor):
Music theory
Music theory is the study of how music works. It examines the language and notation of music. It seeks to identify patterns and structures in composers' techniques across or within genres, styles, or historical periods...
in which specific notes
NOTES
Natural orifice transluminal endoscopic surgery is an experimental surgical technique whereby "scarless" abdominal operations can be performed with an endoscope passed through a natural orifice then through an internal incision in the stomach, vagina, bladder or colon, thus avoiding any external...
or chord symbols in a key signature
Key signature
In musical notation, a key signature is a series of sharp or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the equivalent natural notes unless otherwise altered with an accidental...
are replaced with numbers or Roman numerals
Roman numerals
The numeral system of ancient Rome, or Roman numerals, uses combinations of letters from the Latin alphabet to signify values. The numbers 1 to 10 can be expressed in Roman numerals as:...
, allowing for a discussion describing relationships between notes or chords that can be universally applied to all key signatures.
For example, in the key of E-flat major, the notes of the scale would be replaced like so:
- E becomes scale degree 1
- F becomes scale degree 2
- G becomes scale degree 3
- A becomes scale degree 4
- B becomes scale degree 5
- C becomes scale degree 6
- D becomes scale degree 7
Triads (Common Practice style)
When used with chord symbols, the Roman numeralsRoman numerals
The numeral system of ancient Rome, or Roman numerals, uses combinations of letters from the Latin alphabet to signify values. The numbers 1 to 10 can be expressed in Roman numerals as:...
represent the root
Root (chord)
In music theory, the root of a chord is the note or pitch upon which a triadic chord is built. For example, the root of the major triad C-E-G is C....
of a triad built on the associated scale step. In music theory based on the practices of the Common Practice Period
Common practice period
The common practice period, in the history of Western art music , spanning the Baroque, Classical, and Romantic periods, lasted from c. 1600 to c. 1900.-General characteristics:...
and its derivations the chord numerals are often written in upper case for chords in the major
Major chord
In music theory, a major chord is a chord having a root, a major third, and a perfect fifth. When a chord has these three notes alone, it is called a major triad...
family, and in lower case for chords in the minor
Minor chord
In music theory, a minor chord is a chord having a root, a minor third, and a perfect fifth.When a chord has these three notes alone, it is called a minor triad....
family, with the usual "m" or "—" minor chord quality suffix
Chord names and symbols (jazz and pop music)
Various kinds of chord names and symbols are used in different contexts, to represent musical chords. In jazz and popular music, a chord name and the corresponding symbol are typically composed of one or more of the following parts:# The root note ....
omitted outright:
- E becomes I
- Fm7 becomes ii7
- Gm7 becomes iii7
- Amaj7 becomes IV maj7
- B7 becomes V7
- Cm7 becomes vi7
- Dø7 becomes viiø7
When representing the triads rooted in a minor key, the upper or lower case of the numerals indicate both its chord quality and that the key is minor:
- Cm7 becomes i7
- Dø7 becomes iiø7
- E becomes III
- Fm7 becomes iv7
- Gm7 becomes v7
- Amaj7 becomes VI maj7
- B7 becomes VII7
A major drawback of using this method is its lack of use of accidental
Accidental
Accidental may mean:* Accidental * Accidental , by Fred Frith* Accidental , a biological phenomenon more commonly known as vagrancy* Accidental property, a philosophical term-See also:* Accident...
s. While in the numeric system, flats and sharps can be represented either by the use of fractions (e.g. an A natural in the scale above becomes 4½) or, more commonly in written text, by inserting an accidental before the number (e.g. the same note becomes 5 or 4).
Triads (Jazz and popular style)
In music theory aimed towards jazz and popular musicJazz harmony
Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction, but...
, all triads are represented by upper case numerals, followed by a symbol to indicate if it is not a major chord (e.g. "-" for minor or "ø" for half-diminished):
- Emaj7 becomes I maj7
- F -7 becomes II -7
- G -7 becomes III -7
- Amaj7 becomes IV maj7
- B7 becomes V7
- C -7 becomes VI -7
- Dø7 becomes VIIø7
When representing the triads rooted in a minor key, accidentals are used to indicate the chromatic alteration from the assumed major key roots indicated by numerals that don't have accidentals:
E- (minor):
- E -7 becomes I -7
- Fmø7 becomes IIø7
- Gmaj7 becomes IIImaj7 (the assumed pitch for the root of a III numeral in E is G, and the is required to indicate that, in E-, this chord is rooted on G)
- A -7 becomes IV -7
- B -7 becomes V -7
- Cmaj7 becomes VImaj7
- D7 becomes VII7
This will frequently result in numerals whose accidentals are different than those of the actual root note, as they are referring to a change from the assumed pitch and not an absolute pitch:
D- (Minor):
- D -7 becomes I -7
- E -ø7 becomes IIø7
- F maj7 becomes III maj7 (the assumed pitch for the root of a III numeral in D is F, and the is required to indicate that, in D-, this chord is rooted on F)
- G -7 becomes IV -7
- A -7 becomes V -7
- Bmaj7 becomes VI maj7
- C7 becomes VII7