Wagner controversies
Encyclopedia
The German composer Richard Wagner
was a controversial figure during his lifetime, and has continued to be so after his death. Even today he is associated in the minds of many with Nazism
and his operas are often thought to extol the virtues of German
nationalism
. The writer and Wagner scholar Bryan Magee
has written:
Most of these perceptions arise from Wagner's published opinions on a number of topics. Wagner was a voluminous writer and published essays and pamphlets on a wide range of subjects throughout his life. (Many of Wagner's writings are available online in English translations at The Wagner Library.) While his music-dramas have an immediate appeal, Wagner's writing style is verbose, unclear and turgid, which has greatly added to the confusion about his opinions.
Several of his writings have achieved some notoriety, in particular his essay Das Judenthum in der Musik
, (Jewishness in Music), a critical view on the influence of Jews in German culture and society at that time. His attitudes to the unification of Germany
were complex: he disliked the first German Chancellor Bismarck
, however he often expressed his belief that German Art should be extolled and protected, most notably in Hans Sachs
' final oration in his opera Die Meistersinger von Nürnberg
. The essays he wrote in his final years were also controversial, with many readers perceiving them to employ an endorsement of racist, Aryan
beliefs.
Wagner was also promoted during the Nazi era as one of Adolf Hitler
's favourite composers, and Hitler is alleged to have said that "Whoever wants to understand National Socialist Germany must know Wagner." Historical perception of Wagner has been tainted with this association ever since, and there is debate over how Wagner's writings and operas might have influenced the creation of Nazi Germany. Finally there is controversy over Wagner's paternity. It is suggested that he was the son of Ludwig Geyer
, rather than his legal father Carl Friedrich Wagner, and some of his biographers have proposed that Wagner himself believed that Geyer was Jewish.
six months after Richard's birth, by which time Wagner's mother was living with the actor and playwright Ludwig Geyer
in the Brühl
, at that time the Jewish quarter of Leipzig. Johanna and Geyer married in August 1814, and for the first 14 years of his life, Wagner was known as Wilhelm Richard Geyer. Wagner in his later years discovered letters from Geyer to his mother which led him to suspect that Geyer was in fact his biological father, and furthermore speculated that Geyer was Jewish. The philosopher Friedrich Nietzsche
was one of Wagner's closest acolytes, and proof-read Wagner's autobiography Mein Leben. It may have been this closeness that led Nietzsche to claim in his 1888 book Der Fall Wagner (The Case of Wagner
) that Wagner's father was Geyer, and to make the pun that "Ein Geyer ist beinahe schon ein Adler" (A vulture is almost an eagle) —Geyer also being the German word for a vulture and Adler being a very common Jewish surname. Despite these conjectures on the part of Wagner and Nietzsche, there is no evidence that Geyer was Jewish, and the question of Wagner's paternity is unlikely to be settled without DNA evidence.
and Giacomo Meyerbeer
and blamed them for his lack of success, particularly after his stay in Paris in 1840–41 when he was impoverished and reduced to music copy-editing. Ironically, at the same time Wagner did have considerable contact with Meyerbeer, who loaned him money and used his influence to arrange for the premiere of Rienzi
, Wagner's first successful opera, in Dresden in 1842; Meyerbeer later expressed hurt and bewilderment over Wagner's written abuse of him, his works, and his faith. Wagner's first and most controversial essay on the subject was Das Judenthum in der Musik
('Jewishness in Music'), originally published under the pen-name K. Freigedank (K. Freethought) in 1850 in the Neue Zeitschrift für Musik
. In a previous issue Theodor Uhlig
had attacked the success in Paris of Meyerbeer's Le prophète
, and Wagner's essay expanded this to an attack on supposed 'Jewishness' in all German art. The essay purported to explain popular dislike of Jewish composers, in particular Mendelssohn and Meyerbeer, who is not mentioned by name but is clearly a target. Wagner wrote that the German people were repelled by Jews due to their 'alien' appearance and behaviour: 'with all our speaking and writing in favour of the Jews' emancipation, we always felt instinctively repelled by any actual, operative contact with them.' He argued that Jewish musicians were only capable of producing music that was shallow and artificial, because they had no connection to the genuine spirit of the German people.
In the conclusion to the essay, he wrote of the Jews that 'only one thing can redeem you from the burden of your curse: the redemption of Ahasuerus
— going under!' Although this has been taken by some commentators to mean actual physical annihilation, in the context of the essay it seems to refer only to the eradication of Jewish separateness and traditions. Wagner advises Jews to follow the example of Ludwig Börne
by abandoning Judaism. In this way Jews will take part in 'this regenerative work of deliverance through self-annulment; then are we one and un-dissevered!' Wagner was therefore calling for the assimilation of Jews into mainstream German culture and society - although there can be little doubt, from the words he uses in the essay, that this call was prompted at least as much by anti-semitism as by a desire for social amelioration. (In the very first publication, the word here translated as 'self-annulment' was represented by the phrase 'self-annihilating, bloody struggle').
The initial publication of the article attracted little attention, but Wagner wrote a self-justifying letter about it to Franz Liszt
in 1851, claiming that his "long-suppressed resentment against this Jewish business" was "as necessary to me as gall
is to the blood". Wagner republished the pamphlet under his own name in 1869, with an extended introduction, leading to several public protests at the first performances of Die Meistersinger von Nürnberg
. Wagner repeated similar views in later articles, such as "What is German?" (1878, but based on a draft written in the 1860s), and Cosima Wagner's diaries often recorded his comments about "Jews". Although many have argued that his aim was to promote the integration of Jews into society by suppressing their Jewishness, others have interpreted the final words of the 1850 pamphlet (suggesting the solution of an Untergang for the Jews, an ambiguous word, literally 'decline' or 'downfall' but which can also mean 'sinking' or 'going to a doom') as meaning that Wagner wished the Jewish people to be destroyed.
