Voyage in the Dark
Encyclopedia
Voyage in the Dark is a 1934 novel by Jean Rhys
. It tells of the semi-tragic descent of its young protagonist Anna Morgan who is moved from her Caribbean home to England by an 'evil' stepmother. Once she leaves school, and she is cut off financially by the stepmother, Hester, Anna tries to support herself as a chorus girl, then falls in love with a man named Walter who briefly supports her but won't marry her. When he leaves her, she begins a downward spiral. Like William Faulkner's The Wild Palms, the novel features a botched illegal abortion. Rhys' original version ended with the death of Anna from this abortion (see Bonnie Kime Scott's The Gender of Modernism for the original ending), but she revised it before publication to the more ambivalent and modernist ending in which Anna survives to return to her now-shattered life "all over again." The novel is rich in Caribbean folklore and tradition and post-colonial identity politics, including black self-identification by its white protagonist.
Jean Rhys
Jean Rhys , born Ella Gwendolen Rees Williams, was a mid 20th-century novelist from Dominica. Educated from the age of 16 in Great Britain, she is best known for her novel Wide Sargasso Sea , written as a "prequel" to Charlotte Brontë's Jane Eyre.-Early life:Rhys was born in Roseau, Dominica...
. It tells of the semi-tragic descent of its young protagonist Anna Morgan who is moved from her Caribbean home to England by an 'evil' stepmother. Once she leaves school, and she is cut off financially by the stepmother, Hester, Anna tries to support herself as a chorus girl, then falls in love with a man named Walter who briefly supports her but won't marry her. When he leaves her, she begins a downward spiral. Like William Faulkner's The Wild Palms, the novel features a botched illegal abortion. Rhys' original version ended with the death of Anna from this abortion (see Bonnie Kime Scott's The Gender of Modernism for the original ending), but she revised it before publication to the more ambivalent and modernist ending in which Anna survives to return to her now-shattered life "all over again." The novel is rich in Caribbean folklore and tradition and post-colonial identity politics, including black self-identification by its white protagonist.
Part One
- Anna compares England to her Caribbean, where everything was colourful. By contrast, England was greyish. She dislikes England throughout the novel, always feeling like an outsider; she is always cold and describes all of the towns that she tours as part of a chorus line as identical. She ends up in Southsea with a friend, Maudie, where they have trouble persuading a landlady to take them in; the implication is that chorus girls are 'professionals' or prostitutes. The landlady complains about the way that they walk around in their dressing gowns. Anna goes for a walk with Maudie, and they meet two men whom they take back to their flat for a snack, much to their landlady's disgust. When Anna goes to London, she agrees to meet one of the men, Walter.
- Walter takes her to dinner in a restaurant with a private dining room and a bedroom attached, a place clearly meant to be used for illicit rendezvous. He is obviously wealthy. After a meal, he makes a pass at Anna, and she takes her hat and coat and goes into the bedroom, shuts the door and lies down on the bed for a long time. He comes in and apologises, and walks her to a taxi. The next day she receives some money in a letter from Walter, in which he apologises. She goes out the next day to buy some clothes. Back home she becomes ill and sends him a letter asking him to visit. Walter visits, buys her some food, and a warm coverlet for her bed, and pays a doctor to see her.
- Anna visits Walter again, and when he puts his hand on her knee, says that she must go, and begins to cry. But he tells her to be brave and they end up going to bed together, and she loses her virginity.
- Anna is now supported as a "kept woman"; she moves to better quarters, and waits all day for letters from Walter arranging meeting times. She has fallen in love with him. One day a letter arrives from Maudie, saying that she will visit soon, and they go for a walk in Hyde Park.
- Anna goes to visit Walter and meets Vincent, his cousin. She says she doesn't like him and begins to tell Walter about her early life in the Caribbean. They make love, and she lies awake.
- Anna goes to visit her stepmother, Hester, who tells her that there is no more money for her from her father's Caribbean estate, which Hester sold. Hester is upset. She sent a letter to Anna's Uncle Bo saying Anna would be better in the Caribbean, but that he will need him to pay the other half of the returning fare. The reply accuses Hester of Cheating Anna out of her inheritance, which Hester denies vehemently . Her step mother says that she cannot afford to help Anna financially any longer and that it is her uncle's responsibility. Anna's stepmother is depicted as overtly racist; she states that she does not approve of Anna's uncle because he is open in his acceptance of both the black and white children in his family, and gives all the children the family's last name. Her abhorrence of miscegenation is depicted negatively in the text, as a sign of her intolerant bigotry, for her major concern is the appearance of impropriety, and not the impropriety itself. Hester doesn't approve of black-white friendship at all; we learn that she got very annoyed when Anna got too close to the black servant Francine and eventually had her sent away. Anna's uncle, in turn, doesn't approve of Hester, accusing her of mismanaging her husband's property and failing to support Anna as she should.
