Walga Rock
Encyclopedia
Walga Rock is the second largest monolith
in Australia
. Located at 27°24′S 117°27′E, about 50 kilometres south-west of Cue
, Western Australia
, it contains a cave with an extensive gallery of Indigenous art.
or Zuytdorp
; or that it represents a 'contact painting' by indigenous Australians who saw a ship on the coast and then moved inland. Proponents of the three-masted armed sailing ship theory considered that the middle (or main) mast of the three shown in the Walga Rock image had broken and fallen overboard. Though none of the underwater detail (e.g. the rudder) is evident, ratlines (to enable the crew to scale the rigging), and some stays (holding the masts vertical) are depicted. The hull appears pierced for at least 14 cannon with seven gunports evident along one side.
wrecked on Rottnest Island in 1899 a useful example. The similarities between the Walga Rock image and a 19th century two-masted steamer with a long segmented funnel, with its mizzen sail up (to keep its head into the wind) and with false gun ports are remarkable. Of the two-masted, flush decked (with no bridge or superstructure) colonial steamships operating in the north west of Australia, SS Xantho
owned by the controversial pearler and pastoralist Charles Edward Broadhurst
was of such import it is a likely possibility as the inspiration for the Walga Rock painting. http://www.museum.wa.gov.au/collections/maritime/march/shipwrecks/Xantho/Xantho.html. Further, independent research conducted by mid-west historian Stan Gratte (OAM) indicated that the Walga Rock painting was produced around 1917 at the time when his records show that Sammy 'Malay', also known as Sammy Hassan, arrived there from Shark Bay. Apparently a 'Malay'—the name generally but incorrectly describing indentured labourers who came to the north west from the islands north of Australia, Sammy Hassan appears to have remained in Shark Bay after the downturn in the pearling industry in the late 1870s. He is also known to have occupied what is now known as Sammy Well on the north east end of Dirk Hartog Island.. It is possible that he was one of many hundreds of indentured 'Malay' pearl divers who were transported to NW Australia in the early 1870s. Over 140 were transported on the Xantho from Batavia and the Straits Settlements, for example. Some were abandoned by Broadhurst, some at Geraldton when the Xantho sank in 1872 and many others suffered a similar fate three years later in Shark Bay. While there are many examples of Indigenous art depicting vessels on the Western Australian coast, including others showing what appears to be the SS Xantho and possibly another steamer at Inthanoona Station east of Cossack, the Walga Rock painting is one of the most inland examples.
Monolith
A monolith is a geological feature such as a mountain, consisting of a single massive stone or rock, or a single piece of rock placed as, or within, a monument...
in Australia
Australia
Australia , officially the Commonwealth of Australia, is a country in the Southern Hemisphere comprising the mainland of the Australian continent, the island of Tasmania, and numerous smaller islands in the Indian and Pacific Oceans. It is the world's sixth-largest country by total area...
. Located at 27°24′S 117°27′E, about 50 kilometres south-west of Cue
Cue, Western Australia
- Further reading:* 'Along the Cue railway. Inspection of line with suggested improvements, visit to Georgina Siding'. West Australian, 11 June 1898, p. 5-External links:* *...
, Western Australia
Western Australia
Western Australia is a state of Australia, occupying the entire western third of the Australian continent. It is bounded by the Indian Ocean to the north and west, the Great Australian Bight and Indian Ocean to the south, the Northern Territory to the north-east and South Australia to the south-east...
, it contains a cave with an extensive gallery of Indigenous art.
Painting
A painting of what appeared at first glance to be a sailing ship appears superimposed over some of the earlier works and underneath there are lines of writing that while resembling a Cyrillic or Arabic script have not been identified. While the Indigenous gallery is in itself remarkable, there has been a great deal of speculation about the painting, especially considering it is located 325 kilometres from the coast. It has been argued that it was drawn by survivors of the heavily armed three-masted Dutch East India (VOC) ships BataviaBatavia (ship)
Batavia was a ship of the Dutch East India Company . It was built in Amsterdam in 1628, and armed with 24 cast iron cannons and a number of bronze guns. Batavia was shipwrecked on her maiden voyage, and was made famous by the subsequent mutiny and massacre that took place among the survivors...
or Zuytdorp
Zuytdorp
The VOC Zuytdorp also Zuiddorp was a trading ship of the Dutch East India Company in the 18th century. On 1 August 1711 it was dispatched from the Netherlands to the trading port of Batavia bearing a load of freshly minted silver coins.Many trading ships of the time had started to use a "fast...
; or that it represents a 'contact painting' by indigenous Australians who saw a ship on the coast and then moved inland. Proponents of the three-masted armed sailing ship theory considered that the middle (or main) mast of the three shown in the Walga Rock image had broken and fallen overboard. Though none of the underwater detail (e.g. the rudder) is evident, ratlines (to enable the crew to scale the rigging), and some stays (holding the masts vertical) are depicted. The hull appears pierced for at least 14 cannon with seven gunports evident along one side.
SS Xantho?