Some biographers, such as Theodor Adorno and Robert Gutman have advanced the claim that Wagner's opposition to Jews was not limited to his articles, and that the operas contained such messages. In particular the characters of Mime in the Ring, Klingsor in Parsifal
and Sixtus Beckmesser in Die Meistersinger are supposedly Jewish stereotypes, although none of them are identified as Jews in the libretto. Such claims are disputed. Wagner was not above putting digs and insults to specific individuals into his work, and it was usually obvious when he did. Wagner, over the course of his life, produced a huge amount of written material analyzing every aspect of himself, including his operas and his views on Jews (as well as many other topics); these purportedly 'Jewish' characterizations messages are never mentioned, nor are there any such references in Cosima Wagner's copious diaries.
Despite his published views on Jewishness, Wagner maintained Jewish friends and colleagues throughout his life. One of the most notable of these was Hermann Levi
, a practising Jew and son of a Rabbi
, whose talent was freely acknowledged by Wagner. Levi's position as Kapellmeister
at Munich meant that he was to conduct the premiere of Parsifal, Wagner's last opera. Wagner initially objected to this and was quoted as saying that Levi should be baptized before conducting Parsifal. Levi however held Wagner in adulation, and was asked to be a pallbearer at the composer's funeral.
philosophy of Arthur de Gobineau
. However the influence of Gobineau on Wagner's thought is debated. Wagner was first introduced to Gobineau in person in Rome in November 1876. The two did not cross paths again until 1880, well after Wagner had completed the libretto for Parsifal
, the opera most often accused of containing racist ideology. Although Gobineau's An Essay on the Inequality of the Human Races
was written 25 years earlier, it seems that Wagner did not read it until October 1880. There is evidence to suggest that Wagner was very interested in Gobineau's idea that Western society was doomed because of miscegenation
between "superior" and "inferior" races. However, he does not seem to have subscribed to any belief in the superiority of the supposed Germanic or "Nordic race".
Wagner's conversations with Gobineau during the philosopher's 5-week stay at Wahnfried
in 1881 were punctuated with frequent arguments. Cosima Wagner's diary entry for June 3 recounts one exchange in which Wagner "positively exploded in favour of Christianity as compared to racial theory." Gobineau also believed that in order to have musical ability, one must have black ancestry.
Wagner subsequently wrote three essays in response to Gobineau's ideas: "Introduction to a Work of Count Gobineau", "Know Thyself", and "Heroism and Christianity" (all 1881). The "Introduction" is a short piece written for the Bayreuther Blätter
in which Wagner praises the Count's book:
In "Know Thyself" Wagner deals with the German people, whom Gobineau believes are the "superior" Aryan race. Wagner in fact rejects the notion that the Germans are a race at all, and further proposes that we should look past the notion of race to focus on the human qualities ("das Reinmenschliche") common to all of us. In "Heroism and Christianity", Wagner proposes that Christianity could function to provide a moral harmonization of all races, preferable to the physical unification of races by miscegenation:
Wagner's concerns over miscegenation occupied him until the very end of his life; he was in the process of writing another essay, "On the Womanly in the Human Race" (1883), at the time of his death, in which he discusses the role of marriage in the creation of races:"it is certain that the noblest white race is monogamic at its first appearance in saga and history, but marches toward its downfall through polygamy with the races which it conquers."
Wagner's writings on race would probably be considered unimportant were it not for the influence of his son-in-law Houston Stewart Chamberlain
, who expanded on Wagner and Gobineau's ideas in his 1899 book The Foundations of the Nineteenth Century
, a racist work extolling the Aryan ideal which later strongly influenced Adolf Hitler
's ideas on race.
movements were losing the Romantic
, idealistic egalitarianism of 1848, and acquiring tints of militarism and aggression, due in no small part to Bismarck
's takeover and unification of Germany in 1871. After Wagner's death in 1883, Bayreuth increasingly became a focus for German nationalists attracted by the mythos of the operas, who have been referred to by latter comentators as the Bayreuth circle
. This group was endorsed by Cosima Wagner
, whose anti-Semitism was considerably less complex and more virulent than Richard's. One of the circle was Houston Stewart Chamberlain
, the author of a number of 'philosophic' tracts which later became required Nazi reading. Chamberlain married Wagner's daughter, Eva. After the deaths of Cosima and Siegfried Wagner in 1930, the operation of the Festival fell to Siegfried's widow, English-born Winifred
, who was a personal friend of Adolf Hitler
. Hitler was a fanatical admirer of Wagner's music, and sought to incorporate it into his heroic mythology of the German nation. Hitler held many of Wagner's original scores in his Berlin bunker
at the end of World War II, despite the pleadings of Wieland Wagner
to have these important documents put in his care; the scores perished with Hitler in the final days of the war.
Many scholars have argued that Wagner's views, particularly his anti-Semitism and purported Aryan-Germanic racism, influenced the Nazis. These claims are disputed. Recent studies suggest that there is no evidence that Hitler even read any of Wagner's writings and further argue that Wagner's works do not inherently support Nazi notions of heroism. During the Nazi regime, Parsifal was denounced as being "ideologically unacceptable" and the opera was not performed at Bayreuth during the war years. (It has been suggested that a de facto
ban had been placed on Parsifal by the Nazis. However there were 23 performances at the Deutsche Oper in Berlin, between 1939 and 1942, which suggests that no formal ban was in place.)