- Anna is desperately afraid that Walter will get bored and leave her. One day he takes her to the country for what for a while is a wonderful time, but the trip is cut short. Vincent and his French lover, who are with them, fall out and they decide to leave early. Walter tells Anna that the reason for the argument was because Walter is taking Vincent when he goes to the US for a while … the first time that Anna has heard of the trip.
- Sure enough, Anna receives a letter from Vincent saying that Walter is sorry, but he is no longer in love with her. They both still want to assist her as much as possible.
- Anna asks Walter to meet her, despite the fact that Vincent has said it is better that they don't see each other. She tries to get him to take her home, but he won't, so they part. Anna decides to break from him altogether, and she leaves the lodging he has paid for without leaving a forwarding address.
Part Two
- Anna sells some clothing to raise money to pay her rent. In her new accommodations, she meets a woman called Ethel, only there, she says, whilst her new place is being refurnished. They go to the pictures together, and Ethel, who runs a manicure and massage business, offers to give Anna accommodation and a job.
- One day Anna goes out and meets Laurie by chance, along with two American boyfriends of hers, Carl and Joe.
- They go out for drinks and get a little tipsy.
- They go out again to a hotel. It becomes clear that Laurie is a prostitute, and Anna goes into hysterics, and throws a scene.
- Anna goes and visits Ethel, and is taken up as the manicurist, even though she has no experience.
Part Three
- Anna isn't very good at her job. Ethel is obviously running a bit of a racket. Her adverts are suggestive, but not explicitly so, so that the men arrive expecting more than a massage, but when they don't get it there is nothing that they can do. One day Ethel's massage table breaks and the man on it jumps off into some hot water and injures himself. Anna doesn't show much sympathy, and Ethel is suddenly angry. She is too moody, she says, is no good at the job, and never invites Ethel along when she goes out. It appears that Ethel expected that Anna might prostitute herself and that Ethel expected to act as a madam, but she does not say this explicitly. She orders Anna to leave, so Anna goes to get her things, but Ethel begs her to stay, saying that she is lonely. Anna says that she must go for a walk, and Ethel tells her that if she is not back within an hour she will gas herself. She goes half way to Walter's place and then returns to a very relieved Ethel. Ethel offers her some food but she goes straight to bed.
- Anna is ill. When she meets up with Laurie, one of her boyfriends, Carl Redman, asks her if she is on ether. She ends up going to sleep with him.
- Ethel is inquisitive about Redman and doesn't seem to disapprove. Redman tells Anna that he is leaving the country soon; both he and Joe have wives in the States. One day Anna meets Maudie, who borrows some money. She needs to buy new clothes or else she thinks the man she is going out with won't marry her.
- Anna almost ends up going to bed with some posh guy with a broken hand, and while they are dancing she throws her shoe at a picture of a dog she imagines is smirking at her, shattering the glass. Soon after, she has a fit of morning sickness, hits the guy on his injured hand, and throws up. He goes.
- Anna is staying at Laurie, who receives a 'peach of a letter' from Ethel, saying that Anna owes her money for utterly destroying her room. She also mentions that Anna was bringing any old man back to the apartment, which she could not stand. Anna and Laurie discuss the possibilities of an abortion. Anna has waited too long to seek this abortion, ambivalently wishing to keep the baby she cannot support.
- Laurie and Anna meet up with Vincent to arrange the money for the abortion. He assures her that everything will be all right and commands Anna to return the letters between her and Walter, which she does.
- Anna goes to Mrs. Robinson's and has the abortion.
Part Four
- The abortion is botched, and Anna becomes extremely ill. Anna hears Laurie talking to her new landlady, Mrs Polo about her condition. She is still unwell. She hallucinates, her mind filled with scenes of the masquerade in the Caribbean of her childhood, recent seductions, and the dark room that she is in. A doctor comes to attend her and says, "She'll be alright […] Ready to start all over again in no time, I've no doubt." The last paragraph returns to Anna's stream of consciousness narrative voice pondering repeated the idea of "all over again."