While it was not generally known until recent years that colonial-era steamers also carried sails, few if any aware of that fact now doubt that the image is that of a colonial steamship. It is flush-decked (i.e. with no superstructures) with the tall feature mid-ships being a long segmented funnel characteristic of the era (tall funnels produced a greater draft for the boiler fires). A sail appears set on the mizzen mast and if this is correct, the bow is to the right of the image. To set a mizzen sail while at anchor in order to keep a vessel's head into the wind is a common practices to this day. Further it is almost certain that the vessel depicted was not armed, for rarely were steamers armed with a 'broadside' and false (painted) gunports were a common feature of vessels in the late 19th century, with the barque City of YorkCity of York (barque)
The City of York was a 1,194 ton iron barque which sunk after hitting a reef off Rottnest Island in the last few kilometres of its voyage from San Francisco to Fremantle, Western Australia in 1899....
wrecked on Rottnest Island in 1899 a useful example. The similarities between the Walga Rock image and a 19th century two-masted steamer with a long segmented funnel, with its mizzen sail up (to keep its head into the wind) and with false gun ports are remarkable. Of the two-masted, flush decked (with no bridge or superstructure) colonial steamships operating in the north west of Australia, SS Xantho
SS Xantho
Powered by a horizontal trunk engine, SS Xantho was a steam ship used in the colony of Western Australia as a pearling transport and mothership, as a tramp steamer, carrying passengers, including Aboriginal convicts and trade goods before she sank at Port Gregory, Western Australia in 1872.The...
owned by the controversial pearler and pastoralist Charles Edward Broadhurst
Charles Edward Broadhurst
Charles Edward Broadhurst was a pioneer pastoralist and pearler in colonial Western Australia. He was a member of the Western Australian Legislative Council in 1874 and 1875...
was of such import it is a likely possibility as the inspiration for the Walga Rock painting. http://www.museum.wa.gov.au/collections/maritime/march/shipwrecks/Xantho/Xantho.html. Further, independent research conducted by mid-west historian Stan Gratte (OAM) indicated that the Walga Rock painting was produced around 1917 at the time when his records show that Sammy 'Malay', also known as Sammy Hassan, arrived there from Shark Bay. Apparently a 'Malay'—the name generally but incorrectly describing indentured labourers who came to the north west from the islands north of Australia, Sammy Hassan appears to have remained in Shark Bay after the downturn in the pearling industry in the late 1870s. He is also known to have occupied what is now known as Sammy Well on the north east end of Dirk Hartog Island.. It is possible that he was one of many hundreds of indentured 'Malay' pearl divers who were transported to NW Australia in the early 1870s. Over 140 were transported on the Xantho from Batavia and the Straits Settlements, for example. Some were abandoned by Broadhurst, some at Geraldton when the Xantho sank in 1872 and many others suffered a similar fate three years later in Shark Bay. While there are many examples of Indigenous art depicting vessels on the Western Australian coast, including others showing what appears to be the SS Xantho and possibly another steamer at Inthanoona Station east of Cossack, the Walga Rock painting is one of the most inland examples.
Further reading
- Bigourdan, N., & McCarthy, M., 2007. Aboriginal watercraft depictions in Australia: on land and underwater? Bulletin of the Australasian Institute for Maritime Archaeology, 31: 1-10.
- Gunn, R. G. et al. (1997)_Walga Rock (Walganha) : a Wajarri rock art and Dreaming site in the Murchison Basin, Western Australia : WA Register of Aboriginal sites no. P249 / a report to the Yamaji Language Centre, Geraldton and the Australian Heritage Commission, Perth ; by R.G. Gunn, R.E. Webb and D.E. Marmion. Geraldton, W.A. : Yamaji Language Centre.
- Hussey, B.M.J. (2003) Ferals at Walga Rock.(regarding feral animals) Western Australian naturalist, Vol.24, no.2 (30 Dec. 2003), p.115-117
- Jenkinson, Charles.(2004) Site returned. Wilgie Mia and Walga Rock handed over to their traditional owners - the custodianship of the Wajarri Tribal Elders. Geraldton guardian, 19 Nov. 2004, p.13
- Laud, Peter.(2001) Rock art under study. Destinations, Mar/Apr. 2001, p. 8-9,
- McCarthy, M., 2000. "Iron and steamship archaeology:success and failure on the SS Xantho". Kluwer/Plenum. p. 60-1.
- McCarthy, M., 2007. Sammy Well. In Green, J., (ed.) "Report on the 2006 Western Australian Museum, Department of Maritime Archaeology, Cape Inscription National Heritage Listing Archaeological Survey". Report—Department of Maritime Archaeology Western Australian Museum, No. 223 Special Publication No. 10, Australian National Centre of Excellence for Maritime Archaeology: 195-202. Available in PDF form. http://wamuseum.com.au/collections/maritime/march/DHI-site/index.html
- Playford, P., 1996, "Carpet of Silver: the wreck of the Zuytdorp". UWA Press, Nedlands.WA.
- Webb, R. E. and Gunn, R.G.(1999) Walga Rock. Part 2 : preliminery artefact analysis, detailed art recording : Western Australian Register of Aboriginal Sites no. P249 / second report to the Yamaji Language Centre, Geraldton and the Australian Heritage Commission, Canberra. East Perth, W.A. : Distributed by the Heritage Council of W.A.
- Webb, R. E. (2003) Management work undertaken at Walganha (Walga Rock), an Aboriginal rock-art site, near Cue, Western Australia / a report to the Heritage Assistance & Projects Section, Department of Environment & Heritage, Canberra, ACT, Thoo Thoo Warninha Aboriginal Corporation, Cue, WA, and the Shire of Cue . East Perth, W.A. Distributed by the Heritage Council of W.A..