The Nazi fascination with Wagner was largely inspired by Hitler, sometimes to the dismay of other high-ranking Nazi officials, including Joseph Goebbels
. In 1933, for instance, Hitler ordered that each Nuremberg Rally
open with a performance of the Meistersinger overture, and he even issued one thousand free tickets to Nazi functionaries. When Hitler entered the theater, however, he discovered that it was almost empty. The following year, those functionaries were ordered to attend, but they could be seen dozing off during the performance, so that in 1935, Hitler conceded and released the tickets to the public.
In general, while Wagner's music was often performed during the Third Reich, his popularity actually declined in Germany in favor of Italian composers such as Verdi
and Puccini
. By the 1938–39 season, Wagner had only one opera in the list of fifteen most popular operas of the season, with the list headed by Italian composer Ruggiero Leoncavallo's Pagliacci
. Ironically, according to Albert Speer
, The Berlin Philharmonic's last performance before their evacuation from Berlin at the end of World War II was of Brünnhilde's immolation scene at the end of Götterdämmerung
.
As part of the regime's propaganda intentions of 'Nazifying' German culture, specific attempts were made to appropriate Wagner's music as 'Nazi' and pseudo-academic articles appeared such as Paul Bulow's ' Adolf Hitler and the Bayreuth Ideological Circle
' (Zeitschrift fur Musik, July 1933). Such articles were Nazi attempts to rewrite history to demonstrate that Hitler was integral to German culture.
There is evidence that music of Wagner was used at the Dachau concentration camp in 1933/4 to 'reeducate' political prisoners by exposure to 'national music'. However there seems to be no documentation to support claims sometimes made that his music was played at Nazi death camps.
, and the few instrumental performances that have occurred have provoked much controversy.
The Palestine Orchestra, founded in 1936 by Bronislaw Huberman
in what is now the state of Israel (and which became the Israel Philharmonic Orchestra
), 'during its first two years [...] programme[d] several works by Richard Wagner who was recognised as one of the great Western composers despite the well-known fact that he had been a fanatical anti-Semite'. However the orchestra banished his works from its repertoire after Kristallnacht
in 1938 (to be followed shortly after by the exclusion of works of Richard Strauss
).
Because of Wagner's anti-Semitic ideas and the association of his works with Nazism, Wagner's music was not performed publicly in the modern state of Israel
until 2000. Although his works are broadcast on Israeli government-owned radio and television stations, attempts to stage public performances in Israel have raised protests in the past, including protests from holocaust
survivors. In 1981 Zubin Mehta
cancelled a planned performance to include parts of Tristan und Isolde
for this reason. In 1992, Daniel Barenboim
programmed works by Wagner at a concert of the Israel Philharmonic, but this was cancelled after protests, although a rehearsal was opened to the public. The first documented public Israeli Wagner concerts were in 2000, when the holocaust survivor Mendi Rodan conducted the Siegfried Idyll
in Rishon Letzion, and in August 2001 when a concert conducted by Daniel Barenboim in Tel-Aviv included as an encore an extract from Tristan und Isolde
, which divided the audience between applause and protest.
One of the many ironies reflecting the complexities of Wagner and the responses his music provokes is that, like many German-speaking Jews of the pre-Hitler epoch, Theodore Herzl, a founder of modern Zionism
, was an avid admirer of Wagner's music, whatever he felt about the composer's anti-Semitism.
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
was a controversial figure during his lifetime, and has continued to be so after his death. Even today he is associated in the minds of many with Nazism
Nazism
Nazism, the common short form name of National Socialism was the ideology and practice of the Nazi Party and of Nazi Germany...
and his operas are often thought to extol the virtues of German
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...
nationalism
Nationalism
Nationalism is a political ideology that involves a strong identification of a group of individuals with a political entity defined in national terms, i.e. a nation. In the 'modernist' image of the nation, it is nationalism that creates national identity. There are various definitions for what...
. The writer and Wagner scholar Bryan Magee
Bryan Magee
Bryan Edgar Magee is a noted British broadcasting personality, politician, poet, and author, best known as a popularizer of philosophy.-Early life:...
has written:
I sometimes think there are two Wagners in our culture, almost unrecognizably different from one another: the Wagner possessed by those who know his work, and the Wagner imagined by those who know him only by name and reputation.
Most of these perceptions arise from Wagner's published opinions on a number of topics. Wagner was a voluminous writer and published essays and pamphlets on a wide range of subjects throughout his life. (Many of Wagner's writings are available online in English translations at The Wagner Library.) While his music-dramas have an immediate appeal, Wagner's writing style is verbose, unclear and turgid, which has greatly added to the confusion about his opinions.
Several of his writings have achieved some notoriety, in particular his essay Das Judenthum in der Musik
Das Judenthum in der Musik
Das Judenthum in der Musik is an essay by Richard Wagner, attacking Jews in general and the composers Giacomo Meyerbeer and Felix Mendelssohn in particular, which was published under a pseudonym in the Neue Zeitschrift für Musik of Leipzig in...
, (Jewishness in Music), a critical view on the influence of Jews in German culture and society at that time. His attitudes to the unification of Germany
Unification of Germany
The formal unification of Germany into a politically and administratively integrated nation state officially occurred on 18 January 1871 at the Versailles Palace's Hall of Mirrors in France. Princes of the German states gathered there to proclaim Wilhelm of Prussia as Emperor Wilhelm of the German...
were complex: he disliked the first German Chancellor Bismarck
Otto von Bismarck
Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg , simply known as Otto von Bismarck, was a Prussian-German statesman whose actions unified Germany, made it a major player in world affairs, and created a balance of power that kept Europe at peace after 1871.As Minister President of...
, however he often expressed his belief that German Art should be extolled and protected, most notably in Hans Sachs
Hans Sachs
Hans Sachs was a German meistersinger , poet, playwright and shoemaker.-Biography:Hans Sachs was born in Nuremberg . His father was a tailor. He attended Latin school in Nuremberg...
' final oration in his opera Die Meistersinger von Nürnberg
Die Meistersinger von Nürnberg
Die Meistersinger von Nürnberg is an opera in three acts, written and composed by Richard Wagner. It is among the longest operas still commonly performed today, usually taking around four and a half hours. It was first performed at the Königliches Hof- und National-Theater in Munich, on June 21,...
. The essays he wrote in his final years were also controversial, with many readers perceiving them to employ an endorsement of racist, Aryan
Aryan race
The Aryan race is a concept historically influential in Western culture in the period of the late 19th century and early 20th century. It derives from the idea that the original speakers of the Indo-European languages and their descendants up to the present day constitute a distinctive race or...
beliefs.
Wagner was also promoted during the Nazi era as one of Adolf Hitler
Adolf Hitler
Adolf Hitler was an Austrian-born German politician and the leader of the National Socialist German Workers Party , commonly referred to as the Nazi Party). He was Chancellor of Germany from 1933 to 1945, and head of state from 1934 to 1945...
's favourite composers, and Hitler is alleged to have said that "Whoever wants to understand National Socialist Germany must know Wagner." Historical perception of Wagner has been tainted with this association ever since, and there is debate over how Wagner's writings and operas might have influenced the creation of Nazi Germany. Finally there is controversy over Wagner's paternity. It is suggested that he was the son of Ludwig Geyer
Ludwig Geyer
Ludwig Geyer was a German actor, playwright and painter.Born in Eisleben, he was the stepfather of composer Richard Wagner, whose biological father had died some six months after his birth...
, rather than his legal father Carl Friedrich Wagner, and some of his biographers have proposed that Wagner himself believed that Geyer was Jewish.
Paternity
Richard Wagner was born on May 22, 1813, the ninth child of Carl Friedrich Wagner, a clerk in the Leipzig police service and Johanna Rosine Wagner. Wagner's father died of typhusTyphus
Epidemic typhus is a form of typhus so named because the disease often causes epidemics following wars and natural disasters...
six months after Richard's birth, by which time Wagner's mother was living with the actor and playwright Ludwig Geyer
Ludwig Geyer
Ludwig Geyer was a German actor, playwright and painter.Born in Eisleben, he was the stepfather of composer Richard Wagner, whose biological father had died some six months after his birth...
in the Brühl
Brühl (Leipzig)
The Brühl is a street in Leipzig, Germany, just within the limits of the former city wall.-History:On the corner of the Brühl and Katharinestrasse stands the Romanus house, built for the mayor of Leipzig between 1701 and 1704, and one of the finest baroque buildings remaining in the town.In the...
, at that time the Jewish quarter of Leipzig. Johanna and Geyer married in August 1814, and for the first 14 years of his life, Wagner was known as Wilhelm Richard Geyer. Wagner in his later years discovered letters from Geyer to his mother which led him to suspect that Geyer was in fact his biological father, and furthermore speculated that Geyer was Jewish. The philosopher Friedrich Nietzsche
Friedrich Nietzsche
Friedrich Wilhelm Nietzsche was a 19th-century German philosopher, poet, composer and classical philologist...
was one of Wagner's closest acolytes, and proof-read Wagner's autobiography Mein Leben. It may have been this closeness that led Nietzsche to claim in his 1888 book Der Fall Wagner (The Case of Wagner
The Case of Wagner
The Case of Wagner is a German book by the philosopher Friedrich Nietzsche, originally published in 1888. Subtitled "A Musician's Problem", it has also been known as "The Wagner Case" in English.-Contents:...
) that Wagner's father was Geyer, and to make the pun that "Ein Geyer ist beinahe schon ein Adler" (A vulture is almost an eagle) —Geyer also being the German word for a vulture and Adler being a very common Jewish surname. Despite these conjectures on the part of Wagner and Nietzsche, there is no evidence that Geyer was Jewish, and the question of Wagner's paternity is unlikely to be settled without DNA evidence.
Antisemitism
Prior to 1850 there is no record of Wagner expressing any particular antisemitic sentiment. However as he struggled to develop his career he began to resent the success of Jewish composers such as Felix MendelssohnFelix Mendelssohn
Jakob Ludwig Felix Mendelssohn Barthóldy , use the form 'Mendelssohn' and not 'Mendelssohn Bartholdy'. The Grove Dictionary of Music and Musicians gives ' Felix Mendelssohn' as the entry, with 'Mendelssohn' used in the body text...
and Giacomo Meyerbeer
Giacomo Meyerbeer
Giacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
and blamed them for his lack of success, particularly after his stay in Paris in 1840–41 when he was impoverished and reduced to music copy-editing. Ironically, at the same time Wagner did have considerable contact with Meyerbeer, who loaned him money and used his influence to arrange for the premiere of Rienzi
Rienzi
Rienzi, der Letzte der Tribunen is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Bulwer-Lytton's novel of the same name . The title is commonly shortened to Rienzi...
, Wagner's first successful opera, in Dresden in 1842; Meyerbeer later expressed hurt and bewilderment over Wagner's written abuse of him, his works, and his faith. Wagner's first and most controversial essay on the subject was Das Judenthum in der Musik
Das Judenthum in der Musik
Das Judenthum in der Musik is an essay by Richard Wagner, attacking Jews in general and the composers Giacomo Meyerbeer and Felix Mendelssohn in particular, which was published under a pseudonym in the Neue Zeitschrift für Musik of Leipzig in...
('Jewishness in Music'), originally published under the pen-name K. Freigedank (K. Freethought) in 1850 in the Neue Zeitschrift für Musik
Neue Zeitschrift für Musik
Die Neue Zeitschrift für Musik was a music magazine published in Leipzig, co-founded by Robert Schumann, his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke...
. In a previous issue Theodor Uhlig
Theodor Uhlig
Theodor Uhlig was a German viola-player, composer and music critic.-Uhlig and Wagner:...
had attacked the success in Paris of Meyerbeer's Le prophète
Le prophète
Le prophète is an opera in five acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe.-Performance history:...
, and Wagner's essay expanded this to an attack on supposed 'Jewishness' in all German art. The essay purported to explain popular dislike of Jewish composers, in particular Mendelssohn and Meyerbeer, who is not mentioned by name but is clearly a target. Wagner wrote that the German people were repelled by Jews due to their 'alien' appearance and behaviour: 'with all our speaking and writing in favour of the Jews' emancipation, we always felt instinctively repelled by any actual, operative contact with them.' He argued that Jewish musicians were only capable of producing music that was shallow and artificial, because they had no connection to the genuine spirit of the German people.
In the conclusion to the essay, he wrote of the Jews that 'only one thing can redeem you from the burden of your curse: the redemption of Ahasuerus
Wandering Jew
The Wandering Jew is a figure from medieval Christian folklore whose legend began to spread in Europe in the 13th century. The original legend concerns a Jew who taunted Jesus on the way to the Crucifixion and was then cursed to walk the earth until the Second Coming...
— going under!' Although this has been taken by some commentators to mean actual physical annihilation, in the context of the essay it seems to refer only to the eradication of Jewish separateness and traditions. Wagner advises Jews to follow the example of Ludwig Börne
Ludwig Börne
Karl Ludwig Börne was a German political writer and satirist.-Early life:Karl Ludwig Börne was born Loeb Baruch on May 6, 1786, at Frankfurt am Main, son of Jakob Baruch, a banker. His grandfather had been a government bureaucrat.-Education:Börne and his brothers were privately tutored by Jacob...
by abandoning Judaism. In this way Jews will take part in 'this regenerative work of deliverance through self-annulment; then are we one and un-dissevered!' Wagner was therefore calling for the assimilation of Jews into mainstream German culture and society - although there can be little doubt, from the words he uses in the essay, that this call was prompted at least as much by anti-semitism as by a desire for social amelioration. (In the very first publication, the word here translated as 'self-annulment' was represented by the phrase 'self-annihilating, bloody struggle').
The initial publication of the article attracted little attention, but Wagner wrote a self-justifying letter about it to Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...
in 1851, claiming that his "long-suppressed resentment against this Jewish business" was "as necessary to me as gall
Bile
Bile or gall is a bitter-tasting, dark green to yellowish brown fluid, produced by the liver of most vertebrates, that aids the process of digestion of lipids in the small intestine. In many species, bile is stored in the gallbladder and upon eating is discharged into the duodenum...
is to the blood". Wagner republished the pamphlet under his own name in 1869, with an extended introduction, leading to several public protests at the first performances of Die Meistersinger von Nürnberg
Die Meistersinger von Nürnberg
Die Meistersinger von Nürnberg is an opera in three acts, written and composed by Richard Wagner. It is among the longest operas still commonly performed today, usually taking around four and a half hours. It was first performed at the Königliches Hof- und National-Theater in Munich, on June 21,...
. Wagner repeated similar views in later articles, such as "What is German?" (1878, but based on a draft written in the 1860s), and Cosima Wagner's diaries often recorded his comments about "Jews". Although many have argued that his aim was to promote the integration of Jews into society by suppressing their Jewishness, others have interpreted the final words of the 1850 pamphlet (suggesting the solution of an Untergang for the Jews, an ambiguous word, literally 'decline' or 'downfall' but which can also mean 'sinking' or 'going to a doom') as meaning that Wagner wished the Jewish people to be destroyed.
Some biographers, such as Theodor Adorno and Robert Gutman have advanced the claim that Wagner's opposition to Jews was not limited to his articles, and that the operas contained such messages. In particular the characters of Mime in the Ring, Klingsor in Parsifal
Parsifal
Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...
and Sixtus Beckmesser in Die Meistersinger are supposedly Jewish stereotypes, although none of them are identified as Jews in the libretto. Such claims are disputed. Wagner was not above putting digs and insults to specific individuals into his work, and it was usually obvious when he did. Wagner, over the course of his life, produced a huge amount of written material analyzing every aspect of himself, including his operas and his views on Jews (as well as many other topics); these purportedly 'Jewish' characterizations messages are never mentioned, nor are there any such references in Cosima Wagner's copious diaries.
Despite his published views on Jewishness, Wagner maintained Jewish friends and colleagues throughout his life. One of the most notable of these was Hermann Levi
Hermann Levi
Hermann Levi was a German Jewish orchestral conductor.Levi was born in Gießen, Germany, the son of a rabbi. He was educated at Gießen and Mannheim, and came to Vinzenz Lachner's notice...
, a practising Jew and son of a Rabbi
Rabbi
In Judaism, a rabbi is a teacher of Torah. This title derives from the Hebrew word רבי , meaning "My Master" , which is the way a student would address a master of Torah...
, whose talent was freely acknowledged by Wagner. Levi's position as Kapellmeister
Kapellmeister
Kapellmeister is a German word designating a person in charge of music-making. The word is a compound, consisting of the roots Kapelle and Meister . The words Kapelle and Meister derive from the Latin: capella and magister...
at Munich meant that he was to conduct the premiere of Parsifal, Wagner's last opera. Wagner initially objected to this and was quoted as saying that Levi should be baptized before conducting Parsifal. Levi however held Wagner in adulation, and was asked to be a pallbearer at the composer's funeral.
Racism
Some biographers have asserted that Wagner in his final years came to believe in the AryanistAryan race
The Aryan race is a concept historically influential in Western culture in the period of the late 19th century and early 20th century. It derives from the idea that the original speakers of the Indo-European languages and their descendants up to the present day constitute a distinctive race or...
philosophy of Arthur de Gobineau
Arthur de Gobineau
Joseph Arthur Comte de Gobineau was a French aristocrat, novelist and man of letters who became famous for developing the theory of the Aryan master race in his book An Essay on the Inequality of the Human Races...
. However the influence of Gobineau on Wagner's thought is debated. Wagner was first introduced to Gobineau in person in Rome in November 1876. The two did not cross paths again until 1880, well after Wagner had completed the libretto for Parsifal
Parsifal
Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...
, the opera most often accused of containing racist ideology. Although Gobineau's An Essay on the Inequality of the Human Races
An Essay on the Inequality of the Human Races
Essai sur l'inégalité des races humaines by Joseph Arthur Comte de Gobineau was intended as a work of philosophical enquiry into decline and degeneration...
was written 25 years earlier, it seems that Wagner did not read it until October 1880. There is evidence to suggest that Wagner was very interested in Gobineau's idea that Western society was doomed because of miscegenation
Miscegenation
Miscegenation is the mixing of different racial groups through marriage, cohabitation, sexual relations, and procreation....
between "superior" and "inferior" races. However, he does not seem to have subscribed to any belief in the superiority of the supposed Germanic or "Nordic race".
Wagner's conversations with Gobineau during the philosopher's 5-week stay at Wahnfried
Wahnfried
Wahnfried may refer to:*Wahnfried, Richard Wagner's villa in Bayreuth*Richard Wahnfried , the long-time alias for German composer and musician Klaus Schulze...
in 1881 were punctuated with frequent arguments. Cosima Wagner's diary entry for June 3 recounts one exchange in which Wagner "positively exploded in favour of Christianity as compared to racial theory." Gobineau also believed that in order to have musical ability, one must have black ancestry.
Wagner subsequently wrote three essays in response to Gobineau's ideas: "Introduction to a Work of Count Gobineau", "Know Thyself", and "Heroism and Christianity" (all 1881). The "Introduction" is a short piece written for the Bayreuther Blätter
Bayreuther Blätter
Bayreuther Blätter was a monthly newsletter founded in 1878 by its editor Hans von Wolzogen, with the encouragement of Richard Wagner, for visitors to the Bayreuth Festival in Bavaria, which celebrates Wagner's operas...
in which Wagner praises the Count's book:
We asked Count Gobineau, returned from weary, knowledge-laden wanderings among far distant lands and peoples, what he thought of the present aspect of the world; to-day we give his answer to our readers. He, too, had peered into an Inner: he proved the blood in modern manhood's veins, and found it tainted past all healing.
In "Know Thyself" Wagner deals with the German people, whom Gobineau believes are the "superior" Aryan race. Wagner in fact rejects the notion that the Germans are a race at all, and further proposes that we should look past the notion of race to focus on the human qualities ("das Reinmenschliche") common to all of us. In "Heroism and Christianity", Wagner proposes that Christianity could function to provide a moral harmonization of all races, preferable to the physical unification of races by miscegenation:
Incomparably fewer in individual numbers than the lower races, the ruin of the white races may be referred to their having been obliged to mix with them; whereby, as remarked already, they suffered more from the loss of their purity than the others could gain by the ennobling of their blood [...] To us Equality is only thinkable as based upon a universal moral concord, such as we can but deem true Christianity elect to bring about.
Wagner's concerns over miscegenation occupied him until the very end of his life; he was in the process of writing another essay, "On the Womanly in the Human Race" (1883), at the time of his death, in which he discusses the role of marriage in the creation of races:"it is certain that the noblest white race is monogamic at its first appearance in saga and history, but marches toward its downfall through polygamy with the races which it conquers."
Wagner's writings on race would probably be considered unimportant were it not for the influence of his son-in-law Houston Stewart Chamberlain
Houston Stewart Chamberlain
Houston Stewart Chamberlain was a British-born German author of books on political philosophy, natural science and the German composer Richard Wagner. He later became a German citizen. Chamberlain married Wagner's daughter, Eva, some years after Wagner's death...
, who expanded on Wagner and Gobineau's ideas in his 1899 book The Foundations of the Nineteenth Century
The Foundations of the Nineteenth Century
The Foundations of the Nineteenth Century was the best-selling work by Houston Stewart Chamberlain...
, a racist work extolling the Aryan ideal which later strongly influenced Adolf Hitler
Adolf Hitler
Adolf Hitler was an Austrian-born German politician and the leader of the National Socialist German Workers Party , commonly referred to as the Nazi Party). He was Chancellor of Germany from 1933 to 1945, and head of state from 1934 to 1945...
's ideas on race.
Nazi appropriation
About the time of Wagner's death, European nationalistNationalism
Nationalism is a political ideology that involves a strong identification of a group of individuals with a political entity defined in national terms, i.e. a nation. In the 'modernist' image of the nation, it is nationalism that creates national identity. There are various definitions for what...
movements were losing the Romantic
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...
, idealistic egalitarianism of 1848, and acquiring tints of militarism and aggression, due in no small part to Bismarck
Otto von Bismarck
Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg , simply known as Otto von Bismarck, was a Prussian-German statesman whose actions unified Germany, made it a major player in world affairs, and created a balance of power that kept Europe at peace after 1871.As Minister President of...
's takeover and unification of Germany in 1871. After Wagner's death in 1883, Bayreuth increasingly became a focus for German nationalists attracted by the mythos of the operas, who have been referred to by latter comentators as the Bayreuth circle
Bayreuth Circle
Der Bayreuther Kreis was a name originally applied by some writers to devotees of Richard Wagner's music who attended and supported the annual Bayreuth Festival in the later 19th and early twentieth centuries...
. This group was endorsed by Cosima Wagner
Cosima Wagner
Cosima Francesca Gaetana Wagner, née de Flavigny, from 1844 known as Cosima Liszt; was the daughter of Hungarian composer Franz Liszt...
, whose anti-Semitism was considerably less complex and more virulent than Richard's. One of the circle was Houston Stewart Chamberlain
Houston Stewart Chamberlain
Houston Stewart Chamberlain was a British-born German author of books on political philosophy, natural science and the German composer Richard Wagner. He later became a German citizen. Chamberlain married Wagner's daughter, Eva, some years after Wagner's death...
, the author of a number of 'philosophic' tracts which later became required Nazi reading. Chamberlain married Wagner's daughter, Eva. After the deaths of Cosima and Siegfried Wagner in 1930, the operation of the Festival fell to Siegfried's widow, English-born Winifred
Winifred Wagner
Winifred Wagner was an English woman married to Siegfried Wagner, Richard Wagner's son. She was the effective head of the Wagner family from 1930 to 1945, and a close friend of German dictator Adolf Hitler....
, who was a personal friend of Adolf Hitler
Adolf Hitler
Adolf Hitler was an Austrian-born German politician and the leader of the National Socialist German Workers Party , commonly referred to as the Nazi Party). He was Chancellor of Germany from 1933 to 1945, and head of state from 1934 to 1945...
. Hitler was a fanatical admirer of Wagner's music, and sought to incorporate it into his heroic mythology of the German nation. Hitler held many of Wagner's original scores in his Berlin bunker
Führerbunker
The Führerbunker was located beneath Hitler's New Reich Chancellery in Berlin, Germany. It was part of a subterranean bunker complex which was constructed in two major phases, one part in 1936 and the other in 1943...
at the end of World War II, despite the pleadings of Wieland Wagner
Wieland Wagner
Wieland Wagner was a German opera director.- Life :Wieland was the elder of two sons of Siegfried and Winifred Wagner and grandson of composer Richard Wagner....
to have these important documents put in his care; the scores perished with Hitler in the final days of the war.
Many scholars have argued that Wagner's views, particularly his anti-Semitism and purported Aryan-Germanic racism, influenced the Nazis. These claims are disputed. Recent studies suggest that there is no evidence that Hitler even read any of Wagner's writings and further argue that Wagner's works do not inherently support Nazi notions of heroism. During the Nazi regime, Parsifal was denounced as being "ideologically unacceptable" and the opera was not performed at Bayreuth during the war years. (It has been suggested that a de facto
De facto
De facto is a Latin expression that means "concerning fact." In law, it often means "in practice but not necessarily ordained by law" or "in practice or actuality, but not officially established." It is commonly used in contrast to de jure when referring to matters of law, governance, or...
ban had been placed on Parsifal by the Nazis. However there were 23 performances at the Deutsche Oper in Berlin, between 1939 and 1942, which suggests that no formal ban was in place.)
The Nazi fascination with Wagner was largely inspired by Hitler, sometimes to the dismay of other high-ranking Nazi officials, including Joseph Goebbels
Joseph Goebbels
Paul Joseph Goebbels was a German politician and Reich Minister of Propaganda in Nazi Germany from 1933 to 1945. As one of Adolf Hitler's closest associates and most devout followers, he was known for his zealous oratory and anti-Semitism...
. In 1933, for instance, Hitler ordered that each Nuremberg Rally
Nuremberg Rally
The Nuremberg Rally was the annual rally of the NSDAP in Germany, held from 1923 to 1938. Especially after Hitler's rise to power in 1933, they were large Nazi propaganda events...
open with a performance of the Meistersinger overture, and he even issued one thousand free tickets to Nazi functionaries. When Hitler entered the theater, however, he discovered that it was almost empty. The following year, those functionaries were ordered to attend, but they could be seen dozing off during the performance, so that in 1935, Hitler conceded and released the tickets to the public.
In general, while Wagner's music was often performed during the Third Reich, his popularity actually declined in Germany in favor of Italian composers such as Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
and Puccini
Giacomo Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire...
. By the 1938–39 season, Wagner had only one opera in the list of fifteen most popular operas of the season, with the list headed by Italian composer Ruggiero Leoncavallo's Pagliacci
Pagliacci
Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...
. Ironically, according to Albert Speer
Albert Speer
Albert Speer, born Berthold Konrad Hermann Albert Speer, was a German architect who was, for a part of World War II, Minister of Armaments and War Production for the Third Reich. Speer was Adolf Hitler's chief architect before assuming ministerial office...
, The Berlin Philharmonic's last performance before their evacuation from Berlin at the end of World War II was of Brünnhilde's immolation scene at the end of Götterdämmerung
Götterdämmerung
is the last in Richard Wagner's cycle of four operas titled Der Ring des Nibelungen...
.
As part of the regime's propaganda intentions of 'Nazifying' German culture, specific attempts were made to appropriate Wagner's music as 'Nazi' and pseudo-academic articles appeared such as Paul Bulow's ' Adolf Hitler and the Bayreuth Ideological Circle
Bayreuth Circle
Der Bayreuther Kreis was a name originally applied by some writers to devotees of Richard Wagner's music who attended and supported the annual Bayreuth Festival in the later 19th and early twentieth centuries...
' (Zeitschrift fur Musik, July 1933). Such articles were Nazi attempts to rewrite history to demonstrate that Hitler was integral to German culture.
There is evidence that music of Wagner was used at the Dachau concentration camp in 1933/4 to 'reeducate' political prisoners by exposure to 'national music'. However there seems to be no documentation to support claims sometimes made that his music was played at Nazi death camps.
Wagner's music in Israel
Wagner's operas have never been staged in the modern state of IsraelIsrael
The State of Israel is a parliamentary republic located in the Middle East, along the eastern shore of the Mediterranean Sea...
, and the few instrumental performances that have occurred have provoked much controversy.
The Palestine Orchestra, founded in 1936 by Bronislaw Huberman
Bronislaw Huberman
Bronisław Huberman was a Jewish Polish violinist. He was known for his individualistic and personal interpretations and was praised for his tone color, expressiveness, and flexibility...
in what is now the state of Israel (and which became the Israel Philharmonic Orchestra
Israel Philharmonic Orchestra
The Israel Philharmonic Orchestra is the leading symphony orchestra in Israel. It was originally known as the Palestine Orchestra, and in Hebrew as התזמורת הסימפונית הארץ ישראלית The Israel Philharmonic Orchestra (abbreviation IPO; Hebrew: התזמורת הפילהרמונית הישראלית, ha-Tizmoret ha-Filharmonit...
), 'during its first two years [...] programme[d] several works by Richard Wagner who was recognised as one of the great Western composers despite the well-known fact that he had been a fanatical anti-Semite'. However the orchestra banished his works from its repertoire after Kristallnacht
Kristallnacht
Kristallnacht, also referred to as the Night of Broken Glass, and also Reichskristallnacht, Pogromnacht, and Novemberpogrome, was a pogrom or series of attacks against Jews throughout Nazi Germany and parts of Austria on 9–10 November 1938.Jewish homes were ransacked, as were shops, towns and...
in 1938 (to be followed shortly after by the exclusion of works of Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
).
Because of Wagner's anti-Semitic ideas and the association of his works with Nazism, Wagner's music was not performed publicly in the modern state of Israel
Israel
The State of Israel is a parliamentary republic located in the Middle East, along the eastern shore of the Mediterranean Sea...
until 2000. Although his works are broadcast on Israeli government-owned radio and television stations, attempts to stage public performances in Israel have raised protests in the past, including protests from holocaust
The Holocaust
The Holocaust , also known as the Shoah , was the genocide of approximately six million European Jews and millions of others during World War II, a programme of systematic state-sponsored murder by Nazi...
survivors. In 1981 Zubin Mehta
Zubin Mehta
Zubin Mehta is an Indian conductor of western classical music. He is the Music Director for Life of the Israel Philharmonic Orchestra.-Biography:...
cancelled a planned performance to include parts of Tristan und Isolde
Tristan und Isolde
Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting...
for this reason. In 1992, Daniel Barenboim
Daniel Barenboim
Daniel Barenboim, KBE is an Argentinian-Israeli pianist and conductor. He has served as music director of several major symphonic and operatic orchestras and made numerous recordings....
programmed works by Wagner at a concert of the Israel Philharmonic, but this was cancelled after protests, although a rehearsal was opened to the public. The first documented public Israeli Wagner concerts were in 2000, when the holocaust survivor Mendi Rodan conducted the Siegfried Idyll
Siegfried Idyll
The Siegfried Idyll by Richard Wagner is a symphonic poem for chamber orchestra, lasting approximately twenty minutes.-Background:Wagner composed the Siegfried Idyll as a birthday present to his second wife, Cosima, after the birth of their son Siegfried in 1869...
in Rishon Letzion, and in August 2001 when a concert conducted by Daniel Barenboim in Tel-Aviv included as an encore an extract from Tristan und Isolde
Tristan und Isolde
Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting...
, which divided the audience between applause and protest.
One of the many ironies reflecting the complexities of Wagner and the responses his music provokes is that, like many German-speaking Jews of the pre-Hitler epoch, Theodore Herzl, a founder of modern Zionism
Zionism
Zionism is a Jewish political movement that, in its broadest sense, has supported the self-determination of the Jewish people in a sovereign Jewish national homeland. Since the establishment of the State of Israel, the Zionist movement continues primarily to advocate on behalf of the Jewish state...
, was an avid admirer of Wagner's music, whatever he felt about the composer's anti-Semitism.